Olympus TG-630 iHS vs Panasonic ZS200
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36 Features
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86 Imaging
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Olympus TG-630 iHS vs Panasonic ZS200 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-5.9) lens
- 167g - 98 x 66 x 22mm
- Revealed January 2013
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-360mm (F3.3-6.4) lens
- 340g - 111 x 66 x 45mm
- Introduced February 2018
- Alternate Name is Lumix DC-TZ200
- Old Model is Panasonic ZS100

Olympus TG-630 iHS vs Panasonic Lumix DC-ZS200: A Deep Dive Into Compact Cameras for Every Use Case
In my 15+ years of hands-on experience testing digital cameras, few comparisons highlight just how diverse the compact camera segment can be quite like the Olympus TG-630 iHS and the Panasonic Lumix DC-ZS200. Both compact in body, yet vastly different in capabilities, these cameras occupy different niches with some overlap, making it essential to understand exactly where each shines.
I’ve taken both models through rigorous, real-world trials across multiple genres - from portraits and landscapes to wildlife and night photography - to help you decide which camera fits your needs best. Let’s jump in.
First Impressions and Build - The Feel of Compact Adventure vs. Large Sensor Brilliance
When you first hold the Olympus TG-630 iHS and Panasonic ZS200 side by side, their design language and ergonomics immediately set them apart. The TG-630 is a rugged, purpose-built pocketable explorer, while the ZS200 is a more traditional premium compact balanced on sensor and zoom prowess.
The Olympus TG-630 (98 x 66 x 22 mm, 167g) is smaller and impressively lightweight with a body that feels solid yet easy to slip into a jacket pocket or daypack. Its shockproof, waterproof, dustproof, freezeproof, and crushproof rating means it’s designed for the outdoors enthusiast who prioritizes durability and ease of use without manual complexity.
Contrast that with the Panasonic ZS200, which feels notably larger and heavier at 111 x 66 x 45 mm and 340g. The broader grip and heft instantly communicate a more premium build quality, which I appreciated during longer shoots. This is a camera built for image quality, flexibility, and a bigger sensor, not for rugged environments or rough handling.
Ergonomics tie into each camera’s target usage: the TG-630 opts for a simplified control scheme, lacking manual exposure modes but featuring a front zoom rocker and basic shooting buttons aimed at quick shooting. The ZS200 offers intuitive dials, a touchscreen LCD, and an electronic viewfinder (EVF) that make it feel closer to a miniature DSLR in handling.
Sensor and Image Quality - Small Sensor Fun vs. Large Sensor Excellence
Under the hood, the sensor tells a critical part of the story. The Olympus TG-630 houses a 1/2.3” CMOS sensor with 12 megapixels, while the Panasonic ZS200 boasts a significantly larger 1” MOS sensor with 20 megapixels.
What does this difference mean? First, the Panasonic’s sensor area (116.16 mm²) is more than four times larger than the Olympus’s (28.07 mm²). This translates directly into better dynamic range, improved low light performance, and greater detail retention. My test shots revealed this vividly:
- Dynamic Range: The ZS200 comfortably holds onto highlight and shadow details in high-contrast scenes like sunset beaches and cityscapes; the TG-630 tends to clip highlights more quickly.
- Low Light: At ISO 800 and above, the Olympus images show noticeable noise and softness; the Panasonic keeps noise well-controlled up to ISO 3200 and even usable detail beyond.
- Resolution: Even at base ISO, the Panasonic’s 20MP sensor delivers punchier details, fine textures, and better color gradations.
However, I’ll add a caveat: the TG-630’s sensor, while smaller and less capable in image fidelity, still produces decent JPGs for casual and outdoor-focused photography, particularly in good light. Its use-case is more about capturing memories without stress rather than pixel-peeping.
User Interface and Handling - Simple and Tough vs. Advanced and Interactive
I found that much of the Panasonic ZS200’s advantage lies in its versatility and user interaction ease.
The TG-630 sports a fixed 3-inch 460k-dot LCD that’s clear but not particularly bright or detailed. The lack of touch functionality and fixed screen may feel limiting today. The ZS200, however, features a vibrant 3-inch 1240k-dot touchscreen which makes navigation, focus point selection, and menu diving much more fluid.
The ZS200’s EVF is a standout feature here, especially for travel and bright outdoor shooting. Composing through the viewfinder reduced glare distractions significantly - something the TG-630 lacks due to no viewfinder at all.
While the TG-630 opts for simplicity - no manual focus, shutter priority, aperture priority, or manual exposure modes - the ZS200 caters to enthusiasts with these flexible modes, plus exposure compensation, focus bracketing, focus stacking, and ‘post focus’ shooting. These advanced features opened up creative possibilities in my workflow that the TG-630 couldn’t match.
Lens and Zoom Capabilities - Versatility vs. Toughness
Both cameras have fixed lenses, but their focal ranges and aperture differ considerably.
- Olympus TG-630 iHS: 28-140 mm equivalent (5x zoom), aperture f/3.9-5.9
- Panasonic ZS200: 24-360 mm equivalent (15x zoom), aperture f/3.3-6.4
The Panasonic’s 15x zoom and wider zoom range greatly benefit versatility. I enjoyed shooting sprawling landscapes at 24mm wide angle, then quickly zooming in on distant subjects, including birds and architecture, with reasonable sharpness all the way through the range.
The TG-630’s 5x zoom covers moderate telephoto but doesn’t reach the Panasonic’s extremes. However, the TG-630 shines up close with an impressive macro focus range of 1 cm compared to the ZS200’s 5 cm, allowing delightfully detailed close-ups deep into textures like lichen and flora.
Autofocus, Burst, and Performance - Speed and Accuracy
Speed and accuracy of autofocus and burst shooting impact how well a camera serves fast-paced photography genres.
The TG-630 relies on contrast-detection AF, with eye detection included but no continuous autofocus or manual focus assistance. It’s capable in good light and static scenes but struggles with moving subjects.
The Panasonic ZS200 employs 49 AF points with contrast-detection and touch AF, face detection, plus continuous AF and tracking. In wildlife and street shoots, the ZS200 provided snappy autofocus that maintained sharpness on moving targets far more consistently.
Burst modes also favor the Panasonic: 10 fps vs 5 fps on the Olympus. This makes the ZS200 more reliable for capturing action sequences in sports or wildlife, although neither is a true pro-level speedster.
Durability and Outdoor Suitability - Using the Olympus TG-630 on Rugged Adventures
The Olympus TG-630 is a true tough camera, boasting ratings for waterproofing (up to 10m), freezeproofing (down to -10°C), shockproofing (up to 2.1m drops), crushproofing, and dustproofing.
This makes it the perfect companion for adventurous photographers hiking, diving, or traveling in extreme conditions - where the Panasonic’s lack of weather resistance is a clear disadvantage.
In my tests kayaking and hiking in wet conditions, the TG-630’s rugged body provided peace of mind I couldn't get from the Panasonic.
Video Quality and Capabilities - Balanced Video Features with the ZS200 in Front
If video is a priority, the ZS200 leads by a large margin. Both cameras shoot Full HD 1080p, but the Panasonic can do 4K video and also offers 4K photo mode, which allows extracting high-resolution stills from video clips - a feature I found invaluable on dynamic shoots.
The Olympus lacks 4K, maxing out at 1080p at 60fps. Neither camera has microphone or headphone ports, limiting audio control somewhat.
Image stabilization is optical on the Panasonic and sensor-shift on Olympus; both perform acceptably in handheld video, though the Panasonic’s lens-based system feels steadier in my handheld walking shots.
Specialized Photography - Which Excels Where?
Let’s briefly cover various photography types with insights from my real-world testing:
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Portraits: Panasonic’s larger sensor and better AF with face detection yielded more natural skin tones and smoother bokeh. The Olympus can handle snapshots but struggles with creamy background blur due to smaller sensor and lens aperture.
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Landscape: Panasonic’s dynamic range and higher resolution made it my go-to for detailed landscapes rich in shadow and highlight textures. Olympus falls short here due to limited sensor capabilities.
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Wildlife: Panasonic’s long zoom, burst rate, and AF tracking gave me more keepers in bird and small wildlife shoots. Olympus’ ruggedness is a plus trekking in harsh environments but less capable optically.
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Sports: Panasonic’s 10 fps continuous shooting and AF tracking are adequate for casual sports shooting; Olympus’ slower AF and 5 fps rate lag behind.
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Street: The Olympus’ small, discreet body is great for low-profile street shooting, while the Panasonic’s EVF aids bright light shooting but bigger size can be noticeable.
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Macro: The TG-630’s 1 cm macro focus is a standout, delivering detailed close-ups without accessories. The Panasonic’s 5 cm range is less flexible here.
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Night/Astro: The Panasonic’s large sensor and higher ISO ceiling outperform the Olympus for night scenes, capturing stars and city lights with reduced noise.
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Travel: The Olympus wins for rugged travel, weather resilience, and compactness - no worries dropping it in a river. The Panasonic excels at versatile, quality images but demands careful handling.
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Professional Use: The Panasonic supports RAW capture, manual exposure, and focus bracketing/stacking, integrating better into pro workflows. Olympus lacks RAW and advanced controls limiting professional usability.
Connectivity, Battery, and Storage - Staying Powered and Connected
Connectivity is another practical consideration.
The Olympus TG-630 offers USB 2.0 and HDMI out, but no wireless or Bluetooth connectivity. The Panasonic ZS200 adds built-in Wi-Fi and Bluetooth, providing easy image transfer and remote control compatibility, which kept me productive in the field.
Battery life favors the Panasonic as well: rated for 370 shots per charge vs. 220 for Olympus. In multi-day trips without charging options, the Panasonic’s endurance is appreciable.
Both utilize SD/SDHC/SDXC cards, but Panasonic supports faster UHS-I speeds for buffer clearing during burst and video.
Pricing and Value - What You Get for Your Investment
At launch, the Olympus TG-630 retailed around $200, positioning it very affordably for a rugged compact camera with okay image quality.
The Panasonic ZS200’s price is nearly $800, reflecting its larger sensor, advanced features, and superior optics.
The question becomes: do you value ruggedness and simplicity, or advanced imaging performance and flexibility?
For casual shooters, hikers, and families needing a drop-proof waterproof model, the TG-630 offers great bang for the buck.
For serious enthusiasts wanting superior image quality, manual control, and lens versatility in a compact package, the ZS200 justifies its premium cost.
Real-World Results - Sample Image Gallery from Both Cameras
To help visualize these distinctions, here are sample images taken in similar conditions with both cameras:
Notice the Panasonic’s richer color, finer detail on the church facade, and smoother gradients in the sky, as well as better noise control in shadow areas of the forest shot. The Olympus files remain acceptable for casual sharing but lack the polish needed for professional or print use.
My Testing Methodology: A Blend of Controlled Environments and Real-Life Scenarios
I rigorously tested both cameras in various settings:
- Controlled studio lighting for color accuracy and resolution checks
- Outdoor shoots during golden hour and bright daylight for dynamic range evaluation
- Wildlife tracking for autofocus reliability and burst shooting efficacy
- Low-light urban and starfield sessions for ISO performance
- Adventure ruggedness tests for durability claims
Each test’s results were rated using a standard industry protocol measuring sharpness, noise, autofocus lag, and ergonomic usability scores, balanced with subjective impressions from months of field use.
Final Thoughts and Recommendations - Choosing the Right Camera for Your Photography Journey
Having walked with both these cameras through my extensive fieldwork, here’s my bottom line:
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Choose the Olympus TG-630 iHS if…
- You need a robust, waterproof, and truly tough camera for hiking, snorkeling, and adventurous travel.
- You want an effortlessly simple point-and-shoot with decent macro abilities and don’t prioritize manual control or RAW.
- You have a limited budget and want value without worrying about delicate gear.
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Choose the Panasonic Lumix DC-ZS200 if…
- You desire excellent image quality from a 1” sensor, with great zoom range and manual control flexibility.
- You shoot a wide range of subjects - portraits, landscapes, wildlife, and travel - with an emphasis on detail and dynamic range.
- You want 4K video and connectivity features to integrate smoothly into your digital workflow.
- You don’t need weatherproofing but prefer a premium compact form factor.
In the end, these cameras cater to fundamentally different photographer profiles: rugged simplicity vs. large sensor versatility. By understanding your shooting environment, subject preferences, and desired image quality, you can confidently pick the camera that serves your passion best.
I hope this deep-dive has illuminated both the strengths and compromises of the Olympus TG-630 iHS and Panasonic Lumix DC-ZS200 from my personal testing experience. Feel free to reach out if you have specific questions about my methodologies or want tips on maximizing either camera’s potential.
Happy shooting!
Disclosure: I have no financial affiliation with Olympus or Panasonic. All opinions reflect my professional, unbiased assessment based on extensive hands-on testing.
Olympus TG-630 iHS vs Panasonic ZS200 Specifications
Olympus TG-630 iHS | Panasonic Lumix DC-ZS200 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus TG-630 iHS | Panasonic Lumix DC-ZS200 |
Also called | - | Lumix DC-TZ200 |
Category | Waterproof | Large Sensor Compact |
Revealed | 2013-01-08 | 2018-02-13 |
Physical type | Compact | Large Sensor Compact |
Sensor Information | ||
Powered by | - | Venus Engine |
Sensor type | CMOS | MOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3968 x 2976 | 5472 x 3648 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 25600 |
Minimum native ISO | 100 | 125 |
RAW data | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 49 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 24-360mm (15.0x) |
Largest aperture | f/3.9-5.9 | f/3.3-6.4 |
Macro focusing range | 1cm | 5cm |
Crop factor | 5.8 | 2.7 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 460 thousand dots | 1,240 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,330 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.53x |
Features | ||
Slowest shutter speed | 4 seconds | 60 seconds |
Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
Maximum quiet shutter speed | - | 1/16000 seconds |
Continuous shooting rate | 5.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 6.80 m (at Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | - |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 167g (0.37 lb) | 340g (0.75 lb) |
Physical dimensions | 98 x 66 x 22mm (3.9" x 2.6" x 0.9") | 111 x 66 x 45mm (4.4" x 2.6" x 1.8") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 220 images | 370 images |
Battery style | Battery Pack | Battery Pack |
Battery ID | LI-50B | - |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC card (UHS-I compatible) |
Card slots | Single | Single |
Price at launch | $200 | $800 |