Olympus SH-2 vs Sony A200
88 Imaging
40 Features
51 Overall
44


66 Imaging
49 Features
38 Overall
44
Olympus SH-2 vs Sony A200 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 271g - 109 x 63 x 42mm
- Announced March 2015
- Succeeded the Olympus SH-1
- Replacement is Olympus SH-3
(Full Review)
- 10MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 572g - 131 x 99 x 71mm
- Introduced July 2008
- Refreshed by Sony A230

Olympus SH-2 vs Sony A200: An In-Depth Comparison for Discerning Photographers
Choosing a camera often entails navigating a complex interplay of sensor technology, ergonomics, lens options, and feature sets tailored to specific photographic applications. Here, we conduct a thorough comparative analysis of two distinctly different photographic tools: the Olympus Stylus SH-2, a compact superzoom camera released in early 2015, and the Sony Alpha DSLR-A200, an entry-level DSLR introduced in mid-2008. Both cameras attract very different user segments, yet a comprehensive, feature-by-feature comparison sheds light on how their respective designs translate into real-world photographic value.
Our assessment draws extensively from hands-on experience, technical testing methodologies such as sensor dynamic range and autofocus tracking evaluations, and pragmatic considerations regarding system integration and workflow.
Understanding the Physical and Ergonomic Differences
Ergonomic design significantly impacts shooting comfort, stability, and handling speed across diverse photographic scenarios.
The Olympus SH-2 is a truly compact superzoom camera weighing just 271 grams and measuring approximately 109x63x42 mm. Its compactness and clamshell styling suit travel, street, and casual shooting where pocketability is paramount. The ergonomics center around a simplified layout targeted at consumers seeking zoom versatility without system complexity.
In contrast, the Sony A200 embodies the heft and presence characteristic of DSLRs, weighing 572 grams with dimensions of 131x99x71 mm. This larger body allows for a substantial grip and physical controls, benefitting landscape photographers, sports shooters, and enthusiasts who prioritize manual control and handling robustness.
The disparity in size translates directly to user fatigue during prolonged shooting and the choice of shooting posture. The SH-2's smaller dimensions make it ideal for discreet street photography and spontaneous travel snapshots. However, it compromises tactile feedback and grip security, especially when extended zoom lenses induce more pronounced camera shake.
Control Layout and Interface: Balancing Simplicity and Functionality
The top-panel comparison reveals Olympus’s commitment to minimalism, with limited dedicated dials and buttons, relying heavily on touchscreen interaction. This makes the SH-2 approachable for novices but reduces instant access to key exposure parameters. By contrast, the Sony A200’s top plate boasts classic DSLR controls, including dedicated dials for shutter speed, aperture priority, and manual exposure. Its physical design caters to photographers who demand fast adjustments without interrupting composition.
While the SH-2’s touchscreen can streamline menu navigation, it lacks the precision and tactile confidence of tactile controls in challenging environments such as cold weather or while wearing gloves. Conversely, the A200’s traditional controls incur a learning curve but empower skilled users to effect rapid changes, an advantage in dynamic shooting situations like wildlife or sports.
Sensor Technology and Raw Image Quality
The cornerstone of photographic quality lies in sensor size and technology. The Olympus SH-2 employs a 1/2.3" BSI-CMOS sensor measuring 6.17x4.55 mm with a total area of approximately 28.07 mm², delivering a 16-megapixel effective resolution. Conversely, the Sony A200 uses an APS-C sized CCD sensor (23.6x15.8 mm, about 373 mm² area) with 10 megapixels.
The significant size advantage of the A200 sensor translates to superior light-gathering capacity, higher dynamic range, and better low-light performance - largely due to the increased pixel pitch and sensor area. While the SH-2’s backside illuminated CMOS is efficient within its class and benefits from the TruePic VII processor, it struggles to match the signal-to-noise ratio and tonal gradation of the A200, especially beyond ISO 400.
However, the SH-2’s higher megapixel count on a small sensor comes with the usual compromise: smaller photosites, leading to increased noise and narrower dynamic range, limiting its capability for post-processing flexibility in demanding scenarios, such as shadow recovery in landscape photography.
The A200, although older technology (CCD sensor), delivers respectable color depth (22.3 bits per DxOMark) and an overall score of 63, affirming its strength in image fidelity for entry-level DSLR territory. The Olympus SH-2, unfortunately, lacks publicly available DxOMark benchmarks.
In practical studio and landscape usage, the Sony A200 consistently produces cleaner files with more latitude for color grading and tonal adjustments, whereas the SH-2 files become noticeably noisier at ISO 800 and above.
Rear LCD and Viewfinder Options: Framing and Review Mechanics
The Olympus SH-2 features a 3.0-inch fixed touchscreen LCD with a resolution of 460k dots, providing relatively sharp image review and intuitive touch focus capabilities. Its live view is responsive, well-suited for composing shots at unconventional angles or during video capture.
The Sony A200 offers a smaller, 2.7-inch fixed LCD with a lower resolution of 230k dots and no touchscreen functionality. While less advanced, the A200 compensates with a pentamirror optical viewfinder providing approximately 95% frame coverage and a magnification of 0.55x, delivering a direct, lag-free view ideal for bright daylight shooting and fast subject acquisition.
The lack of any electronic viewfinder on the Olympus limits precision framing and may challenge photographers working in bright outdoor environments. The SH-2’s reliance on the LCD exclusively can also introduce shutter lag and parallax issues during fast action shooting.
For photographers accustomed to DSLR optical viewfinders, the Sony A200 provides a more immersive and reliable framing experience, particularly in diverse lighting conditions.
Autofocus Systems: Accuracy, Speed, and Reliability
Autofocus (AF) performance is crucial across genres from sports to macro.
The Olympus SH-2 utilizes a contrast-detection AF system augmented by face detection and multiple AF modes including continuous and tracking. Its 11.5 frames per second continuous shooting mode leverages sensor-shift image stabilization and a relatively fast processor to sustain autofocus performance during bursts.
Meanwhile, the Sony A200 employs a phase-detection autofocus system with 9 AF points spread across the frame, suitable for capturing stationary and moderately active subjects. Continuous AF during burst shooting is limited, and the maximum continuous shooting speed is approximately 3 frames per second.
Subject tracking and face detection are not supported on the A200, disadvantaging it against the SH-2 for portraiture involving moving subjects. However, phase-detect AF generally outperforms contrast-detection in terms of speed and accuracy, particularly in good lighting, giving the A200 an edge in critical focus applications like wildlife and sports when paired with appropriate lenses.
The SH-2’s advanced AF tracking and face detection enhance user experience but operate within the constraints of less sensitive contrast detection technology, potentially causing hunting in low-light or low-contrast scenes.
Lens System and Optical Versatility
Lens flexibility is a determining factor for many photographic disciplines.
The Olympus SH-2 features a fixed 25-600 mm (equivalent) zoom lens with a 24x optical zoom and an aperture range of F3.0-6.9. This superzoom capability is notable for travel and wildlife photographers on a budget who desire an all-in-one solution without the hassle of lens changes. However, the variable maximum aperture limits low-light and depth-of-field control at the telephoto end.
In contrast, the Sony A200 uses an interchangeable Sony/Minolta Alpha bayonet mount with over 140 lenses available, spanning primes, zooms, and specialty optics, including fast apertures and macro lenses. This flexibility allows professional and advanced amateur photographers to select optics optimized for specific shooting styles, from wide-angle landscapes to telephoto sports.
The fixed lens on the SH-2, while convenient and compact, significantly restricts creative control, bokeh quality, and optical sharpness compared to the high-performance glass options accessible on the A200.
Burst Rates and Shutter Specifications: For Action and Precision
For sports and wildlife photographers, frame rates and shutter speeds define the ability to capture decisive moments.
The Olympus SH-2 delivers a remarkable continuous shooting speed of 11.5 fps at full resolution, facilitated by sensor-shift stabilization and electronic shutter control, despite the fixed-lens constraint. The shutter speed range spans from 30 seconds to 1/2000 of a second.
The Sony A200’s maximum burst rate is 3 fps with shutter speeds from 30 seconds up to 1/4000 second, offering greater ability to freeze fast motion but at a slower sequence cadence. Its mechanical shutter gave a reliable tactile feel appreciated by professionals but limits burst speed.
In testing with simulated high-action scenarios, the SH-2 proved effective for fast capture of subjects in well-lit environments but introduced additional noise and modest artifacts at the highest burst rate. The A200’s slower burst rate is balanced by more robust image quality per frame and greater shutter speed flexibility.
Video Capability: A Market-Driven Contrast
The Olympus SH-2 supports Full HD video recording at 1080p with options for 60 and 30 fps, a feature integrated with its touchscreen interface and in-camera stabilization. It outputs H.264 codec video, catering to casual videographers without requiring external microphones or monitoring ports. Time-lapse recording is also included.
Conversely, the Sony A200 does not support video recording, reflecting its design focus on still photography.
For users seeking hybrid functionality between stills and video, the SH-2 is the only viable choice here, albeit limited by lack of external audio input and professional codec options.
Practical Aspects: Battery, Storage, and Connectivity
Battery life is critical for extended field use. The Olympus SH-2 features a proprietary LI-92B battery rated for approximately 380 shots, typical for compact cameras but less than ideal for long expeditions without spares.
The Sony A200’s battery performance is manufacturer-rated around 500 shots per charge, with a larger body accommodating bigger batteries. The use of CompactFlash cards contrasts with the SH-2’s SD/SDHC/SDXC compatibility, with SD cards generally offering broader availability and speed tier options today.
Connectivity-wise, the SH-2 includes built-in Wi-Fi for image transfer and remote control capabilities, a convenience absent in the older A200, which has no wireless features. However, neither camera supports Bluetooth or NFC, reflecting their respective technological generations.
Weather Sealing and Build Quality
Both cameras lack environmental sealing or ruggedization features. Users planning landscape or wildlife photography in adverse conditions should consider this limitation and invest in protective accessories.
Genre-Specific Performance and Use Case Recommendations
To synthesize our analysis, we evaluated each camera’s strengths across major photographic disciplines.
The sample image gallery demonstrates the tonal gradation and detail retention differences between the cameras under controlled shooting.
Portrait Photography
- Olympus SH-2: Face detection AF aids focusing on eyes, but small sensor and limited aperture range restrict shallow depth-of-field and bokeh quality.
- Sony A200: Superior bokeh potential with fast prime lenses and more natural skin tones from larger sensor; manual focus override available.
Landscape Photography
- Sony A200 excels due to larger sensor, higher dynamic range, and interchangeable lenses. The SH-2’s limited sensor area and zoom lens constrain image quality and creative control.
Wildlife Photography
- Olympus SH-2 provides unmatched zoom reach in a compact package and fast burst rates, useful for casual wildlife capture.
- Sony A200, combined with telephoto lenses, offers higher image quality but slower continuous shooting, more demanding system bulk.
Sports Photography
- Olympus SH-2’s 11.5 fps burst speed is a strong point for capturing action; however, contrast-detection AF may struggle with fast-moving subjects.
- Sony A200’s phase-detection AF and superior shutter speed control appeal to users prioritizing focus accuracy over frame rate.
Street Photography
- Olympus SH-2’s compact size and quiet operation make it more discreet.
- Sony A200’s bulk and shutter noise reduce candid photography efficacy.
Macro Photography
- Neither camera excels here, but the A200’s ability to mount dedicated macro lenses and manual focus aids precision.
Night and Astro Photography
- A200’s APS-C sensor and higher ISO ceiling outperform the SH-2’s small sensor and lower sensitivity.
Video Recording
- SH-2 is the only choice, providing Full HD video with decent stabilization.
Travel Photography
- SH-2’s size, versatility, and wireless connectivity favor travel photographers needing convenience.
- A200 trades compactness for image quality and system expandability.
Professional Workflows
- Sony’s support for interchangeable lenses, raw files, and established accessories makes it the superior tool for professional workflows.
Value Analysis: Price vs Performance
The Olympus SH-2’s price point around $399 positions it as an accessible zoom-centric compact for enthusiasts seeking versatility without complexity. Its technological age and sensor limitations are balanced by convenience features.
The Sony A200, now obtainable for approximately $100 used, offers substantial sensor advantages and system expansion potential, appealing to budget-minded DSLR beginners or collectors.
Neither camera competes in current enthusiast or professional markets, where camera sensor and processing technology have evolved significantly. However, for buyers valuing size, zoom reach, and video capability, the SH-2 remains a pragmatic choice. For those prioritizing image quality, lens choice, and manual control, the A200 remains relevant despite aging hardware.
Final Thoughts: Matching Camera to Photographer Profile
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Choose Olympus SH-2 if you prioritize:
- All-in-one zoom flexibility without additional lenses
- Compact, travel-friendly design
- Integrated stabilized Full HD video with basic wireless features
- Fast burst shooting for casual action capture
- User-friendly touchscreen interface
-
Choose Sony A200 if you require:
- Larger APS-C sensor with better image quality and dynamic range
- Interchangeable lenses for specialized shooting
- Traditional DSLR handling with manual controls
- Optical viewfinder preference
- Lower initial investment with upgrade path for lenses
Both cameras exhibit compromises inherent to their classes. Our extensive hands-on testing confirms that neither fully supersedes the other but serves distinct niches well within their design context.
This meticulous feature-by-feature evaluation leverages deep technical understanding and practical use case experience, aiming to empower photographers to align purchase decisions with their specialized needs and creative aspirations.
Olympus SH-2 vs Sony A200 Specifications
Olympus Stylus SH-2 | Sony Alpha DSLR-A200 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model | Olympus Stylus SH-2 | Sony Alpha DSLR-A200 |
Category | Small Sensor Superzoom | Entry-Level DSLR |
Announced | 2015-03-11 | 2008-07-17 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Chip | TruePic VII | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.6 x 15.8mm |
Sensor area | 28.1mm² | 372.9mm² |
Sensor resolution | 16 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
Full resolution | 4608 x 3456 | 3872 x 2592 |
Max native ISO | 6400 | 3200 |
Min native ISO | 125 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 9 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 25-600mm (24.0x) | - |
Maximal aperture | f/3.0-6.9 | - |
Macro focus distance | 3cm | - |
Amount of lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 3" | 2.7" |
Display resolution | 460 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.55x |
Features | ||
Slowest shutter speed | 30 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting speed | 11.5 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 8.30 m (at ISO 3200) | 12.00 m (at ISO 100) |
Flash modes | Auto, redeye reduction, fill-in, off | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) | - |
Max video resolution | 1920x1080 | None |
Video data format | H.264 | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 271 gr (0.60 lb) | 572 gr (1.26 lb) |
Dimensions | 109 x 63 x 42mm (4.3" x 2.5" x 1.7") | 131 x 99 x 71mm (5.2" x 3.9" x 2.8") |
DXO scores | ||
DXO All around score | not tested | 63 |
DXO Color Depth score | not tested | 22.3 |
DXO Dynamic range score | not tested | 11.3 |
DXO Low light score | not tested | 521 |
Other | ||
Battery life | 380 pictures | - |
Form of battery | Battery Pack | - |
Battery model | LI-92B | - |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD, SDHC, SDXC, Internal Memory | Compact Flash |
Storage slots | 1 | 1 |
Price at launch | $399 | $100 |