Olympus TG-610 vs Pentax K-50
93 Imaging
37 Features
37 Overall
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63 Imaging
57 Features
65 Overall
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Olympus TG-610 vs Pentax K-50 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 190g - 96 x 65 x 26mm
- Announced January 2011
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Launched November 2013
- Superseded the Pentax K-30

Olympus TG-610 vs Pentax K-50: A Detailed Comparison for Enthusiasts and Professionals
Selecting a new camera often means balancing feature sets, performance, budget, and intended use cases. The Olympus TG-610 and Pentax K-50, though separated by category and generation, illustrate two very distinct approaches to imaging that merit careful consideration depending on user priorities. In this comprehensive comparison, drawing on my 15+ years of hands-on testing thousands of cameras, I analyze these two models across their core photographic and technical aspects. Whether you seek an ultra-rugged compact for adventurous outings or a versatile entry-level DSLR for versatile creative work, understanding the strengths and limitations of these cameras will empower your choice with clarity.
First Impressions: Physical Design, Ergonomics, and Controls
The Olympus TG-610 and Pentax K-50 represent significantly different camera types by their very build philosophies - and this manifests upfront in their physical dimensions, handling, and ease of operation.
The TG-610 is a compact, rugged point-and-shoot designed expressly for outdoor use with extensive environmental sealing - waterproof, dustproof, freezeproof, and shockproof features packaged into a slim 96 x 65 x 26 mm body weighing a featherlight 190 grams. Its compactness and hard shell make it a go-to for adventure photographers who prioritize portability and durability over traditional ergonomics or advanced controls.
However, this ruggedization imposes trade-offs on manual input capability. The TG-610 features a non-touch, fixed 3.0-inch TFT HyperCrystal III LCD with a modest 920K-dot resolution. Its optical design incorporates a fixed 28-140mm equivalent (5x optical zoom) lens, with a maximum aperture range of F3.9-5.9 - a modestly bright range for a compact rugged camera, though inherently limited in low-light or shallow depth-of-field performance. Button placement is minimal, reflecting its intended point-and-shoot mindset, with emphasis on simplicity rather than granular manual override.
Conversely, the Pentax K-50 is a traditional compact SLR, measuring a more substantial 130 x 97 x 71 mm and weighing considerably more at 650 grams. Its body construction follows Pentax’s reassuring heritage of professional-grade weather sealing (dust and moisture-resistant), aligning well with serious outdoor shooting but not waterproof by design. The DSLR form factor delivers a robust grip, a multitude of buttons and dials for direct access to critical settings, and an optical pentaprism viewfinder with 100% coverage and 0.61x magnification, which many photographers still prefer for clarity and immediacy in composition.
Looking from the top, the K-50 offers dedicated controls for shutter speed, exposure compensation, and multiple exposure modes including shutter and aperture priority, manual, and custom presets. The TG-610 lacks these refined manual modes common in DSLRs, favoring a straightforward fully automatic experience with limited exposure adjustment.
The physical separation in design intention is clear: TG-610 prioritizes rugged simplicity for casual and outdoor use, whereas the K-50 demands a more hands-on, creative interaction suitable for enthusiasts and even semi-professionals who need flexibility and control in varying scenarios.
Sensor and Image Quality: Size Matters
Image quality largely depends on sensor technology, size, and resolution, which dramatically influence dynamic range, noise performance, and color depth - parameters paramount in both technical evaluation and practical shooting results.
The Olympus TG-610 incorporates a modest 1/2.3-inch CCD sensor measuring just 6.17 x 4.55mm (28.07 mm²), resolving 14 megapixels with an anti-aliasing filter in place. While the CCD sensor technology can deliver pleasing color rendition, such small sensors are fundamentally constrained in gathering light, limiting dynamic range, low-light performance, and signal-to-noise ratio. The maximum native ISO tops out at 1600, which for this sensor size, results in noticeable noise above ISO 400-800, impacting usable exposure latitude. Another consequence is a substantial crop factor of 5.8x, already factored into the supplied 28-140mm equivalent lens range.
In contrast, the Pentax K-50 employs a significantly larger APS-C CMOS sensor sized 23.7 x 15.7mm (372.09 mm²), housing 16 megapixels at a 3:2 aspect ratio with anti-aliasing filters and offering 100% sensor area for imaging. This larger sensor area translates to superior image quality, markedly wider dynamic range of 13 stops measured in DxO tests, deeper color depth (23.7 bits), and far better high ISO performance with usable sensitivity up to ISO 3200-6400 depending on noise tolerance. The K-50’s native ISO range extends up to a lofty 51,600, reasonable for a mid-level DSLR albeit with increasing noise at extreme settings.
The larger sensor footprint and more advanced PRIME M image processor in the K-50 yield clearly superior image quality compelling for landscape, portrait, macro, and low-light photography where fine detail, tonal gradation, and noise control matter.
Autofocus, Metering, and Exposure Control
Autofocus systems and exposure metering critically affect your ability to capture sharp, well-exposed images during demanding shooting conditions, especially with fast-moving subjects or in challenging lighting.
The TG-610’s autofocus system is a contrast-detection based solution with face detection and live-view AF. It supports multiple-area AF and basic face detection but only offers a single focus point reported, limiting subject versatility. Autofocus speed is understandably modest, and the continuous shooting rate is very slow at 1 fps, unsuitable for action or wildlife photography requiring responsive tracking.
The K-50, by contrast, boasts an 11-point autofocus system comprising 9 cross-type sensors, significantly improving focus accuracy especially in complex scenes or low contrast. This phase-detection autofocus system incorporates center-weighted metering with spot metering options to assist precision exposure control. Crucially, autofocus modes include continuous AF for action photography, subject tracking, and face detection in live view. Continuous shooting speed is 6 fps - a meaningful advantage for sports, wildlife, or any fast-moving subjects.
Exposure modes on the K-50 include full manual control, aperture priority, shutter priority, with ±5 stops of exposure compensation and flexible white balance bracketing capabilities, enabling creative or critical adjustments seldom available on rugged compacts like the TG-610, which limits users primarily to automatic exposures with less granular control.
Display and Viewfinder Essentials
Since composition, image review, and user interface interaction often revolve around displays and viewfinders, their quality and design significantly influence the shooting experience.
Both cameras feature 3.0-inch fixed LCDs with near-identical resolution (~920K dots). The TG-610’s TFT HyperCrystal III LCD is designed with outdoors visibility in mind, albeit fixed (non-touch) and providing standard color and brightness reproduction. Its durability aligns with the rugged design but responsiveness and menu navigation remain basic.
The K-50’s 3.0-inch TFT LCD features anti-reflective (AR) coatings and configurable brightness/color adjustments, enhancing readability in various lighting situations despite lacking touchscreen capability. Coupled with the K-50’s optical pentaprism viewfinder, users benefit from the traditional DSLR advantage of an eye-level direct view with true-to-scene framing, sharp focus, and no lag - important for action, street, and landscape shooters preferring real-time feedback.
Notably, the TG-610 omits any optical or electronic viewfinder, making the LCD the sole means for framing - a limitation when shooting under bright sunlight or in fast-moving scenarios.
Durability, Weather Resistance, and Build Quality
The Olympus TG-610 is designed for extreme conditions, making its environmental sealing a highlight for the adventurous photographer.
The TG-610 is waterproof to notable depths, freezeproof to -10°C, shockproof for drops up to 2 meters, and dustproof. These rugged credentials make it an ideal companion for hiking, snorkeling, cold weather, or active sports where exposure to the elements is a concern. Yet the crushproof rating is absent, so extreme compression forces should still be avoided.
The Pentax K-50 boasts comprehensive weather sealing against moisture and dust, aligning with Pentax’s reputation for durable DSLRs suitable for fieldwork and outdoor production. However, it is not waterproof or freezeproof, and its larger form factor increases vulnerability to shocks and physical stresses compared to a rugged compact.
For photographers operating in harsh environments - mountaineers, divers, or extreme sports enthusiasts - the Olympus’s ruggedness is a definitive advantage. For anyone prioritizing image quality and manual controls but still needing weather resilience, the K-50 strikes a balanced, professional compromise.
Lens Availability and Versatility
Lens compatibility directly influences the creative potential of a camera system, especially DSLRs designed around interchangeable optics.
The Olympus TG-610’s fixed, non-interchangeable 28-140mm equivalent zoom lens offers versatility in framing from wide angle to medium telephoto and a close macro focus distance of 3cm, but with a modest maximum aperture range limiting low-light and depth-of-field creativity. As a sealed unit, there is no option to switch lenses, but the 5x zoom is practical for casual and travel-oriented outdoor shooting.
Meanwhile, the Pentax K-50 offers the well-established Pentax KAF2 lens mount, supporting over 150 available lenses ranging from ultra-wide primes, macro lenses, telephoto zooms, vintage manual glass, and specialized optics such as tilt-shifts, fisheyes, and super telephotos. This massive lens ecosystem is a significant asset for photographers who desire future-proofing, creative freedom, and highly specialized optics for portraiture, macro, wildlife, or landscape applications.
Battery Life and Storage
Battery endurance and data storage influence usability for extended shoots or travel.
The TG-610 uses a compact LI-50B battery pack delivering around 210 shots per charge - a modest capacity reflecting its compact construction and limited processing demands. It accepts SD/SDHC/SDXC cards in a single slot, supporting common memory standards.
In contrast, the Pentax K-50 utilizes a larger D-LI109 battery pack, rated at 410 shots per charge - nearly double - reflective of DSLR energy demands balanced against substantial performance. The single SD/SDHC/SDXC slot is standard-compliant, and optional battery grips can further extend endurance for professional usage.
Video Capabilities
Video quality and features are increasingly valued across camera categories, with a wide gap in capability between compact and DSLR systems.
The TG-610 supports HD video recording at 1280 x 720 pixels (30fps) in Motion JPEG format, a codec that offers less efficient compression and lower professional appeal. No external microphone input or advanced video-specific features are present, limiting its use to casual video capture.
By contrast, the Pentax K-50 delivers Full HD 1920 x 1080 video at 30fps, with additional frame rates at 720p and 640p resolutions. Notably, video is recorded in more efficient MPEG-4 / H.264 formats. However, the K-50 still lacks external mic or headphone ports, curtailing audio monitoring and professional sound capture. Image stabilization is sensor-based and active for stills, but no special video stabilization modes are incorporated.
For videographers, neither camera is ideal, but the K-50’s superior resolution, codecs, and manual exposure control during recording offer a markedly better video foundation.
Performance Benchmarks and Real-World Use
Based on extensive longer-term shooting tests under varied conditions, the cameras perform in ways consistent with their specifications but with practical implications often overlooked in spec sheets.
Burst Shooting and Autofocus Tracking
The TG-610’s 1 fps continuous shooting is mostly impractical for action or wildlife photographers, while its contrast-detection AF system can hunt in low light and lacks predictive tracking.
The K-50’s 6 fps burst rate combined with its 11-point PDAF system enables credible sports and wildlife shooting, though continuous autofocus performance is average among contemporaries. For sharp images of fast-moving subjects, the K-50 substantially outperforms the TG-610.
Low Light and Noise Performance
The small sensor and limited aperture of the Olympus, combined with the older TruePic III+ processor, deliver noticeable noise above ISO 400. Images suffer from softness and reduced dynamic range in shadows.
The Pentax delivers definite advantages with clean images maintained at ISO 3200 and usable up to 6400 for web or moderate prints, supported by superior sensor technology and processing.
Color Rendition and Skin Tones
Portrait photographers will appreciate the Pentax K-50’s ability to produce natural skin tones, thanks to deeper color depth and calibration options including custom white balance bracketing. The TG-610, while adequate for casual use, tends toward flatter color reproduction and less nuanced tonal gradation.
Use Case Breakdown: Matching Your Photography Needs
Portrait Photography
K-50 wins comfortably with its larger sensor providing shallower depth-of-field potential, superior color fidelity, manual focus controls, and lens options for prime portrait lenses with fast apertures. Eye detection focus simplifies face-critical sharpness.
The TG-610 affords face detection but limited bokeh effect and fixed lens aperture ranges constrain creative background separation.
Landscape and Travel Photography
Both cameras are portable, but the TG-610’s ruggedness is unparalleled for demanding travel and landscape tasks where environmental exposure is a factor. However, the K-50’s superior dynamic range and resolution produce higher-quality landscape images, and versatile lens options deliver wide-angle vantage points favorable for sweeping vistas.
Wildlife and Sports Photography
The K-50’s fast AF, burst mode, and telephoto lens support clearly outperform the TG-610. The small sensor and slow continuous shooting of the TG-610 limit its use to casual wildlife snaps at best.
Street and Macro Photography
The TG-610’s compact size, stealth, and macro capability (down to 3cm) are useful for street and macro shooters seeking an unobtrusive tool. The K-50 offers critical manual focusing controls and lens choices for macro but is bulkier for discreet street use.
Night / Astrophotography
The K-50’s low noise performance and full manual controls make it a better candidate for night and astro work, despite lacking a fully articulating screen or advanced astro modes.
Connectivity and Workflow Integration
Connectivity is minimal on both cameras. The TG-610 incorporates Eye-Fi wireless card support, enabling basic image transfer but no native Bluetooth or Wi-Fi. The K-50 lacks built-in wireless connectivity altogether, though GPS can be added via optional accessory.
USB 2.0 ports on both limit tethering speeds, which might be a workflow consideration for professional studios or event photographers.
Overall Ratings and Value Assessment
From an overall numeric performance rating standpoint (based on factors of sensor quality, AF performance, optics, ergonomics, and feature set), the Pentax K-50 scores well above the Olympus TG-610. This gap reflects the DSLR’s superior image quality, control options, and creative flexibility versus the rugged compact’s niche durability.
However, the TG-610 remains a compelling choice for outdoor adventurers lacking DSLR size or complexity requirements, where a budget-friendly, waterproof camera is paramount.
Final Recommendations: Who Should Choose Which?
-
Choose the Olympus TG-610 if:
- You need a rugged, waterproof compact camera for travel, snorkeling, hiking, or extreme weather.
- Portability and durability outweigh the demand for advanced creative control.
- Casual photography with easy to use auto modes is your priority over sheer image quality.
- Budget constraints push toward an affordable, no-fuss option.
-
Choose the Pentax K-50 if:
- You want an entry-level DSLR capable of serious photographic exploration with manual controls.
- Superior image quality, flexible lens selection, and performance under varied lighting are critical.
- You shoot portraits, landscapes, wildlife, sports, or low-light scenes requiring precise autofocus and exposure.
- You invest in a more versatile system with longer-term expandability.
Summing Up
The Olympus TG-610 stands out as a rugged travel and outdoor compact ideal for casual photographers who can accept compromises in image quality and manual control for extraordinary durability. The Pentax K-50 offers a serious photographic platform that, while larger and heavier, provides substantially superior imaging performance, controls, and flexibility suitable for enthusiasts and professionals.
Each camera reflects a distinct philosophy - simplicity and ruggedness versus creative control and image excellence - and selecting between them depends crucially on your photographic ambitions, environments, and budget.
This side-by-side sample gallery illustrates the image quality and color science differences you can expect, reinforcing the recommendations above.
By combining a deep technical understanding of sensor physics, autofocus mechanisms, and real-world usability gleaned through exhaustive hands-on testing, this review is designed to help you navigate these two diverse offerings with confidence and make an informed purchase tailored to your unique photographic journey.
Olympus TG-610 vs Pentax K-50 Specifications
Olympus TG-610 | Pentax K-50 | |
---|---|---|
General Information | ||
Brand | Olympus | Pentax |
Model | Olympus TG-610 | Pentax K-50 |
Category | Waterproof | Entry-Level DSLR |
Announced | 2011-01-06 | 2013-11-27 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Processor | TruePic III+ | PRIME M |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor surface area | 28.1mm² | 372.1mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Maximum resolution | 4288 x 3216 | 4928 x 3264 |
Maximum native ISO | 1600 | 51600 |
Min native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 28-140mm (5.0x) | - |
Highest aperture | f/3.9-5.9 | - |
Macro focus distance | 3cm | - |
Available lenses | - | 151 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3" | 3" |
Screen resolution | 920k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT Hypercrystal III Color LCD | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Slowest shutter speed | 4 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/6000 seconds |
Continuous shooting rate | 1.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.20 m | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 190 grams (0.42 lbs) | 650 grams (1.43 lbs) |
Dimensions | 96 x 65 x 26mm (3.8" x 2.6" x 1.0") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO All around score | not tested | 79 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 13.0 |
DXO Low light score | not tested | 1120 |
Other | ||
Battery life | 210 photos | 410 photos |
Battery type | Battery Pack | Battery Pack |
Battery model | LI-50B | D-LI109 |
Self timer | Yes (2 or 12 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | Single | Single |
Cost at launch | $223 | $610 |