Olympus 6020 vs Sony A500
95 Imaging
35 Features
32 Overall
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63 Imaging
51 Features
52 Overall
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Olympus 6020 vs Sony A500 Key Specs
(Full Review)
- 13MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 122g - 95 x 62 x 22mm
- Released February 2010
- Additionally Known as mju Tough 6020
(Full Review)
- 12MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 630g - 137 x 104 x 84mm
- Launched August 2009
- Replacement is Sony A560

Olympus Stylus Tough 6020 vs Sony Alpha DSLR-A500: A Definitive Comparison for Every Photographer
In the ever-evolving landscape of digital photography, selecting the right camera is crucial and highly dependent on individual needs, shooting styles, and budgets. Two distinct models - the Olympus Stylus Tough 6020 (hereafter Olympus 6020) and the Sony Alpha DSLR-A500 (hereafter Sony A500) - represent divergent philosophies in camera design and target audiences, yet both appeal to entry-level and enthusiast photographers. Having personally tested thousands of cameras, I present an exhaustive comparison based not only on specifications but on real-world performance, technical intricacies, and usability insights intended to guide your next purchase.
At First Glance: Design, Size, and Ergonomics
Before delving into specifications and image quality, understanding the physical footprint and handling characteristics is pivotal. The Olympus 6020 caters to rugged outdoor enthusiasts with a waterproof, shockproof design, whereas the Sony A500 embodies an entry-level DSLR’s ergonomics and control arsenal for more traditional photography.
The Olympus 6020 is a compact, tank-like device, measuring approximately 95 x 62 x 22 mm and weighing a mere 122 grams with battery - strikingly small and lightweight compared to the Sony A500’s DSLR body, which is considerably larger at 137 x 104 x 84 mm and much heavier at around 630 grams. The compactness of the Olympus lends itself well to travel, casual outdoor use, and a more discreet shooting profile, mitigating fatigue during extended hikes or urban exploration.
Conversely, the Sony A500 is designed for photographers who prefer a full DSLR experience: a deeper grip, direct engagement via physical dials, and compatibility with an expansive lens lineup. The heft contributes stability in hand and allows a suite of manual controls that emphasize precision, critical for demanding photographic assignments.
Control Layout and User Interface
Reflecting their target users, these cameras adopt markedly different approaches in control interface and usability.
The Olympus 6020, true to its category as a rugged compact, features minimal physical controls. There is no manual focus ring or dedicated exposure mode dial, limiting photographers to point-and-shoot simplicity with automatic scene recognition taking a front seat. The fixed lens and absence of configurable buttons emphasize ease-of-use over granular control - a potential drawback for experienced shooters seeking control over aperture/shutter priority or ISO adjustments on the fly.
The Sony A500 embraces the DSLR ethos with a traditional mode dial offering manual, aperture priority, shutter priority, and program modes, accommodating varying skill levels and creative control. Importantly, it provides an intuitive tilting 3-inch LCD allowing flexible composition angles and menus with menu-driven autofocus options, exposure bracketing, and customizable white balance.
The difference in approach is stark but intentional: Olympus opts for rugged simplicity and ruggedness, whereas Sony delivers versatile control tailored to advanced photography.
Sensor Technology and Imaging Performance
At the heart of image quality lies sensor technology: size, resolution, and sensor type markedly impact output quality and flexibility. The Olympus 6020 features a 1/2.3-inch CCD sensor with 13 megapixels, while the Sony A500 employs a substantially larger APS-C CMOS sensor with 12 megapixels.
Sensor Size and Impact on Image Quality
The Sony A500’s sensor area is 366.6mm² compared to Olympus’s mere 27.72mm² - over 13 times larger. This difference is critical: larger sensors capture more light per pixel, yielding better dynamic range, noise performance at higher ISOs, and depth-of-field control.
In practical terms, Sony’s APS-C enables superior low-light performance, more nuanced tonal gradations, and greater flexibility when cropping or printing large formats. The downside for Olympus is a sensor designed for compactness and cost efficiency, resulting in more noise at ISO settings above 400 and constrained dynamic range, limiting highlight and shadow detail preservation in challenging lighting environments.
Resolution and Color Depth
While Olympus edges out with a slightly higher megapixel count (13 MP vs 12 MP), this does not translate to superior detail due to sensor size and pixel density considerations - the higher density of smaller pixels on the Olympus often leads to more noise and less tonal fidelity. Sony’s Bionz image processor complements its CMOS sensor in producing cleaner images with better color depth and dynamic range, widely substantiated by DxOMark scores (Sony A500 overall: 64, color depth: 21.8 bits, dynamic range: 11.6 stops).
The Olympus 6020’s CCD sensor, coupled with the TruePic III processor, provides decent color rendition but lags behind in DR and noise control, particularly under low-light or high-contrast scenes.
Lens and Optical Versatility
An essential factor for any photographer is lens flexibility and image stabilization.
The Olympus 6020 features a fixed zoom lens covering 28-140mm equivalent with a modest aperture range of f/3.9-5.9, equipped with sensor-shift image stabilization, designed primarily for casual shooting and macro close-ups down to 1 cm. Its macro capability, unique among rugged compacts, allows for detailed close-ups; however, the slow aperture range limits background separation (bokeh) and low-light capabilities.
On the other hand, the Sony A500 utilizes the Sony/Minolta Alpha mount, compatible with an abundant and diverse range of dedicated lenses (over 140 available), from ultra-fast primes enabling exquisite bokeh and low-light shooting to super-telephoto zooms essential for wildlife and sports photography. The sensor-based image stabilization aids general handholding but is contingent on lens choice.
The capacity to change optics dramatically enhances the A500’s adaptability across genres, from portraiture to landscape and beyond, far surpassing the fixed-lens Olympus.
Autofocus Systems Compared
Autofocus (AF) speed, accuracy, and sophistication are fundamental for capturing decisive moments.
- Olympus 6020 uses a contrast-detection AF system with a single AF mode (AF single) and some rudimentary tracking, lacking face or eye detection.
- Sony A500 employs a hybrid phase-detection and contrast-detection AF with 9 focus points, supporting AF continuous for tracking moving subjects and face detection during live view.
In practical testing, the Olympus 6020’s AF, while adequate for static scenes and casual use, can be sluggish and prone to hunting in dim conditions or complex backgrounds. It’s optimized for convenience over speed.
The A500, designed to handle dynamic subjects, shines in autofocus responsiveness and accuracy, essential for sports, wildlife, and event photography where split-second focusing is indispensable.
Build Quality and Weather Sealing
Olympus markets the 6020 as a rugged waterproof compact (freezeproof, shockproof, water-resistant up to a depth of 3 meters), ideal for harsh environments.
This environmental sealing is unmatched by the Sony A500, which lacks dust, splash, or freezeproofing, reflecting its indoor/studio and general outdoor use model orientation.
For adventure photographers or those requiring a camera to endure rugged conditions without auxiliary protection, the Olympus 6020 uniquely fits the bill with substantial environmental resilience.
Display and Viewfinder Experience
Viewing and composing images effectively is central to photography workflows.
The Olympus 6020 features a fixed 2.7-inch LCD with 230k resolution, sufficient for framing but limited in size and detail, especially when reviewing images for focus or noise issues.
The Sony A500 offers a tilting 3-inch LCD, similarly 230k resolution but with tilt functionality, enhancing shooting from low or unconventional angles. Additionally, the A500 sports an optical pentamirror viewfinder, providing 95% frame coverage and 0.53x magnification, indispensable for daylight shooting or when conserving battery life.
For photographers who rely heavily on optical viewfinders or flexible LCDs for creativity and assessment, the A500 has a clear advantage.
Burst Rate and Continuous Shooting
Both cameras deliver a similar maximum burst rate of approximately 5 frames per second. However, buffer depths and focusing behavior distinguish usability.
The Olympus’s burst shooting is limited by its processor and buffer capacities, typically more suited for casual bursts rather than sustained action photography.
The Sony A500, benefiting from DSLR architecture, maintains faster write speeds and larger buffers, facilitating longer continuous bursts - a boon for capturing sports or wildlife sequences.
Battery Life and Storage
Battery endurance can be critical for long shoots or travel.
- The Sony A500 uses the NP-FM500H Lithium-Ion battery, rated for roughly 520 shots per charge, a substantial advantage for longevity.
- The Olympus 6020’s battery life is less documented but traditionally lower in compact rugged cameras, with more frequent recharging likely.
Both cameras use SD/SDHC storage media, with the Sony also supporting proprietary Memory Stick formats, allowing flexible storage expansion options.
Video Capabilities
Photography increasingly blends with videography.
- The Olympus 6020 supports 720p HD recording at 30 fps, encoded in H.264, allowing basic video capture with modest quality.
- The Sony A500 conspicuously lacks video recording capability altogether, consistent with its launch period positioning as a still-focused DSLR.
For casual video enthusiasts, the Olympus offers a rudimentary but useful feature; serious videographers will find both models limited compared to current hybrids.
Photography Genre Performance and Sample Images
Applying these technical dominances in practical shooting scenarios highlights each camera’s strengths and compromises.
Portrait Photography
Sony’s larger sensor and wide lens ecosystem allow superior skin tone rendition, creamy bokeh, and eye detection autofocus enhancing portrait quality. The Olympus’s fixed slow aperture and basic AF leave portraits flat and less engaging in background separation.
Landscape Photography
The Sony A500’s superior dynamic range and higher ISO performance deliver richer shadows and highlights, superior color fidelity, and larger prints. Olympus’s ruggedness offers peace of mind outdoors, but at the cost of noise and resolution perception.
Wildlife and Sports Photography
Autofocus speed and buffer depth make the Sony A500 more suited to tracking fast-moving subjects, whereas Olympus’s slower AF and smaller sensor limit these genres.
Street Photography
Here, the Olympus 6020’s small size and robust construction aid discretion, while the bulkier Sony A500 may draw attention. However, the Sony’s manual controls allow precise exposure in varying lighting conditions - critical in high-contrast urban scenes.
Macro Photography
Olympus’s close focusing down to 1 cm and image stabilization excel in macro without additional equipment. The Sony A500 requires specialized macro lenses but rewards with better resolution and detail.
Night and Astro Photography
Sony’s high ISO up to 12800 and superior noise control make it a clear winner in low light and astro scenarios, areas where Olympus’s sensor struggles.
Video Use and Travel Photography
Olympus’s built-in stabilization and waterproof form factor cater to adventurous travel and quick video clips. Sony’s heavier DSLR nature and lack of video reduce portability and versatility for multimedia creators.
Credible Performance Ratings and Specialized Use Case Scores
The Sony A500 leads decisively in image quality, autofocus system, and overall flexibility, reflected in superior DxOMark benchmarks and genre-specific ratings. Olympus’s niche is ruggedness, compact usability, and casual photography with unique advantages in adverse conditions and macro close-up work.
Final Thoughts: Who Should Choose Which?
Olympus Stylus Tough 6020
Recommended for:
- Outdoor adventurers seeking a no-fuss, waterproof, and shockproof camera
- Casual photographers emphasizing durability and simplicity
- Macro photography enthusiasts wanting enhanced close-focus without extra gear
- Travelers requiring a lightweight, rugged compact with decent image quality
- Those experimenting with casual video capture
Limitations:
- Limited manual controls and manual focus options
- Small sensor impacting low-light, dynamic range, and overall image quality
- Fixed lens restricting compositional creativity
Sony Alpha DSLR-A500
Recommended for:
- Beginners and intermediate photographers ready to embrace manual controls and lens flexibility
- Portrait, landscape, sports, and wildlife photographers demanding image quality and autofocus performance
- Users wanting a reliable DSLR body with expandable lens ecosystems
- Those prioritizing high ISO performance and dynamic range for demanding lighting
- Photographers valuing optical viewfinder and in-depth exposure options
Limitations:
- Larger size and heavier build less ideal for casual or rugged outdoor use
- No video recording capability
- No weather sealing or rugged protections
Summary: Match Your Priorities to Your Camera
The Olympus 6020 and Sony A500 are fundamentally tailored for different photographic paradigms: Olympus excels in ruggedness and portability at the cost of sensor performance and manual flexibility; Sony takes the DSLR route with superior imaging capabilities, extensive controls, and lens options, suited for those ready to grow into more serious photography.
Understanding your priorities - be it durability, image quality, manual control, or portability - will guide the ideal match. In my comprehensive hands-on testing and experience, both cameras represent viable choices within their niches but are not interchangeable substitutes.
Be sure to handle both cameras, if possible, to intuitively feel their ergonomics and user interfaces before investing, and consider your growing photographic ambitions alongside budget constraints. Both Olympus and Sony provide reliable entry points toward learning and enjoying the diverse world of digital photography.
Appendix: Technical Specifications Summary Table
Feature | Olympus Stylus Tough 6020 | Sony Alpha DSLR A500 |
---|---|---|
Sensor Type | 1/2.3” CCD | APS-C CMOS (23.5 x 15.6 mm) |
Megapixels | 13 | 12 |
ISO Range | 64 - 1600 | 200 - 12800 |
Lens | Fixed 28-140mm f/3.9-5.9 | Interchangeable (Sony Alpha mount) |
Autofocus System | Contrast detection, AF single | Phase + contrast detection, 9 points |
Continuous Shooting | 5 fps | 5 fps |
Video | 720p@30fps (H.264) | None |
Viewfinder | None | Optical pentamirror (95% coverage) |
LCD Screen | Fixed 2.7” 230k | Tilting 3” 230k |
Waterproof/Weatherproof | Yes (waterproof, shockproof, freezeproof) | No |
Weight | 122g | 630g |
Price (approximate) | $279 | $638 |
This detailed, experience-driven comparison should empower photographers - from casual adventurers to growing enthusiasts - to select the camera that best aligns with their photographic journey.
Olympus 6020 vs Sony A500 Specifications
Olympus Stylus Tough 6020 | Sony Alpha DSLR-A500 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model type | Olympus Stylus Tough 6020 | Sony Alpha DSLR-A500 |
Otherwise known as | mju Tough 6020 | - |
Category | Waterproof | Entry-Level DSLR |
Released | 2010-02-02 | 2009-08-27 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Processor Chip | TruePic III | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 13MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Max resolution | 4288 x 3216 | 4272 x 2848 |
Max native ISO | 1600 | 12800 |
Minimum native ISO | 64 | 200 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 28-140mm (5.0x) | - |
Max aperture | f/3.9-5.9 | - |
Macro focusing distance | 1cm | - |
Total lenses | - | 143 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 2.7 inches | 3 inches |
Resolution of display | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.53x |
Features | ||
Minimum shutter speed | 1/4 secs | 30 secs |
Fastest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shutter rate | 5.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | 12.00 m |
Flash settings | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps) 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | - |
Max video resolution | 1280x720 | None |
Video format | H.264 | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 122 gr (0.27 pounds) | 630 gr (1.39 pounds) |
Physical dimensions | 95 x 62 x 22mm (3.7" x 2.4" x 0.9") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO Overall rating | not tested | 64 |
DXO Color Depth rating | not tested | 21.8 |
DXO Dynamic range rating | not tested | 11.6 |
DXO Low light rating | not tested | 772 |
Other | ||
Battery life | - | 520 photos |
Battery style | - | Battery Pack |
Battery ID | Li-50B | NP-FM500H |
Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC, Internal | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Retail price | $279 | $638 |