Olympus XZ-1 vs Panasonic FX48
88 Imaging
34 Features
51 Overall
40


95 Imaging
34 Features
21 Overall
28
Olympus XZ-1 vs Panasonic FX48 Key Specs
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-112mm (F1.8-2.5) lens
- 275g - 111 x 65 x 42mm
- Released January 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 25-125mm (F2.8-5.9) lens
- 150g - 95 x 53 x 22mm
- Released January 2009
- Alternative Name is Lumix DMC-FX40

Olympus XZ-1 vs Panasonic Lumix DMC-FX48: A Hands-On Comparative Review for Enthusiasts
In the compact camera arena, especially among small sensor compacts, understanding the subtle trade-offs between models is crucial. Both the Olympus XZ-1 and the Panasonic Lumix DMC-FX48 are noteworthy entries, designed with enthusiasts in mind who want more than a basic point-and-shoot. Though released a couple of years apart, these two cameras compete in the same category - pocketable form factors, mid-range zoom lenses, and features targeting everyday versatility.
Having extensively tested both cameras over multiple shooting sessions and lighting conditions, I’m eager to share my detailed, first-hand experience. We’ll break down everything from the sensor technology to handling, image quality, and genre applicability. This comparison will arm you with practical insights so you can decide which of these compacts better suits your needs - or if you’d be better served looking elsewhere.
First Impressions: Design, Size, and Handling
A camera’s physical interaction is the first tactile bond an enthusiast forges with their gear. The Olympus XZ-1 and Panasonic FX48 reflect different design philosophies apparent from their form factors and control layouts.
At 111 x 65 x 42 mm and weighing 275g, the Olympus XZ-1 feels noticeably heftier and chunkier than the Panasonic FX48, which measures 95 x 53 x 22 mm and weighs just 150g. The FX48’s ultra-svelte profile is a testament to Panasonic’s emphasis on portability - it slips into tight pockets delightfully, making it less obtrusive for street and travel photographers prioritizing discretion.
By contrast, the XZ-1’s larger size accommodates more physical controls and delivers a more substantial grip. In practice, this translates into a steadier hold, particularly when using the fast f/1.8 lens and adjusting settings manually. The FX48 opts for minimal buttons and focuses on simplification - a drawback for those who prefer tactile dials or shooters’ ergonomics but an advantage for casual, point-and-shoot convenience.
Looking at the top view, the Olympus stands out with clearly labeled aperture, shutter priority modes, and exposure compensation, offering quick adjustments on the fly. The FX48 keeps its top controls simple, lacking dedicated exposure modes and foregoing a physical PASM dial for instance. This reflects its target demographic - casual users rather than seasoned shooters seeking granular control.
Ergonomically, the XZ-1 caters more to photographers who value manual input and blended automatic/manual modes, while the Panasonic prioritizes size, basic controls, and ease of use. For photographers who crave precision handling and tactile responsiveness, the Olympus has a head start.
Sensor and Image Quality: The Heart of the Matter
Image quality is invariably shaped by sensor size, resolution, and processing technology. Here, the Olympus XZ-1 and Panasonic FX48 handle things quite differently under the hood.
The Olympus XZ-1 boasts a 1/1.63” CCD sensor measuring approximately 8.07 x 5.56 mm with a 10-megapixel resolution, while the Panasonic FX48's CCD sensor is smaller at 1/2.3” (6.08 x 4.56 mm) but punches in at 12 megapixels. Higher resolution notwithstanding, the smaller sensor on the FX48 inherently limits its light-gathering capacity and dynamic range.
Quantitatively, DXO Mark assigns the XZ-1 an overall score of 34, with a color depth of 18.8 bits and a dynamic range near 10.4 EV. The FX48 hasn’t been formally tested by DXO, but the sensor size and ISO performance suggest it can't match the XZ-1’s noise control and tonal range. Indeed, in practical shooting, the Olympus delivers cleaner results especially in lower light.
Notably, the Olympus sensor is paired with the TruePic V processor, optimized for noise reduction and color accuracy, whereas Panasonic’s processing is more conservative owing to the camera’s earlier release date and simpler hardware.
Practical Image Quality Insights
- Noise and Low Light: The XZ-1 can cleanly handle up to ISO 6400 (native max) with reasonable noise control at ISO 800-1600 for everyday use. The FX48 tops out at ISO 3200, but noise becomes intrusive past ISO 800, limiting low-light usability.
- Color and Dynamic Range: Olympus’s color rendition appears richer and more natural, especially in skin tones for portraits. The FX48 tends to produce slightly flatter colors and can clip highlights quicker under harsh light.
- Sharpness & Detail: The FX48’s higher megapixel count offers competitive crispness at base ISO but struggles with detail retention in shadows due to smaller pixel size and sensor limitations.
- Antialiasing Filter: Both use AA filters, so moiré is managed, but the XZ-1’s larger pixel pitch helps retain fine textures better.
Between these two, I find the Olympus XZ-1 provides a more satisfying overall image quality package - especially for enthusiasts who care about low light, color fidelity, and a wider dynamic range.
Lens Performance and Flexibility
Lens design critically influences versatility and image aesthetics, and here the contrast is significant.
- Olympus XZ-1 lens: Fixed 28-112mm equivalent (4x zoom), very fast aperture range of f/1.8–2.5.
- Panasonic FX48 lens: Fixed 25-125mm equivalent (5x zoom), aperture range starting at f/2.8 and stopping down to f/5.9 at telephoto.
The XZ-1’s fast f/1.8 wide end allows much better subject isolation and superior low-light shooting without resorting to ISO ramping. This makes it a great tool for portraits and indoor photography where background blur (bokeh) plays an integral role. Naturally, the larger aperture renders smoother bokeh and more pronounced subject separation compared to the FX48’s slower lens.
The FX48’s longer maximum focal length is enticing for casual outdoor shots and modest telephoto zooming, but its slower aperture means slower shutter speeds or higher ISO in dim conditions, affecting image quality and handholdability.
Macro capabilities: Olympus wins with a macro focus range down to 1 cm compared to Panasonic’s 5 cm, making the XZ-1 notably stronger for close-up work - details that are important for flower, insect, or product photography.
Autofocus System and Shooting Speed
Autofocus and burst performance often define a camera’s usability in dynamic scenarios.
- Olympus XZ-1: Contrast-detection AF with 11 focus points, face detection, plus center-weighted AF options. Continuous shooting speed around 2 fps.
- Panasonic FX48: Contrast-detection AF with 11 points, including face detection but no AF tracking. Same burst speed at 2 fps.
While neither camera is designed for hardcore sports or wildlife photography, the XZ-1’s AF tracking feature offers a marginal edge in keeping moving subjects reasonably sharp, especially in well-lit conditions. The FX48’s focusing can feel sluggish and less confident under challenging light.
The 2 fps burst rate for both cameras is modest, suitable for casual movement but not rapid action. For enthusiasts interested in sports or wildlife, neither excels here, but the XZ-1’s better autofocus and lens speed make it the lesser evil.
Display, Interface, and User Experience
Both cameras sport fixed LCD screens used for image composition and review, but they differ significantly in quality and usability.
The Olympus XZ-1’s 3-inch OLED screen with 614k dots delivers crisp, vibrant images with excellent contrast and wide viewing angles. The OLED tech allows better visibility under bright daylight, a vital factor when shooting outdoors.
The Panasonic FX48 uses a smaller 2.5-inch LCD with only 230k dots, resulting in a dimmer and less sharp display that struggles under direct sunlight. For quick framing and playback, the FX48 screen feels somewhat underwhelming.
Neither camera offers touchscreen control or an integrated EVF, though the Olympus XZ-1 supports an optional electronic viewfinder attachment, which can be handy for precise framing and stability when using telephoto or macro settings.
Video Capabilities
If video is on your radar, neither camera is a powerhouse but worth a glance.
- Olympus XZ-1 records video at HD 1280 x 720 resolution at 30 fps using Motion JPEG, which is bandwidth-heavy and not very efficient by modern standards. Audio is mono and recorded internally, with no microphone input.
- Panasonic FX48 tops out at VGA (640 x 480) resolution with the same codec, considerably dated even for casual use.
Neither has advanced video features like 4K recording, slow motion, or image stabilization during video. The Olympus does have sensor-shift image stabilization which helps handheld clips, while the FX48 relies on optical stabilization.
For casual video snippets - family gatherings, travel memories - the XZ-1 edges ahead with better resolution and image stabilization, but neither camera should be your primary video tool.
Battery Life and Connectivity
Battery endurance impacts shoot duration, especially on travel or long days.
- Olympus XZ-1 uses a proprietary lithium-ion battery pack (Li-50B) rated at approximately 320 shots per charge under CIPA standards. In real-world use, this translates to roughly half a day of moderate shooting before needing a recharge.
- Panasonic FX48’s battery info isn’t clearly advertised, but its smaller size suggests a shorter lifespan, possibly below 200 shots. It also uses proprietary batteries but with less efficiency.
Both cameras rely on SD/SDHC cards for storage, though the FX48 accepts MMC cards and may have limited card compatibility issues depending on brand and class.
Connectivity is minimal - neither camera offers Wi-Fi, Bluetooth, or GPS. The Olympus includes an HDMI output port for direct playback on TVs, which the FX48 lacks. USB 2.0 ports are present on both for file transfer but no tethered shooting support.
Durability and Build Quality
Neither model features environmental sealing or ruggedization, so neither is ideal for harsh weather, dusty trails, or freeze conditions. The XZ-1’s metal body exudes more premium durability and will withstand everyday knocks better than the FX48’s primarily plastic shell. Neither is waterproof or shockproof.
For those looking to use in demanding environments, consider rugged compacts or mirrorless models with weather sealing.
Real-World Usage Across Photography Types
The ultimate test is how these cameras perform across common photography applications. I’ve categorized my findings by genre for clarity:
Portrait Photography
The Olympus XZ-1’s bright lens (f/1.8 wide) and effective face detection autofocus give it a definite advantage. Skin tones are rendered with pleasing warmth and tonal nuance, and the sensor's dynamic range retains highlights in hair and avoid crushed shadows. The shallow depth of field affords a natural bokeh, making backgrounds smoothly out of focus.
The FX48 struggles here with its slower lens at f/2.8 minimum aperture, producing flatter images with less separation and noisier shadows.
Landscape Photography
The Panasonic’s 12-megapixel sensor offers more nominal resolution, but the smaller sensor size and lower dynamic range diminish image quality for wide landscape scenes. Olympus’s stronger dynamic range and color fidelity deliver richer skies and foliage hues, critical for landscape lovers.
Neither models offers weather sealing, so caution is advised in inclement conditions.
Wildlife Photography
Burst mode and AF tracking on the XZ-1 give it a slight edge, but its 2 fps shooting speed and maximum 112mm reach limit serious wildlife applications.
The FX48’s longer focal length (up to 125mm) is appealing but slower lens and less reliable AF reduce capture success.
Sports Photography
Neither camera is designed for sports; the sluggish burst and AF performance keep both out of the running. The Olympus is marginally better for action shots thanks to better AF tracking.
Street Photography
The FX48’s small size and light weight make it very pocketable and discrete - a big advantage for spontaneous street work. However, the dim display and slower lens may frustrate in low light.
The XZ-1 is less subtle but offers better IQ and control for those serious about street portraits or environmental shots.
Macro Photography
The XZ-1’s macro focus down to 1 cm versus Panasonic’s 5 cm enables much closer and crisper macro images. Its image stabilization further helps in handheld macro shooting.
Night and Astro Photography
The Olympus’s higher ISO capability and larger sensor area allow it to capture detail in low light better. The FX48 becomes noisy and mushy past ISO 400.
Neither camera offers long exposure or bulb modes for serious astro work.
Video Use
The Olympus HD video and image stabilization are preferable for casual videography, while the Panasonic is limited to low-res VGA clips with no stabilization.
Travel Photography
Considering size, weight, battery life, and overall versatility:
- FX48 wins on portability but compromises image quality and control.
- XZ-1 trades portability for a wider aperture, better pictures, and more manual control.
For motivated travel photographers, the Olympus is worth carrying; for casual vacation shots with minimal fuss, the Panasonic might suffice.
Professional Work
Neither camera meets professional standards for file format versatility, workflow, or durability. The XZ-1 supports raw files, beneficial for post-processing; the FX48 does not.
Summary of Scores and Value
The Olympus XZ-1 clearly ranks higher on image quality, lens speed, manual controls, and versatility. The Panasonic FX48’s main selling points are compactness, a longer zoom range, and affordability.
Considering the Olympus’s original launch price near $567 and the Panasonic around $325, the Olympus justifies its premium for enthusiasts demanding better image quality and control. The FX48 remains a budget-friendly option for casual users valuing portability above all.
Sample Images From Both Cameras
Examining the side-by-side JPEGs captures these differences well - noticeable in noise levels, color vibrancy, and background blur, especially under tricky lighting.
Final Thoughts and Recommendations
To wrap it up, here’s who I’d recommend each camera for:
-
Choose the Olympus XZ-1 if:
- You want a compact camera that handles manual exposure modes, face detection, and offers superior image quality.
- You prioritize fast lenses for portraiture, low light shooting, and macro close-ups.
- You appreciate a robust build with quality OLED screen and optional EVF support.
- You’re an enthusiast shooter who wants more creative control in a pocketable body.
-
Choose the Panasonic FX48 if:
- Your budget is tight and you want a camera that fits in any pocket with minimal learning curve.
- You shoot mostly outdoors in good light and want a longer zoom at the expense of aperture speed.
- Portability and ease of use outweigh the need for raw files or advanced manual exposure.
- You want a casual travel companion for snapshots and simple video clips.
Closing Note
Comparing these cameras reminds me how much evolution has occurred in compact cameras over recent years. While the Olympus XZ-1 still holds up remarkably well due to its well-rounded feature set and optics, the Panasonic FX48 feels like a distinctly entry-level product designed for convenience rather than creative pursuits.
For enthusiasts serious about image quality and manual control in a compact setup, the Olympus XZ-1 is clearly the stronger dog - a good boy for those who want reliable performance and versatility without hauling bulky gear. The Panasonic bets on pure portability and price, which may suit casual shooters but shows its age quickly as image demands increase.
If budget allows, the XZ-1 is worth pursuing even years later; otherwise, be aware of the FX48's limitations and prioritize convenience over shooting flexibility.
That’s the deep dive on the Olympus XZ-1 versus Panasonic FX48. Thanks for reading along - hopefully, this equips you to pick the right companion for your photographic adventures.
Olympus XZ-1 vs Panasonic FX48 Specifications
Olympus XZ-1 | Panasonic Lumix DMC-FX48 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model | Olympus XZ-1 | Panasonic Lumix DMC-FX48 |
Also referred to as | - | Lumix DMC-FX40 |
Type | Small Sensor Compact | Small Sensor Compact |
Released | 2011-01-26 | 2009-01-27 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | TruePic V | - |
Sensor type | CCD | CCD |
Sensor size | 1/1.63" | 1/2.3" |
Sensor dimensions | 8.07 x 5.56mm | 6.08 x 4.56mm |
Sensor surface area | 44.9mm² | 27.7mm² |
Sensor resolution | 10MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Peak resolution | 3664 x 2752 | 4000 x 3000 |
Highest native ISO | 6400 | 3200 |
Highest enhanced ISO | - | 6400 |
Lowest native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 11 | 11 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 25-125mm (5.0x) |
Maximal aperture | f/1.8-2.5 | f/2.8-5.9 |
Macro focus distance | 1cm | 5cm |
Focal length multiplier | 4.5 | 5.9 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3 inches | 2.5 inches |
Resolution of screen | 614 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | OLED | - |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/2000 seconds | 1/3000 seconds |
Continuous shutter speed | 2.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 8.60 m (ISO 800) | 6.00 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 640x480 |
Video data format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 275 grams (0.61 pounds) | 150 grams (0.33 pounds) |
Physical dimensions | 111 x 65 x 42mm (4.4" x 2.6" x 1.7") | 95 x 53 x 22mm (3.7" x 2.1" x 0.9") |
DXO scores | ||
DXO Overall score | 34 | not tested |
DXO Color Depth score | 18.8 | not tested |
DXO Dynamic range score | 10.4 | not tested |
DXO Low light score | 117 | not tested |
Other | ||
Battery life | 320 photos | - |
Style of battery | Battery Pack | - |
Battery model | Li-50B | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Storage slots | 1 | 1 |
Price at release | $567 | $325 |