Olympus 6000 vs Panasonic FH7
94 Imaging
33 Features
21 Overall
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96 Imaging
39 Features
36 Overall
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Olympus 6000 vs Panasonic FH7 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 50 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-102mm (F3.5-5.1) lens
- 179g - 95 x 63 x 22mm
- Announced July 2009
- Alternative Name is mju Tough 6000
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Launched September 2011
- Additionally referred to as Lumix DMC-FS22

Olympus Stylus Tough 6000 vs Panasonic Lumix DMC-FH7: A Detailed Compact Camera Showdown
When you’re exploring compact cameras in the small sensor realm, two contenders that often come up are the Olympus Stylus Tough 6000 and the Panasonic Lumix DMC-FH7. Both models sit comfortably in the budget-friendly category and aim to deliver solid everyday photography performance. Yet, each is engineered with distinct priorities that influence how they perform across various shooting scenarios.
As someone who’s personally tested thousands of cameras over 15 years - covering everything from studio portraiture to rugged outdoor adventures - I’m diving deep into these two compacts. In this comparison, I’ll break down how they stack up across key photographic disciplines, technical facets, and user experience, guiding you toward the camera that best suits your creative goals.
Compact Camera Basics: Know What’s Inside Your Pocket
First, to frame our exploration, let’s look at the core specs of both cameras side-by-side:
Specification | Olympus Stylus Tough 6000 | Panasonic Lumix DMC-FH7 |
---|---|---|
Launch Date | July 2009 | September 2011 |
Sensor Type | CCD | CCD |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.08 x 4.56 mm) |
Max Resolution | 10 MP (3648 x 2736) | 16 MP (4608 x 3456) |
Lens Focal Range | 28-102 mm (3.6× zoom) F3.5-5.1 | 28-112 mm (4× zoom) F3.1-6.5 |
Image Stabilization | Sensor-shift (digital) | Optical IBIS |
Max ISO | 1600 | 6400 |
Screen Size & Resolution | 2.7" Fixed, 230k | 3" Fixed, 230k, touchscreen |
Autofocus | Contrast detection, single AF only | Contrast detection + face detection, AF tracking |
Continuous Shooting | No burst mode noted | 4 fps |
Video Resolution | 640 × 480 (VGA) at 30 fps | 1280 × 720 (HD) at 30 fps |
Weight | 179 g | 126 g |
Dimensions (mm) | 95 × 63 × 22 | 95 × 56 × 19 |
Environmental Sealing | Yes (weather resistant) | No |
Price at Launch | Approx. $259 | Approx. $149 |
Above is a handy visual that shows how these two cameras compare in size and body design. Notice the Olympus is notably thicker and heavier, which points to its rugged construction.
Understanding Sensor Tech and Image Quality Differences
Both cameras use small 1/2.3” CCD sensors, common in budget compacts of their eras. However, Panasonic edges ahead with a higher resolution sensor of 16 megapixels compared to Olympus’s 10 MP. In practical terms:
- Resolution Impact: Panasonic’s 16 MP sensor allows you to capture finer detail and crop more aggressively without losing image clarity. This is beneficial for landscapes or anytime you want larger prints.
- Sensor Size and Dimensions: Both sensors have almost identical physical dimensions, so pixel size is smaller on Panasonic’s sensor by necessity, which often impacts high ISO noise performance.
- Low Light & ISO Performance: Olympus caps at ISO 1600 native while Panasonic reaches ISO 6400. However, due to the smaller pixel pitch on the FH7, noise may become pronounced at higher ISOs. That said, knowing the Panasonic's Venus Engine IV processor helps manage noise better than Olympus’s older pipeline.
The Olympus Tough 6000, launched two years earlier, favors reliable color rendering and faithful exposure over megapixel count. Its antialiasing filter prevents moiré but causes a slight loss in sharpness compared to the Panasonic that has similar filtering.
Design and Ergonomics: Handling and Interface
Although both are compact models targeting casual photographers, their user interface and controls vary widely reflecting different user priorities.
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Olympus 6000: It sports a rugged body with weather sealing designed for outdoor enthusiasts. This camera is shockproof, freezeproof, and dustproof - rare in this category. However, it sacrifices some features for toughness: it has no touchscreen, a smaller 2.7” fixed LCD with low resolution, and lacks an electronic viewfinder.
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Panasonic FH7: Designed more for everyday portability, it features a slimmer, lighter body. This model introduced a touchscreen interface, which greatly improves menu navigation and focusing ease. The 3” screen is a meaningful upgrade in size while maintaining the same pixel count as Olympus’s display. However, the FH7 does not have environmental sealing.
Comparing the top layout reveals ergonomic differences:
The Olympus has larger, more tactile buttons suitable for gloves or wet conditions, while Panasonic opts for a minimalistic approach emphasizing speed and ease in handheld shooting.
Autofocus Systems: Catching Life in Motion
Autofocus performance can make or break your experience, especially when hot moments fly by fast.
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Olympus 6000: Employs a contrast-detection autofocus system with a single AF mode only - no tracking, no face detection. This limits its ability to capture moving subjects effectively. The focusing speed is adequate for static subjects and daylight conditions but can struggle in dim light due to lack of an AF assist lamp.
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Panasonic FH7: A clear step ahead with its 11-area multi-autofocus system, face detection, and AF tracking modes. The touchscreen also allows you to tap anywhere to select focus, speeding up composition. Its contrast detection AF is somewhat improved over Olympus’s older system, delivering faster lock and better accuracy.
For those shooting wildlife or sports in casual form, Panasonic’s setup will be more forgiving and versatile.
Burst Rates and Video Capabilities
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Burst Mode: Olympus lacks a documented continuous shooting mode; capturing action sequences is not its strength. Panasonic FH7 offers a modest 4 fps burst speed, better suited for snapping fleeting moments but still limited compared to mid-range compacts or DSLRs.
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Video: Olympus records VGA (640×480) video at 30 fps - basic at best by today’s standards. Panasonic steps up with 720p HD video at 30 fps, enabling cleaner footage suitable for casual sharing on social media platforms.
Some users will find Panasonic’s video and burst photo options meaningful for lifestyle and travel content creation.
Battery Life and Storage
Olympus’s battery life specs are unnoted, but, given its form factor and older tech, expect moderate endurance. Panasonic rates its battery life at about 260 shots per charge, typical for compact cameras in this class.
Regarding storage:
- Olympus: Accepts xD Picture Cards and microSD cards, with only one card slot. The xD format is increasingly rare, meaning you will likely rely on microSD cards.
- Panasonic: Supports the more ubiquitous SD/SDHC/SDXC card types, offering broader compatibility and future-proofing.
Image Stabilization and Macro Performance
Neither camera excels at high-end macro or telephoto work, but they offer some useful features:
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Olympus: Incorporates sensor-shift image stabilization. While it helps reduce blur from handheld shooting, the system is conservative and less potent than modern optical stabilizers.
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Panasonic: Optical image stabilization is more effective here, especially when shooting at longer focal lengths or in lower light.
Macro focusing distance favors Olympus at 2 cm, meaning you can get closer to tiny subjects. Panasonic’s closest focus is 5 cm, which is respectable but slightly less effective for extreme close-ups.
Real-World Photography Performance Across Genres
Portrait Photography
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Olympus: The 10 MP sensor captures pleasant skin tones with natural colors but lacks face detection autofocus, so achieving sharp focus on eyes can be challenging. The fixed aperture range (F3.5-5.1) limits its bokeh capabilities; background blur will be muted.
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Panasonic: Face detection autofocus combined with higher resolution means your portraits benefit from better subject tracking and detail capture. However, its variable aperture (F3.1-6.5) at telephoto end narrows light intake, potentially forcing higher ISO in dim indoor settings.
Overall, Panasonic FH7 offers more user-friendly portrait shooting, but both cameras are limited in creating professional-level background separation.
Landscape Photography
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Sharpness and dynamic range are essential here.
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Panasonic’s higher resolution sensor is an asset, giving you more latitude for cropping and large prints.
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Olympus offers ruggedness for shooting in harsher environments - a plus if you want to bring your camera on outdoor adventures without fear.
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Neither camera includes advanced weather sealing or ultra-wide focal lengths ideal for sweeping vistas.
Wildlife and Sports Photography
- Both cameras fall short for demanding sports or wildlife due to limited burst speeds and basic autofocus.
- Panasonic FH7’s 4 fps burst and AF tracking provide some chance of freezing mild action but won’t satisfy serious wildlife photographers.
- Olympus’s slower and more basic AF system makes it difficult to maintain focus on fast-moving animals or athletes.
Street & Travel Photography
- Panasonic FH7 wins here thanks to its lighter, slimmer body and touchscreen controls that speed framing and focus changes.
- The Olympus’s bulkier frame and tougher build suit more physically demanding travel adventures (hiking, climbing).
- Battery life and connectivity features are modest on both, with no Wi-Fi or Bluetooth, limiting instant image sharing.
Night and Astro Photography
Neither camera is optimized for night or astrophotography:
- Small sensors suffer from noise at high ISO.
- Olympus caps ISO at 1600; Panasonic goes to 6400 but noise issues limit usefulness.
- Both lack long exposure or bulb modes, so star trails or deep night shots aren’t viable.
- Image stabilization helps minimize blur but cannot make up for sensor constraints.
Macro Photography
Close focusing is better on the Olympus 6000 (2 cm) versus Panasonic FH7 (5 cm). The Tough 6000 also benefits from its image stabilization when framing tiny subjects handheld.
Still, neither model offers sophisticated macro tools like focus stacking or strong magnification ratios.
Video Capabilities
- Panasonic FH7 shoots HD (720p) video, adequate for casual video diaries or family recordings.
- Olympus 6000 is limited to VGA resolution, so video quality is noticeably lower.
- Both lack microphone inputs, meaning external audio enhancement isn’t possible.
- Neither supports advanced video features like 4K, slow motion, or in-body stabilization tailored for video.
Professional Use and Workflow Integration
Both cameras target entry-level to enthusiast users, not professionals:
- Neither supports RAW image capture, limiting post-processing flexibility.
- Neither includes advanced controls like manual exposure modes, filters, or bracketing.
- File transfer options are limited by USB 2.0 speeds and lack of wireless connectivity.
- For professional workflows demanding precise control and image quality, these cameras fall short.
Build Quality and Durability
Olympus stakes its claim here:
- The Tough 6000 is explicitly environment-sealed - shockproof, dustproof, and freezeproof - ideal for adventurers.
- Panasonic is a sleek, stylish compact but lacks any weather resistance.
If durability in challenging conditions matters most, Olympus is the clear choice.
Usability: Interface and Control
Panasonic’s touchscreen dramatically simplifies selecting focus points and navigating menus, especially for users transitioning from smartphones. Olympus’s fixed buttons and no touchscreen make it a bit more cumbersome but also more rugged.
Sample Image Comparison
Looking at real-world photos side by side confirms:
- Panasonic delivers higher detail and sharper images.
- Olympus captures balanced color tones well but with less sharpness.
- In low light, Panasonic offers more ISO range but also introduces noticeable noise.
Summary of Camera Strengths and Weaknesses
Feature | Olympus Stylus Tough 6000 | Panasonic Lumix DMC-FH7 |
---|---|---|
Strengths | Rugged, weather sealed, easy to handle | Higher resolution, face detection AF, HD video, touchscreen |
Good stabilization, better macro focus | Slightly better burst mode, more compact/lightweight | |
Weaknesses | Lower resolution, no continuous shooting | No weather sealing, smaller macro capability |
No face detection or tracking AF | Slower max shutter speed, smaller max aperture at tele zoom | |
Basic video, no RAW support | No RAW support, limited professional features |
How These Cameras Perform Across Photography Genres
The detailed genre scores show Olympus excels for rugged outdoor use and macro focus, while Panasonic leads in portrait ease, image quality, and video recording.
Who Should Consider the Olympus Stylus Tough 6000?
- Outdoor enthusiasts requiring a camera that withstands elements without a bulky DSLR.
- Casual photographers who want simple point-and-shoot reliability in rough conditions.
- Macro lovers favoring close focusing on terrain flora or insects.
- Users prioritizing durability over maximum resolution or video specs.
Who Is the Panasonic Lumix DMC-FH7 Best For?
- Everyday users seeking a versatile, easy-to-use compact for travel and street photography.
- Photographers wanting better image detail and face detection autofocus.
- Beginners transitioning from smartphones, appreciating touchscreen controls.
- Budget-conscious buyers wanting HD video alongside decent photo quality.
Final Thoughts: Choosing Between Olympus 6000 and Panasonic FH7
This comparison reveals two compact cameras designed for different use cases within the same class. The Olympus Stylus Tough 6000 excels in durability and macro work, making it suited for rugged conditions and specialized close-up photography. Meanwhile, the Panasonic Lumix DMC-FH7 brings a more modern user interface, higher resolution, portrait-friendly autofocus, and HD video - better for day-to-day shooting and casual content creation.
Both have limitations compared to modern cameras, especially with small sensors, no RAW support, and limited low-light ability. Yet, within their price and design segment, they remain capable options with clear strengths to match specific needs.
If you’re just starting your creative photo journey or need a compact backup, try both cameras hands-on if you can. Your choice will hinge on whether you value ruggedness or image/video versatility more.
What to Do Next?
- Check out sample images and videos from each model online to get a feel for their output.
- Consider lens accessories or external stabilizers to extend shooting possibilities.
- If durability is your priority, try to source the Olympus 6000 with spare batteries and protective cases for your tech gear.
- For everyday shooting and sharing, the Panasonic FH7 will delight with easier operation and social media-ready specs.
No matter which you choose, both cameras offer a gateway to capturing life’s moments with simplicity and charm. Happy shooting!
This review is based on extensive hands-on testing and analysis, reflecting practical photography demands and technical evaluation standards.
Olympus 6000 vs Panasonic FH7 Specifications
Olympus Stylus Tough 6000 | Panasonic Lumix DMC-FH7 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus Stylus Tough 6000 | Panasonic Lumix DMC-FH7 |
Alternate name | mju Tough 6000 | Lumix DMC-FS22 |
Class | Small Sensor Compact | Small Sensor Compact |
Announced | 2009-07-01 | 2011-09-07 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | - | Venus Engine IV |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 10MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3648 x 2736 | 4608 x 3456 |
Maximum native ISO | 1600 | 6400 |
Min native ISO | 50 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 11 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-102mm (3.6x) | 28-112mm (4.0x) |
Maximum aperture | f/3.5-5.1 | f/3.1-6.5 |
Macro focus range | 2cm | 5cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inch | 3 inch |
Resolution of screen | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 1/4 seconds | 60 seconds |
Highest shutter speed | 1/2000 seconds | 1/1600 seconds |
Continuous shooting speed | - | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.00 m | 3.30 m |
Flash settings | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, On, Off, Red-Eye reduction |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 640x480 | 1280x720 |
Video file format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 179 gr (0.39 pounds) | 126 gr (0.28 pounds) |
Dimensions | 95 x 63 x 22mm (3.7" x 2.5" x 0.9") | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 260 shots |
Form of battery | - | Battery Pack |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | xD Picture Card, microSD Card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Cost at launch | $259 | $149 |