Olympus TG-3 vs Pentax K-5
90 Imaging
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60 Imaging
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Olympus TG-3 vs Pentax K-5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 247g - 112 x 66 x 31mm
- Announced March 2014
- Refreshed by Olympus TG-4
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 80 - 12800 (Bump to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Revealed December 2010
- Old Model is Pentax K-7
- Successor is Pentax K-5 IIs

Olympus TG-3 vs Pentax K-5: A No-Holds-Barred Comparison for Enthusiasts and Pros
Choosing between the Olympus Tough TG-3 and the Pentax K-5 is like comparing apples and a particularly rugged orange - both fruits of the camera world, but designed for very different picking. Armed with over 15 years of experience testing cameras in every conceivable shooting environment, I’ve spent many hours shooting, measuring, and pitting these two against one another to bring you an authoritative, hands-on comparison. Whether you’re plotting your next adventure or upgrading your DSLR Arsenal, this detailed guide unpacks every angle - from sensor tech to real-world performance - to help you zero in on the gear that fits your photography lifestyle.
When Rugged Meets Refined: What These Cameras Represent
At first glance, the Olympus TG-3 and Pentax K-5 couldn’t be more different. The TG-3 is a weatherproof, shockproof compact camera engineered for adventure and outdoor abuse. Conversely, the K-5 is a mid-size DSLR built on the legacy of Pentax’s K-mount system, offering manual control, robust build quality, and a serious lens repertoire.
Here’s the gist:
- Olympus TG-3: Ultra-compact, lightweight (247g), pocketable - built for underwater dives, mountain scrambles, and hobbyists craving convenience and durability.
- Pentax K-5: Substantial DSLR heft (740g), robust chassis, extensive manual controls - geared toward enthusiasts and professionals who prize image quality and lens versatility.
In the battle between ~11cm pocket rocket and ~13cm DSLR workhorse, ergonomics and handling inevitably diverge (see above). While the TG-3 fits comfortably in your palm or jacket pocket, the K-5 demands a proper grip and dedicated carrying case - but rewards you with superior control finesse.
Sensor Technology & Image Quality: APS-C Powerhouse vs. Tough Compact
The biggest elephant in the room? Sensor size and the image fidelity gulf it creates. The TG-3’s 1/2.3” BSI-CMOS sensor (6.17 x 4.55 mm, approximately 28 mm²) stacks up against the K-5’s much larger APS-C CMOS sensor (23.7 x 15.7 mm, approximately 372 mm²). To put it bluntly: the K-5 boasts more than 13 times the sensor area of the TG-3.
Why does this matter? Sensor size directly influences image quality in terms of noise performance, dynamic range, depth of field control, and resolution handling.
- Resolution: Both cameras sport 16-megapixel sensors, but the K-5’s larger pixel area translates to cleaner images, especially at higher ISOs.
- Dynamic Range and Color Depth: Based on DXOMark tests, the K-5 achieves an overall score of 82, with color depth at 23.7 bits and exceptional dynamic range (14.1 EV). The TG-3, unfortunately, remains untested on DXOMark, but the tiny sensor and compact optics impose practical limits on tonal gradation and noise control.
- ISO Performance: The K-5 excels up to ISO 6400 native and 51200 boosted, while the TG-3 caps at ISO 6400 but with noisier output at higher settings.
- Raw Support: K-5 outputs RAW files for maximum post-processing latitude; TG-3 does not support raw capture, which will frustrate advanced users seeking maximum flexibility.
If pristine image quality is non-negotiable - say, for portraiture or professional work - the K-5 holds a decisive advantage. The TG-3 trades some image finesse for packing into its rugged, waterproof shell.
Build Quality & Environmental Resistance: Adventurer’s Dream vs Classic Durability
You won’t find many cameras that laugh in the face of water, dust, shocks, crushes, and freezing temperatures like the TG-3. Olympus engineered the TG-3 to be waterproof to 15 meters, crushproof up to 100 kg, shockproof against 2.1-meter drops, and freezeproof to -10°C.
In contrast, while the Pentax K-5 is weather-sealed against dust and moisture ingress (a rarity among DSLRs of its generation), it lacks the extreme robustness of the TG-3’s “tank-like” credentials. It isn’t waterproof or shockproof.
So for environments where your proximity to mud, rain, or rough terrain is a constant battle - think trail hiking, snorkeling, casual climbing - the TG-3’s fortress-like build is invaluable. But in more controlled shooting scenarios or studio environments, the K-5’s weather sealing is quite respectable without the need for underwater resilience.
Ergonomics and User Interface: Streamlined Simplicity vs Comprehensive Control
Controls are where usage philosophies show their personalities.
The TG-3 is designed for swift, instinctive point-and-shoot with minimal fuss. It features a fixed 3-inch TFT LCD display (460K resolution), no touchscreen, and no electronic viewfinder (EVF). The button layout is simplified with no dedicated manual focus ring or external dials - manual exposure modes exist but are menu driven or accessed via buttons. This design choice supports quick shooting but limits tactile command.
Comparatively, the K-5 commands respect with an intelligent control layout housing dedicated exposure mode dials, customizable buttons, and a high-res 3-inch TFT LCD (921K pixels) along with a bright, 100% coverage pentaprism optical viewfinder with 0.61x magnification. The K-5 offers full manual focus, shutter/aperture priority, manual exposure, and sophisticated bracketing options for both flash and white balance.
If you crave physical dials and buttons that respond intuitively to your fingertips, the K-5 shines. The TG-3, while easy to navigate for beginners or on-the-go shooters, restricts those who want granular real-time adjustments. The presence of an optical viewfinder on the K-5 also benefits outdoor shooting in bright light where LCD viewing falters.
Autofocus and Shooting Speeds: Sporadic Speed vs DSLR Precision
Here, the terrain shifts again. The TG-3 features contrast-detection autofocus with some face detection and AF tracking. It claims continuous shooting at 5fps, which is respectable for a compact but limited for fast action.
The K-5, however, walks tall with its 11-point phase-detection autofocus system (9 cross-type points), center-weighted and selective AF modes, and rapid burst shooting at 7fps. It supports continuous AF tracking - critical for wildlife or sports photography - and includes customizable AF areas to fine-tune focus.
In a motivated wildlife or sports shooter’s arsenal, the K-5’s autofocus and frame rate capabilities make it a tool of choice for capturing high-speed sequences or unpredictable subjects. The TG-3 cannot match this performance and may frustrate in fast-moving scenarios.
Lens Ecosystem and Compatibility: One Fixed Lens vs 150+ Flexible Optics
Lens choice is the lifeblood of photographic creativity. The TG-3 is born with a fixed 25-100mm (35mm equivalent) f/2.0-4.9 zoom lens, optimized for macro down to 1 cm and rugged outdoor usage.
The K-5, by contrast, taps into Pentax’s enormous K-mount ecosystem, boasting over 150 compatible lenses ranging from ultra-wide to super-telephoto, primes and zooms, macro and tilt-shift. This lens variety unlocks possibilities across genres and budgets, enabling tailored setups for portraits, landscapes, astrophotography, or sports.
If you envision long-term serious photography requiring changing lenses and optimal optical quality, the K-5’s adaptability is unmatched. For casual shooters or adventurers seeking ‘grab-and-go’ simplicity, the TG-3’s fixed lens - particularly its sharp F2.0 macro range - is a compelling argument.
Display, Viewfinder, and Interface: Clarity vs Simplicity
The K-5’s higher-resolution 3-inch LCD enhances image review and menu navigation, complemented by the optical pentaprism viewfinder that shines in bright environments and aids manual focusing.
The TG-3’s fixed 3-inch LCD, while adequate for casual framing, can feel limited under harsh daylight. Absence of any EVF hampers shooting precision, especially for low-light scenarios where LCD lag may be bothersome.
For definitive control over composition and sharper focusing feedback, the K-5 stands out.
Battery Life and Storage: Endurance vs Convenience
Battery stamina is crucial on extended shoots. The K-5’s D-LI90 battery offers an impressive 980 shots per charge - perfect for long shooting days without scrambling for spares.
The TG-3’s LI-92B battery delivers more modest 330 shots, which is reasonable for compact cameras but often requires spare batteries on longer trips.
Both use SD card slots compatible with SDHC and SDXC for ample storage. Neither is dual-slot, which is a limitation for professional applications demanding instant backup.
Connectivity and Wireless Features
The Olympus TG-3 bundles built-in GPS and wireless connectivity (Wi-Fi), enabling straightforward geo-tagging and remote control via smartphone apps - advantages for travel photographers and social sharers.
The Pentax K-5, launched in 2010, lacks built-in Wi-Fi or Bluetooth; GPS is optional via an add-on accessory. This reflects its era’s design but can be a disadvantage for photographers desiring instant image sharing.
Video Capabilities: Basic HD vs Robust DSLR Offering
Both cameras shoot Full HD video, but the K-5 edges ahead with better manual control, a microphone port for external audio (great for documentaries or interviews), and higher max shutter speed by virtue of DSLR build.
TG-3 records in H.264 and MJPEG at up to 1080p/30fps but lacks external mic input or stereo sound. Its video functionality is serviceable for casual clips but limited for professional video work.
Genre-Specific Performance: Deep Dive into Use Cases
Let’s break down how they truly perform across popular photographic disciplines.
Portrait Photography
- K-5: Superior skin tone rendition, smoother bokeh with large-aperture lenses, precise eye detection focus zones thanks to phase detection AF.
- TG-3: Reasonable portraits under good lighting but limited by fixed zoom’s maximum aperture and sensor noise at portraits’ usual medium to shallow depth-of-field needs.
Landscape Photography
- K-5: Large APS-C sensor delivers high dynamic range, excellent resolution for cropping/printing large, weather sealing for outdoor use.
- TG-3: More limited dynamic range, lower resolution but crushproof and waterproof body lets you shoot in harsher weather without protection.
Wildlife Photography
- K-5: Fast 7fps burst, tracking AF, plus telephoto lens compatibility give serious advantages.
- TG-3: Fixed zoom limits reach; autofocus slower and prone to hunting.
Sports Photography
- K-5: Strong continuous AF and fast shutter speeds; capable in low light.
- TG-3: Modest burst, less accurate AF.
Street Photography
- TG-3: Small, discrete, weatherproof; easy to carry discreetly.
- K-5: Bulkier, noisier shutter; harder to conceal but capable of higher image quality.
Macro Photography
- TG-3: Outstanding with 1cm close focus and bright f/2.0 lens.
- K-5: Versatile with dedicated macro lenses; more control but requires additional gear.
Night/Astro Photography
- K-5: Low noise at high ISO, long shutter speeds, manual control.
- TG-3: Limited low-light capability; noisier images.
Video
- K-5: Full HD 25fps, microphone input.
- TG-3: Full HD 30fps, no mic input.
Travel Photography
- TG-3: Lightweight, built-in GPS, ruggedness shine.
- K-5: Bulkier but higher image quality.
Professional Work
- K-5: RAW, bracketing, lens ecosystem, reliable performance.
- TG-3: Consumer/prosumer use, limited raw and lens flexibility.
Real-World Performance Ratings and Final Scores
Our method includes extensive shooting tests under varied lighting and situations, lab sensor metric validation, and internal field reports. The Pentax K-5 aisles ahead in image quality and flexibility, while the Olympus TG-3 shines in ruggedness and ease-of-use.
Who Should Buy Which?
Olympus Tough TG-3 is Perfect For:
- Outdoor adventurers who need a waterproof, crushproof combo without lugging heavy gear.
- Casual shooters prioritizing durability and simple operation.
- Macro enthusiasts on the go valuing close-up fun.
- Travelers wanting GPS and wireless sharing in a compact form.
Pentax K-5 is Ideal For:
- Enthusiasts and pros seeking high image quality and manual control.
- Wildlife, sports, and landscape shooters needing speed, versatility, and lens choices.
- Photographers intending professional use with RAW shooting and extensive post-processing.
- Those comfortable with DSLR size and weight, craving customization.
In Closing: The Right Camera for Your Vision
The Olympus TG-3 and Pentax K-5 serve profoundly different photographic missions. The TG-3 is a marvel of rugged compact design, tackling environments many cameras wouldn’t dare approach. The K-5 embraces classic DSLR strengths - image quality, control, and optical flexibility - at the cost of size and fragility. Neither is a straight-up replacement for the other, but both shine when matched thoughtfully to the right user and use.
I hope this detailed comparison equips you with the insight to choose wisely. If absolute image quality and expansive creative control are paramount, I recommend the Pentax K-5. Yet, if your photography journeys take you underwater, climbing or into rugged weather, and you demand camera reliability alongside ease, the Olympus TG-3 will be your faithful companion.
Happy shooting and may you find the perfect tool to capture your photographic passions!
For side-by-side specification details, real-world sample comparisons, and user reviews, feel free to explore additional resources or reach out with specific use case questions.
Olympus TG-3 vs Pentax K-5 Specifications
Olympus Tough TG-3 | Pentax K-5 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model type | Olympus Tough TG-3 | Pentax K-5 |
Category | Waterproof | Advanced DSLR |
Announced | 2014-03-31 | 2010-12-18 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | TruePic VII | Prime II |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor area | 28.1mm² | 372.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Highest resolution | 4608 x 3456 | 4928 x 3264 |
Highest native ISO | 6400 | 12800 |
Highest boosted ISO | - | 51200 |
Lowest native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 25-100mm (4.0x) | - |
Highest aperture | f/2.0-4.9 | - |
Macro focusing distance | 1cm | - |
Total lenses | - | 151 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inches | 3 inches |
Display resolution | 460k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | TFT-LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Lowest shutter speed | 4 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting rate | 5.0 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | 13.00 m (at ISO 100) |
Flash options | Auto, redeye reduction, fill-in, off, LED | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | - | 1/180 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264, Motion JPEG | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 247 gr (0.54 pounds) | 740 gr (1.63 pounds) |
Dimensions | 112 x 66 x 31mm (4.4" x 2.6" x 1.2") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1162 |
Other | ||
Battery life | 330 photos | 980 photos |
Battery type | Battery Pack | Battery Pack |
Battery ID | LI-92B | D-LI90 |
Self timer | Yes (2 or 12 sec, custom) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Type of storage | SD, SDHC, SDXC, Internal Memory | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Retail price | $350 | $800 |