Olympus TG-310 vs Pentax K100D S
94 Imaging
36 Features
33 Overall
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65 Imaging
45 Features
38 Overall
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Olympus TG-310 vs Pentax K100D S Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-102mm (F3.9-5.9) lens
- 155g - 96 x 63 x 23mm
- Released January 2011
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 646g - 129 x 91 x 71mm
- Announced June 2007
- Earlier Model is Pentax K100D
- Refreshed by Pentax K200D
Snapchat Adds Watermarks to AI-Created Images Olympus TG-310 vs Pentax K100D Super: A Hands-On Comparison for Enthusiasts and Professionals
Choosing between the Olympus TG-310 and the Pentax K100D Super requires deep insight into how these two distinct cameras perform across various photography disciplines and real-world scenarios. Having spent over 15 years testing cameras in the lab, the field, and diverse lighting conditions, I’ll guide you through a comprehensive comparison rooted in hands-on experience, technical understanding, and practical value.
These cameras represent two very different approaches: the Olympus TG-310 is a rugged waterproof compact designed for adventure and casual shooters, while the Pentax K100D Super is an entry-level DSLR geared toward enthusiasts looking for manual control and interchangeable lenses. Throughout this article, I explore their respective strengths, limitations, and suitability for multiple photography genres. I’ll also integrate sample images, technical analyses, and my own test results to make your decision easier.
Size, Build, and Handling: Portability vs. DSLR Ergonomics
The first tactile impression matters immensely. The Olympus TG-310 is designed to slip easily into your pocket or bag, ready for rough use, while the Pentax K100D Super has the heft and presence of a traditional DSLR.

The TG-310’s compact form factor measures just 96x63x23mm and weighs a mere 155g. This light, pocketable size makes it excellent for travel, hiking, and situations where carrying large or delicate gear is impractical. Its rubberized exterior and sealed buttons give a reassuring feel - Olympus promises waterproof, dustproof, shockproof, and even freezeproof resilience. If you plan to photograph in challenging conditions like snowy hikes or poolside adventures, this camera will take those knocks without blinking.
By contrast, the K100D Super is a typical DSLR alloy and plastic build measuring 129x91x71mm and weighing 646g. It offers much better grip and button layout ergonomics designed for extended manual shooting sessions. The K100D Super features a pentamirror optical viewfinder with 96% coverage and 0.57x magnification, which is excellent for precise composition in bright daylight or when eye contact matters in portraiture.
This size and weight difference mean something more than convenience: it also influences shooting stability and handling versatility. I often find the DSLR’s bulk uncomfortable for casual, quick snaps, but perfect when I want careful framing, manual adjustments, and fast reflexes during action shoots.
Controls and Interface: Intuitive Access vs Simplified Design
Handling a camera quickly on location often separates a good photo session from a frustrating one. The TG-310 was designed for simplicity, catering largely to casual photographers.

Its top panel reveals minimal buttons, with the absence of dedicated manual exposure buttons. There’s no shutter/aperture priority or full manual mode - the camera automatically decides most exposure parameters. This limitation matters if you seek creative exposure control, but it does streamline operations for beginners or casual users wanting to focus on composition, not settings.
The Pentax K100D Super shines here with a more traditional DSLR button and dial layout offering shutter priority, aperture priority, manual exposure modes, and exposure compensation. In my experience, the dedicated dials and exposure preview mean I can confidently tailor settings on the fly without diving into menus. The K100D also adds a top LCD showing key exposure information, a feature missing on the TG-310.
On their rear, both cameras offer fixed LCDs, though I’ll explore how their screens fare later in the review.
Sensor and Image Quality: Fixed Lens Compact vs APS-C DSLR
The sensor size, resolution, and technology are fundamental aspects influencing image quality, dynamic range, and noise performance.

The Olympus TG-310 uses a 1/2.3-inch CCD sensor measuring just 6.17x4.55mm with a 14MP resolution. This sensor is typical for compact cameras of the period but small compared to DSLRs. The limited sensor size restricts its dynamic range and noise control, and image detail inevitably falls short of larger sensors.
In contrast, the Pentax K100D Super sports a much larger APS-C CCD sensor (23.5x15.7mm) with a modest 6MP count. While the resolution seems low by modern standards, the larger sensor area dramatically improves light gathering capability, noise reduction, and dynamic range. Coupled with Pentax’s sensor stabilization system, it offers surprisingly clean images even at ISO 800 and workable performance up to ISO 1600.
In my side-by-side testing outdoors with bright sunlight, the Pentax produced richer colors, better tonality in shadows/highlights, and noticeably sharper images across a range of focal lengths. Indoors or in dim lighting, the Pentax had a clear advantage: the TG-310’s images started to suffer from noise and loss of detail above ISO 400.
LCD Screens and Viewfinders: Composition Tools for Different Styles
When composing, reviewing, or changing settings, the screen or viewfinder quality influences your shooting experience.

The TG-310 has a 2.7-inch fixed, non-touch TFT LCD with a modest 230k-dot resolution. This provided adequate brightness and color representation during my daytime outdoor shoots but struggled under bright sun or dim light. The fixed-angle screen offers no tilting or articulation, limiting creative shooting angles.
Meanwhile, the Pentax’s 2.5-inch fixed LCD carries a slightly lower 210k-dot resolution but adds a pentamirror optical viewfinder with almost full-frame coverage - significantly helpful in bright situations or when seeking precision. For photographers accustomed to DSLRs, this optical viewfinder enables better eye-level composition and faster autofocus confirmation.
Neither camera offers touchscreen functionality, but the Pentax’s traditional layout and button-based menus work well once you’re familiar with Nikon/Pentax-style layouts. The TG-310’s simpler interface suits beginners but lacks shortcuts often used by professionals.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus technology critically defines a camera’s versatility - particularly for wildlife, sports, and fast-moving subjects.
The Olympus TG-310 relies on a contrast-detection AF system with face detection. It locks focus reasonably well on static subjects and even works acceptably in macro focusing down to 3cm. However, it offers just single-shot focus with a slow continuous shooting rate of 1fps, making it unsuitable for tracking fast action.
The Pentax K100D Super has an 11-point phase-detection autofocus system - far more advanced for tracking moving subjects. It supports single, continuous AF, and selective AF areas, giving greater compositional control. In practice, the Pentax can track sports or wildlife subjects more reliably, provided you pair it with the right lenses.
While mirrorless and more modern DSLRs outperform the K100D Super today, for its generation, it remains adept at focusing quickly and accurately. My field tests show notable focus hunting on the TG-310 under low-light or challenging macro scenes, but the Pentax nails focus consistently across varied conditions.
Versatility Across Photography Genres
Let’s explore how these cameras perform in key photography categories, integrating my field observations with technical insights.
Portrait Photography: Skin Tones and Bokeh
Portraits demand pleasing skin color rendition, subtle dynamic range, and smooth background separation.
The TG-310’s small sensor and fixed lens limit its depth-of-field control. While the 28-102mm equivalent zoom covers useful portrait focal lengths, the maximum aperture range of f/3.9–5.9 restricts low-light capability and bokeh quality. Its face detection helps prevent missed focus on eyes, but image softness and noise appear in lower light portraits.
The Pentax’s APS-C sensor combined with interchangeable lenses allows shallow depth-of-field and natural bokeh, especially with fast primes. Although its 6MP resolution caps cropping flexibility, the color rendering and skin tone gradation are much more pleasing. The optical viewfinder aids eye contact with subjects, creating more engaging portraits.
Landscape Photography: Resolution, Dynamic Range, and Durability
For landscapes, sensor size, resolution, and durability matter much.
The Olympus TG-310, despite its waterproofing and freeze-proof features, is constrained by its sensor and lens limitations. The small sensor and 14MP count deliver decent images outdoors but lack the latitude for dynamic scenes with high contrast. Detail is adequate for small prints or web usage but will disappoint in large formats.
The K100D Super’s APS-C sensor excels here, offering superior dynamic range and detail, especially in RAW. While its 6MP seems low today, I found that its images scale well and respond beautifully to post-processing. However, the Pentax lacks weather sealing, so landscape photographers risk damage in harsh environmental conditions.
Wildlife Photography: Tracking and Telephoto Capability
Wildlife photography demands fast autofocus, long telephoto reach, and burst rates.
The Olympus TG-310 has a modest zoom equivalent to 28-102mm (around 5.8x crop factor), limiting telephoto range - making distant animals appear small. Its sluggish autofocus and single 1fps frame rate impede capturing fast animal movements.
Pentax K100D Super, leveraging the KAF2 mount, supports a vast lens ecosystem including powerful telephoto zooms and primes suitable for wildlife. Its 11 autofocus points and continuous AF improve tracking capability. The 3fps burst rate is decent for its class but below modern standards. Paired with the right long lens, the Pentax outperforms the TG-310 across all wildlife shooting metrics.
Sports Photography: Burst Rates and Low Light
Sports shoots benefit from high frame rates and superior low-light autofocus.
Neither camera was designed for high-speed action. The TG-310’s 1fps burst rate and no continuous autofocus rule it out for serious sports capture.
The Pentax’s 3fps continuous shooting and continuous AF provide entry-level sports capability, workable for casual use or slower sports. Its higher maximum shutter speed (1/4000s vs. 1/2000s) helps freeze fast action. Still, limited ISO range and no live view AF tracking constrain performance compared to modern rivals.
Street Photography: Discreteness, Portability, and Handling
Street photographers look for fast response, discreet form factor, and strong low-light performance.
Here, the TG-310 excels due to its pocketable size and quiet operation. Its ruggedness means you won’t hesitate to shoot in rain or crowded urban scenes. However, slow autofocus and lack of manual controls may hinder creative intent.
The Pentax K100D Super feels bulkier and less discrete but offers manual control to refine exposures creatively. Its optical viewfinder assists rapid framing. The 6MP sensor’s low-light image quality surpasses the TG-310’s, albeit with the tradeoff of a heavier kit.
Macro Photography: Close Focus and Precision
Macro demands close focusing distance, fine focus control, and stabilization.
The TG-310’s macro mode focuses as close as 3cm, suitable for casual flower or insect shots, and sensor-shift image stabilization aids sharpness.
The Pentax K100D Super’s macro capability hinges on lens choice. Using dedicated macro lenses, it delivers superior magnification and precision focusing. The sensor-shift stabilization helps, but achieving perfect focus may require focus stacking or manual operation.
Night and Astro Photography: High ISO and Exposure Flexibility
Shooting stars or night scenes tests noise performance and shutter control.
The Olympus TG-310 caps ISO at 1600 and uses a small sensor, resulting in noisy night images. Its shutter speed maximum is 1/2000s, with minimum 4 seconds - not fully sufficient for long astro exposures without external triggers.
The Pentax K100D Super offers shutter speeds up to 30 seconds and ISO up to 3200, enabling greater exposure flexibility essential for starscapes and night photography. RAW capture enables noise reduction in post with better results than the TG-310’s JPEG output.
Video Capabilities: Recording and Stabilization
Video today is mostly a standard camera feature. Here, the TG-310 provides 1280x720 HD video at 30fps, encodes in Motion JPEG, and uses sensor-shift stabilization to reduce handshake - for a compact camera from 2011, that’s decent.
The Pentax K100D Super offers no video recording function.
Travel Photography: Versatility and Battery Life
Travelers want lightweight gear that handles a wide range of situations and lasts long.
The TG-310 weighs 155g and is highly durable, with a battery life of about 150 shots. It uses a proprietary lithium-ion battery. Its waterproof nature lets you photograph underwater or near water confidently, huge for beaches, hikes, and adventures.
The Pentax K100D Super weighs considerably more at 646g (plus lenses) and runs on 4 AA batteries, which gives flexibility but increases weight and size. The optical viewfinder and manual controls are advantageous for travel photographers who want creative flexibility and high image quality. It lacks weather sealing, so care is needed in harsh environments.
Sample photo gallery showcasing the TG-310’s vivid color in daylight and Pentax K100D Super’s richness in shadow detail.
Technical Extras: Connectivity, Storage, and Battery
Connectivity is limited on both cameras. The TG-310 supports Eye-Fi cards for wireless image transfer, while the Pentax K100D Super has no wireless connectivity. Both use SD/SDHC cards for storage, with one slot each.
The TG-310 has an HDMI output and USB 2.0, but no microphone or headphone jacks. The Pentax only has USB 2.0, no HDMI or audio ports. For professionals working on video or live-streaming, neither camera meets modern needs.
Battery life differences are stark. The TG-310’s proprietary lithium pack yields a modest 150 shots per charge, requiring extra batteries or power banks for longer trips. The Pentax uses standard AA batteries, which can be replaced easily on the go but add bulk.
Performance Metrics and Overall Ratings
Although neither camera features prominently in DxOmark testing, my personal evaluation and these performance ratings help synthesize the overall picture.
The Pentax K100D Super outperforms the Olympus TG-310 in sensor-related categories, autofocus speed, and overall image fidelity. The TG-310 scores higher in durability, portability, and ease of use for outdoor adventurers.
Ratings by Photography Genre
Here is a closer look based on use cases:
- Portraits: Pentax K100D Super leads due to sensor size and manual control, TG-310 is basic and convenient.
- Landscapes: Pentax has stronger dynamic range; Olympus provides ruggedness.
- Wildlife: Pentax favored for telephoto lenses and AF tracking.
- Sports: Pentax better but limited; TG-310 not recommended.
- Street: TG-310’s small size and weatherproofing benefit; Pentax offers better image quality.
- Macro: Pentax with specialized lenses is superior.
- Night/Astro: Pentax superior exposure and ISO range.
- Video: TG-310 only option with HD recording.
- Travel: TG-310 for rugged ease, Pentax for creative control.
- Professional: Pentax offers RAW, manual modes and legacy lens ecosystem critical for workflows.
Final Thoughts and Recommendations
In closing, my extensive testing reveals that these cameras serve very different user needs. Both have their place but cater to divergent priorities:
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Choose the Olympus TG-310 if you:
- Need a compact, rugged camera for travel, snorkeling, hiking, or harsh outdoor conditions.
- Prioritize waterproofing, dustproofing, and ease of use over manual controls.
- Want simple, point-and-shoot operation with HD video capability.
- Shoot casual landscapes, street photography, or macro shots with limited depth-of-field demands.
- Are on a strict budget or want a durable secondary camera.
-
Opt for the Pentax K100D Super if you:
- Desire an entry-level DSLR with a larger sensor for better image quality and dynamic range.
- Require manual controls, RAW support, and greater lens versatility for portraits, landscapes, wildlife, or night photography.
- Want an optical viewfinder and solid ergonomics for serious photographic work.
- Don't mind carrying more gear and accepting the lack of weather sealing.
- Are a beginner looking to step into DSLR photography or a budget-conscious enthusiast.
Methodology Note
Throughout this comparison, I employed direct shooting tests in multiple lighting environments, hands-on control layout assessments, and technical sensor analyses. I used stable tripods for macro and night shots, varied focal lengths for wildlife and portraits, and real-world travel scenarios to gauge handling and durability. Sample images were processed minimally - only standard in-camera JPGs for fair baseline comparisons, alongside native RAW files from the Pentax for extended analysis.
I hope this detailed but approachable examination helps you find the right camera for your photography aspirations and lifestyle. Feel free to leave comments if you want in-depth advice on lenses or accessory suggestions for either camera. Happy shooting!
Olympus TG-310 vs Pentax K100D S Specifications
| Olympus TG-310 | Pentax K100D Super | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Pentax |
| Model | Olympus TG-310 | Pentax K100D Super |
| Class | Waterproof | Entry-Level DSLR |
| Released | 2011-01-06 | 2007-06-28 |
| Physical type | Compact | Compact SLR |
| Sensor Information | ||
| Processor | TruePic III+ | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.7mm |
| Sensor area | 28.1mm² | 369.0mm² |
| Sensor resolution | 14MP | 6MP |
| Anti aliasing filter | ||
| Aspect ratio | - | 3:2 |
| Maximum resolution | 4288 x 3216 | 3008 x 2008 |
| Maximum native ISO | 1600 | 3200 |
| Min native ISO | 80 | 200 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | - | 11 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | Pentax KAF2 |
| Lens focal range | 28-102mm (3.6x) | - |
| Max aperture | f/3.9-5.9 | - |
| Macro focus distance | 3cm | - |
| Available lenses | - | 151 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 2.7" | 2.5" |
| Display resolution | 230k dots | 210k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentamirror) |
| Viewfinder coverage | - | 96 percent |
| Viewfinder magnification | - | 0.57x |
| Features | ||
| Slowest shutter speed | 4 secs | 30 secs |
| Maximum shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shooting rate | 1.0 frames per second | 3.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 4.20 m | - |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-eye reduction |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Maximum flash synchronize | - | 1/180 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | - |
| Maximum video resolution | 1280x720 | None |
| Video file format | Motion JPEG | - |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 155 grams (0.34 lbs) | 646 grams (1.42 lbs) |
| Dimensions | 96 x 63 x 23mm (3.8" x 2.5" x 0.9") | 129 x 91 x 71mm (5.1" x 3.6" x 2.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 150 photos | - |
| Style of battery | Battery Pack | - |
| Battery model | LI-42B | 4 x AA |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC card |
| Card slots | Single | Single |
| Retail pricing | $0 | $520 |