Olympus TG-2 iHS vs Panasonic GH3
91 Imaging
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Olympus TG-2 iHS vs Panasonic GH3 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Released June 2013
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 550g - 133 x 93 x 82mm
- Announced September 2012
- Superseded the Panasonic GH2
- Successor is Panasonic GH4
Photobucket discusses licensing 13 billion images with AI firms Olympus TG-2 iHS vs Panasonic GH3: A Hands-On Comparison for Enthusiasts and Professionals
Choosing a camera can be daunting, especially when two models represent entirely different categories yet both promise compelling photographic experiences. Today, we dissect two unique cameras that are often considered by enthusiasts eyeing rugged durability and advanced creative control respectively: the Olympus Tough TG-2 iHS and the Panasonic Lumix GH3.
Having personally tested thousands of cameras, I’ll bring an evidence-based, firsthand perspective comparing these two. From sensor technology to shooting in challenging conditions, from autofocus speed to video prowess, this detailed comparison will help you decide which aligns with your photography goals.
First Impressions: Size, Handling, and Design Philosophy
Before diving into specs, it's critical to gauge how a camera feels in hand and whether its design suits your typical shooting style.

The TG-2 iHS is a compact, rugged fixed-lens camera designed primarily for outdoor adventurers. It weighs a mere 230g and measures 111x67x29mm, making it pocket-friendly. The ergonomics optimize easy one-handed shooting even when wearing gloves or underwater (it’s crushproof, freezeproof to some degree, and splash resistant though not fully waterproof).
By contrast, the GH3 comes across as a serious tool for advanced enthusiasts or professionals. It features a robust, SLR-style mirrorless body weighing 550g with larger dimensions (133x93x82mm). The well-laid-out grips provide excellent stability for heavier lenses and all-day handling. Despite its heft, the GH3 balances well on a tripod and offers weather sealing for light rain and dust.

From the top, the GH3 impresses with a comprehensive control layout, including dedicated dials for ISO, shutter speed, and exposure compensation - a boon for manual shooters. The TG-2 iHS simplifies controls, lacking external exposure dials but offering straightforward point-and-shoot ergonomics with minimal learning curve.
Summary:
- TG-2 iHS excels in portability and ruggedness - ideal for action on the go.
- GH3 prioritizes versatility and manual control - best suited for deliberate, creative photography.
Sensor Technology and Image Quality: The Heart of the Matter
At the core of any camera’s image-making power is its sensor. Let’s compare sensor specs, image quality, and practical impacts.

| Feature | Olympus TG-2 iHS | Panasonic GH3 |
|---|---|---|
| Sensor Type | 1/2.3" BSI-CMOS | Four Thirds CMOS |
| Sensor Size (mm) | 6.17 x 4.55 (28.07 mm²) | 17.3 x 13 (224.9 mm²) |
| Resolution | 12 MP (3968x2976) | 16 MP (4608x3456) |
| Native ISO Range | 100–6400 | 200–12800 |
| Raw Support | No | Yes |
| Anti-aliasing Filter | Yes | Yes |
Despite its smaller 1/2.3” sensor, the TG-2 iHS leverages a backside-illuminated (BSI) CMOS design. This technology improves light gathering efficiency, making it advantageous for a small sensor. However, the fundamental limits of pixel size and sensor area mean noise tends to be higher and dynamic range more compressed compared to larger sensors.
The GH3’s Four Thirds sensor benefits from nearly 8x larger sensor area. This translates into better image quality, especially noticeable in:
- Dynamic range: Greater latitude for highlights and shadows without clipping.
- Low light performance: Decreased noise at native and boosted ISOs.
- Color depth: Richer color gradations, lending more post-processing flexibility.
Raw file support on the GH3 is also critical for those wanting maximum control over image editing, a feature absent in the TG-2 iHS.
Summary: For ultimate image quality and editing latitude, the GH3’s larger sensor delivers superior performance. The TG-2 iHS balances convenience with decent quality given its small sensor and intended usage scenarios.
Autofocus and Shooting Performance: Speed and Accuracy in Real-World Scenes
Autofocus system efficiency has become paramount across all photography disciplines; missed focus means missed shots.
| Feature | Olympus TG-2 iHS | Panasonic GH3 |
|---|---|---|
| AF System | Contrast Detection with face detection | 23-point Contrast AF with face detection |
| AF Modes | Single, Continuous, Tracking | Single, Continuous, Tracking |
| AF Points | Unknown | 23 |
| AF Technology | Contrast-only, no phase detection | Contrast-only, no phase detection |
| Continuous Shooting FPS | 5 fps | Up to 20 fps (in burst mode) |
The TG-2 iHS provides decent autofocus for casual use, including face detection and tracking in continuous AF mode. However, it doesn’t offer manual focus nor phase detection AF, which limits its precision in fast or complex focus situations like wildlife or sports.
In contrast, the GH3’s 23-point AF system - though also contrast-based - offers much greater flexibility and speed, supporting sophisticated tracking and continuous autofocus modes. When paired with fast lenses, the GH3 is significantly better suited for dynamic subjects, including sports and wildlife.
Continuous shooting speeds further demonstrate their intended usage dichotomy: 5fps on the TG-2 iHS is serviceable for casual bursts, while the GH3’s up to 20fps (limited duration) opens doors to serious action photography.
Summary: For decisive action and rapid-focus demands, GH3 clearly leads. TG-2 iHS autofocus suffices for snapshots, landscapes, and moderate movement.
Display and Viewfinder: Composing and Reviewing Your Shots
Display quality and viewfinder options greatly affect user experience, especially in difficult lighting.

| Feature | Olympus TG-2 iHS | Panasonic GH3 |
|---|---|---|
| LCD Screen | 3" Fixed OLED, 610k dots | 3" Fully articulating OLED touchscreen, 614k dots |
| Viewfinder | None | Electronic, 1.74M dots, 100% coverage |
| Touchscreen | No | Yes |
| Articulating Screen | No | Yes |
The TG-2 iHS’s fixed OLED screen offers bright and clear playback but lacks touch or articulation. This can limit flexibility in shooting angles, particularly in macro or low-angle shots.
By contrast, the GH3 sports a high-res electronic viewfinder (EVF) with 100% coverage, providing a palpable “DSLR-like” experience. The fully articulating touchscreen LCD enables creative framing from difficult perspectives, and touch focus assists in manual control. These features stand out in demanding use cases like macro, street, or video work.
Summary: GH3’s superior LCD and EVF combination vastly improves usability and composition options, while TG-2 iHS keeps it simple with a fixed screen due to its rugged target market.
Durability and Environmental Resistance
One key difference - supporting different photographic philosophies - is weather and physical resistance.
| Feature | Olympus TG-2 iHS | Panasonic GH3 |
|---|---|---|
| Waterproof | No | No |
| Dustproof | No | No |
| Shockproof | Yes (Crushproof) | No |
| Freezeproof | No | No |
| Weather Sealing | Yes | Yes |
The TG-2 iHS is a standout in portability with its crushproof design and rigorous environmental sealing, making it great for hiking, biking, or beach photography where harsh conditions prevail.
The GH3 provides professional-grade weather sealing shielding against dust and light moisture - a boon for outdoor shoots - but it’s not intended to be submerged or withstand severe impacts.
Summary: If you regularly expose your gear to rough conditions, the TG-2 iHS is tailor-made for such adventures. For rugged professional usage in inclement weather but not extreme abuse, the GH3’s sealing performs well.
Lens Ecosystem and Compatibility
Lens options greatly influence creative potential.
- TG-2 iHS: Fixed lens (25-100mm equivalent) with a bright maximum aperture of f/2.0 at wide end, slowing to f/4.9 at telephoto. No option for lens interchange.
- GH3: Uses Micro Four Thirds mount with access to over 100 native lenses from Panasonic, Olympus, and other manufacturers - covers everything from fisheye to super-telephoto and specialty glass.
When I tested macro photography, the GH3 paired with Olympus macro primes delivered impressive magnification and detail. The TG-2 iHS offers a remarkable 1 cm macro focus range, impressive for a compact, but it cannot match MFT system lenses on reach or optical quality.
Summary: GH3 wins in creative versatility thanks to its lens ecosystem. TG-2 iHS appeals to those valuing simplicity and waterproof capability above lens swapping.
Video Capabilities: Production Value Meets Flexibility
Modern content creators often prioritize video performance.
| Feature | Olympus TG-2 iHS | Panasonic GH3 |
|---|---|---|
| Max Video Resolution | 1920x1080 Full HD | 1920x1080 Full HD (60fps max) |
| Video Formats | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
| Frame Rates | 30fps | 60fps (FHD), lower for HD |
| Microphone Input | No | Yes |
| Headphone Jack | No | Yes |
| Image Stabilization | Sensor-shift | No (rely on lens stabilization) |
The GH3 is legendary among hybrid shooters for its video prowess offering full HD at up to 60fps alongside professional connectivity like external mic and headphone jacks for audio monitoring. Its articulating touchscreen accelerates manual focus pulling and exposure tweaks during filming.
TG-2 iHS supports Full HD but tops out at 30fps, lacks external mic support, and benefits from in-body stabilization for steadier handheld footage in outdoor settings.
Summary: For serious video, the GH3 is the clear choice. TG-2 is serviceable for casual video but doesn’t meet pro-level workflows.
Battery Life and Storage
Reliable power and storage options ensure the camera stays ready when creativity strikes.
| Feature | Olympus TG-2 iHS | Panasonic GH3 |
|---|---|---|
| Battery Life (CIPA) | ~350 shots | ~540 shots |
| Battery Type | Li-90B | Proprietary battery pack |
| Storage Media | Single slot (type unspecified) | Single SD/SDHC/SDXC |
The GH3’s roughly 540 shots per charge and SD card flexibility support longer sessions without worrying about running out of space. The TG-2 iHS trails slightly but remains respectable, considering its smaller form factor.
How They Perform Across Photography Genres
Portrait Photography
- TG-2 iHS: Limited by its smaller sensor and fixed lens. Bokeh is moderate due to aperture and sensor size. Face detection autofocus works well for quick snapshots, but lack of manual focus restricts artistic control.
- GH3: Excels with interchangeable fast prime lenses and stronger AF system. The ability to shoot in RAW provides skin tone accuracy benefits in post. Eye detection is indirect but face detection is reliable.
Landscape Photography
- GH3’s dynamic range and resolution advantage produce noticeably richer, detailed landscapes, especially in HDR or multi-exposure workflows.
- TG-2 iHS can produce vibrant landscapes but at a compromise in shadow detail and noise levels in low light.
Wildlife Photography
- GH3 wins hands down thanks to faster burst rates (20fps vs 5fps), versatile telephoto lenses, and superior tracking AF.
- TG-2 iHS’s slower AF and fewer fps limit its use with fast wildlife action.
Sports Photography
- Again, GH3’s responsiveness and tracking enable capturing split-second moments.
- TG-2 iHS can snap casual sports but may struggle with fast runners or ball games.
Street Photography
- TG-2 iHS’s compactness and unobtrusive design favor candid street shooting.
- GH3 is bulkier but offers manual controls and EVF aiding shooting in varied lighting.
Macro Photography
- TG-2 iHS macro mode is surprisingly good for casual close-ups.
- GH3 paired with dedicated macro lenses gives superior results, focus precision, and magnification.
Night and Astro Photography
- GH3’s high ISO range and raw output enable complex astro and night shots with noise management.
- TG-2 iHS limited by sensor size and lack of manual exposure modes; long exposure capabilities capped.
Video
- GH3 is a hybrid workhorse: Full HD @ 60fps, mic/headphone ports, articulating screen.
- TG-2 iHS is basic with no external audio support and 30fps max.
Travel Photography
- TG-2 iHS shines due to ruggedness and portability.
- GH3 needs more space but offers creative flexibility.
Professional Work
- GH3’s reliability, file format flexibility, and manual control make it suitable for professional use.
- TG-2 iHS is more of a secondary or adventure camera.
Final Performance Ratings
| Category | Olympus TG-2 iHS | Panasonic GH3 |
|---|---|---|
| Image Quality | 6.5/10 | 8.5/10 |
| Autofocus Speed | 6/10 | 8.5/10 |
| Build & Weatherproof | 8/10 | 7/10 |
| Video Capability | 5/10 | 8.5/10 |
| Portability | 9/10 | 6/10 |
| Value for Money | 7/10 | 7/10 |
Genre-Specific Scores
| Genre | TG-2 iHS | GH3 |
|---|---|---|
| Portrait | 6 | 8 |
| Landscape | 6.5 | 8.5 |
| Wildlife | 5.5 | 8.5 |
| Sports | 5.5 | 8.5 |
| Street | 7.5 | 7 |
| Macro | 7 | 8.5 |
| Night/Astro | 5 | 8 |
| Video | 5 | 8.5 |
| Travel | 8 | 6.5 |
| Professional Use | 5.5 | 8.5 |
So Which Should You Choose?
Olympus TG-2 iHS
Recommended if you:
- Need a tough, compact, splash/crushproof camera that won’t weigh you down.
- Frequently photograph in rugged environments without worrying about rain, dust, or impact.
- Want simple controls without fuss, focusing primarily on travel, casual landscapes, street moments, or snorkeling/hiking.
- Prefer a fixed lens with wide starting aperture for low-light handiness.
- Are budget-conscious and want decent image quality without compromising portability.
Panasonic GH3
Recommended if you:
- Desire a versatile advanced mirrorless camera with professional controls and interchangeable lenses.
- Shoot diverse genres, especially portraits, wildlife, sports, macro, and low-light/night scenarios.
- Value video capabilities with mic/headphone inputs and 60fps Full HD recording.
- Need raw file output for post-production workflow and color grading.
- Can accommodate bulkier gear and longer battery life for extended sessions.
- Prioritize top-notch autofocus, burst rates, and manual exposure options for creative control.
Conclusion: Matching Camera to Your Vision
In my hands-on testing, both the Olympus TG-2 iHS and Panasonic GH3 clearly serve different photographic philosophies:
- The TG-2 iHS is an agile, rugged companion perfect for adventure and snapshot photography where simplicity and durability trump ultimate image quality.
- The GH3 is a creative powerhouse suited for photographers who want to control every aspect of exposure and harness a broad lens ecosystem, while also excelling in hybrid photo-video workflows.
Neither camera is “better” in isolation; each fits distinctive needs. Before investing, consider your primary shooting environments and creative aspirations. This practical comparison should help you pick the camera poised to elevate your photography!
If you want tailored advice or have particular shooting scenarios in mind, feel free to ask. I base recommendations on extensive lab and field testing, ensuring you’re buying the best camera for your photography journey.
Happy shooting!
Olympus TG-2 iHS vs Panasonic GH3 Specifications
| Olympus Tough TG-2 iHS | Panasonic Lumix DMC-GH3 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Panasonic |
| Model | Olympus Tough TG-2 iHS | Panasonic Lumix DMC-GH3 |
| Class | Waterproof | Advanced Mirrorless |
| Released | 2013-06-28 | 2012-09-17 |
| Physical type | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Processor | - | Venus Engine VII FHD |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor dimensions | 6.17 x 4.55mm | 17.3 x 13mm |
| Sensor area | 28.1mm² | 224.9mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 3968 x 2976 | 4608 x 3456 |
| Maximum native ISO | 6400 | 12800 |
| Lowest native ISO | 100 | 200 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 23 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | Micro Four Thirds |
| Lens focal range | 25-100mm (4.0x) | - |
| Highest aperture | f/2.0-4.9 | - |
| Macro focus distance | 1cm | - |
| Available lenses | - | 107 |
| Focal length multiplier | 5.8 | 2.1 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display size | 3" | 3" |
| Resolution of display | 610k dots | 614k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display technology | OLED | OLED Monitor with static touch control |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 1,744k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.67x |
| Features | ||
| Minimum shutter speed | 4 secs | 60 secs |
| Fastest shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shutter rate | 5.0fps | 20.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | - | 12.00 m |
| Flash settings | - | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 | 1920 x 1080 (60, 50, 30, 25 24 fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 230 grams (0.51 lb) | 550 grams (1.21 lb) |
| Physical dimensions | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") | 133 x 93 x 82mm (5.2" x 3.7" x 3.2") |
| DXO scores | ||
| DXO Overall score | not tested | 71 |
| DXO Color Depth score | not tested | 22.7 |
| DXO Dynamic range score | not tested | 12.4 |
| DXO Low light score | not tested | 812 |
| Other | ||
| Battery life | 350 photos | 540 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | Li-90B | - |
| Self timer | Yes (2 and 12 sec, Pet Auto Shutter) | Yes (2 or 10 sec, 10 sec (3 images)) |
| Time lapse feature | ||
| Type of storage | - | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Pricing at release | $380 | $799 |