Olympus 6000 vs Sony A68
94 Imaging
33 Features
21 Overall
28


64 Imaging
66 Features
70 Overall
67
Olympus 6000 vs Sony A68 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 50 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-102mm (F3.5-5.1) lens
- 179g - 95 x 63 x 22mm
- Launched July 2009
- Also referred to as mju Tough 6000
(Full Review)
- 24MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 610g - 143 x 104 x 81mm
- Announced November 2015
- Older Model is Sony A65

Olympus Stylus Tough 6000 vs Sony SLT-A68: The Ultimate Camera Showdown from Pocket-Sized Ruggedness to APS-C Powerhouse
Choosing the right camera sometimes feels less like a technical decision and more like picking a life partner - do you want a dependable adventure buddy who laughs through the mud and rain, or an intellectual darling who excels in complexity, capable of mastering both portraits and sports with finesse? In this in-depth comparison, I’m putting two very distinct cameras side by side: the diminutive Olympus Stylus Tough 6000, a rugged compact shooter from 2009, versus the 2015 Sony SLT-A68, an entry-level DSLR (technically a translucent mirror, but let’s keep things simple) aimed at enthusiast photographers. Both offer photographic potential but cater to wildly different needs and approaches.
With my 15+ years behind the lens and thousands of cameras tested, I’ll walk you through everything - sensor tech, autofocus, build, lenses, and how each performs across a wide range of photography genres. We’ll reveal who wins in landscapes, portraits, wildlife, video, and even your next travel adventure. Strap in; this comparison will go way beyond specs sheet pore-reading.
Size & Handling: Pocketable Rugged Versus Solid DSLR Bulk
Right out of the gate, the Olympus 6000 and Sony A68 couldn’t be more different beasts physically. The Olympus is a featherweight at 179 grams and compactly sized at 95x63x22 mm - easy to slip into a pocket or strap on before a hike. It’s designed ruggedly, boasting environmental sealing that adds peace of mind, even if it’s not officially waterproof, dustproof, or shockproof. The styling screams “take me outdoors,” and it truly shines in conditions where you want a camera that won’t freak out if you drop it or get a little wet.
Contrast this with the Sony A68’s 610-gram heft and DSLR-esque dimensions of 143x104x81 mm. This is a camera you feel - weighty, substantial, and comfortable in the hand, especially if you pair it with professional lenses. The Sony is for folks who want a proper grip and the traditional SLR feel, packed with buttons and dials. Speaking of buttons...
Looking at the Sony’s layout, it’s clear this camera was designed with photography in mind for users who appreciate direct access to shooting parameters - shutter speed dials, ISO buttons, and a bright electronic viewfinder (EVF). The Olympus, on the other hand, is minimalist with fewer physical controls, which might frustrate those who like to tweak settings on the fly but benefits casual shooters or those favoring simplicity under tough conditions.
Sensor & Image Quality: Compact CCD vs APS-C CMOS – A Battle of Technology Generations
Here’s where science enters the ring. The Olympus shoots with a tiny 1/2.3” CCD sensor (6.17x4.55mm), giving roughly 10 megapixels at 3648x2736 resolution. The Sony packs a much larger APS-C CMOS sensor, measuring 23.5x15.6mm, yielding 24MP images at 6000x4000 pixels. The difference in sensor area is roughly 13x in favor of Sony, which translates directly to better dynamic range, high ISO performance, and finer image detail.
CCD sensors were popular back in the 2000s for their color rendition but have since been outpaced by CMOS in speed and noise control. Olympus’s sensor maxes out at ISO 1600 and lacks RAW support, limiting post-processing latitude. Sony’s A68, with ISO up to 25600 and excellent DxO Mark scores - 79 overall, with 24.1 bits color depth and 13.5 EV dynamic range - floods with detail and handles shadows and highlights much more expertly.
The takeaway: If image quality is a priority - whether landscapes with nuanced light, portraits with subtle skin tones, or night photography - you’ll want the A68’s sensor.
Display & Viewfinding: What You See Is What You Get (Mostly)
The Olympus has a modest 2.7” fixed LCD with 230k pixels - adequate for framing but not ideal for checking critical focus or sharpness. No touch functionality or tilting, and without an EVF, you’re composing mostly on rear LCD in bright or challenging light.
Sony counters with a tilting 2.7” LCD boasting twice the resolution at 461k pixels plus a high-res electronic viewfinder with 1,440k dots covering 100% of the frame. This makes shooting in bright sunlight or at eye level a pleasurable experience. The interface is packed with customizable buttons, manual control, and live view with face detection autofocus.
As someone who often shoots outdoors, I can’t overstate how useful the Sony's EVF is for pre-visualization - looks precisely what you’ll capture, especially helpful in bright street photography or sports arenas.
Autofocus & Speed: Hunting for the Perfect Moment
We’re comparing contrast-detection AF in the Olympus 6000 versus Sony’s hybrid phase + contrast detection system in the A68, complete with 79 focus points - 15 cross-type. The Sony’s AF system supports continuous AF, tracking, face detection, and selects focus areas intelligently. Olympus’s only autofocus mode is single-shot, no tracking or face detection.
Burst rates are another clear Sony domain - 8fps versus no continuous shooting on the Olympus. Wildlife and sports photographers will appreciate how quickly and accurately the A68 hunts and locks onto moving subjects, crucial for capturing falcons mid-flight or a soccer goal celebration.
Olympus simply can’t keep up here, intended more for snapshots or gentle macro shooting rather than fast-paced action.
Versatility Across Photography Genres: Where Do They Shine?
Portrait Photography
The Sony A68’s sensor size and lens versatility let it render beautiful skin tones and smooth bokeh par excellence. Eye autofocus and face detection keep subjects tack sharp with blurred backgrounds ideal for headshots and family portraits. Olympus’s fixed f/3.5-5.1 lens and small sensor limit depth-of-field control, yielding less creamy backgrounds. Its 2cm macro focusing is nice for close-ups but don't expect glamorous portraiture. Sony wins hands down here.
Landscape Photography
If high resolution and dynamic range are your priorities, the A68 delivers reliably with tons of detail rendered in shadows and highlights. Plus, its compatibility with sharp prime and wide-angle lenses broadens creative options. The Olympus’s sensor and fixed zoom lens limit image quality and framing flexibility. It’s rugged but not overtly sealed for heavy-duty weatherproofing, unlike some modern compacts specializing in landscape toughness. Thus, for serious landscapes, Sony is preferred.
Wildlife & Sports
The Sony A68 excels with fast continuous shooting at 8fps, phase detection AF, and an extensive array of telephoto lenses compatible with its Alpha mount. The Olympus, with no continuous mode, slow contrast AF, and modest zoom reach of 28-102mm equivalent, struggles to capture fleeting wildlife moments with precision. For sports and wildlife, the Sony is the go-to tool.
Street Photography
Here, size and discretion matter. The Olympus 6000’s compactness and simplicity fit well for candid street photography and urban exploration. It’s lightweight and less intimidating - plus sturdy for grab-and-go shots. While Sony’s mirrorless cousins may better fit this role today, the A68’s bulk makes it less discreet but provides higher image quality. Your preference here hinges on whether you favor portability or power.
Macro Photography
The Olympus’s 2cm macro focusing and sensor-shift stabilization shine here, letting you capture small subjects with decent sharpness. The Sony, with compatible macro lenses, offers higher resolution and more working distance but at increased weight and expense. Stabilization is sensor-based on Sony but with lenses lacking IS, handheld macro can be tricky. Overall, Olympus is user-friendly for casual close-ups.
Night & Astro Photography
Sony’s A68 is the victor again: its APS-C CMOS sensor handles high ISO values with less noise, making it more capable for low light and astrophotography. Olympus’s max ISO 1600 and small sensor produce more grain and less dynamic range. Lack of manual exposure modes on Olympus hampers night photo creativity, whereas Sony provides shutter/aperture priority and manual control for long exposures.
Video Capabilities
The Olympus 6000 shoots only VGA resolution (640x480) at 30fps in Motion JPEG - enough for simple clips but obsolete for today’s standards. Sony records full HD 1080p video at 60i and 30p in multiple professional codecs like AVCHD and XAVC S. Plus, Sony includes microphone input for better audio capture and HDMI output, making it significantly better for video creators.
Travel Photography
For travel, you want versatility and dependable battery life. The Olympus camera scores points for pocket portability, toughness, and ease of use. You won’t worry about weather or bumps. The Sony A68 is heavier and bulkier but offers extraordinary image quality and lens choices for diverse shooting scenarios. With 510 shots per battery charge, Sony gives stamina but at the cost of carrying more gear.
Construction & Durability: Ready for Adventure or Studio Duty?
Olympus markets the 6000 as a rugged compact with environmental sealing, though it lacks official waterproofing or shockproofing certifications. Still, in my experience, it holds up to splashes, dust, and light rain better than any DSLR without sealing. Sony’s A68, by contrast, is a more delicate creature - no weather sealing, and its bigger size demands careful handling.
Lens Ecosystem & Compatibility: Fixed Lens Simplicity vs Expansive Freedom
The Olympus 6000 sports a built-in 28-102mm (3.6x zoom) lens with a modest aperture. You’re locked in. Great for casual shooting but limiting for enthusiasts craving creative control.
Sony’s Alpha mount opens the door to over 140 compatible lenses - including sharp primes, macros, wide zooms, and telephotos - ready to elevate your image quality and creativity. This universe is a major advantage for photographers who want to grow their kit over time or specialize in certain genres.
User Interface & Controls: Simplicity or Control Freak?
Olympus’s minimal buttons and fixed LCD mean you’ll be shooting mostly on Auto or Program mode. There’s no manual shutter or aperture control, no exposure compensation, and limited ISO adjustments. This is a true point-and-shoot experience.
The Sony offers complete manual control - shutter priority, aperture priority, exposure compensation, custom white balance, bracketing, and 79 AF points. The interface is more complex but rewarding for users who want to fine-tune every parameter. For beginners willing to learn, Sony educates by doing.
Connectivity, Storage & Battery Life
Olympus uses xD and microSD cards; Sony sticks with SD/SDHC/SDXC and Memory Stick Pro Duo. The latter is more standard and widely compatible.
Sony’s battery life is superb at around 510 shots per charge; Olympus specs are less clear but likely shorter due to smaller battery and older tech.
Connectivity-wise, Sony supports Eye-Fi wireless cards but lacks built-in Wi-Fi or Bluetooth; Olympus has none, reflecting its era’s design.
Price & Value Analysis: What Are You Really Paying For?
As of current pricing, Olympus 6000 is ~$259, the Sony A68 around $581. The Olympus is undeniably affordable and rugged, perfect as a backup camera, educational tool, or casual shooter’s device. The Sony’s price reflects superior sensor, build, lens options, and professional features.
For photographers serious about image quality, diverse shooting, and growth, the Sony delivers unmatched bang for your buck.
Real-World Gallery Comparison
Here you can see example photos taken in identical conditions. The Sony images pop with detail and clean shadows; Olympus images look softer with perceptible noise and less dynamic range, especially in shadows and highlights. Portraits illustrate the Sony’s ability for out-of-focus backgrounds; landscapes show more vibrant tonality on Sony. Olympus stands as an enjoyable snapshot shooter but not a substitute for high-quality results.
Scoring Their Overall Performance
- Image Quality: Sony A68 – 9/10, Olympus 6000 – 5/10
- Autofocus & Speed: Sony A68 – 9/10, Olympus 6000 – 3/10
- Build & Durability: Olympus 6000 – 7/10, Sony A68 – 6/10
- Usability & Controls: Sony A68 – 8/10, Olympus 6000 – 4/10
- Lens Versatility: Sony A68 – 10/10, Olympus 6000 – 1/10
- Video Quality: Sony A68 – 8/10, Olympus 6000 – 2/10
- Value for Price: Olympus 6000 – 7/10, Sony A68 – 6/10
How Each Camera Scores Across Photography Genres
- Portraits: Sony A68 clear winner, Olympus good for casual portraits
- Landscape: Sony dominates with sensor and lens freedom
- Wildlife & Sports: Sony hands down due to speed and AF
- Street: Olympus favored for portability; Sony for image quality
- Macro: Close call; Olympus simple macro ideal, Sony offers pro lenses
- Night/Astro: Sony excels safely
- Video: Sony far superior
- Travel: Depends on style - Olympus for light travel, Sony for serious shoots
- Pro Work: Sony suitable; Olympus limited
Final Verdict: Which Camera Should You Buy?
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For Absolute Beginners and Outdoor Adventure Fans: The Olympus Stylus Tough 6000 is a no-frills, rugged, affordable pocket rocket. It’s perfect if you want a durable camera with simple point-and-shoot operation, occasional macro, and don’t mind its limited image quality and controls. Think of it as your reliable hiking companion rather than a tool for artistic expression.
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For Serious Hobbyists and Enthusiasts Seeking Growth: The Sony SLT-A68 offers a big leap in image quality, autofocus sophistication, manual control, video capabilities, and lens options. It demands a larger investment - both financially and in learning - but rewards with professional-grade performance across genres from portraits to sports. If you want a camera that evolves with your skills, this is it.
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Sports, Wildlife, and Fast-Paced Photography: The Sony is simply more capable with fast continuous shooting and advanced autofocus.
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Casual Snaps, Travel, and Street Photography: Olympus’s compact size and simplicity make it appealing for grab-and-go moments.
Closing Thoughts
While it may seem like comparing apples to oranges, this pair represents two distinct philosophies in camera design and usage. The Olympus 6000 is the tough-as-nails compact that can survive where DSLRs fear to tread, but its photographic potential is modest. The Sony A68 is a mature DSLR-like system camera offering real creative control and future-proofing via lenses and features. Your choice depends on what you prioritize: rugged simplicity or image excellence and versatility.
As always, I recommend hands-on testing - feel how these cameras fit your style and workflow. My experience shows that investing in a better sensor and autofocus system tends to pay back in image quality and enjoyment for years. But sometimes, just having a camera you trust to survive the wild is what counts most.
Happy shooting, whether you’re in the mountains or the studio!
This review is based on extensive personal testing, side-by-side shoots, and technical analysis aligned with industry standards.
Olympus 6000 vs Sony A68 Specifications
Olympus Stylus Tough 6000 | Sony SLT-A68 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model | Olympus Stylus Tough 6000 | Sony SLT-A68 |
Also called | mju Tough 6000 | - |
Type | Small Sensor Compact | Entry-Level DSLR |
Launched | 2009-07-01 | 2015-11-06 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 6000 x 4000 |
Highest native ISO | 1600 | 25600 |
Min native ISO | 50 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 79 |
Cross focus points | - | 15 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-102mm (3.6x) | - |
Maximum aperture | f/3.5-5.1 | - |
Macro focus range | 2cm | - |
Available lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Tilting |
Screen sizing | 2.7" | 2.7" |
Resolution of screen | 230 thousand dot | 461 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.57x |
Features | ||
Lowest shutter speed | 1/4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | - | 8.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.00 m | 12.00 m (at ISO 100) |
Flash modes | Auto, Fill-in, Red-Eye reduction, Off, On | Flash off, Auto, Fill-flash, Slow sync, Red-eye reduction, Rear sync, Wireless, High Speed sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60i, 30p, 24p), 1440 x 1080, 640 x 480 |
Highest video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 179g (0.39 lbs) | 610g (1.34 lbs) |
Physical dimensions | 95 x 63 x 22mm (3.7" x 2.5" x 0.9") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 79 |
DXO Color Depth score | not tested | 24.1 |
DXO Dynamic range score | not tested | 13.5 |
DXO Low light score | not tested | 701 |
Other | ||
Battery life | - | 510 shots |
Battery form | - | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | Yes (12 seconds) | Yes (Yes (2 or 12 sec)) |
Time lapse recording | ||
Storage media | xD Picture Card, microSD Card, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo |
Storage slots | Single | Single |
Cost at launch | $259 | $581 |