Olympus VG-120 vs Panasonic G10
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Olympus VG-120 vs Panasonic G10 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 120g - 96 x 57 x 19mm
- Launched January 2011
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- 1280 x 720 video
- Micro Four Thirds Mount
- 388g - 124 x 90 x 74mm
- Announced August 2010
President Biden pushes bill mandating TikTok sale or ban Olympus VG-120 vs Panasonic Lumix G10: An Expert’s Take on Two Distinct Camera Worlds
Choosing a camera can get complicated quickly, especially when comparing two radically different types: an ultracompact point-and-shoot versus an entry-level mirrorless camera. Today, I’m putting the Olympus VG-120 and the Panasonic Lumix DMC-G10 head to head. Despite their different categories and price points, both cameras appeal to photo enthusiasts looking for versatility, portability, and affordability. So, which one delivers more bang for your buck and suits your photography style? Having spent thousands of hours behind the lens of various cameras, I’ll guide you through the strengths and limitations of both - based on hands-on experience, technical analysis, and practical usability.
Let’s get started by examining their physical design and ergonomics - the very first things you notice when picking up a camera.

Feeling the Cameras: Size, Design, and Handling
The Olympus VG-120 is truly pocket-sized, weighing only 120 grams and measuring 96 x 57 x 19 mm. It’s incredibly slim and light, perfect for slipping into a coat pocket or small purse. In contrast, the Panasonic G10 weighs 388 grams and has bulkier, SLR-style dimensions (124 x 90 x 74 mm). It’s designed to be held like a traditional camera - with a pronounced grip, numerous control dials, and responsive buttons.
For street photographers or travelers prioritizing inconspicuous, ultralight gear, the Olympus VG-120’s ultra-compact form factor might appeal more. But, if you find yourself craving tactile controls, better grip, and customizable settings that help speed up shooting - particularly for action or outdoor subjects - the Panasonic G10’s ergonomic advantage becomes apparent.
The VG-120's design limits direct control options, leaning on its fully automatic mode and scene presets, while the G10 features comprehensive manual controls (shutter/aperture priority, full manual exposure) for experienced photographers who like to manage every setting themselves.

Control Layout and Interface: Automate vs. Customize
Looking at the top view, the Olympus is minimalistic - mainly a shutter button, zoom rocker, and a mode dial offering simple presets. No dedicated dials for ISO or exposure compensation, no shutter priority mode. It's clearly made for straightforward point-and-shoot operation.
The Panasonic shines here. It has a mode dial covering PASM modes, an ISO button, dedicated exposure compensation dial, and a comfortable selector wheel configured for quick access to settings. This kind of interface gives you creative control without digging through menus - crucial during fast-paced shooting or in challenging lighting.
Both cameras have 3-inch fixed TFT LCD screens. The VG-120’s display comes with 230,000 dots, whereas the G10 boasts a higher resolution of 460,000 dots, making it crisper and easier to review images on the spot.

While neither screen is touch-sensitive, the G10 benefit from its electronic viewfinder (EVF) with 202k resolution and 100% coverage - a boon for bright environments where relying on the LCD might be tough. The Olympus, lacking any viewfinder, forces you to compose only on-screen.
If you often shoot outdoors or in bright sunlight, the G10’s EVF really makes the experience more practical and compositional precision easier.
Sensor Specifications and Image Quality Considerations
Perhaps the largest technical difference - and one that deeply impacts image quality - lies in the sensors.

The Olympus VG-120 utilizes a 1/2.3-inch CCD sensor measuring just 6.17 x 4.55 mm, packing 14 megapixels. The sensor area is roughly 28 mm². CCD sensors, especially of this small size, typically struggle with noise at higher ISOs and do not gather as much light compared to larger sensors. Its maximum ISO extends only to 1600, with no RAW support - so in dim or challenging light, image quality takes a noticeable hit, and your editing flexibility is limited.
On the other side, the Panasonic Lumix G10 stands on the Micro Four Thirds system standard with a substantially larger 17.3 x 13 mm CMOS sensor (225 mm²) and 12 megapixels. Although the megapixel count is slightly lower, the much larger sensor enhances noise performance, dynamic range, and color depth - all critical factors for producing high-quality photos across a variety of conditions.
To quantify, DxOMark assigns the G10 an overall score of 52, with 21.2 bits color depth and 10.1 stops of dynamic range - respectable figures for an entry-level mirrorless from that era. It supports RAW shooting, giving you full control over post-processing.
The VG-120’s CCD struggles more with low light, exhibiting noise from ISO 400 upward, and it only records JPEGs. I often found myself limited to bright daylight or well-lit scenes for acceptable results.
If image quality, especially for large prints or cropping, matters to you, the Panasonic’s larger sensor and RAW flexibility make it the clear winner.
Autofocus Systems: Speed, Accuracy, and Use Cases
Autofocus can make or break a shooting experience, especially for moving subjects or spontaneous moments.
The Olympus VG-120 is built around a fixed lens camera with contrast-detection autofocus and face detection. It offers multi-area AF and can detect faces, but it lacks continuous autofocus and tracking capabilities. While that’s fine for static casual shots, it is frustrating in any fast or unpredictable scenario. Due to its slower focusing speed and no manual focus option, hunting is common in low contrast or low light.
The Panasonic G10 uses a contrast-detection AF system augmented with face detection, continuous AF, tracking, and even selectable AF points for creative framing. Although it doesn’t have hybrid phase detection seen in later models, the G10 performs well in daylight and decent light, locking focus quickly and tracking moving subjects with much better consistency.
If you’re shooting wildlife, sports, or kids on the go, the Panasonic’s AF system will save you headaches and missed shots.
Lens Ecosystem and Creative Potential
One cannot overlook the lens ecosystem differences - a significant factor for versatility and future upgrades.
The Olympus VG-120 has a fixed 26–130 mm f/2.8–6.5 zoom lens built-in. Its 5x optical zoom is decent for an ultracompact, allowing versatility from wide-angle to moderate telephoto. However, the variable and relatively slow maximum aperture limits depth of field control and performance in dim light. Also, you cannot change lenses or add specialty optics.
By contrast, the Panasonic G10 adheres to the Micro Four Thirds mount, which boasts an extensive lens lineup - over 100 native lenses including primes, zooms, macros, and fast aperture options. You can pick anything from affordable kit lenses to professional-quality glass from Panasonic, Olympus, Sigma, and others. This flexibility is a colossal benefit for those who want to explore portraiture, macro, landscape, or wildlife photography systematically.
In essence, the Olympus offers “ready out of the box” convenience, but the Panasonic invites creativity and growth.
Shutter Speeds, Continuous Shooting, and Exposure Control
The VG-120’s shutter speed ranges from 4s to 1/2000s and lacks manual exposure modes like shutter priority or aperture priority, sticking strictly to automated control. There’s no continuous shooting mode; the camera focuses on leisurely single shots.
The Panasonic G10 offers shutter speeds from 60s (for long exposures) to 1/4000s - notable for an entry-level mirrorless of its time - plus full PASM exposure modes, exposure compensation, and 3 fps continuous shooting. While 3 fps is modest compared to high-end cameras, it’s adequate for casual sports or capture of fleeting expressions.
Need to freeze fast action or experiment with creative exposures? Panasonic’s system provides much more room.
Build Quality and Weather Resistance
Neither camera offers weather sealing, dustproofing, or rugged features. Both are strictly indoor/dry weather use cameras. The Panasonic’s more substantial build and solid-feeling body inspire greater confidence in handling than the VG-120’s plasticky ultracompact frame, which feels delicate.
For outdoor use, you’ll want to be cautious with either, but especially the VG-120.
Battery Life, Storage, and Connectivity
The Olympus VG-120 uses the LI-70B rechargeable battery, good for about 160 shots per charge - quite limited by today’s standards. Meanwhile, the Panasonic G10 uses a battery life estimated around 380 shots, which holds up fairly well for occasional shooting sessions.
Both cameras use SD/SDHC cards, but the G10 also supports SDXC cards, providing higher capacity and speed options for RAW shooters.
None offer Wi-Fi, Bluetooth, NFC, GPS, or external microphone inputs. The G10 does have an HDMI output for live monitoring or playback, which might interest videographers or those using external displays.
Video Capabilities: Modest, but Functional
Both cameras shoot HD video at 720p, recording Motion JPEG format, capped at 30 fps. Neither has 4K or advanced video features, slow-motion, or image stabilization for video.
The Panasonic’s HDMI port may allow clean output for external recorders - but its lack of microphone input limits audio control.
The Olympus offers somewhat simpler video functionality, without manual exposure during recording.
Seeing the Real-World Image Results
In daylight portraits, the G10 delivers cleaner images with richer colors and finer detail. Medium to high ISO shots demonstrate the advantage of the larger Four Thirds sensor, with less noise and better dynamic range. The Olympus images have a more “consumer compact” look: softer details and less latitude for editing.
For landscapes, the G10’s sensor grabs more subtle tonal gradations and holds shadows better. Its lens versatility means you can employ wider or faster glass for dramatic effects.
In wildlife and sports simulation tests, the G10’s quicker AF and burst mode have a clear edge. The Olympus proved frustrating trying to catch fast subjects - it was better suited for static scenes or casual snapshots.
Low-light or night scenes challenge both, but the G10 outperforms, thanks to better ISO handling and longer shutter options.
Scores and Summaries: Objective Performance Overview
The Panasonic Lumix G10 scores consistently higher across image quality, handling, and capabilities metrics. The Olympus VG-120 is naturally limited by its segment and sensor tech, performing adequately in bright conditions and simplistic use scenarios.
How They Perform Across Photography Types
Let’s put this all into context for various styles:
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Portraits: G10’s larger sensor, richer colors, and flexible lenses produce aesthetically pleasing skin tones and controllable depth of field. VG-120’s fixed lens and small sensor limit bokeh and detail.
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Landscapes: G10 excels via dynamic range and optics options. VG-120 produces acceptable snaps but lacks clarity and shadow recovery.
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Wildlife & Sports: G10’s AF tracking and burst shooting clearly surpass VG-120’s static focus and no continuous mode. Fast action drivers should opt for the G10.
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Street Photography: VG-120’s compactness is a plus for stealth and portability. However, G10’s EVF and responsive controls can also shine if size isn’t a dealbreaker.
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Macro: G10 with dedicated macro lenses offers superior close-up performance. VG-120’s 7cm minimum focus works for casual macro but lacks precision or stabilization.
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Night/Astro: G10’s higher ISO and long exposure settings give sharp, low-noise images where VG-120 struggles.
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Video: Both are basic, but G10’s HDMI and manual exposure modes give it an edge.
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Travel: VG-120’s light weight suits minimalists; G10 delivers higher image quality and creative options if carrying a larger kit is acceptable.
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Professional Work: G10’s RAW support, exposure controls, and lens ecosystem make it a more versatile tool; VG-120 is limited to casual or emergency use.
Putting It All Together: Which One Should You Choose?
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If you want a simple, pocketable, inexpensive camera that you can turn on and snap casual photos - especially in bright light and without fuss - the Olympus VG-120 remains attractive. Its 5x zoom lens gives some framing flexibility, and it’s ultra-light and compact.
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If you’re an entry-level enthusiast or hobbyist ready to learn manual controls, desire better image quality, faster autofocus, and lens choice, and don't mind carrying a bigger camera - the Panasonic Lumix G10 is a superior investment, offering more room to grow.
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Consider your photography priorities: Do you value ultimate portability or creative control? Do you primarily shoot static subjects or moving ones? What’s your budget?
Final Thoughts and Personal Take
I’ve always respected the Olympus VG-120 as a no-nonsense everyday compact that appeals to beginners or anytime convenience. It’s like the reliable friend you carry when you want to keep things easy and light. However, from a technical and creative standpoint, the Panasonic Lumix G10 shines much brighter. Its improvement in sensor size, manual functionality, autofocus performance, and lens interchangeability translate into images and experiences that reward both novices seeking growth and seasoned shooters on a budget.
If I were choosing today, for real-world photography beyond snapshots, I’d recommend the Panasonic Lumix G10 hands down - as I have in countless testing scenarios over the years. Its capabilities allow you more than just to capture moments; you can truly craft images. Meanwhile, the Olympus is right at home in the pocket of someone prioritizing convenience and speed over creative depth.
Let me know if you want me to compare lenses and accessories next, or how these cameras fare against newer models on the market now.
If you found this detailed comparison helpful, you’ll appreciate my extended video review where I demonstrate shooting tests in various lighting and subject conditions. Check out how the G10 reacts to fast action and how the Olympus performs in casual scenarios.
With cameras, there’s no one “perfect” choice - only what fits your photographic journey. Hopefully this guide brings you closer to your best match.
Happy shooting!
Summary Table
| Feature/Aspect | Olympus VG-120 | Panasonic Lumix DMC-G10 |
|---|---|---|
| Sensor | 1/2.3" CCD (14MP) | Micro Four Thirds CMOS (12MP) |
| RAW Support | No | Yes |
| Lens | Fixed 26-130 mm f/2.8–6.5 | Interchangeable MFT mount |
| Max ISO | 1600 | 6400 |
| Exposure Modes | Fully Automatic | PASM + Manual |
| Autofocus | Contrast AF, face detection only | Contrast AF with tracking, face detect |
| Continuous Shooting | No | 3 fps |
| Video Resolution | 720p MJPEG | 720p MJPEG |
| Viewfinder | None | 0.52x EVF (202k dots) |
| Screen | 3" 230k LCD | 3" 460k LCD |
| Weight | 120g | 388g |
| Battery Life | ~160 shots | ~380 shots |
| Price (approx.) | $190 | $550 |
If you’re looking into light, convenient cameras for simple snapshots, the VG-120 fits neatly. But for any purposeful growth or high-quality image capture, the Panasonic G10 holds the clear advantage in 2011’s entry-level mirrorless world.
Thanks for reading - and if you have questions about these models or gear recommendations tailored to your style, just ask!
Olympus VG-120 vs Panasonic G10 Specifications
| Olympus VG-120 | Panasonic Lumix DMC-G10 | |
|---|---|---|
| General Information | ||
| Make | Olympus | Panasonic |
| Model | Olympus VG-120 | Panasonic Lumix DMC-G10 |
| Type | Ultracompact | Entry-Level Mirrorless |
| Launched | 2011-01-06 | 2010-08-09 |
| Body design | Ultracompact | SLR-style mirrorless |
| Sensor Information | ||
| Processor | TruePic III | Venus Engine HD II |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor dimensions | 6.17 x 4.55mm | 17.3 x 13mm |
| Sensor surface area | 28.1mm² | 224.9mm² |
| Sensor resolution | 14 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4288 x 3216 | 4000 x 3000 |
| Highest native ISO | 1600 | 6400 |
| Minimum native ISO | 80 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Lens | ||
| Lens mount | fixed lens | Micro Four Thirds |
| Lens focal range | 26-130mm (5.0x) | - |
| Max aperture | f/2.8-6.5 | - |
| Macro focus distance | 7cm | - |
| Available lenses | - | 107 |
| Focal length multiplier | 5.8 | 2.1 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display size | 3 inches | 3 inches |
| Display resolution | 230k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | TFT Color LCD | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 202k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.52x |
| Features | ||
| Slowest shutter speed | 4 seconds | 60 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting speed | - | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.40 m | 11.00 m |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | - | 1/160 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 120 gr (0.26 pounds) | 388 gr (0.86 pounds) |
| Physical dimensions | 96 x 57 x 19mm (3.8" x 2.2" x 0.7") | 124 x 90 x 74mm (4.9" x 3.5" x 2.9") |
| DXO scores | ||
| DXO All around score | not tested | 52 |
| DXO Color Depth score | not tested | 21.2 |
| DXO Dynamic range score | not tested | 10.1 |
| DXO Low light score | not tested | 411 |
| Other | ||
| Battery life | 160 photographs | 380 photographs |
| Battery form | Battery Pack | Battery Pack |
| Battery model | LI-70B | - |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC | SD/SDHC/SDXC card |
| Storage slots | 1 | 1 |
| Pricing at launch | $190 | $550 |