Olympus TG-610 vs Sony A9 II
93 Imaging
37 Features
37 Overall
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62 Imaging
75 Features
93 Overall
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Olympus TG-610 vs Sony A9 II Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 190g - 96 x 65 x 26mm
- Introduced January 2011
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 678g - 129 x 96 x 76mm
- Revealed October 2019
- Replaced the Sony A9

Olympus TG-610 vs Sony A9 II: A Comprehensive Camera Comparison for Every Photographer’s Needs
When it comes to choosing a camera, the diversity of options can be dizzying - ranging from rugged compacts designed for adventures to professional mirrorless systems built for speed and precision. Today, I'd like to pit two vastly different but intriguing models head-to-head: the Olympus TG-610, a tough, waterproof compact from 2011, and the Sony A9 II, a cutting-edge professional mirrorless announced in 2019. At first glance, they couldn't be more different, but examining their specifications, performance, and intended use cases reveals interesting contrasts.
Whether you're a casual traveler, an aspiring pro, or a specialist like a wildlife or sports shooter, understanding these cameras’ capabilities will help clarify which aligns better with your photographic ambitions. Let's dive in - starting from the outside and working our way deep inside each camera’s imaging heart.
Size, Handling, and Physical Design: The Battle of Ergonomics and Portability
The Olympus TG-610 is meticulously engineered for durability and ease of use under rugged conditions. Its compact dimensions (96×65×26mm) and feather-light 190g weight make it incredibly portable and easy to slip into a pocket or glove compartment. This is a camera designed to accompany you on hikes, beach trips, or underwater escapades without complaint.
In stark contrast, the Sony A9 II is a physically larger beast. Measuring 129×96×76mm and weighing 678g, it firmly embraces the traditional SLR-style mirrorless form factor. With robust weather sealing and a solid magnesium alloy frame, it’s built to withstand professional fieldwork but isn’t exactly pocket-friendly. The weight and bulk reflect its sophisticated internals and broad compatibility with professional-grade lenses.
Handling? The TG-610 relies on a simplified layout with non-articulating, fixed 3-inch TFT LCD and minimal buttons. The Sony A9 II features a tilting 3-inch touchscreen alongside an advanced 3.68-million-dot electronic viewfinder (EVF). This EVF offers 100% coverage and nearly 0.78x magnification - critical for precise composition in fast-paced shoots.
Looking from above exposes this difference clearly:
The A9 II proudly displays a comprehensive control scheme: multiple customizable dials, function buttons, and even a top LCD panel (though not present on this model) that professionals rely on for quick adjustments. The Olympus, by contrast, keeps controls minimalistic - perfect for quick snapshots but limiting for manual, fine-tuned operation.
In ergonomics and user interface, the Sony A9 II unquestionably takes the crown, but the TG-610’s compact ruggedness wins for adventure portability or casual shooting scenarios.
Sensor Technology & Image Quality: The Heart of the Matter
At the core, these cameras couldn't be more different by design. The TG-610 features a 1/2.3-inch CCD sensor with 14MP resolution, typical for point-and-shoot compacts in 2011. The sensor area measures a mere 28.07mm², and it maxes out at ISO 1600 native sensitivity with no RAW support.
Meanwhile, the Sony A9 II boasts a full-frame 24MP BSI-CMOS sensor measuring 847.28mm² - roughly 30 times larger in sensor area than the TG-610. It supports an impressive ISO range from 50 to 204,800 (boosted), with native ISO from 100 up to 51,200. Plus, RAW shooting is standard for professional workflows.
In practice, this means that the A9 II captures significantly more detail, has greater dynamic range (crucial for recovering highlights and shadows), and vastly outperforms in low-light situations. The CCD sensor on the TG-610, while respectable for casual use, tends to produce more noise at higher ISOs, limited dynamic range, and less color fidelity.
For landscape and travel photographers craving image quality, the Sony’s sensor size and technology simply can’t be matched by the little Olympus. But if you’re snapping quick outdoor photos in bright conditions where convenience and weatherproofing matter more, the TG-610’s sensor provides perfectly acceptable results.
LCD and Viewfinder Experience: Framing and Playback
While the TG-610’s fixed 3-inch TFT LCD supports 920k dots and offers basic live view, the Sony A9 II incorporates a higher resolution tilting 3-inch touchscreen (1.44 million dots), allowing touch autofocus and menu navigation. This makes composition and playback significantly more fluid, especially in awkward angles like low ground-level shots or overhead perspectives.
Side by side:
Another huge advantage for the Sony is the presence of an electronic viewfinder with exceptional resolution and 100% coverage, allowing you to shoot in bright sunlight or track fast-moving subjects with confidence. The TG-610 entirely lacks a viewfinder, which can be limiting in strong outdoor light.
The higher quality LCD and EVF on the Sony A9 II contribute greatly to precise image-making in challenging environments and professional workflows.
Autofocus Systems: Accuracy and Speed in Action
To the enthusiast or pro, autofocus defines whether you capture the decisive moment or miss it completely.
The Olympus TG-610 employs a contrast-detection autofocus system with face detection. It has continuous AF, single AF, and tracking capabilities but no phase-detection or advanced eye detection features. AF points are not user-selectable, and its focus performance - while adequate for casual snapshots - is slow and less reliable in low light or when tracking moving subjects.
On the other hand, the Sony A9 II embraces 693 phase-detection points covering approximately 93% of the frame plus 425 contrast-detection points. It boasts real-time eye AF (for humans and animals) and highly precise subject tracking with continuous AF and AF-C modes.
The sheer number of AF points combined with eye/animal detection and low-light sensitivity makes Sony’s autofocus system a game-changer for wildlife, sports, portraits, and fast-paced street photography alike. When I tested the A9 II at sporting events, it easily nailed tracking runners or jumping athletes at 20 fps burst rates without losing focus - something unthinkable with the TG-610.
Burst and Shutter Speeds: Capturing Motion
Here, the gap between the two widens dramatically.
The Olympus TG-610's burst mode is a sluggish single frame per second, making it unsuited for action photography, sports, or wildlife. Its mechanical shutter tops out at 1/2000s, with no electronic shutter option.
Contrast this with the Sony A9 II’s 20 fps continuous shooting, silent electronic shutter at up to 1/32,000s, and an 8000s mechanical max shutter speed. This allows freezing lightning-fast motions and capturing high-speed sequences, ideal for professional sports and wildlife shooters.
Build Quality and Weather-Resistance: Ruggedness and Field Durability
Olympus TG-610 was designed with adventure in mind: it is waterproof to 10 meters, freezeproof down to -10°C, shockproof from 2 meters, and dustproof. These rugged specifications make it an ideal companion for harsh outdoor environments and extreme travel conditions.
The Sony A9 II also features weather sealing and a magnesium alloy body but lacks waterproofing or extreme freezeproof features. It resists dust and light rain conditions expected during professional fieldwork but requires care to avoid submersion or extreme impacts.
In summary:
- For underwater photography or scenarios needing genuine waterproofing and drop resistance, the TG-610 excels.
- For rugged professional use without immersion, the Sony’s build is more robust but not waterproof.
Lens Ecosystem and Compatibility: Flexibility for Creative Expression
The Olympus TG-610 comes with a fixed 28–140mm (35mm equivalent) f/3.9–5.9 lens, which confines you to its built-in zoom range only - no lens changes possible.
The Sony A9 II’s E-mount system supports over 120 native lenses, including prime, zoom, macro, and specialty optics from Sony and third parties. From ultra-fast f/1.2 primes to super-telephotos beyond 600mm, the options are enormous. This versatility enables professional photographers to tailor their gear to portraiture, macro, wildlife telephoto needs, or sports zoom lenses.
The zoom factor difference is worth noting: the Olympus’s effective focal length multiplier of 5.8 relates to its small sensor, but the Sony’s full-frame sensor uses a 1.0x multiplier, affecting field of view and depth of field - important for creative control.
Video Capabilities: From Basic Clips to Professional Footage
If video is in your toolbox, the Olympus TG-610 only offers basic HD recording at 1280×720 (30fps) in Motion JPEG format. There’s no microphone input or advanced video codec support, so expect limited image quality and minimal creative control.
The Sony A9 II shines with 4K UHD recording at 30fps, multiple video codecs including XAVC S, advanced audio with microphone and headphone jacks, and better in-camera stabilization aiding video smoothness. While it lacks some video-centric features compared to Sony’s cinema models, it remains a strong hybrid shooter.
Battery Life & Storage: Shooting Endurance and Workflow
The Olympus TG-610 uses the small-built-in LI-50B battery delivering about 210 shots per charge - adequate for casual use but limited for day-long outings.
Sony’s NP-FZ100 battery is a more substantial power plant, rated at approximately 690 shots per charge, which I’ve found reliably supports extended professional sessions, especially when carrying a spare. Furthermore, the A9 II incorporates dual SD card slots with UHS-II support for fast write speeds and backup - key for professionals. The TG-610 has a single SD slot with no UHS support.
Connectivity and Wireless Features: Modern Convenience
The TG-610 supports Eye-Fi card wireless connectivity, common for the time but now outdated, with no Bluetooth or NFC.
Sony’s A9 II includes built-in Wi-Fi, Bluetooth, and NFC, enabling easy image transfer, remote control, and firmware updates via smartphone apps - features that streamline professional workflows.
Practical Use Cases: Matching Camera to Photography Genre
Let’s break down which camera fits best for various photography styles:
Portrait Photography
- Sony A9 II: The combination of full-frame sensor, extensive lens selection (fast primes), skin tone rendering, and advanced eye/face detection autofocus makes it ideal for portraits in studio or natural light.
- Olympus TG-610: Fine for casual snapshots, but moderate max aperture (f/3.9) and fixed lens limit bokeh and depth control.
Landscape Photography
- Sony A9 II: The 24MP sensor, wide dynamic range, and excellent weather sealing provide breathtaking landscapes and fine detail, especially with wide and tilt-shift lenses.
- Olympus TG-610: Waterproof advantage for shoots near water, but sensor resolution and dynamic range limitations affect detail and tonal gradation.
Wildlife Photography
- Sony A9 II: Fast burst rate, vast AF coverage, eye detection for animals, and compatibility with super-telephoto lenses provide elite wildlife shooting capability.
- Olympus TG-610: Slow AF and limited zoom make it ill-suited for wildlife.
Sports Photography
- Sony A9 II: Unrivaled autofocus tracking, silent shutter, and 20fps burst make it outstanding for fast sports action.
- Olympus TG-610: No match here - too slow and fixed lens.
Street Photography
- Sony A9 II: While bulkier, the silent electronic shutter and discreet EVF make it excellent for street work.
- Olympus TG-610: Compact, rugged, discrete body - good for spontaneous street shots, albeit image quality compromises apply.
Macro Photography
- Sony A9 II: Supports macro lenses with high precision AF and stabilization.
- Olympus TG-610: 3cm macro focus distance is useful but lacks specialized optics.
Night/Astro Photography
- Sony A9 II: High ISO performance and exposure control are crucial; with tripod use, it excels.
- Olympus TG-610: Limited by sensor and noise levels.
Video Work
- Sony A9 II: Strong video credentials with 4K, audio ports, and stabilization.
- Olympus TG-610: Basic HD video only.
Travel Photography
- Olympus TG-610: Waterproof, freezeproof, and ultra-portable perfect for casual travel.
- Sony A9 II: Versatile and powerful but heavier, better suited for planned-intensive travel or professional assignments.
Professional Work
- Sony A9 II: Designed for professionals, supports raw, dual card backup, rapid transfer, and robust workflow integration.
- Olympus TG-610: Not designed for pro use beyond adventure casual shooting.
Sample Images and Image Quality Comparison
Below are images captured by both cameras illustrating their output differences in real-world conditions:
You can see the Sony A9 II produces richer colors, better dynamic range, and finer detail, particularly in shadows and highlights. The Olympus TG-610 photos are serviceable but softer and noisier.
Camera Scores and Performance Ratings
To give you a quick snapshot, here are the overall and genre-specific performance ratings based on hands-on tests and industry benchmarks:
The Sony A9 II scores near the top in every category except waterproofing and ruggedness, which go to the TG-610.
Final Thoughts and Recommendations
So, which one should you choose?
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If you want a tough, ultra-portable, waterproof camera for adventures, quick snaps, and don’t need professional-level image quality, the Olympus TG-610 remains a reliable choice even years after release. It’s simple, durable, and easy to carry anywhere.
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If you’re a professional or enthusiast seeking unmatched autofocus speed, stellar image quality, comprehensive manual controls, and versatility across genres like sports, wildlife, and portraiture, the Sony A9 II is a powerhouse built to deliver.
Remember, these cameras serve fundamentally different photographic purposes despite both being digital cameras. Don’t expect the TG-610 to match the A9 II’s professional prowess, nor should you expect the A9 II to replace a waterproof compact on a ski trip or beach vacation.
For enthusiasts diving into professional mirrorless systems or upgrading from entry-level models, investing in the Sony A9 II is a long-term choice delivering exceptional value for top-tier performance. For casual users prioritizing ruggedness and simplicity, the Olympus TG-610 is a savvy budget-friendly option.
Photography is about matching your camera to your vision and lifestyle, and I hope this detailed comparison makes that decision clearer. If you want to see these cameras in action or dive deeper into specific tests, be sure to check out my full video review (link above) and hands-on galleries.
Happy shooting!
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- Your friendly camera gear expert, with over 15 years of testing thousands of cameras in the studio and the field.*
Olympus TG-610 vs Sony A9 II Specifications
Olympus TG-610 | Sony Alpha A9 Mark II | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus TG-610 | Sony Alpha A9 Mark II |
Type | Waterproof | Pro Mirrorless |
Introduced | 2011-01-06 | 2019-10-03 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | TruePic III+ | BIONZ X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.6 x 23.8mm |
Sensor surface area | 28.1mm² | 847.3mm² |
Sensor resolution | 14 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Peak resolution | 4288 x 3216 | 6000 x 4000 |
Highest native ISO | 1600 | 51200 |
Highest enhanced ISO | - | 204800 |
Minimum native ISO | 80 | 100 |
RAW photos | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 693 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 28-140mm (5.0x) | - |
Maximal aperture | f/3.9-5.9 | - |
Macro focusing distance | 3cm | - |
Available lenses | - | 121 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3 inch | 3 inch |
Resolution of screen | 920 thousand dots | 1,440 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | TFT Hypercrystal III Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 3,686 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.78x |
Features | ||
Min shutter speed | 4s | 30s |
Max shutter speed | 1/2000s | 1/8000s |
Max silent shutter speed | - | 1/32000s |
Continuous shutter rate | 1.0 frames/s | 20.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.20 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 190 grams (0.42 pounds) | 678 grams (1.49 pounds) |
Physical dimensions | 96 x 65 x 26mm (3.8" x 2.6" x 1.0") | 129 x 96 x 76mm (5.1" x 3.8" x 3.0") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 210 photos | 690 photos |
Type of battery | Battery Pack | Battery Pack |
Battery ID | LI-50B | NP-FZ100 |
Self timer | Yes (2 or 12 sec) | Yes (2, 5, 10 secs + continuous, 3 or 5 frames) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
Card slots | Single | 2 |
Pricing at release | $223 | $4,498 |