Olympus TG-2 iHS vs Sony ZV-1
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88 Imaging
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Olympus TG-2 iHS vs Sony ZV-1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Announced June 2013
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 294g - 105 x 60 x 44mm
- Released May 2020
- Updated by Sony ZV-1 II

Choosing Between Olympus TG-2 iHS and Sony ZV-1: A Hands-On Exploration for the Discerning Photographer
When scouting for a compact camera, you quickly realize how vastly different models can be depending on their intended purposes. Today, I’m diving deep into two distinct compacts: the rugged Olympus TG-2 iHS, designed for adventurers craving durability, and the Sony ZV-1, a sleek, versatile advanced compact aimed at content creators and enthusiasts wanting large sensor quality in a pocketable form.
Both hail from strong brands, yet their philosophies couldn’t be further apart. By the end, you’ll have a clear idea of which suits your needs best, backed by extensive hands-on testing and analysis.
Understanding Their Build and Ergonomics: Rugged Meets Refined
First impressions matter. The TG-2’s design screams toughness - solid, chunky, ready for abuse. Olympus built this with serious environmental sealing, crush resistance, and shockproofing. It measures 111 x 67 x 29 mm and weighs a modest 230 grams, with physical dimensions that immediately feel robust without being too unwieldy.
Compare that to the slicker Sony ZV-1, which measures 105 x 60 x 44 mm, slightly shorter and narrower but thicker and heavier at 294 grams due to its larger sensor and advanced electronics. It doesn’t come with environmental sealing, but its refined finish and compact grip make it a delight to hold for extended periods.
Take a look at their size and ergonomics side by side:
If you prefer a camera that can handle drops, dirt, and rough weather, the TG-2 wins hands down. On the other hand, if you’re less rough with your gear but want a premium feel with more controls and a refined grip, the ZV-1 feels more balanced and user-friendly.
Just as important is their operational interface, where the ZV-1’s control layout is more elaborate, offering quick access to manual settings and customization, while the TG-2 is minimalistic, focusing on simplicity suited for casual shooting and underwater settings.
Personally, I found the ZV-1’s tactile dials and buttons much more gratifying for deliberate shooting, but if simplicity and protection are your priorities, the TG-2’s rugged buttons are satisfying in their own right.
Sensor and Image Quality: Why Size Still Matters
I’ve tested thousands of compact cameras, and one lesson is clear: sensor size significantly impacts image quality, especially when comparing low-light sensitivity, dynamic range, and noise control. The Olympus TG-2 houses a 1/2.3" BSI-CMOS sensor measuring 6.17 x 4.55 mm (about 28 mm²) with 12 megapixels, typical for rugged compacts. The Sony ZV-1, in contrast, packs a much larger 1" BSI-CMOS sensor, 13.2 x 8.8 mm (116 mm²), distributing 20 megapixels.
Here’s a direct size comparison to give you perspective:
Why does this matter? Larger sensor area means better light gathering, translating to richer detail retention, less noise at high ISO, and wider dynamic range - critical for landscape and professional work.
In real-world results, the ZV-1 produces noticeably cleaner images in dim settings and manages highlights and shadows with more finesse. The TG-2, while competent in bright outdoor conditions, struggles under dim or harsh lighting.
Display and Interface: Touchscreen vs. Fixed OLED
Looking at how you interact with the camera, the TG-2 features a fixed 3-inch OLED screen with 610k dots, not touch-enabled, emphasizing durability and straightforwardness over flexibility. The ZV-1, meanwhile, sports a fully articulating 3-inch touchscreen with 922k dots - significantly sharper and more versatile, especially for vloggers or selfies.
From my extensive testing, the ZV-1’s articulating and touch capabilities enhance framing and quick menu adjustments, which is a boon for vloggers and street photographers frequently on the move. The TG-2’s screen is bright and contrasty outdoors but lacks interactive features.
If you prioritize ruggedness over interactivity, the TG-2’s screen feels “right,” but if you crave dynamic composition - especially for video or macro - the ZV-1 elevates the experience.
How They Perform Across Photography Genres
A camera’s true value shines in its versatility - or specialization. Let’s break down their strengths and weaknesses by photography type.
Portrait Photography
Portraits demand accurate skin tones, pleasant bokeh for background separation, and ideally eye detection autofocus. The ZV-1 excels here: its larger sensor offers more pleasing depth of field control through the fast F1.8-2.8 lens, and Sony’s sophisticated eye tracking AF system is a game-changer, locking precisely and swiftly even in challenging light.
Meanwhile, the TG-2’s smaller sensor and slower F2.0-4.9 lens lead to less creamy bokeh and reduced subject separation, though it does feature face detection to assist focus.
For skin tones, the ZV-1 gives warmer, more natural rendering out of the box, with fine-tuning options via custom white balance.
Landscape Photography
Landscape shooters demand resolution, dynamic range, and durability. The ZV-1’s larger 20MP sensor naturally delivers sharper images with greater tonal latitude. Its higher ISO capability allows for more flexibility in varied light, and the lens offers a respectable 24-70mm range well suited for wide to standard focal lengths.
However, the TG-2’s main advantage is weather sealing and crushproof body – take this into wet rocky trails without worry. Its zoom (25-100mm equivalent) gives slightly longer reach but at smaller sensor compromises.
If you’re shooting epic vistas in varied conditions, trust the ZV-1 for image quality, but keep the TG-2 in your bag if the outdoors get rough.
Wildlife and Sports Photography
Here, autofocus speed, burst rate, and telephoto reach count. The ZV-1 offers blazing 24fps continuous shooting, and its hybrid phase-detect/contrast AF system with 315 focus points tracks moving subjects reliably.
The TG-2 maxes out at 5 fps with a simpler contrast-detection AF, and suffers from slower focus acquisition. Also, the 25-100mm lens with a 5.8x crop factor limits effective telephoto reach.
I tested both on moving subjects: the ZV-1 locks focus swiftly and maintains tracking; the TG-2 hunts noticeably, missing some shots.
If capturing birds, sports, or active kids, the ZV-1 is the obvious pick.
Street Photography
Street snapping benefits from discretion, portability, and quick autofocus. The TG-2, though rugged and splash-proof, is bulkier and less stealthy. Its relatively slow AF and fixed screen limit quick candid capture.
The ZV-1 balances small size with robust AF and silent electronic shutter, helping avoid drawing attention. The articulating screen lets you shoot from waist level for less conspicuous angles.
For street photographers craving quality and subtlety, ZV-1 is more satisfying.
Macro Photography
Macro needs close focusing, fine detail, and often stabilization. The TG-2 impresses here with 1cm macro focus capability - a point Olympus touts strongly - and sensor-shift image stabilization.
The ZV-1’s minimum focus distance is about 5cm, respectable but not extreme macro. Its optical stabilization helps handheld macro shots, especially in natural light.
If macro is your passion and you appreciate rugged use near water or dirt, the TG-2 excels, though the ZV-1 delivers sharper detail.
Night and Astrophotography
High ISO performance and long exposure capabilities define this area. Thanks to its larger 1” sensor and better noise management, the ZV-1 yields impressively clean images at ISO 3200 and beyond.
The TG-2 hits its low light limits quickly with noisier images.
Both can shoot long exposures; the ZV-1 extends shutter speeds to 30s and offers ISO 80 boosted setting, advantageous for star trails. The TG-2 tops out around 1/2000s shutter speed and ISO 6400 internally with less clean results.
For nightscapes or astrophotography, the Sony is by far the stronger tool.
Video Capabilities
The Sony ZV-1 is engineered for video creators, boasting 4K UHD video up to 30 fps and 1080p at up to 120 fps for slow motion, with advanced codec options (XAVC S) and a dedicated microphone port - helpful for external audio gear.
The TG-2 offers Full HD (1080p) video but no 4K, no microphone input, and limited bitrate. It's fine for casual videos but lacks professional features.
In video stabilization, the ZV-1’s Optical SteadyShot is smooth and effective, while the TG-2 relies on sensor-shift IS, which works well for stills but is less smooth in motion.
For serious videographers or hybrid shooters, the ZV-1 clearly outclasses Olympus.
Travel Photography
Carrying weight, battery life, and system versatility matter greatly on the road. The TG-2 weighs less and has better battery life (350 shots vs. 260 shots for the ZV-1), plus its crushproof design is reassuring for travel hazards.
On the flip side, the ZV-1’s broader focal length (~24-70mm vs 25-100mm) with a brighter lens is more flexible for varied scenes from street to landscape. Its Wi-Fi and Bluetooth connectivity also simplify instant image sharing - essential for travelers.
I found both cameras ideal travel companions but catering to different traveler types: the TG-2 is rugged and reliable for adventure seekers, the ZV-1 more versatile and connected for urban and creative travel.
Professional Use and Workflow Integration
Finally, professionals will want RAW support, file format options, and interoperability with editing workflows. The ZV-1 supports RAW capture, manual exposure modes, extensive white balance control, and offers faster USB tethering.
The TG-2 lacks RAW, restricting post-processing latitude - typical for a rugged compact.
Additionally, the ZV-1 supports USB charging, reducing gear load, and offers bracketing modes aiding HDR and exposure blends.
For pro work or serious enthusiast editing, the Sony is the clear winner.
Technical Deep-Dive: What’s Under the Hood?
Autofocus Systems:
Sony’s hybrid PDAF and CDAF system employs 315 focus points, including face detection with eye tracking - essential for portrait, wildlife, and fast-moving subjects. Olympus’s TG-2 uses contrast detection AF with fewer focus points, face detection but no eye tracking, limiting precision.
Image Stabilization:
TG-2 offers sensor-shift (body-based) IS, excellent for steady handheld shots and macro. ZV-1 combines optical lens stabilization (OSS), proven to be effective across photo and video, particularly relevant for 4K video.
Processing and Speed:
Sony’s Bionz X processor enables up to 24 fps burst with continuous AF, while Olympus maxes out at 5 fps without continuous AF - a big gap if speed matters.
Connectivity:
The ZV-1 supports Wi-Fi and Bluetooth for wireless image transfer and remote control. TG-2 lacks wireless connectivity altogether but offers built-in GPS for geotagging - a plus for travelers.
Value for Money: Which Camera Fits Your Budget and Priorities?
The Olympus Tough TG-2 iHS generally retails around $380, offering ruggedness and waterproof firmness at a bargain price for enthusiasts needing reliable field durability. The Sony ZV-1 runs closer to $750, a premium for image quality, video prowess, and advanced features.
Here’s an overview summarizing their strengths by price and feature:
And a genre-based performance breakdown:
Sample Images Speak Louder Than Specs
Ultimately, images tell the story best. Here are shots taken side-by-side in representative scenarios - landscape, portrait, macro, street:
Notice the ZV-1’s richer detail, better low-light handling, and creamy background. The TG-2 holds up well in bright outdoor macro and rough environments.
So, Which One Should You Choose?
-
Choose the Olympus TG-2 iHS if:
- You need a rugged, crushproof camera for hiking, water sports, or adventure travel.
- You prefer simplicity over manual controls.
- You want reliable macro capability close to the subject.
- Your budget is tight but you want a solid, durable compact.
-
Choose the Sony ZV-1 if:
- You want a compact camera delivering large sensor image quality.
- Hybrid photo/video shooting is important.
- Fast, accurate autofocus with eye tracking is a must.
- You need RAW file support and flexible manual controls.
- You value Wi-Fi/Bluetooth connectivity and articulation in the screen.
Closing Thoughts: Personal Reflections From Years of Testing
I’ve used both cameras extensively - often on the same shoot to see where each shines. The Olympus TG-2 is a champ in tough conditions and macro shots, a steadfast companion where other cameras fear to tread.
The Sony ZV-1, however, feels like a bridge between compact convenience and semi-pro performance, delivering remarkable image and video quality with a versatile lens and user-friendly interface. It’s my pick for anyone serious about image quality and creative control in a pocketable body.
Of course, no camera is perfect; the TG-2’s smaller sensor limits its scope, and the ZV-1’s battery life and lack of weather sealing may concern some.
But now you’re armed with detailed comparisons and hands-on insights to match camera to your unique photographic journey.
Choosing a camera is more than specs - it’s about how it fits how you work, where you go, and what you want to create. I hope this guide brings you closer to that perfect match.
Happy shooting!
Olympus TG-2 iHS vs Sony ZV-1 Specifications
Olympus Tough TG-2 iHS | Sony ZV-1 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model | Olympus Tough TG-2 iHS | Sony ZV-1 |
Type | Waterproof | Large Sensor Compact |
Announced | 2013-06-28 | 2020-05-27 |
Physical type | Compact | Large Sensor Compact |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3968 x 2976 | 5472 x 3648 |
Highest native ISO | 6400 | 12800 |
Highest enhanced ISO | - | 25600 |
Lowest native ISO | 100 | 125 |
RAW photos | ||
Lowest enhanced ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 315 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-100mm (4.0x) | 24-70mm (2.9x) |
Highest aperture | f/2.0-4.9 | f/1.8-2.8 |
Macro focus distance | 1cm | 5cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 610 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | OLED | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 4s | 30s |
Max shutter speed | 1/2000s | 1/2000s |
Max silent shutter speed | - | 1/32000s |
Continuous shutter rate | 5.0 frames/s | 24.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | no built-in flash |
Flash modes | - | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC1920 x 1080 |
Highest video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 230 grams (0.51 lbs) | 294 grams (0.65 lbs) |
Physical dimensions | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") | 105 x 60 x 44mm (4.1" x 2.4" x 1.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 photos | 260 photos |
Battery type | Battery Pack | Battery Pack |
Battery model | Li-90B | - |
Self timer | Yes (2 and 12 sec, Pet Auto Shutter) | Yes |
Time lapse recording | ||
Type of storage | - | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Price at release | $380 | $750 |