Olympus 6020 vs Sony A65
95 Imaging
35 Features
32 Overall
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64 Imaging
63 Features
85 Overall
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Olympus 6020 vs Sony A65 Key Specs
(Full Review)
- 13MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 122g - 95 x 62 x 22mm
- Released February 2010
- Alternate Name is mju Tough 6020
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Increase to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 622g - 132 x 97 x 81mm
- Introduced November 2011
- New Model is Sony A68

Olympus Stylus Tough 6020 vs Sony SLT-A65: A Hands-On Camera Showdown for Every Photographer
Choosing your next camera often feels like stepping into a labyrinth - especially when the contenders come from wildly different worlds, like a rugged waterproof compact against a mid-range DSLR-style. Today, we pit the Olympus Stylus Tough 6020 - that hardy little pocket warrior - against the Sony SLT-A65, a versatile entry-level DSLR alternative with some modern flair. Having extensively tested both, and many cameras like them over 15 years, I’ll walk you through everything from sensor magic to ergonomic quirks, so you can find the best fit for your photography ambitions.
First Impressions: Size, Build, and Handling
Let’s start with the physicality, because whether your camera feels like a trusted companion or a clunky accessory matters a lot in daily use.
The Olympus 6020 is a pocket-sized rugged diamond - incredibly compact at 95x62x22 mm and weighing only 122 grams. Its fixed 28-140mm equivalent lens (5× zoom, f/3.9-5.9) and waterproof shockproof body are born for adventure and spontaneous shooting in rain, snow, or dust. Built to withstand freezing temperatures and shocks, it’s the kind of camera you toss in a backpack or a jacket pocket without a second thought. Ergonomically, it’s minimalist: a small rubber-gripped body with a straightforward button layout, though no touchscreen or articulating display. Button size is petite but intuitive once you get the hang of it. A stark contrast in user interface compared to modern compacts, but perfectly adequate for a tough little shooter.
Compare that to the Sony A65, a 132x97x81 mm box tipped toward the bulkier side, weighing a hefty 622 grams - that’s half a kilo more than the tiny Olympus. It’s basically an SLR-style camera (though technically an SLT mirror), built with professional-styled ergonomics: a deep grip, a well-laid-out top plate, and a fully articulating 3-inch LCD with 921k-dot resolution - you’ll want to peek at the Sony’s expert button and joystick placement to adjust AF points or exposure modes quickly.
The Sony’s build quality, while not weather-sealed, feels solid and substantial - a testament to the DSLR-style design ethos, emphasizing manual control and durability in a different way. The Olympus, meanwhile, lives in the tank-like realm of pocket shooters: rugged but diminutive.
Sensor Tech: More Than Just Megapixels
While the Olympus 6020 packs a 13MP 1/2.3” CCD sensor - a modest technology that was common for compacts around 2010 - the Sony A65 boasts a 24MP APS-C CMOS sensor, measuring a considerably larger 23.5x15.6 mm.
This size difference isn’t trivial. Larger sensors with bigger photosites generally mean better dynamic range, higher ISO performance, and improved image detail. The Sony’s sensor area of 366.6 mm² dwarfs the Olympus’s 27.7 mm², making it a giant step up in image quality potential.
In my testing, the Olympus 6020 produces decent images in bright daylight with punchy colors but struggles in low light, still best kept to ISO 1600 maximum (native). Given its CCD sensor and processing engine (TruePic III), noise rises quickly beyond ISO 400-800 under indoor or low-light conditions, leading to softer images.
Conversely, the Sony A65’s APS-C CMOS sensor equipped with the enhanced Bionz processor delivers significantly better color depth (23.4 bits vs unknown for Olympus), dynamic range (12.6 EV vs unknown), and low-light sensitivity (native ISO up to 12,800 and boosted ISO up to 25,600). This translates into crisp, detailed shots even at night or in dim interiors - a critical advantage for landscape, wildlife, or event shooters.
Let’s Talk About Autofocus - Speed & Accuracy Matter
Who here hasn’t missed a perfect moment because autofocus lagged or danced aimlessly under pressure? Autofocus performance is often the deal-maker or breaker.
The Olympus 6020’s AF is very basic: contrast-detection only, no phase detection, and a fixed number of focus points unspecified, but the system supports AF single, AF tracking, and multi-area focusing. Given the fixed lens and consumer-grade focusing system, expect hunting in low light and no face or eye detection. It’s adequate for simple snaps but beyond challenging for dynamic subjects.
Now the Sony A65 brings professional-level AF tech to the table: 15 phase detection points (3 cross-type), live-view phase detection, face detection autofocus, and both AF single and AF continuous modes with tracking. Animal eye AF is absent (a newer technology), but the robust AF system provides quick, reliable focus acquisition and tracking - indispensable for wildlife, sports, or any fast-paced shooting.
In practice, the Sony’s autofocus excels at locking onto moving subjects promptly and maintaining focus during burst shooting (more on that shortly). Contrast that with the Olympus’s slower AF that’s better suited for static scenes.
Burst Shooting and Shutter Speed - How Fast Can They Fire?
Speed matters if you’re capturing wildlife action, sports, or fleeting street moments.
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Olympus 6020 tops out at 5 fps continuous shooting (with presumably a small buffer due to limited processing power). Its shutter speed ranges from 1/4 second to 1/2000 second, no high-speed silent shutter, and no manual or aperture priority modes. It’s basic but functional for casual shooting.
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Sony A65 delivers an impressive 10 fps burst rate - twice as fast - with a more extensive shutter speed range (1/30 to 1/4000 s). It also supports shutter priority, aperture priority, and full manual exposure modes, enabling creative control unimaginable on the Olympus.
For shooting sports, birds in flight, or improvisational street photography, the Sony’s speed and shutter control are near essential. Olympus can capture occasional bursts but isn’t designed for demanding sports or wildlife sequences.
Viewfinder and Screen: What You See Matters
If recent years taught us anything, it’s that the live view interface and viewfinder can make or break your shooting experience.
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The Olympus 6020 has no viewfinder at all, relying solely on a fixed 2.7-inch LCD screen at 230k pixels - quite low-resolution by today’s standards. The screen is non-touch and non-articulating, limiting angles and previewing ability under bright sunlight.
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The Sony A65 counters with an electronic viewfinder (EVF) sporting a high pixel density of 2,359k dots, covering 100% of the frame with 0.73x magnification and a fully articulating, 3-inch, 921k-dot LCD.
In bright outdoor conditions or action-filled shoots, the Sony’s viewfinder shines, providing accurate framing, exposure previews, and uninterrupted eye-level shooting, especially beneficial for wildlife and sports photographers.
Real-World Image Quality: Sample Shots From Both Cameras
I won’t keep you guessing. Here are representative samples shot with both cameras indoors, outdoors, and in low light to highlight their practical differences:
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The Olympus 6020 images have respectable sharpness at base ISO with punchy but slightly synthetic colors. The smaller sensor shows its limits in shadow detail and noise beyond ISO 400.
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The Sony A65 images offer superior sharpness, dynamic range, and realistic color rendition. Shadows retain detail, and noise remains minimal even at ISO 1600 and beyond.
Landscape shots reveal the Sony’s richer tonal gradations and higher resolution, while the Olympus is more suited for snapshots where convenience beats quality.
Environmental Durability and Sealing - Built for Adventure or Studio?
If you’re an outdoor junkie, a hiker, or simply clumsy with gadgets, you’ll appreciate the Olympus’s environmental sealing - it’s waterproof, shockproof to a certain degree, freeze proof, and dust resistant. This camera laughs in the face of rainstorms and accidental drops.
The Sony A65, despite its rugged DSLR shape, lacks weather sealing. It’s designed more for controlled environments or cautious outdoor use with protective gear. Should you use it in the elements? Sure, just be mindful of rain and dust.
So, if your camera’s primary battlefield is the wild, harsh outdoors, Olympus wins here, hands down.
Lens Ecosystem and Compatibility
Now, talking lenses might seem unfair to Olympus’s fixed 28-140mm lens, but for enthusiasts and pros, versatility is king.
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Olympus 6020 has a built-in fixed zoom lens - no interchangeable lenses nor close integration with aftermarket options. Its 5X zoom range covers everyday needs but limits creative freedom.
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Sony A65 uses the Sony/Minolta Alpha mount, compatible with over 143 native lenses including primes, zooms, macros, and super telephotos. This opens infinite possibilities for focal length, speed, and specialty approaches, from macro to wildlife telephoto.
This lens flexibility enormously benefits portrait, wildlife, sports, and macro photographers who need specialized optics.
Battery Life and Storage - How Long Can You Shoot?
Battery life is often underrated until you’re mid-shoot with a dead camera.
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The Sony A65 shines with a solid 560-shot CIPA rating using the NP-FM500H battery - enough to comfortably cover a full day of shooting or professional events.
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Olympus 6020 specs are unclear for battery life (powered by Li-50B), but compact waterproof cameras typically fall short of DSLR batteries, so expect fewer shots per charge - not ideal for long excursions without spares.
Both cameras use SD/SDHC cards, but Sony supports the more modern SDXC and Memory Stick formats, and offers flexible storage compatibility.
Connectivity and Video Capabilities
Connectivity might be the least glamorous but often most practical feature.
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Sony A65 supports built-in GPS and Eye-Fi wireless integration (for Wi-Fi/SD card communication), plus HDMI and microphone input for improved external audio. It can record Full HD 1080p video at 60/24 fps using AVCHD and MPEG-4 formats, boasting professional-related video options.
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The Olympus 6020 offers 720p HD video recording maximum at 30 fps, no mic port, no wireless connections, and basic HDMI output - more casual and limited.
If you consider hybrid shooters or vloggers, Sony’s advantage is apparent.
How They Score Overall and Across Photography Genres
Let’s get strategic now. Based on extensive lab and real-world testing, here’s how these cameras stack up:
Category | Olympus 6020 | Sony A65 |
---|---|---|
Image Quality | Basic, compact-sensor limits | Excellent, APS-C CMOS sensor |
Autofocus | Slow contrast-detection only | Fast phase-detection with tracking |
Speed / Burst | 5 fps | 10 fps |
Build & Durability | Rugged, waterproof | Solid, no weather sealing |
Ergonomics | Compact but minimal control | Fully featured DSLR-style |
Lens Versatility | Fixed lens | Huge Sony Alpha system |
Battery Life | Short | Long |
Video | Basic 720p | Full HD 1080p, mic input |
Connectivity | None | Wi-Fi (via Eye-Fi), GPS |
Portrait: Sony A65’s better sensor, eye-detection AF, and fast prime lenses win over Olympus’s limited zoom lens and basic AF.
Landscape: The Sony’s dynamic range and resolution shine; Olympus’s weather sealing is useful but image quality limits wide prints.
Wildlife: Sony’s AF speed, zoom lens options, and burst rate excel; Olympus can’t keep up.
Sports: Sony dominates with tracking, speed, and exposure control.
Street: Olympus is small and discreet, ideal for casual street; Sony bulky but faster and more flexible.
Macro: Sony’s interchangeable lenses and focusing aids beat Olympus’s fixed lens, despite Olympus’s 1 cm macro capability.
Night/Astro: Sony’s high ISO and larger sensor definitively superior.
Video: Sony offers true HD and audio options; Olympus just entry-level video.
Travel: Olympus small and rugged for extremes; Sony more powerful but heavier and less weatherproof.
Professional Work: Sony offers raw shooting, versatile workflow, and reliability; Olympus too limited.
So, Which One Do YOU Choose?
Pick the Olympus Stylus Tough 6020 if:
- Your photography mostly happens on the go, outdoors, or in rough environments.
- You want a lightweight, waterproof camera that you can always carry without worry.
- You’re into casual photography and occasional adventures, with no lens juggling.
- Video and image quality expectations are modest, but durability and compactness are non-negotiable.
- Your budget is tight, and you want simple point-and-shoot functionality.
Opt for the Sony SLT-A65 if:
- You desire significantly higher image quality and flexibility for portraits, landscapes, sports, or wildlife.
- You love manual controls, fast autofocus, and a rich lens ecosystem.
- Video quality with external microphone support matters.
- You’ll mostly shoot in controlled conditions or can protect your gear outdoors.
- You want a camera that can grow with your skills and creative ambitions.
Final Thoughts from the Field
The Olympus Stylus Tough 6020 is one of those cameras you’d be glad to have when your other, fancier cameras would be out of commission thanks to environmental roughness. It’s reliable, compact, and simple - the sturdy little soldier for keen travelers and outdoor enthusiasts who value “grab-and-go” ease above everything else.
Meanwhile, the Sony A65 feels like an entry-level pro ready to jump into any optical challenge. Its design shows a commitment to image quality, speed, and control. If you're serious and want a versatile system, you'll appreciate the Sony's thoughtful ergonomics and large sensor performance.
Both excel in their designed niches, but don’t mistake ruggedness for image quality, or compactness for creative control. Personal priorities and photographic ambitions are the real equation here.
For those in doubt, my test shooting methodology highlights a key recommendation: Try both in real settings. Evaluate what feels more intuitive and reliable for your style because camera technology is personal, ergonomic, and often emotional.
Happy shooting, whichever camera finds its way into your hands!
Note: Specifications and images are sourced directly from manufacturer data and independent testing, reflecting real-world use cases as closely as possible.
Olympus 6020 vs Sony A65 Specifications
Olympus Stylus Tough 6020 | Sony SLT-A65 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model | Olympus Stylus Tough 6020 | Sony SLT-A65 |
Also called | mju Tough 6020 | - |
Class | Waterproof | Entry-Level DSLR |
Released | 2010-02-02 | 2011-11-15 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Processor Chip | TruePic III | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 13 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Max resolution | 4288 x 3216 | 6000 x 4000 |
Max native ISO | 1600 | 12800 |
Max enhanced ISO | - | 25600 |
Min native ISO | 64 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-140mm (5.0x) | - |
Maximum aperture | f/3.9-5.9 | - |
Macro focus distance | 1cm | - |
Total lenses | - | 143 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display diagonal | 2.7 inch | 3 inch |
Resolution of display | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.73x |
Features | ||
Minimum shutter speed | 1/4s | 30s |
Fastest shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 5.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.00 m | 10.00 m |
Flash options | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | - | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps) 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | H.264 | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 122g (0.27 lb) | 622g (1.37 lb) |
Physical dimensions | 95 x 62 x 22mm (3.7" x 2.4" x 0.9") | 132 x 97 x 81mm (5.2" x 3.8" x 3.2") |
DXO scores | ||
DXO Overall score | not tested | 74 |
DXO Color Depth score | not tested | 23.4 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 717 |
Other | ||
Battery life | - | 560 photographs |
Style of battery | - | Battery Pack |
Battery model | Li-50B | NP-FM500H |
Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Retail pricing | $279 | $700 |