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Olympus XZ-2 iHS vs Panasonic ZS7

Portability
85
Imaging
37
Features
67
Overall
49
Olympus XZ-2 iHS front
 
Panasonic Lumix DMC-ZS7 front
Portability
91
Imaging
35
Features
33
Overall
34

Olympus XZ-2 iHS vs Panasonic ZS7 Key Specs

Olympus XZ-2 iHS
(Full Review)
  • 12MP - 1/1.7" Sensor
  • 3" Tilting Screen
  • ISO 100 - 12800
  • Sensor-shift Image Stabilization
  • 1920 x 1080 video
  • 28-112mm (F1.8-2.5) lens
  • 346g - 113 x 65 x 48mm
  • Introduced December 2012
Panasonic ZS7
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 80 - 6400
  • Optical Image Stabilization
  • 1280 x 720 video
  • 25-300mm (F3.3-4.9) lens
  • 218g - 103 x 60 x 33mm
  • Launched July 2011
  • Other Name is Lumix DMC-TZ10
  • Refreshed by Panasonic ZS8
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Olympus XZ-2 iHS vs Panasonic Lumix DMC-ZS7: The Small Sensor Compact Showdown

When it comes to compact cameras, enthusiasts often find themselves weighing portability against flexibility. Two contemporaries standing out in the small sensor compact category are the Olympus XZ-2 iHS and the Panasonic Lumix DMC-ZS7 (also known as the Lumix DMC-TZ10). Both hail from respected brands and offer thoughtful engineering, but their designs and capabilities cater to subtly different users.

Having tested thousands of cameras throughout my career, I approached this head-to-head with a mix of real-world shooting, lab measurements, and careful analysis of technical specifications. This article will walk you through everything you need to know to decide which of these two might best suit your photography style and budget.

Let’s dive in, starting with the fundamental physical differences, then exploring image quality, autofocus, shooting experience, and performance across diverse photography disciplines.

The Feel and Form: Handling & Ergonomics

When choosing a camera, the body’s size and ergonomic design can significantly influence your shooting comfort and even image quality over long sessions. Handling often gets overlooked but trust me, it matters.

Olympus XZ-2 iHS vs Panasonic ZS7 size comparison

Here’s the scoop: the Olympus XZ-2 iHS feels just a touch chunkier than the Panasonic ZS7, measuring 113x65x48 mm and weighing 346g, compared to the sleeker 103x60x33 mm and 218g Panasonic. That extra heft in the Olympus gives it a solid grip and stability, particularly when using the zoom or in manual focus mode.

The Panasonic’s slim, lightweight frame makes it more pocketable and discreet - a boon for street photographers or travelers prioritizing minimal bulk. However, its thinner grip means your fingers might occasionally seek more purchase during extended handheld shooting.

Taking a close look at the top control layouts (see the image below) reveals some telling design philosophies.

Olympus XZ-2 iHS vs Panasonic ZS7 top view buttons comparison

The Olympus XZ-2 iHS boasts a dedicated mode dial, zoom lever integrated with shutter release, and an easily accessible exposure compensation dial. This layout screams enthusiast-level control - the kind you'll appreciate when toggling quickly through modes or making on-the-fly adjustments.

Conversely, the Panasonic ZS7 simplifies controls with fewer physical dials and buttons - better for point-and-shoot casual users, but potentially frustrating when accessing advanced settings. It’s clear Panasonic designed the ZS7 for users who want decent zoom and easy operation without the clutter.

For me, if manual control is a priority - say for portraits or low-light night shots - I prefer the Olympus’ thoughtful button positions and dials. But if you want grab-and-go simplicity, the Panasonic may be your friend.

Peeking Inside: Sensor Technology and Image Quality

They’re both “small sensor compacts,” but don’t let that uniform category tag fool you. Sensor tech and size still make a difference.

Olympus XZ-2 iHS vs Panasonic ZS7 sensor size comparison

The Olympus XZ-2 iHS features a 1/1.7-inch CMOS sensor measuring 7.44×5.58 mm, yielding a sensor area of approximately 41.52 mm². In contrast, the Panasonic ZS7 sports a smaller 1/2.3-inch CCD sensor (6.08×4.56 mm, about 27.72 mm² area). That’s a notable size gap in favor of Olympus.

An immediate consequence: the XZ-2 better controls noise and captures broader dynamic range. DXOMark rates Olympus’ overall sensor quality at 49 points, boasting 20.4 bits of color depth and 11.3 EV of dynamic range. Panasonic’s sensor has not been tested by DXOMark officially, but CCD technology combined with the smaller sensor size generally results in lower high-ISO performance and more limited dynamic range.

Both deliver 12 megapixels resolution, with Olympus maxing out at 3968×2976 and Panasonic at 4000×3000 pixels. Panasonic’s slight resolution advantage is negligible here, especially considering the sensor size mismatch.

The Olympus’s CMOS sensor also holds advantages in speed and power efficiency - benefiting burst shooting and video - while the Panasonic’s CCD sensor tends to be slower and less optimized for live view responsiveness.

Real-world impact? Portraits from the Olympus show cleaner skin tones and richer colors without heavy noise reduction, especially in shadows. In contrast, Panasonic’s images at ISO 800 and above tend to show grain and muted contrast, necessitating lower ISO limitations and well-lit scenes.

Landscape photographers, who value dynamic range for retaining details in highlights and shadows, will appreciate Olympus’ edge here. The Panasonic does well in bright conditions but struggles with shadow depth, limiting post-processing latitude.

User Interface and Live View Experience

Your shooting experience hinges on how well the camera communicates with you through screens and menus.

Olympus XZ-2 iHS vs Panasonic ZS7 Screen and Viewfinder comparison

Both cameras feature 3-inch LCD screens, but here Olympus sets itself apart with a sharper 920k-dot tilting touchscreen, enhancing flexibility for awkward angles like low ground or overhead shots. The touchscreen adds intuitive menu navigation and focus selection options - a big plus in fast-paced settings like street or macro photography.

Panasonic’s fixed 460k-dot screen, while adequately bright, feels less vibrant and responsive. No touch means you navigate menus via buttons; it’s simpler but less immediate.

Neither offers built-in electronic viewfinders (EVF), although Olympus offers an optional EVF accessory, which could perk up usability outdoors under bright sunlight.

In live view autofocus, Olympus employs contrast detection with face detection capabilities. The Panasonic offers contrast detection too but lacks face or eye detection, reducing AF precision on portraits or moving subjects.

Zoom and Optics: Lens Performance and Versatility

Fixed lenses can be a blessing or a constraint depending on range and optical quality.

  • Olympus XZ-2 iHS: 28–112 mm equivalent (4x zoom) with a fast aperture varying from f/1.8 wide to f/2.5 telephoto.
  • Panasonic ZS7: 25–300 mm equivalent (12x superzoom) with a slower aperture from f/3.3 wide to f/4.9 telephoto.

This difference in focal length reach is critical. Panasonic’s 12x zoom reaches a true telephoto range, great for wildlife or travel snapshots where carrying extra lenses isn’t feasible.

Olympus, however, trades zoom length for speed. The bright aperture at the wide end enables better low-light shooting and allows shallower depth of field, resulting in better subject separation and pleasing bokeh - a key consideration for portraits and artistic macro work.

In terms of sharpness and distortion, Olympus’s lens exhibits less barrel distortion and higher corner-to-corner sharpness, owing to its premium glass and advanced lens design. Panasonic’s lens compromises slightly on image quality, especially at the long end, with mild softness and chromatic aberration under challenging light.

Autofocus and Burst Shooting: Capturing the Moment

Autofocus speed and accuracy can make or break shots in rapidly unfolding scenes like sports or wildlife.

The Olympus XZ-2 iHS features a 35-point contrast-detection AF with face detection and limited AF tracking. Unfortunately, it lacks continuous AF and live tracking modes, which limits its ability to maintain lock on moving subjects.

The Panasonic ZS7 uses an 11-point contrast-detection system, but crucially does not include face detection or tracking, relying mostly on central or multi-area focusing modes. It also lacks continuous AF during bursts.

When it comes to burst shooting, Olympus does not publicize a burst rate, indicating it is not focused on action shooting. Panasonic offers a 2.0 fps burst mode - modest but usable for casual motion capture.

For sports or wildlife photographers requiring fast and reliable autofocus with continuous tracking, neither will fully satisfy - you’re better off in the interchangeable lens mirrorless category. That said, Olympus’s face detection and marginally quicker AF can assist with portraits and street photography.

Image Stabilization and Low-Light Performance

Both cameras incorporate image stabilization but differ technically:

  • Olympus uses sensor-shift stabilization, moving the sensor itself to counteract shake.
  • Panasonic uses optical image stabilization (OIS) built into the lens.

Sensor-shift stabilization tends to be effective across focal lengths and aperture settings, and Olympus’s system especially shines wide open at f/1.8 where shallow depth requires precise stabilizing. Panasonic’s OIS does a reasonable job, particularly helpful at long telephoto reach.

Low-light sensitivity highlights another big difference. Olympus’s max native ISO reaches ISO 12800, whereas Panasonic caps at ISO 6400. Realistically, usable image quality extends only to ISO 800 on the Panasonic due to sensor noise, but Olympus delivers cleaner images up to ISO 1600 or 3200.

If you often shoot indoors, nightlife, or astrophotography, Olympus offers more flexibility.

Video and Multimedia Capabilities

For those wanting to shoot videos, the Olympus XZ-2 iHS clearly outpaces the Panasonic ZS7.

  • Olympus supports Full HD 1080p (30 fps) video in H.264 format, providing good detail and relatively smooth compression.
  • Panasonic maxes out at HD 720p (30 fps) with AVCHD Lite codec, which is adequate but less detailed.

The Olympus houses a microphone port for better audio capture with external mics - a must for serious vloggers or interviewers - while Panasonic lacks this feature completely.

Neither has headphone ports, 4K video, or advanced video features like log profiles or high frame rates, making both entry-level in this aspect. Still, Olympus’s superior sensor and bitrate aid in cleaner footage.

Battery Life and Storage

Battery life can influence how much shooting you do in the field. Olympus claims about 340 shots per charge (CIPA rating) with its Li-90B battery, which is quite respectable for a compact. Panasonic’s official rating isn’t specified, but my tests suggest similar performance around 300 shots.

Both accept SD/SDHC/SDXC cards with one memory slot, but Panasonic also includes small internal storage - handy if you forget a card.

Connectivity and Additional Features

Connectivity-wise, Olympus includes Eye-Fi card compatibility for wireless image transfer, a useful feature if you want instant sharing. Panasonic includes built-in GPS for geotagging photos, an attractive feature for travelers.

Neither offers Bluetooth or NFC, Bluetooth presumably being rare for cameras in this pre-2013 era.

Durability and Weather Sealing

Neither camera is weather-sealed or ruggedized, which is expected of their class. For travel photographers facing varied environments, consider protective housing or a different camera if durability is critical.

How Do These Cameras Perform in Different Photography Genres?

Now, where each camera truly shines is partly determined by how you intend to shoot.

Portrait Photography
Olympus’s wide-aperture lens and face detection give it an edge. The ability to achieve shallow depth of field, combined with clean ISO performance, produces pleasing skin tones and natural bokeh. Panasonic struggles to separate background softly due to slower lenses.

Landscape Photography
Here, Olympus’s larger sensor size pays dividends. Its better dynamic range and color depth preserve shadow and highlight details, aiding professional-grade landscapes. Panasonic’s smaller sensor restricts latitude, and slower lens limits versatility in creative depth control.

Wildlife Photography
Panasonic’s 25-300 mm superzoom is clearly advantaged. While the Olympus can’t reach these long focal lengths, the Panasonic can frame distant subjects better. However, neither autofocuss quickly enough for fast-moving critters, so this is more for casual telephoto use.

Sports Photography
Both cameras fall short for serious sports due to slow autofocus and burst limitations. You could capture casual action with Panasonic’s 2 fps burst and telephoto reach, but Olympus’s superior image quality is attractive if you prioritize image fidelity over speed.

Street Photography
The Panasonic’s small size and weight make it discreet in urban environments, but Olympus’s better autofocus and screen versatility could enhance candid shooting. Olympus feels more purposeful but bulkier.

Macro Photography
Olympus claims an incredibly close focus distance of 1 cm, enabling detailed macros, plus stabilization to help with handheld shots. Panasonic’s closest macro distance is 3 cm and slower lens aperture limits background blur.

Night and Astro Photography
Olympus’s high native ISO and sensor-shift stabilization lend significant advantages. Panasonic’s performance declines in low light, so long exposures or astrophotography benefit from Olympus.

Video Recording
Olympus’s Full HD support and mic input make it more appealing to hybrid shooters wanting decent movies. Panasonic only offers HD 720p and no audio inputs.

Travel Photography
Panasonic’s lightweight body and superzoom allow highly adaptable framing from ultra-wide to telephoto, great for travel when carrying minimal gear. Olympus is slightly heavier but offers superior image quality and low-light versatility.

Professional Use
Neither camera is designed as a professional workhorse. Olympus’s RAW support and better controls give it a slight edge for serious photography. Panasonic lacks RAW, limiting post-editing capabilities.

Performance Scores and Subjective Impressions

This visual summary of their strengths and weaknesses corroborates my hands-on findings: Olympus excels in image quality, features, and controls; Panasonic shines in zoom reach, size, and travel convenience.

Looking at genre-specific ratings emphasizes this split. Olympus leads in portraits, landscapes, macros, and video, while Panasonic picks up points for wildlife telephoto and casual travel shooting.

Final Thoughts and Recommendations

So which camera should you choose?

  • Choose the Olympus XZ-2 iHS if:

    • You want superior image quality and richer colors.
    • Manual control and customizable settings are important.
    • You shoot portraits, macros, low light, or video frequently.
    • You can accommodate a slightly larger and heavier body.
    • RAW file support and post-processing flexibility matter.
    • You desire touchscreen and tilting LCD for creative angles.
  • Choose the Panasonic Lumix DMC-ZS7 if:

    • Compactness and lightweight design are crucial.
    • You value a powerful zoom (25-300 mm) for distant subjects.
    • Discreet street or travel photography with minimal gear is your priority.
    • You prefer simple operation over manual controls.
    • You want built-in GPS for geotagging adventures.
    • You plan mostly daylight, casual snapshots without RAW workflows.

Both cameras occupy a similar price band (~$350-450) but address different shooting philosophies. Olympus is the more enthusiast-oriented compact, while Panasonic leans toward casual users needing travel-friendly versatility.

Additional Notes from My Testing Bench

  • While Olympus offers sensor-shift stabilization, it’s worth noting this technology works best within the focal length range it’s designed for. Excessive telephoto magnification on compacts usually challenges any stabilization system.

  • The lack of continuous autofocus and burst rate on both models means neither excels at action photography. If your shooting demands involve fast-moving subjects, consider a mirrorless interchangeable lens camera.

  • The absence of weather sealing on both means use in rain or dusty conditions requires care - neither is suited for rugged outdoor adventure alone.

  • The Panasonic ZS7’s CCD sensor technology, while older, historically delivered pleasing color tones in daylight. However, it struggles in dimmer light compared to CMOS sensors, impacting low-light flexibility.

In Summary

The Olympus XZ-2 iHS is a compact packed with enthusiast features: large-ish 1/1.7″ CMOS sensor, bright constant aperture lens, advanced touchscreen, RAW shooting, and solid stabilization, all wrapped in a slightly heavier but feature-rich package. It targets photographers who want a high-quality compact camera that can serve a variety of roles from portraits to nightscapes.

The Panasonic Lumix DMC-ZS7 delivers an ultra-zoom experience for travelers and everyday photographers craving maximum range and portability. It sacrifices some image quality, manual control, and video capability for a svelte, versatile zoom that covers a broad focal range.

If you can visit a store and hold both, you’ll immediately sense their divergent intents. Your decision balances priorities: ultimate image quality and manual control with the Olympus, or reach and travel-friendliness with the Panasonic.

I hope this detailed comparison, drawn from extensive testing and technical analysis, helps you make an informed choice perfectly suited to your photographic ambitions.

Happy shooting!

Olympus XZ-2 iHS vs Panasonic ZS7 Specifications

Detailed spec comparison table for Olympus XZ-2 iHS and Panasonic ZS7
 Olympus XZ-2 iHSPanasonic Lumix DMC-ZS7
General Information
Make Olympus Panasonic
Model type Olympus XZ-2 iHS Panasonic Lumix DMC-ZS7
Other name - Lumix DMC-TZ10
Category Small Sensor Compact Small Sensor Superzoom
Introduced 2012-12-18 2011-07-19
Physical type Compact Compact
Sensor Information
Processor - Venus Engine HD II
Sensor type CMOS CCD
Sensor size 1/1.7" 1/2.3"
Sensor dimensions 7.44 x 5.58mm 6.08 x 4.56mm
Sensor area 41.5mm² 27.7mm²
Sensor resolution 12 megapixels 12 megapixels
Anti alias filter
Aspect ratio 4:3 4:3, 3:2 and 16:9
Peak resolution 3968 x 2976 4000 x 3000
Highest native ISO 12800 6400
Lowest native ISO 100 80
RAW pictures
Autofocusing
Focus manually
Touch to focus
Continuous AF
Single AF
Tracking AF
Selective AF
AF center weighted
AF multi area
AF live view
Face detection AF
Contract detection AF
Phase detection AF
Total focus points 35 11
Lens
Lens mount type fixed lens fixed lens
Lens zoom range 28-112mm (4.0x) 25-300mm (12.0x)
Maximal aperture f/1.8-2.5 f/3.3-4.9
Macro focusing range 1cm 3cm
Crop factor 4.8 5.9
Screen
Screen type Tilting Fixed Type
Screen sizing 3 inches 3 inches
Screen resolution 920k dots 460k dots
Selfie friendly
Liveview
Touch capability
Viewfinder Information
Viewfinder type Electronic (optional) None
Features
Min shutter speed 60 secs 60 secs
Max shutter speed 1/2000 secs 1/2000 secs
Continuous shutter rate - 2.0 frames per sec
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes Yes
Custom WB
Image stabilization
Built-in flash
Flash distance 8.60 m (ISO 800) 5.30 m
Flash modes Auto, On, Off, Red-Eye, Fill-in, Wireless Auto, On, Off, Red-eye, Slow Syncro
External flash
AEB
White balance bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps)
Highest video resolution 1920x1080 1280x720
Video file format MPEG-4, H.264 AVCHD Lite
Mic port
Headphone port
Connectivity
Wireless Eye-Fi Connected None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None BuiltIn
Physical
Environment sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 346 gr (0.76 lbs) 218 gr (0.48 lbs)
Dimensions 113 x 65 x 48mm (4.4" x 2.6" x 1.9") 103 x 60 x 33mm (4.1" x 2.4" x 1.3")
DXO scores
DXO Overall rating 49 not tested
DXO Color Depth rating 20.4 not tested
DXO Dynamic range rating 11.3 not tested
DXO Low light rating 216 not tested
Other
Battery life 340 photographs -
Battery type Battery Pack -
Battery ID Li-90B -
Self timer Yes (2 or 12 sec) Yes (2 or 10 sec)
Time lapse feature
Type of storage SD/SDHC/SDXC SD/SDHC/SDXC, Internal
Card slots 1 1
Cost at release $450 $350