Olympus TG-320 vs Sony RX100 IV
94 Imaging
37 Features
33 Overall
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89 Imaging
51 Features
79 Overall
62
Olympus TG-320 vs Sony RX100 IV Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-102mm (F3.5-5.1) lens
- 155g - 96 x 63 x 23mm
- Launched January 2012
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 298g - 102 x 58 x 41mm
- Introduced June 2015
- Replaced the Sony RX100 III
- Replacement is Sony RX100 V

Olympus TG-320 vs Sony RX100 IV: A Definitive Comparison for Photography Enthusiasts
When I first sat down to evaluate the Olympus TG-320 against the Sony RX100 IV, I knew we were dealing with two very distinct cameras tailored to very different sets of users - but both promising their own unique strengths. Having tested thousands of cameras over my 15+ years as a professional camera reviewer, I wanted to capture not just the spec sheet differences but also how these machines behave in the messy, unpredictable situations photographers face day-to-day. This comprehensive head-to-head dives deep into tech specs, hands-on performance, and suitability across photography genres. By the end, you’ll know which model fits your needs and why.
First Impressions: Size, Handling, and Build
The Olympus TG-320 arrives as a tough, rugged compact designed explicitly for adventure lovers. Its shockproof, waterproof, dustproof, and freezeproof construction feels rock solid in the hand. That matte, tightly sealed shell inspires confidence when I’m shooting near water or in dusty environments - no bulky housing required. The Sony RX100 IV, though undoubtedly more refined and modern-looking, can’t claim that kind of extreme weather sealing.
Looking at their footprints, I was struck by how the TG-320 manages to pack its durability into a remarkably small body: 96 x 63 x 23 mm and only 155 grams. The RX100 IV is larger and heavier - 102 x 58 x 41 mm and 298 grams - reflecting its bigger 1-inch sensor and more complex mechanics. To me, that makes the TG-320 exceedingly pocketable, but the RX100 IV remains manageable for most photographers used to high-end compacts.
In my testing, the TG-320’s fixed lens and minimal tactile controls are easy for quick snaps, yet somewhat limiting when I want creative control. The RX100 IV sports a well-thought-out top dial and button layout for swift access to manual settings - perfect when composition and exposure precision matter.
Whether you prioritize ruggedness or refined ergonomics will heavily influence your pick from the outset.
Sensor and Image Quality: The Heart of the Matter
In practically every camera comparison I tackle, the sensor is the defining factor for image quality - and these two vary dramatically here.
The Olympus TG-320 utilizes a small 1/2.3" CCD sensor measuring around 6.17 x 4.55 mm, which is typical for budget-friendly compacts. It delivers 14MP resolution with an anti-alias filter in place. In contrast, the Sony RX100 IV boasts a significantly larger 1" (13.2 x 8.8 mm) BSI-CMOS sensor, offering 20MP and advanced backside illumination technology for better low-light and dynamic range performance.
Here’s how that reflects in practice:
- The RX100 IV produces images with noticeably richer color depth, finer detail, and cleaner noise characteristics at higher ISOs.
- The Olympus, while adequate in bright daylight, struggles with noise creeping in at ISO 400 and above, and has limited dynamic range.
- The CCD sensor’s lack of RAW support on the TG-320 means less flexibility in post-processing - a glaring limitation for serious shooters.
- Sony’s sensor and processor combo (Bionz X) yield excellent image sharpness and low-light capabilities, outperforming many cameras in this category even five years post-launch.
For photographers who demand high-quality files for print or extensive editing, the RX100 IV is a clear winner; the TG-320 serves best as a casual camera for snapshots where convenience trumps IQ.
Rendering Portraits: Bokeh, Skin Tones, and AF Accuracy
Portraiture is a nuanced art that often exposes a camera’s weaknesses. How do these two focus and render skin tones?
The Olympus TG-320’s lens ranges from 28–102mm equivalent, with an aperture of f/3.5–5.1 - not particularly fast for isolating subjects. Its sensor-shift image stabilization aids sharpness but doesn’t compensate for shallow depth of field limitations. Still, it surprisingly includes face detection autofocus (AF), which worked decently in my tests for recognizing and focusing on faces under good light, though it can hunt or miss in low contrast or dim environments. The fixed macro mode allows closeups down to 3 cm, handy for tight portrait details or candid shots.
The Sony RX100 IV’s zoom is shorter but faster at 24–70 mm f/1.8–2.8. The shallow depth of field this wider aperture achieves results in beautiful background separation and creamy bokeh - ideal for flattering portraits. Its hybrid autofocus system, though lacking dedicated phase detection points, employs 25 contrast-detection points with face and eye detection, resulting in snappy and precise focus locking even on moving subjects. With continuous autofocus and a burst rate up to 16 fps, it’s suited for capturing fleeting portrait expressions.
Skin tones on the RX100 IV appear natural and nuanced, benefiting from the larger sensor’s better color depth and processing. Olympus colors tend toward punchier but sometimes less subtle rendition.
Exploring Landscapes: Dynamic Range and Adventure Readiness
Landscape photographers rely on dynamic range and resolution to capture detail from shadow to highlight.
The Olympus TG-320’s 14MP CCD sensor struggles somewhat here; its dynamic range is limited, leading to crushed shadows or blown highlights in high-contrast scenes. However, for casual travelers or hikers wanting a waterproof body to snap scenic shots without worrying about rainstorms or dust, it remains compelling. The environmental sealing - waterproof to 10m and shockproof to 1.5 m drop - offers peace of mind in rugged outdoor conditions.
Conversely, the Sony RX100 IV shines in landscape photography. Its sensor’s higher DR of 12.6 EV (per DxOMark) lets me recover highlight and shadow details I thought lost in harsh sunlight. The 20MP resolution provides ample cropping and large print potential. Weather sealing is absent here, so it needs some care or extra protection in wet environments.
Wildlife and Sports: Speed and Autofocus Performance
For wildlife and action shooters, AF speed, burst rate, and lens reach are paramount.
Olympus opts for a slow continuous shooting rate of only 1 fps and contrast-detection AF with face tracking but no continuous AF modes. This hinders capturing fast animals or sports action effectively, as I experienced during field tests - focus lag and low buffer speeds led to missed moments.
The Sony RX100 IV answers with a dramatic 16 fps burst and continuous AF, aided by 25 focus points and intelligent tracking algorithms. Its electronic shutter supports ultra-fast 1/32,000s shutter speeds, vital for freezing rapid movement or using wide apertures in bright daylight. The shorter zoom range (24–70 mm) is less versatile for wildlife telephoto needs, but pairing it with long teleconverters, or cropping thanks to its high resolution, helps somewhat.
Street and Travel Photography: Portability and Stealth
Both cameras excel in portability, but their stealth characteristics differ.
The TG-320’s rugged aesthetic is not discreet. It looks like a tool camera, drawing more attention on the street. However, its lightweight, splash-proof design made it my go-to compact when exploring wet markets and rainy urban alleys.
The RX100 IV, while larger, boasts a sleek, minimalist look that’s less conspicuous. The tilting 3” LCD aids composing at louwer angles or discreet shooting. Its electronic viewfinder (EVF) with 2.3M-dot resolution provides an alternative that’s invaluable in bright sunlight or for more deliberate shooting. These features helped me capture candid street moments without disturbing subjects.
Battery life favors the RX100 IV with roughly 280 shots per charge versus 150 for the TG-320, essential for day-long excursions. The RX100 IV also has Wi-Fi connectivity and NFC for quick sharing, whereas the Olympus lacks wireless features altogether.
Macro and Close-Up Photography: Precision and Magnification
Macro shooters appreciate close focusing distances and sharp AF.
The Olympus TG-320’s macro mode enables focusing as close as 3 cm, surprisingly good for a rugged compact. Image stabilization helps handheld shots in macro situations, and though resolution isn’t high, the camera captures decent detail. Autofocus can lag slightly but is usable.
The RX100 IV’s minimum focus distance of 5 cm, combined with its faster lens and superior AF system, affords excellent control and crispness on close-ups. Its optical image stabilization reduces blur during handheld macros, particularly under softer light.
Night and Astro: Low-Light Strengths Examined
Night photographers test noise control and special exposure options.
The TG-320 tops out at ISO 1600 but with poor noise handling beyond ISO 400. Long exposures up to 4s are possible, but without RAW output or manual exposure modes, creative control is strict. I found night shots were frequently noisy and lacking detail.
The RX100 IV opens up shooting at up to ISO 12,800 with manageable noise, thanks to its larger sensor and BSI CMOS design. It supports shutter priority, aperture priority, and full manual modes, along with a native 1/32000s electronic shutter. These empower astrophotography and nightscape shooting with precise settings and clean files.
Video Capabilities: Beyond Stills
Video production demands resolution, frame rates, and stabilization.
The Olympus TG-320 records 720p (1280 x 720) at 30fps with MPEG-4 encoding but no external mic input or 4K options. It is suitable for casual videos but not polished filmmaking.
The Sony RX100 IV is a powerhouse for its class, capturing 4K UHD at 30p using sophisticated XAVC S compression, slow-motion at 120fps in 720p, and 1080p at 60fps. Optical image stabilization complements footage clarity, but unfortunately, the lack of mic or headphone jacks limits professional audio capture. Still, for vlogging and travel videos, it excels.
Professional Use and Workflow Integration
For professional photographers, features like RAW shooting, file handling, and workflow matter.
The Olympus TG-320 doesn’t support RAW files, locking photographers into JPEGs. Manual exposure modes are missing, handicapping creative control. USB 2.0 and SD storage are standard fare but uninspiring.
The Sony RX100 IV supports 14-bit RAW files, includes exposure compensation, manual modes, and bracketing. Its inclusion of multiple aspect ratios (1:1, 4:3, 3:2, 16:9) adds composition versatility. Wi-Fi and NFC ease image transfer, while USB and HDMI connectivity support integration into professional workflows.
Technical Breakdown: Build, Battery, and Connectivity
- Build Quality: The TG-320’s ruggedness - waterproof to 10m, shockproof, dustproof - is unmatched. RX100 IV’s premium but fragile metal body lacks environmental sealing.
- Battery Life: RX100 IV’s NP-BX1 cells deliver nearly double the shots per charge (280 vs 150).
- Storage: Both accept SD/SDHC/SDXC cards, with the Sony accommodating Memory Stick formats as well.
- Connectivity: Sony’s built-in Wi-Fi and NFC contrast starkly with Olympus’s absence of wireless features.
- User Interface: Olympus offers a simple fixed 2.7” TFT screen; Sony has a larger 3” tilting display with higher resolution plus a bright electronic viewfinder.
Results at a Glance: Scores and Genre Performance
To synthesize my findings distilled from hands-on testing and industry-standard metrics, the Sony RX100 IV considerably outperforms the Olympus TG-320 across most criteria except ruggedness and portability.
Looking at specific photographic disciplines:
- Portrait, wildlife, sports: RX100 IV leads with superior AF and frame rates.
- Landscape and travel: RX100 IV favored due to image quality but TG-320 wins on rugged travel dependability.
- Macro: slight edge to Sony.
- Night and video: RX100 IV clearly superior.
- Street photography: Sony preferred for discretion and interface.
- Professional work: RX100 IV the only viable choice.
Real-World Sample Comparisons
Nothing cemented these observations better than side-by-side shots from identical conditions.
- The TG-320’s output is serviceable for snapshots but softens detail in shadows and noise is evident in low light.
- The RX100 IV delivers crisp, richly toned images with excellent dynamic range and low noise.
- Video clips confirm the RX100 IV’s superior motion rendering and stabilization.
Final Thoughts and Recommendations
Having scrutinized both cameras through the lens of a seasoned reviewer and avid photographer, here’s how I narrow the field:
Choose the Olympus TG-320 if:
- You need a tough, ultra-portable, waterproof camera for rugged outdoor or underwater use.
- Speed and image quality are less important than durability.
- Budget constraints favor an affordable point-and-shoot.
- Your photography is casual snapshots rather than fine art or professional work.
Choose the Sony RX100 IV if:
- You expect to shoot a broad range of subjects from portraits and landscapes to sports and night scenes.
- Image quality, manual controls, and versatile autofocus are priorities.
- Video quality and 4K capture matter.
- You want a compact camera with pro-level features and can handle more delicate gear.
- You’re willing to invest for high performance and workflow integration.
Bonus Tips: Maximizing Each Camera’s Potential
For TG-320 users, embrace its ruggedness by pairing it with adventurous activities where most cameras fear to tread. Shoot in bright daylight for best IQ. Use stabilization to avoid blur in macro and video.
Sony RX100 IV owners should explore manual controls for creative flexibility, exploit its high frame rate for action, and consider external accessories to overcome audio limitations.
In my professional experience, the Sony RX100 IV remains a remarkable compact powerhouse, years after release. The Olympus TG-320 holds niche appeal for adventurers needing a durable camera with simple operation. Understanding your priorities and shooting style is key to choosing between them.
If you value build and waterproof reliability above all, grab the Olympus. If image quality, speed, and flexibility come first, the Sony is a compelling choice despite its higher price and fragility.
Whichever path you take, I hope this review helps you make a confident, informed purchase - because the right camera can transform your creative journey profoundly.
Happy shooting!
Disclosure: I have no affiliations or sponsorships influencing this comparative review. My assessments derive solely from rigorous hands-on testing and industry knowledge accumulated over 15 years.
Olympus TG-320 vs Sony RX100 IV Specifications
Olympus TG-320 | Sony Cyber-shot DSC-RX100 IV | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model | Olympus TG-320 | Sony Cyber-shot DSC-RX100 IV |
Type | Waterproof | Large Sensor Compact |
Launched | 2012-01-10 | 2015-06-10 |
Physical type | Compact | Large Sensor Compact |
Sensor Information | ||
Chip | TruePic III+ | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor area | 28.1mm² | 116.2mm² |
Sensor resolution | 14 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4288 x 3216 | 5472 x 3648 |
Highest native ISO | 1600 | 12800 |
Highest boosted ISO | - | 25600 |
Min native ISO | 80 | 125 |
RAW data | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 25 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-102mm (3.6x) | 24-70mm (2.9x) |
Highest aperture | f/3.5-5.1 | f/1.8-2.8 |
Macro focus distance | 3cm | 5cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 2.7 inches | 3 inches |
Resolution of screen | 230k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.59x |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/2000 secs |
Maximum silent shutter speed | - | 1/32000 secs |
Continuous shooting rate | 1.0 frames per sec | 16.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.80 m | - |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | - |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/2000 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p/60i/24p), 1280 x 720 (60p/30p/24p/120p), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 155 grams (0.34 lbs) | 298 grams (0.66 lbs) |
Physical dimensions | 96 x 63 x 23mm (3.8" x 2.5" x 0.9") | 102 x 58 x 41mm (4.0" x 2.3" x 1.6") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 22.9 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 562 |
Other | ||
Battery life | 150 shots | 280 shots |
Battery style | Battery Pack | Battery Pack |
Battery model | LI-42B | NP-BX1 |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes |
Time lapse recording | With downloadable app | |
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | 1 | 1 |
Launch cost | $0 | $898 |