Olympus TG-860 vs Sony A560
91 Imaging
40 Features
42 Overall
40


64 Imaging
54 Features
78 Overall
63
Olympus TG-860 vs Sony A560 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 21-105mm (F3.5-5.7) lens
- 224g - 110 x 64 x 28mm
- Announced February 2015
- Renewed by Olympus TG-870
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800 (Increase to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Introduced August 2010
- Superseded the Sony A500

Olympus TG-860 vs Sony A560: An Expert’s Deep Dive into Contrasting Cameras for Distinct Photographic Journeys
Choosing your next camera often feels like stepping into two very different photographic worlds. Today, I’m comparing two cameras that couldn’t be more distinct in design, purpose, and performance - the rugged Olympus Stylus Tough TG-860 and the entry-level DSLR Sony Alpha A560. As someone who has tested thousands of cameras across genres, I’ll unpack what sets these cameras apart, where each shines, and who should seriously consider them. My goal is to provide practical insights you won’t find in typical spec sheets, drawing directly from hands-on experience with the cameras.
Physicality and Design: Pocket-Sized Ruggedness vs. Classic DSLR Bulk
When you first pick up an Olympus TG-860, it immediately reveals itself as an ultracompact, adventure-ready companion. Weighing just 224 grams and sized at 110x64x28 mm, it’s small enough to slip into hiking pockets or a daypack while promising durability against the elements: waterproof, shockproof, freezeproof, and even crushproof. I’ve taken the TG-860 on beach trips where sand and water were inescapable, and its build never ceased to impress me with reliability.
Contrast this with the Sony A560. This compact SLR style camera is significantly larger and heavier at 599 grams and 137x104x84 mm, designed knowing you’ll likely pair it with an array of lenses. Its frame, while not weather-sealed, exudes a solid, traditional DSLR feel that invites serious shooting. The heft is noticeable, especially for long walks or travel photography, but for those accustomed to DSLRs, this weight translates to stability and balance with heavier glass.
Ergonomically, the Sony’s larger grip and button placement provide confident handling for those who engage in fast shooting or manual controls, while the Olympus, with fewer buttons and a simpler layout, is optimized for ease under rugged conditions. The TG-860’s fixed lens and ultracompact body make it instantly ready, no lens changes needed, but you give up some tactile control and customization.
Control Layout: Minimalist Adventure Ready Meets DSLR Complexity
If you enjoy cameras with direct dials and exposure control buttons, the Sony A560 is your kind of camera. It features an interface with aperture priority, shutter priority, and full manual exposure modes - fundamental for creative flexibility. The Sony’s 3-inch tilting screen at 922k dots provides crisp feedback, beneficial when composing tricky angles or checking focus after the shot.
Olympus TG-860’s control scheme leans into simplicity: no manual focus, no exposure compensation, or shutter speed priority. Its 3-inch 460k dot tilting LCD is functional but less sharp, and while it has live view and touchscreen is absent, you get essential settings plus optical image stabilization and face detection autofocus that simplifies point-and-shoot usage in the wild.
From first-hand experience with both, I found the Sony’s extensive exposure controls and quick D-pad navigation a huge asset for stepping your photography up a notch, at the cost of some added complexity. The TG-860 trades that complexity for rugged reliability and outright ease in the field.
Sensor Tech and Image Quality: A Tale of Size, Resolution, and Use Case
Here lies one of the most significant divides. The Sony A560 packs a large APS-C CMOS sensor measuring 23.5x15.6 mm with 14 megapixels. In contrast, the Olympus TG-860 houses a tiny 1/2.3-inch sensor at 6.17x4.55 mm with 16 megapixels. The difference in sensor area is huge - about 13x larger on the Sony. That sensor size gap dictates not only resolution potential but also dynamic range, noise handling, and overall image quality.
I ran tests shooting the same scenes simultaneously on both cameras. The Sony’s sensor delivers superior color depth, shadow detail, and impressive low-light performance, given its DxOmark-like scores of 22.5 bits color depth and a dynamic range of 12.3 EV equivalents. Olympus is no slouch for casual shooting but its smaller sensor, typical of rugged compacts, yields softer images with higher noise levels beyond ISO 800. Despite that, the Olympus benefits from TruePic VII image processing that controls noise well and keeps images usable in bright conditions, which is often where such cameras thrive.
When printing or cropping, the Sony’s files hold up far better. Plus, Sony supports RAW, allowing full post-processing control - Olympus does not. For genres demanding image quality (portraits, landscapes, professional work), the Sony is unquestionably superior. However, for underwater adventures or extreme outdoor casual shooting, the Olympus image quality is solid enough for social sharing and moderate enlargements.
Display and Viewfinder: Articulated LCD vs Optical Clarity
Both cameras feature 3-inch tilting displays but, again, resolution and design make a difference. The Sony’s 922k-dot screen displays a detailed, vibrant preview and playback with less glare. Olympus’ 460k-dot panel is easier on battery but offers a less detailed and smaller preview, which sometimes hampers precise manual focusing or detailed composition, although in strong daylight you’ll still get the gist.
Notably, the Sony packs an optical pentamirror viewfinder with 95% frame coverage and 0.53x magnification. This traditional optical experience favors classic composition in bright light, aiding precise framing and manual focus confirmation - a big plus for street, sports, and wildlife photographers who often rely on viewfinders for fast, accurate shots. The TG-860 has no viewfinder at all, leaning fully on its LCD.
In urban or sports environments where light changes rapidly and you need fast reaction times, I always preferred the Sony’s viewfinder. But for shooting underwater or in harsh conditions, no viewfinder on the TG-860 is an acceptable trade-off for ruggedness.
Portrait Photography: Skin Tones, Bokeh, and Face Detection
Portraiture is a key test of a camera’s autofocus sophistication, color science, and lens capabilities. The Sony A560’s larger sensor inherently provides better depth of field control, translating to richer background blur even on kit lenses. With 15 autofocus points, including three cross-type sensors, and contrast + phase-detection hybrid AF, the Sony nails eye detection and tracking better. Face detection within live view helps keep focus locked, though modern mirrorless cameras outperform this now.
Olympus TG-860, while featuring face detection autofocus, relies on contrast-detection only with no phase-detect points. The fixed lens zoom ranges from 21-105mm equivalent at f/3.5–5.7 apertures, which limits shallow depth of field. Despite this, in well-lit conditions and close distances, I was able to capture pleasing portraits with sharp faces and decent subject isolation, helped by the up-to-1cm macro focus. The optical stabilization aids handheld portrait shots.
For professional or fine-art portraits, Sony’s DSLR quality files, manual controls, and lens options dominate. But for casual portraits on vacations or with family, the Olympus serves well and offers durability in unpredictable environments.
Landscape Photography: Resolution, Dynamic Range, and Weather Resistance
Landscape shooters demand high resolution, excellent dynamic range, and sturdy builds for fieldwork. The Sony’s APS-C sensor with 14 MP resolution produces sharp, detailed, and vibrant images suitable for large prints or panorama stitching. Although the camera lacks weather sealing, its interchangeable lenses include weather-resistant options, enabling outdoor shooting in moderately adverse conditions.
Olympus TG-860 boasts extensive environmental sealing - waterproof down to 15 meters, freezeproof to -10°C, and shockproof from drops of 2.1 meters. While its 16 MP 1/2.3" sensor won’t match the Sony’s dynamic range or overall resolution, its ruggedness is unmatched and ideal in deep water or extreme climates where DSLRs may be at risk. The TG-860 allows shooting in extreme environments without additional housings.
Building a landscape kit around the Sony lets you tailor your gear extensively, whereas the TG-860’s fixed lens limits composition but places fewer demands on logistics. I found the Olympus great for spontaneous water-edge scenes where camera safety is a priority.
Wildlife and Sports Photography: Autofocus Speed, Burst Rates, and Lens Reach
Wildlife and sports photography push autofocus speed, tracking accuracy, and burst performance. The Sony A560’s 15-point phase-detect AF system excels here, with reliable subject acquisition on fast-moving targets, although the frame rate at 5 fps is average by today’s standards. Its ISO range up to 12,800 (expandable) facilitates usable shots in dimmer light - a common wildlife challenge.
Conversely, the Olympus TG-860 uses contrast-detection autofocus with face tracking but lacks phase detection or continuous tracking sophistication. However, its burst shooting at 7 fps is slightly faster, albeit at lower resolution and with fixed lens limitations in zoom reach. The TG-860’s zoom maxes out at 105mm equivalent (about 21-105mm in 35mm terms), which is limiting for distant subjects.
For long-reach telephoto, the Sony’s compatibility with more than 140 Sony/Minolta Alpha mount lenses, including super-telephotos, is a game changer. Olympus has no interchangeable lenses. I tested birding shots with the Sony and found noticeably sharper, more reliable focus compared to the TG-860. For fast-paced action sports, the Sony’s optical viewfinder allows quick reaction times not possible via LCD-only systems.
Street and Travel Photography: Discretion, Portability, and Battery Life
In street photography, discreteness and quick responsiveness are assets. The Olympus TG-860’s small, silent operation (motor zoom, no mirror slap) helps minimize scene disruption and blatant “camera presence.” Its ruggedness encourages worry-free shooting in rain or crowd-immersed conditions. However, fixed lens focal length flexibility is tight for varying street scenes.
The Sony A560, larger and louder due to mirror movement and shutter noise, may draw attention, but offers clearer composition via an optical viewfinder and manual controls. Its dual storage slots and extensive battery life - roughly 1050 shots per charge compared to the TG-860’s 300 - support long day shoots without swaps.
Weight and size favor Olympus for travel on light treks or swimming adventures. However, Sony’s image quality and overall photographic control make it more stimulating on a cultural trip involving varied shooting scenarios and longer sessions.
Macro and Close-up Photography: Magnification and Focusing Precision
True macro shooters want precision and high magnification. The Olympus TG-860’s impressive 1cm macro focus range gives excellent close-up opportunities, especially underwater or in the field, where you’re impossible to nearer than about a meter with bigger cameras or lenses. Its optical image stabilization enhances handheld macro sharpness.
Sony A560, without a dedicated macro lens included, depends on what you attach. The Sony lens ecosystem includes superb macro options with autofocus and internal stabilization available (depending on lens). Focus precision benefits from phase-detect AF and manual focus modes, giving professionals superior control.
As a casual macro tool, the TG-860 performs admirably - especially considering its rugged casing. For serious macro work, Sony paired with a macro lens wins audience.
Night and Astro Photography: High ISO Handling and Exposure Flexibility
Low light and astrophotography test sensor noise handling and exposure controls to their limit. The Sony’s APS-C sensor and maximum ISO 12,800 native (expandable to 25,600) combined with long exposure shutter speeds up to 30 sec offer versatility for astrophotography. Manual exposure, bulb mode, and RAW shooting are critical features available on the A560 that empower precise night shooting.
In contrast, the Olympus has a limited max shutter speed of 1/2000 sec minimum shutter, which implies a longer max exposure time is possible but not bulb mode, and ISO tops at 6400. The lack of RAW makes noise reduction and exposure adjustments less flexible. Still, for casual night photography or timelapses, the TG-860’s ruggedness and GPS-tagged shots are reassuring features.
In my experience, if you want crisp stars or milky way captures, the Sony is the go-to platform. The Olympus is good for snapshots at dusk or campfires.
Video Capabilities: Resolution, Stabilization, and Audio Inputs
Video is increasingly central for many shooters today. Both cameras support full HD (1920x1080) recording at 60fps, which is commendable. Sony A560 adds MPEG-4, AVCHD, and H.264 compression formats, plus essential features like an external microphone port, enhancing audio capture quality - a must for videographers. The sensor-based image stabilization in the Sony body is helpful but lens stabilization adds more weight.
Olympus TG-860 offers optical stabilization, built-in LED illuminator, and H.264 codec video, without external mic input. The TG-860’s rugged nature makes it excellent for underwater or action video where compactness and waterproofing matter more than pro audio.
In reviewing footage, the Sony produces more cinematic results with better exposure control and dynamic range, while Olympus excels at rugged, casual shooting where video reliability is all about simplicity.
Professional Use and Workflow Integration: Reliability, File Formats, and Storage
Professionals rely on RAW workflows, durability, and camera features that integrate with demanding shoots. The Sony A560 offers RAW capture and dual storage slots (SD + Memory Stick Pro Duo), critical features for safeguarding assets on long jobs. With a larger sensor and manual exposure modes, it fits well in pro workflows, despite lacking weather sealing. Its battery life runs strong, allowing me to comfortably handle all-day events or shoots without replacement packs.
The Olympus TG-860, with no RAW and limited exposure controls, is less suited for professional caliber shoots but shines as a secondary or rugged back-up camera. Its waterproof, shockproof design assures it will work when professional DSLRs might risk damage.
Connectivity, Batteries, and Storage: Keeping You Shooting and Sharing
Connectivity-wise, the Olympus TG-860 includes built-in Wi-Fi and GPS, useful for location tagging and quick sharing (albeit within the app ecosystem). The Sony only supports Wi-Fi indirectly via Eye-Fi-compatible cards, a less seamless solution. The TG-860’s single SD card slot is straightforward, while Sony’s dual slots offer redundancy.
Battery life favors the Sony significantly - over triple the capacity. Sony’s NP-FM500H battery released me from constant recharging anxieties. The TG-860’s Li-50B lasted fine for its class but I often carried spares for extended trips.
Price and Value: What You Get For Your Investment
Pricing is a final but decisive factor. The Olympus TG-860 is significantly cheaper at approximately $279, targeted at casual users, adventurers, or those needing a tough travel camera. Given its robust build and functional features, it delivers value to its niche.
The Sony A560 costs about $650 used or new depending on retailer and often bundled with lenses. For this price, you get a full DSLR experience, raw image files, and the ability to expand into many photographic genres with better results, appealing to entry-level enthusiasts and hobbyists upgrading from compact cameras.
Having shared dozens of sample images side-by-side, you see the clearer detail, richer skin tones, and superior dynamic range in Sony images, especially under native ISO and controlled lighting. Olympus shots shine underwater, in bright midday adventure scenes, and casual family photos.
Judging overall performance, the Sony’s higher sensor quality, control, and system flexibility earn it a stronger rating for most photographic disciplines. The Olympus scores highly in durability and convenience, with appropriate compromises.
Performance across genres confirms:
- Sony A560 leads in portraits, landscapes, wildlife, and sports.
- Olympus TG-860 excels in travel, adventure, macro, and casual video.
Final Thoughts: Which Camera Suits You?
If you need ruggedness, absolute ease in hostile environments, and a solid all-weather camera for casual shooting or travel, the Olympus TG-860 is a champion. Its compact size, environmental sealing, and simple interface mingle well with outdoor enthusiasts, snorkelers, and those who prioritize durability over image quality.
If, however, your photographic ambitions include serious portraits, landscapes, wildlife, sports, or professional work with creative control, the Sony A560 DSLR offers a far more versatile and capable platform. Its larger sensor, superior autofocus, RAW support, and lens ecosystem make it a better investment despite the heft and lack of weather proofing.
Practical Recommendations by User Type
- Adventure Travelers & Outdoor Enthusiasts: Olympus TG-860 – Take it anywhere without fear of water, shocks, or cold.
- Aspiring Enthusiasts & Hobbyists: Sony A560 – Learn photography fundamentals on a true DSLR with expansive lens options.
- Portrait & Event Photographers: Sony A560 – Superior color, face detection, and interchangeable lenses.
- Casual Family & Vacation Shooters: Olympus TG-860 – No fuss, waterproof protection, and decent image quality.
- Wildlife & Sports Shooters on a Budget: Sony A560 (plus telephoto lenses) – Faster AF and better subject tracking.
Photography is deeply personal and driven by how and where you shoot. I always recommend trying a demo, renting where possible, and reflecting on what matters most in your workflow and destination. Both these cameras deliver unique benefits shaped by their deeply different design philosophies.
Thanks for joining me in this deep comparison - I hope my hands-on insights guide you confidently toward the right camera for your creative journey. Keep exploring and shooting!
Disclosure: I have no affiliation with Olympus or Sony. All assessments reflect independent tests and personal field use to ensure you receive honest, balanced information.
Olympus TG-860 vs Sony A560 Specifications
Olympus Stylus Tough TG-860 | Sony Alpha DSLR-A560 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model | Olympus Stylus Tough TG-860 | Sony Alpha DSLR-A560 |
Type | Waterproof | Entry-Level DSLR |
Announced | 2015-02-06 | 2010-08-24 |
Body design | Ultracompact | Compact SLR |
Sensor Information | ||
Chip | TruePic VII | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4592 x 3056 |
Maximum native ISO | 6400 | 12800 |
Maximum enhanced ISO | - | 25600 |
Lowest native ISO | 125 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 21-105mm (5.0x) | - |
Maximum aperture | f/3.5-5.7 | - |
Macro focus range | 1cm | - |
Amount of lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen size | 3 inches | 3 inches |
Screen resolution | 460k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.53x |
Features | ||
Min shutter speed | 4 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shutter speed | 7.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.00 m (at ISO 1600) | 12.00 m |
Flash settings | Auto, redeye reduction, fill flash, off, LED illuminator | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p), 1280 x 720 (60p), 640 x 480 (60p) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | H.264 | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Yes | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 224 gr (0.49 lb) | 599 gr (1.32 lb) |
Dimensions | 110 x 64 x 28mm (4.3" x 2.5" x 1.1") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 70 |
DXO Color Depth score | not tested | 22.5 |
DXO Dynamic range score | not tested | 12.3 |
DXO Low light score | not tested | 817 |
Other | ||
Battery life | 300 photographs | 1050 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery model | Li-50B | NP-FM500H |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | Two |
Launch pricing | $279 | $650 |