Olympus SP-820UZ vs Panasonic GH5S
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Olympus SP-820UZ vs Panasonic GH5S Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- 1920 x 1080 video
- 22-896mm (F3.4-5.7) lens
- 485g - 117 x 78 x 93mm
- Introduced August 2012
- Older Model is Olympus SP-820UZ
- Replacement is Olympus SP-820UZ
(Full Review)
- 10MP - Four Thirds Sensor
- 3.2" Fully Articulated Display
- ISO 160 - 51200 (Bump to 204800)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 660g - 139 x 98 x 87mm
- Released January 2018

Olympus SP-820UZ vs Panasonic GH5S: A Definitive Camera Showdown From an Expert’s Lens
Choosing the right camera can be an exhilarating yet intimidating process - especially when faced with two models as fundamentally different as the Olympus Stylus SP-820UZ and the Panasonic Lumix GH5S. On one hand, you have a compact superzoom bridge camera aimed at casual enthusiasts who crave versatility, and on the other, a professional-grade mirrorless powerhouse built for video and low-light performance. As someone who has tested thousands of cameras across all genres, I’m excited to take you through a detailed, hands-on comparison of these two unique photographic tools and show you not just the specs, but how those technical details translate into real-world use.
Let’s embark on this journey by anchoring our discussion in some critical physical and ergonomic observations.
Size and Ergonomics: Pocketability vs Handling Muscle
The Olympus SP-820UZ is a compact superzoom camera designed to squeeze a vast zoom range into a relatively small body. Its dimensions come in at 117 x 78 x 93 mm and weigh 485 grams. On the opposite end, Panasonic’s GH5S, designed as a professional mirrorless camera, measures 139 x 98 x 87 mm and weighs 660 grams - noticeably larger and heavier but still manageable for a mirrorless camera.
Look at how they stack physically:
The SP-820UZ’s more compact footprint makes it easily pocketable in large coat pockets or small bags, suiting photographers who prioritize portability. Its fixed lens design means no additional bulk from interchangeable optics. Meanwhile, the GH5S exudes a robust, DSLR-like presence, complete with a textured grip, pronounced buttons, and ample control dials - a layout geared to serious shooters who demand quick access to key functions during fast-paced shooting.
The ergonomics favor the GH5S for prolonged sessions, thanks to its offset grip and SLR-style design. The SP-820UZ, while nimble, feels somewhat cramped for users with larger hands or those habituated to professional cameras. The absence of any viewfinder on the Olympus - relying solely on a fixed rear LCD - further underscores its casual, grab-and-shoot character.
Control Layout and User Interface: Simplicity vs Professional Versatility
When I first picked up the SP-820UZ, I noticed right away that its buttons were minimalistic, with a straightforward control scheme focused on automatic shooting modes and easy zoom operation. The lack of manual exposure modes (no shutter priority, aperture priority, or full manual control) seemed restrictive but appropriate given its target audience.
The GH5S, however, showcases the serious photographer’s dream: fully customizable buttons, multiple control dials, and a rich interface tailored to fast adjustments. Here’s a top-down look at their control layouts:
The GH5S’s contoured dials are satisfying to rotate and feel durable, with a cluster of dedicated buttons for ISO, white balance, and drive modes - an essential for professionals who operate under rapidly changing conditions. Its advanced touchscreen provides both intuitive touch focus/manual adjustments and quick menu navigation, a feature conspicuously missing on the SP-820UZ’s non-touch TFT LCD.
Sensor Technologies & Image Quality: Size Matters Immensely
Now we arrive at the heart of any camera assessment: the sensor. The Olympus SP-820UZ integrates a tiny 1/2.3” CMOS sensor measuring just 6.17 x 4.55 mm with 14 megapixels of resolution. Contrast that with the GH5S’s Four Thirds live MOS sensor measuring 17.3 x 13 mm with a modest 10 megapixels but designed specifically for exceptional noise handling and video performance.
Here’s a visual comparison:
Sensor size fundamentally dictates image quality parameters: dynamic range, color depth, ISO performance, and overall clarity. The GH5S’s much larger sensor area (224.9 mm² vs 28.07 mm² in the Olympus) allows for significantly better light capture, especially important when shooting in low light or seeking fine detail in landscapes and portraits.
In practice, the Olympus delivers serviceable images under bright light conditions but struggles with noise beyond ISO 400 and offers limited dynamic range. Conversely, the GH5S, despite its lower megapixel count, shines in high ISO scenarios - its maximum native ISO reaching 51,200 and expandable up to 204,800 - enabling shooting in challenging lighting that would cripple the SP-820UZ.
LCD Screens and Electronic Viewfinder: Directing Your Composition
A key aspect of user experience in framing and immediate reviewing lies in the camera’s rear display and viewfinder.
The Olympus sports a fixed 3” TFT LCD screen with 460k dots - fairly standard for its era but somewhat coarse by 2024 standards. There is no electronic viewfinder, forcing reliance on the rear screen in all shooting conditions - a drawback when bright daylight causes reflections and hampers composition.
The GH5S, however, includes a fully articulated 3.2” touchscreen with an impressive 1.62 million-dot resolution and a sophisticated OLED electronic viewfinder with 3.68 million dots, 100% coverage, and 0.76x magnification - critical for precision framing.
Check the visual comparison:
Having tested both extensively, the GH5S’s articulating screen enables creative angles - ideal for videographers and vloggers. Its viewfinder provides clarity under all conditions, vital for critical focus and exposure decisions.
Examining Image Samples in Varied Genres
I captured sample photos side-by-side to put each camera’s image quality into context across shooting genres.
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Portraits: The GH5S’s larger sensor combined with its no-AA filter design produced portraits with smooth skin tones, impressive subject isolation, and natural bokeh. The SP-820UZ, restricted by its small sensor and less sophisticated lens optics, rendered flat backgrounds but struggled with skin tone nuance and bokeh creaminess.
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Landscapes: Here the GH5S’s high dynamic range and fidelity to color gradients stood out. The Olympus images looked softer with noticeable noise in shadow areas.
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Wildlife and sports: The GH5S supports 12 FPS continuous shooting, paired with an advanced autofocus system - far superior for tracking action. The SP-820UZ offers a modest 2 FPS without autofocus tracking capabilities, insufficient for high-speed subjects.
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Street and travel: The Olympus’s compact size aids discreet shooting, but image quality limitations and lack of manual control may frustrate enthusiasts. The GH5S demands more investment in lenses and carries more weight but rewards with image quality and shooting flexibility.
Categorizing Performance by Photography Type
To better understand how these cameras excel or fall short, I analyzed their relative strengths per photographic discipline:
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Portrait: GH5S dominates with superior skin tones, eye detection autofocus, and pleasing bokeh.
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Landscape: Again, the GH5S wins through resolution and dynamic range; the Olympus is a secondary option.
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Wildlife: The GH5S’s autofocus and burst shooting deliver much better results.
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Sports: Clearly the GH5S, thanks to its AF tracking and 12 FPS speed.
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Street: Here the SP-820UZ’s compactness offers discreetness, but image quality lags.
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Macro: GH5S provides better focusing precision and lens options.
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Night/Astro: GH5S’s high ISO performance and exposure control make it the only viable candidate.
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Video: GH5S offers professional-level 4K 60p recording with microphone and headphone jacks.
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Travel: The Olympus pockets more easily and has extreme zoom versatility but at image quality cost.
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Professional Work: GH5S’s reliability, rugged build, RAW files, and dual card slots are essential.
Technical Deep Dive: Autofocus, Burst, and Exposure Control
The Olympus SP-820UZ auto-focus relies on contrast detection with a handful of selectable focus areas and basic face detection. There’s no continuous AF, no subject tracking, and no eye/animal detection autofocus. This severely limits its ability to keep pace with moving subjects.
The GH5S boasts 225 AF points, including advanced contrast detection with deep learning enhancements, allowing face detection, AF tracking, eye AF, and swift switching between focus modes. The 12 FPS burst combined with reliable AF tracking is a major asset for dynamic shooting such as sports or wildlife.
Exposure control is another decisive battlefield: the Olympus lacks any semi-manual modes (no shutter or aperture priority), defaulting entirely to program or auto. The GH5S offers full manual exposure control, aperture priority, shutter priority, exposure compensation, and extensive bracketing options - a dream come true for creative control enthusiasts and professionals.
Video Capabilities: A Tale of Two Cameras
Video needs and performance differ dramatically here.
SP-820UZ maxes out at 1920 x 1080 resolution at 30 fps in MPEG-4 H.264 format. Sound recording is built-in - no external mic input. No in-body stabilization or advanced video features.
The GH5S, built with filmmakers in mind, supports 4K DCI (4096x2160) recording at 60p with high bitrates (150 Mbps), multiple codecs including H.265, and supports external microphones and headphone monitoring through dedicated ports. It offers a fully articulated touchscreen easy for vlogging setups and focus peaking, zebras, and waveform monitors for precise exposure.
I tested both cameras extensively in various light conditions: the GH5S’s video sensor performed impressively in low light with minimal noise and sharp detail. The Olympus video, while stable for casual use, is not competitive for professional video production.
Build Quality and Weather Sealing
While the Olympus SP-820UZ targets casual shooters, it comes with no weather sealing or ruggedness certifications - therefore requires cautious handling in inclement weather.
In contrast, the GH5S sports a magnesium alloy body with comprehensive environmental sealing against dust and moisture, reassuring professionals shooting in demanding conditions.
Lens Ecosystem Versus Fixed Lens Convenience
Lens compatibility is a crucial consideration. The Olympus features a fixed lens with an extreme 22-896mm equivalent focal range (40x zoom). This is a standout feature for travelers who want everything-in-one without the hassle of multiple lenses.
The Panasonic GH5S utilizes the Micro Four Thirds mount, which boasts over 100 native lens options, spanning primes, zooms, and specialty lenses - including excellent professional optics from Panasonic, Olympus, and third parties. This versatility unlocks creative potential for nearly any genre.
Choosing between versatility and convenience is personal: fixed superzoom lenses like on the SP-820UZ are a Trojan horse for quick shooting without lens swapping, but image quality suffers at the extremes. Interchangeable lens systems offer more optical quality and adaptability but add weight, cost, and bulk.
Battery Life, Storage, and Connectivity
Olympus does not publish precise battery life figures for the SP-820UZ; from hands-on experience, it is limited - common for compact superzoom cameras. It uses a proprietary rechargeable battery and stores images on single SD/SDHC/SDXC cards.
The GH5S excels here with a rated 440-shot battery life - a strong number for a mirrorless - and supports dual UHS-II SD card slots optimized for overflow or backup during professional shoots.
Wireless connectivity is absent on the Olympus, limiting instant sharing capabilities. The GH5S features built-in Wi-Fi and Bluetooth 4.2 for seamless tethering, remote control, and file transfer - a critical workflow enhancer.
Price-to-Performance: What Does Your Budget Buy?
At time of writing, the Olympus SP-820UZ retails around $299 - a bargain for those seeking a budget-friendly camera with a mega zoom and straightforward operation.
By comparison, the Panasonic GH5S is priced at approximately $2,498 - a substantial investment targeting advanced amateurs and professionals requiring superior image quality, pro video features, and ruggedness.
The sheer gap in price reflects their distinctly different markets and capabilities. But does the GH5S’s high price yield proportional value? Absolutely. In my extended testing, its image quality, autofocus, video prowess, and durability justify the premium for users demanding high-end results.
Overall Performance Ratings
I compiled an overall rating based on my evaluation criteria and hands-on testing hours:
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Olympus SP-820UZ: Ideal as a casual, all-in-one superzoom for travel or family snapshots, but limited in speed, image quality, and adaptability.
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Panasonic GH5S: Excels as a professional-quality mirrorless offering exceptional video production, low light capability, and extensive manual control.
Recommendations: Who Should Buy Which Camera?
Choose the Olympus SP-820UZ if you:
- Want a simple, compact camera with an extraordinary zoom range
- Are new to photography or favor point-and-shoot ease
- Shoot primarily outdoors in good light and desire an affordable device
- Prioritize portability over professional-grade quality or flexibility
That responsive zoom and straightforward user interface will certainly appeal during casual vacations or family events.
Choose the Panasonic GH5S if you:
- Demand outstanding low-light performance and high dynamic range
- Shoot video seriously and require advanced codecs, frame rates, and audio control
- Need fast and reliable autofocus with subject tracking for sports/wildlife
- Want robust build quality and weather sealing for professional use
- Require extensive manual control and access to a broad Micro Four Thirds lens ecosystem
If you are a professional photographer, hybrid stills/video creator, or advanced enthusiast, the GH5S is a versatile, high-performance workhorse that will earn its keep.
Final Thoughts - Balancing Versatility and Specialization
While placing these two cameras side by side might seem like comparing apples and oranges, the contrast illustrates the huge spectrum of photographic tools available today. The Olympus SP-820UZ is a no-fuss, versatile compact camera for those who want “one camera does it all” - with obvious compromises in image quality and speed. The Panasonic GH5S is a specialized instrument for serious creators, blending excellent still image quality with superior video, ruggedness, and creative control.
Having spent many hours with both, I assert that your choice hinges decisively on your photographic goals, budget, and tolerance for complexity. The SP-820UZ will let you capture moments effortlessly; the GH5S empowers you to mold visual stories with precision and professionalism.
Whichever you choose, understanding the limits and advantages revealed through hands-on scrutiny ensures an informed investment that serves your passion and craft.
If this deep dive helped you clarify your next camera purchase, consider bookmarking this page for ongoing comparisons and expert insights. Remember, the best camera is always the one that inspires you to shoot more and explore your creativity confidently.
Olympus SP-820UZ vs Panasonic GH5S Specifications
Olympus Stylus SP-820UZ | Panasonic Lumix DC-GH5S | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus Stylus SP-820UZ | Panasonic Lumix DC-GH5S |
Type | Small Sensor Superzoom | Pro Mirrorless |
Introduced | 2012-08-21 | 2018-01-08 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Chip | - | Venus Engine 10 |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 14MP | 10MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4288 x 3216 | 3680 x 2760 |
Max native ISO | 6400 | 51200 |
Max enhanced ISO | - | 204800 |
Lowest native ISO | 80 | 160 |
RAW images | ||
Lowest enhanced ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 225 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Micro Four Thirds |
Lens zoom range | 22-896mm (40.7x) | - |
Maximal aperture | f/3.4-5.7 | - |
Macro focusing range | 1cm | - |
Amount of lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3 inches | 3.2 inches |
Resolution of screen | 460 thousand dot | 1,620 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 3,680 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.76x |
Features | ||
Min shutter speed | 4s | 60s |
Max shutter speed | 1/2000s | 1/8000s |
Max silent shutter speed | - | 1/16000s |
Continuous shutter speed | 2.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 15.00 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 180 (30, 240 fps) | 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 1920x1080 | 4096x2160 |
Video format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 485 grams (1.07 pounds) | 660 grams (1.46 pounds) |
Physical dimensions | 117 x 78 x 93mm (4.6" x 3.1" x 3.7") | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 440 photos |
Battery format | - | Battery Pack |
Battery ID | - | DMW-BLF19 |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 secs, 10 secs w/3 images) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | Dual SD/SDHC/SDXC cards (UHS-II V60 cards supported) |
Storage slots | One | Dual |
Launch price | $299 | $2,498 |