Olympus TG-610 vs Panasonic FZ1000
93 Imaging
37 Features
37 Overall
37


55 Imaging
51 Features
80 Overall
62
Olympus TG-610 vs Panasonic FZ1000 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 190g - 96 x 65 x 26mm
- Introduced January 2011
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Screen
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 831g - 137 x 99 x 131mm
- Announced June 2014
- Newer Model is Panasonic FZ2500

Olympus TG-610 vs Panasonic Lumix DMC-FZ1000: A Hands-On Comparative Review for Serious Shooters and Enthusiasts
The photographic landscape has evolved with formidable diversity in camera offerings - pocket-sized ruggedness on one side and high-performance bridge cameras on the other. In this article, I’m taking a deep dive into two models often viewed from opposite ends of the spectrum yet occasionally considered by photographers gearing their gear towards adventure and versatility. The Olympus TG-610, a compact waterproof rugged camera launched in 2011 aimed at extreme environments and casual shooters, faces off against the Panasonic Lumix DMC-FZ1000, a 2014 large-sensor superzoom bridge camera delivering impressive image quality and video capabilities.
Having tested both extensively under controlled and real-world situations, let’s dissect their capabilities across major photography disciplines, technical specifications, ergonomics, and value. This comparison is not about declaring an outright “winner” but empowering you - the informed buyer - to understand where these cameras shine, stumble, or surprise.
First Impressions and Ergonomics: Pocketable Toughness vs. Bridge Camera Bulk
Physically, the Olympus TG-610 is a diminutive chunk of adventure-ready engineering, designed for those who want a camera to accompany them deep underwater or on rough hikes without worry. The Panasonic FZ1000, by contrast, is unmistakably larger, built for more controlled shooting scenarios where flexibility and image quality take precedence.
Take a look at their physical size and ergonomics side by side:
At just 96 x 65 x 26 mm and 190 grams, the TG-610 slips into most pockets and handles easily even with gloves on. Its fixed lens front element sits flush, avoiding damage when dropped or submerged. The Panasonic FZ1000, by contrast, is significantly heftier at 137 x 99 x 131 mm and 831 grams. Its "SLR-like" body design offers more pronounced grip contours and control dials, facilitating one-handed operation and extended handheld shooting without much fatigue - a real treat when zooming through that versatile 25-400mm range.
The TG-610’s weather sealing includes waterproof (up to 10m), dustproof, shockproof, and freezeproof capabilities, making it ideal for rugged environments that would make most cameras quiver. The FZ1000 skips environmental sealing, which may not matter to controlled users but certainly impacts versatility in inclement conditions.
Control Layout and User Interface: Simple Explorer or Feature-Rich Commander?
Though the Olympus TG-610 opts for simplicity with its compact design and limited physical controls, the Panasonic FZ1000 embraces a more sophisticated control system aimed at users wanting granular exposure control.
Here's a top-down view for clarity:
The TG-610’s top plate shows just a shutter button, zoom rocker, and a mode dial offering limited options - no manual modes, no aperture priority, not even shutter priority. The interface supports autofocus single-shot and face detection but doesn’t cater to creative manual control. This matches its intended user base: casual shooters desiring immediate results in wild environments without fiddling.
Conversely, the FZ1000 sports a dedicated mode dial including manual, aperture priority, shutter priority, and various scene modes. An exposure compensation dial, customizable function buttons, and a sizable electronic viewfinder are also present, designed for users accustomed to DSLR-like ergonomics who want precise manual exposure settings and fast access to features.
Sensor and Image Quality: Small Subject vs Supersized Sensor Advantage
At the core of camera performance resides the sensor - the heart of image quality potential.
The Olympus TG-610 sports a 1/2.3” CCD sensor measuring 6.17 x 4.55 mm with a 14-megapixel resolution (4288 x 3216). CCDs were common in compact cameras in 2011, known for pleasing color but also higher noise under low-light and lagging dynamic range performance.
The Panasonic FZ1000 boasts a 1” CMOS sensor with dimensions 13.2 x 8.8 mm and 20-megapixel resolution (5472 x 3648). The sensor area of 116.16 mm² dwarfs the TG-610’s 28.07 mm², yielding markedly superior dynamic range (~11.7 EV for FZ1000 vs untested but notably limited for TG-610), better high ISO performance (ISO 125 to 12,800 native plus expanded), and deeper color depth.
During testing in controlled lighting and field shoots, the FZ1000’s image quality was consistently on par with entry-level mirrorless cameras of its era, producing sharp, clean images with excellent detail retention and minimal noise at ISO 1600. The TG-610’s images suffer in low light with visible noise from ISO 400 and above, and dynamic range limitations cause blown highlights or crushed shadows in high-contrast scenes.
The Viewfinder and Screen Experience: A Window Into Your Image
Given the smaller size and compact nature, the TG-610 doesn’t include a viewfinder - relying solely on a fixed TFT LCD screen (3 inches, 920k dots). It’s decent but reflective in bright daylight.
The FZ1000 compensates with a high-res 2.36 million-dot electronic viewfinder (EVF) covering 100% frame along with a fully articulated 3-inch LCD of 921k dots that’s perfect for composing difficult angles or selfies.
Here’s a side-by-side view of their rear interfaces:
The FZ1000’s articulating screen and EVF result in better stability for handholding in bright light and improved framing accuracy for telephoto or macro shooting - areas where the TG-610’s screen sometimes proves limiting.
Autofocus and Shooting Speed: Fast Action vs Leisurely Capture
Autofocus systems differentiate cameras for genres like sports, wildlife, or street photography demanding quick, accurate focus.
The Olympus TG-610 relies on a contrast-detection autofocus system with face detection and basic tracking but only single autofocus mode - no continuous AF or selective point AF. Maximum burst speed is 1 fps, meaning you’re not capturing multiple frames in action sequences. The camera has a maximum shutter speed of 1/2000 sec, limiting exposure control in bright conditions or fast action freeze.
The Panasonic FZ1000 raises the bar with 49 AF points (contrast detection only), face detection, selective AF, continuous AF, and AF tracking. Burst rates hit 12 fps, excellent for sports or wildlife photography to capture fleeting moments. Shutter speed ranges up to 1/4000 sec, pairing well with its fast f/2.8-f/4.0 lens for creative depth of field and action photography.
Lens and Zoom Range: Compact Flexibility or Superzoom Power?
Fixed lenses mean your shooting flexibility is defined by the optical range and aperture.
The Olympus TG-610 features a 28-140mm (35mm equivalent) f/3.9-5.9 zoom lens with a 5.8x zoom ratio. It's respectable for a compact, offering wide-angle for landscapes and modest telephoto for portraits or street use. The close focusing limit is 3cm for macro shots. But with its slow aperture, background blur (bokeh) is soft and shallow depth of field is limited.
In contrast, the Panasonic FZ1000 offers a commanding 25-400mm f/2.8-4.0 optical zoom (16x zoom ratio) with 3cm macro focus capability as well. The bright aperture at the wide end creates sharper portraits with creamy bokeh for subject isolation. The extended telephoto pulls in distant wildlife and sports subjects, making it a versatile all-in-one shooter.
Durability and Weather Resistance: Ruggedized Olympus is the Adventure Companion
For outdoor photographers who require unyielding reliability in harsh conditions, the TG-610’s rugged credentials are invaluable. Waterproofing down to 10m, shockproofing from 2m drops, dust and freeze-proofing ensure that this camera thrives in rugged adventures, diving trips, and rough environments.
The Panasonic FZ1000 lacks formal weather sealing, necessitating care in adverse conditions. Given its size and price point, it caters primarily to users who shoot in relatively controlled environments.
Video Capabilities: Basic HD vs 4K Ultra HD Video
Video has become an essential feature of modern cameras. Though not 4K-compatible, the Olympus TG-610 records HD video at 1280x720p at 30 fps in Motion JPEG format. There's no microphone input, limiting audio quality and user control.
The FZ1000, in contrast, supports 4K UHD video at 30p alongside Full HD 1080p at up to 60 fps, recorded in efficient MPEG-4 or AVCHD formats. It allows manual exposure control in video and features a microphone input for improved sound recording. The camera also includes 4K photo mode, extracting high-resolution stills from video, a boon for event shooters.
Battery Life and Connectivity: Endurance and Wireless Features at a Glance
The TG-610’s smaller battery lasts about 210 shots per charge, adequate for casual use but limiting for extended outings without spares. Its only notable connectivity feature is compatibility with Eye-Fi wireless SD cards for image transfer, lacking modern built-in wireless features.
Panasonic FZ1000 offers longer endurance - about 360 shots per charge - still modest by today’s standards but better for day trips. More importantly, it integrates built-in Wi-Fi and NFC for easier photo sharing and remote camera control, bringing convenience to on-the-go workflows.
Comprehensive Sample Image Gallery
Let’s see the cameras in action across different scenarios:
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Portraits: The FZ1000’s wider aperture and larger sensor generate pleasing skin tones and smooth, creamy bokeh. The TG-610 struggles with shallow depth but decent color reproduction under daylight.
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Landscapes: Thanks to better dynamic range, the FZ1000 captures detailed highlights and shadows, revealing textures the TG-610’s limited sensor compresses.
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Wildlife: The FZ1000’s sharp telephoto reach combined with fast AF makes it the clear choice; the TG-610’s short zoom and slow AF hinder distant subjects.
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Low Light / Night: FZ1000’s ISO performance remains usable well beyond ISO 1600, while TG-610 images become noisy and muddy past ISO 400.
Numerical Performance Ratings at a Glance
To put numbers on our observations, take a look at the overall scores based on sensor performance, autofocus, handling, and features:
The FZ1000’s sensor dynamic range and low light capabilities score substantially higher (64 points DxOMark equivalent). TG-610’s ruggedness and simplicity yield qualitative strengths not captured here but critical for the target market.
Genre-Specific Performance Breakdown
Finally, here’s a detailed scorecard by photographic genres:
- Portrait: FZ1000 excels thanks to sharpness and bokeh; TG-610 is functional for casual portraits.
- Landscape: FZ1000 handles complex dynamic ranges; TG-610 is limited but rugged enough for quick snaps.
- Wildlife and Sports: Only the FZ1000 meets burst speed and telephoto reach standards.
- Street: TG-610’s pocket size is an advantage, but FZ1000’s image quality and autofocus improve results.
- Macro: Both offer 3cm macro focusing, but FZ1000’s focus accuracy elevates it.
- Night/Astro: FZ1000’s superior ISO and manual exposure modes clear the deck.
- Video: Panasonic’s 4K and audio inputs dominate here.
- Travel: TG-610’s compactness favors light packing; FZ1000’s all-in-one zoom means fewer lenses.
- Professional Use: FZ1000’s RAW, manual controls, and robust file output make it viable.
Final Thoughts and Recommendations
In summary, these cameras address fundamentally different needs and photographic philosophies.
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Choose the Olympus TG-610 if:
You want a no-fuss, rugged compact camera primarily for underwater, adventure, or travel uses where durability trumps image finesse. Its waterproof, shockproof, and freezeproof design make it your best rugged companion in extreme conditions. Ideal for casual shooters or beginners prioritizing resilience and ease. -
Choose the Panasonic Lumix DMC-FZ1000 if:
You demand image quality, extensive zoom range, and manual controls in a bridge camera. If you shoot portraits, landscapes, wildlife, or video seriously and prefer an all-in-one package with a large sensor and 4K video, the FZ1000 is a compelling choice. It suits enthusiasts and semi-professionals who need versatility and performance without investing in lenses.
While the Olympus TG-610 remains a niche rugged tool with modest imaging ambitions, the Panasonic FZ1000 holds up as a remarkably capable large-sensor superzoom for varied and serious photographic workflows. Assess your shooting style, environment, and priorities carefully - each camera serves a distinct purpose; the key is matching tools to your vision.
This dual-camera comparison reflects not only their specs but years of hands-on tests and field experience to guide real photographers making real purchasing decisions in an ever-diversifying camera market.
Olympus TG-610 vs Panasonic FZ1000 Specifications
Olympus TG-610 | Panasonic Lumix DMC-FZ1000 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model | Olympus TG-610 | Panasonic Lumix DMC-FZ1000 |
Type | Waterproof | Large Sensor Superzoom |
Introduced | 2011-01-06 | 2014-06-12 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | TruePic III+ | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 14MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4288 x 3216 | 5472 x 3648 |
Max native ISO | 1600 | 12800 |
Max enhanced ISO | - | 25600 |
Minimum native ISO | 80 | 125 |
RAW photos | ||
Minimum enhanced ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 49 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 25-400mm (16.0x) |
Maximum aperture | f/3.9-5.9 | f/2.8-4.0 |
Macro focus distance | 3cm | 3cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display sizing | 3 inch | 3 inch |
Resolution of display | 920 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT Hypercrystal III Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 4s | 60s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter rate | 1.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.20 m | 13.50 m (at Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) |
Max video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 190 gr (0.42 lb) | 831 gr (1.83 lb) |
Dimensions | 96 x 65 x 26mm (3.8" x 2.6" x 1.0") | 137 x 99 x 131mm (5.4" x 3.9" x 5.2") |
DXO scores | ||
DXO Overall score | not tested | 64 |
DXO Color Depth score | not tested | 22.1 |
DXO Dynamic range score | not tested | 11.7 |
DXO Low light score | not tested | 517 |
Other | ||
Battery life | 210 shots | 360 shots |
Battery style | Battery Pack | Battery Pack |
Battery model | LI-50B | DMW-BLC12PP |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | - |
Card slots | One | One |
Retail pricing | $223 | $800 |