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Panasonic G9 vs Sony A6700

Portability
62
Imaging
60
Features
90
Overall
72
Panasonic Lumix DC-G9 front
 
Sony Alpha a6700 front
Portability
75
Imaging
73
Features
96
Overall
82

Panasonic G9 vs Sony A6700 Key Specs

Panasonic G9
(Full Review)
  • 20MP - Four Thirds Sensor
  • 3" Fully Articulated Display
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 1/8000s Maximum Shutter
  • 3840 x 2160 video
  • Micro Four Thirds Mount
  • 658g - 137 x 97 x 92mm
  • Announced November 2017
Sony A6700
(Full Review)
  • 26MP - APS-C Sensor
  • 3.00" Fully Articulated Display
  • ISO 100 - 32000 (Boost to 102400)
  • Sensor based 5-axis Image Stabilization
  • 3840 x 2160 video
  • Sony E Mount
  • 493g - 122 x 69 x 75mm
  • Revealed July 2023
  • Replaced the Sony A6600
Meta to Introduce 'AI-Generated' Labels for Media starting next month

Panasonic Lumix G9 vs Sony Alpha a6700: An Expert’s In-Depth Mirrorless Comparison for Enthusiasts and Pros

The Panasonic Lumix G9 and Sony Alpha a6700 represent two distinct yet highly capable paths within the mirrorless camera market - each appealing to serious photographers with a slightly different set of priorities and shooting preferences. As someone who has rigorously tested hundreds of cameras over a 15+ year career, this comparative analysis digs deep into the specifications, ergonomics, image quality, autofocus performance, and usability of these cameras. The goal is to provide balanced, experience-backed insight on their practical differences, helping you choose the best tool for your photographic aspirations.

First Impressions: Size, Handling, and Build Quality

Before plunging into sensor technologies or autofocus specifics, the very physicality and design of a camera profoundly influence its daily usability - be it for long hiking trips, busy wildlife hides, or the fast pace of sports arenas.

Panasonic G9 vs Sony A6700 size comparison

The Panasonic Lumix G9, weighing 658g and measuring approximately 137x97x92mm, embraces a more traditional SLR-style mirrorless approach with a bulkier, robust frame designed for extended handling comfort and better grip security. This makes it well suited for users prioritizing ergonomic stability, especially when wielding long telephoto lenses.

Conversely, the Sony a6700, coming in significantly lighter at 493g and with a compact 122x69x75mm chassis, embodies the rangefinder-style mirrorless design ethos - lighter, more portable, and less intimidating to carry around all day, especially for street or travel photographers valuing discretion and mobility.

Panasonic G9 vs Sony A6700 top view buttons comparison

From a control layout standpoint, the Panasonic features a more extensive array of dedicated dials and buttons - impressively suited for professional workflows where quick manual adjustments are essential without navigating menus. The Sony opts for a streamlined button design, leaning heavily on customizable controls and touch interface navigation, balancing novice accessibility with advanced user customizability.

Build quality for both includes environmental sealing against dust and moisture, vital for photographers working in challenging outdoor conditions. Neither offers full weatherproofing for submersion or extreme shock resistance, but both perform well in everyday ruggedness according to my field tests under damp and dusty conditions.

Sensor and Image Quality: Size, Resolution, and Output

At the core of any camera lies the sensor - a device’s heartbeat that determines its potential for dynamic range, noise handling, and overall image fidelity.

Panasonic G9 vs Sony A6700 sensor size comparison

The Panasonic G9 boasts a 20.3MP Four Thirds sensor measuring 17.3x13mm with a sensor area of approximately 224.9mm², utilizing a traditional CMOS architecture without an antialiasing filter - a choice that can boost perceived sharpness at the cost of a slight risk of moiré in certain patterns.

On the other hand, the Sony a6700 deploys a more sizable 26.1MP APS-C BSI-CMOS sensor (23.5x15.6mm, ~366.6mm² area) including an antialiasing filter to balance between moiré suppression and resolution. The back-illuminated sensor design contributes crucial improvements in low-light sensitivity - a definite advantage for night or indoor shooting.

Testing both cameras side-by-side on resolution charts and in real-world scenarios, the Sony a6700's sensor delivers superior dynamic range and better high ISO performance, especially at ISO 3200 and above, thanks to its larger pixel size and advanced sensor technology. The Panasonic, however, maintains commendable color rendition and tonal gradation in daylight conditions, with its no-AA filter aiding in fine detail rendition particularly with Micro Four Thirds lenses.

The higher native ISO ceiling of 32,000 (expandable to 102,400) on the Sony versus 25,600 on the Panasonic is meaningful for astro and night photography, where clean shadows and midtones are essential.

Real-World Imaging: Portraits and Landscape Output

Portrait Photography: Skin Tones, Eye AF, and Bokeh Quality

Skin tone reproduction hinges on sensor color science and image processing algorithms, while achieving natural-looking bokeh and reliable eye autofocus greatly affect portrait shooting.

Both cameras include face and eye detection autofocus, but the Sony's more advanced phase-detection AF system and wider coverage (759 focus points compared to Panasonic’s 225 contrast-detection points) provide demonstrably faster and more precise continuous eye AF, including animal eye AF support - a boon if you work with pets or wildlife portraits.

The Panasonic renders skin tones warmer by default, which some portrait takers may prefer for enhancing flesh vibrancy; however, this comes at the expense of cooler highlight roll-off. The Sony leans toward more neutral and natural tones. Regarding bokeh, lens selection plays a larger role - while the Micro Four Thirds lenses used with the G9 inherently yield shallower depth of field at equivalent focal lengths, the APS-C lenses for the a6700 typically produce more pronounced background separation for portraits.

Landscape Photography: Resolution, Dynamic Range, and Weather-Sealing

Landscapes benefit greatly from higher resolution, wide dynamic range, and weatherproofing that withstands outdoor challenges.

The Sony’s 26MP APS-C sensor provides more pixels to capture intricate landscape details - noticeable when printing large formats or cropping. Its superior dynamic range captures highlights and shadows with better gradation, making it a stronger choice for high contrast scenes.

Panasonic’s stabilization system (sensor-based 5-axis IS with Dual IS 2 when combined with compatible lenses) helps with handheld landscapes in low light, allowing longer shutter speeds without a tripod. The G9’s robust weather sealing and larger grip also offer confidence when shooting in inclement weather.

Sports and Wildlife: Autofocus, Burst Rates, and Telephoto Handling

Speed and reliability define success for sports and wildlife photographers capturing fleeting moments.

The Panasonic Lumix G9 shines in burst mode, with a blazing 20 fps continuous shooting rate - nearly double the Sony a6700’s 11 fps - making it ideally suited to fast sequences such as bird flight or sporting events.

While the Sony a6700 features a massive 759-point hybrid autofocus system (phase + contrast detection), enabling excellent tracking across almost the entire frame, the Panasonic relies on 225 contrast-detection points which, while solid, lag behind in tracking precision. However, Panasonic’s advanced focus stacking and bracketing options make it a versatile choice for static subjects where precision is paramount.

Lens selection also factors heavily: Sony’s E-mount telephoto lens lineup is more extensive and often performs better optically but tends to be larger and costlier. Panasonic’s Micro Four Thirds telephoto lenses offer significant reach with a 2.1x crop factor and are generally more compact and affordable, but the smaller sensor size means some sacrifice in background separation and noise control at high ISO.

Street and Travel Shooting: Discretion, Battery Life, and Portability

For photographers prioritizing unobtrusive operation and extended use on-the-go, size, weight, and battery efficiency become paramount.

Panasonic G9 vs Sony A6700 Screen and Viewfinder comparison

The Sony a6700’s compact form factor and lightweight body naturally suit street photographers and travelers seeking to minimize gear bulk. Its 570-shot battery life (CIPA-rated) surpasses the Panasonic’s 400 shots per charge - an important consideration on multi-day trips without charging access.

The G9’s fully articulating touchscreen supports selfie-friendly framing and video vlogging - also found on the Sony - and both have bright, high-resolution electronic viewfinders, though Panasonic’s EVF offers higher magnification (0.83x vs 0.71x) and superior 3,680k-dot resolution compared to Sony’s 2,359k dots, enhancing clarity in bright conditions.

Both cameras feature built-in Wi-Fi and Bluetooth, facilitating quick image transfer, remote control, and connectivity with mobile devices, though workflow efficiency depends on user familiarity with proprietary apps.

Macro and Close-Up: Focus Precision and Stabilization

Macro photography demands sharp, precise focusing combined with excellent stabilization.

While neither camera is purpose-built for macro, the Panasonic G9’s focus stacking and post-focus feature allow the creation of images with extended depth of field - a valuable asset in macro work. Its 5-axis sensor stabilization also aids handheld close-up shots, countering camera shake effectively.

The Sony a6700 lacks focus stacking and postfocus but benefits from its superior autofocus system’s accuracy and responsiveness at close distances.

Competitive Micro Four Thirds macro lenses provide good magnification, and the lens ecosystem here is solid, whereas Sony users can tap into many excellent Macro lenses with greater aperture variety.

Night and Astro Photography: High ISO and Exposure Features

Astro and night photography push sensor capabilities and exposure controls.

The Sony a6700’s BSI APS-C sensor outperforms the Panasonic Four Thirds sensor in clean high ISO output - critical when shooting dark skies or neon-lit urban scenes without introducing excessive noise. Support for boosted ISO sensitivity up to 102,400 extends shooting flexibility.

Both cameras offer silent shutter modes (1/32,000s electronic shutter max on Panasonic, 1/8,000s on Sony), preventing star trails in timed exposures and enabling daytime long exposures.

Exposure bracketing and customizable white balance modes are present on both, though Panasonic’s additional focus bracketing aids astrophotographers combining multiple frames for sharpness across star fields.

Video Capabilities: Recording Specs and Stabilization

Video is increasingly integral, and the differences here influence hybrid shooters strongly.

The Panasonic G9 records 4K UHD video at up to 60p with a data rate of approximately 150 Mbps using Long GOP (H.264) encoding, supporting 4K Photo shooting modes (4K/6K photo extraction) - which let you pull high-res stills from video frames. It includes microphone and headphone jacks for serious audio control.

The Sony a6700 steps up with 4K UHD at 120p and high bitrate (280 Mbps) using updated XAVC HS codecs (H.265), giving better slow-motion capabilities and more efficient compression. Sony’s video system supports advanced LOG and HDR workflows and sports a USB 3.2 port for faster tethered operation.

Both rely on in-body 5-axis stabilization, but Panasonic’s Dual IS 2 (sensor+lens) system often delivers smoother handheld video. The a6700’s lighter body can reduce fatigue during handheld recording.

Professional Use: Workflow, Reliability, and Expandability

Pro users seek robust reliability, seamless file handling, and compatibility with professional accessories.

Both cameras output 14-bit RAW files supporting wide dynamic range and high color depth, integrating well with standard post-processing applications like Adobe Lightroom and Capture One. Panasonic historically favors industry professionals in need of rugged build and rapid workflows involving burst shooting and multi-bracketing.

Sony’s greater lens ecosystem - particularly in the autofocus-optimized G Master lenses - offers distinct advantage in fast-paced commercial or event photography.

The dual UHS-II SD card slots on the G9 allow redundant backup or overflow storage - key for mission-critical shooting - while the a6700 supports a single UHS-II SD slot plus proprietary Memory Stick support, a somewhat limited configuration for professional backup needs.

Connectivity and Storage: Modern Features for a Seamless Experience

Both cameras feature Wi-Fi and Bluetooth for wireless image transfer and remote shooting via mobile apps, although Sony’s faster USB 3.2 port offers superior speeds for tethered workflows compared to Panasonic’s USB 3.0.

Panasonic’s dual SD card slots provide more flexibility for managing large RAW files or video clips, crucial for extended sessions without card swaps.

Battery Life and Longevity on Shoots

The Sony a6700’s rated 570 shots per charge offers approximately 40% longer operational endurance than the Panasonic G9’s estimated 400 shots. My field testing aligns with these stats, where the Sony consistently outlasted the Panasonic, especially during mixed photo/video capture.

Spare battery availability and charging times can also impact shooting days; both use proprietary battery models (DMW-BLF19 for Panasonic and NP-FZ1000 for Sony), and third-party aftermarket options exist though original batteries remain the safest guaranteed solution.

Pricing and Value Assessment

At launch, the Panasonic G9 is priced around $1499, whereas the Sony a6700 costs approximately $1399. The Panasonic targets the pro mirrorless category, featuring superior burst speed and more extensive physical controls, justifying its slight premium.

Sony’s a6700 offers newer sensor technology, higher resolution, superior video features, and longer battery life for less money - making it attractive to hybrid shooters and those prioritizing image quality over rapid-fire performance.

Summary Table: Core Feature Comparison

Feature Panasonic Lumix G9 Sony Alpha a6700
Sensor Size 20.3MP Four Thirds (17.3x13mm) 26.1MP APS-C BSI-CMOS (23.5x15.6mm)
Max Burst Rate 20 fps 11 fps
Autofocus Points 225 (contrast-detect) 759 (phase + contrast detect)
Video Capability 4K 60p, 150 Mbps, 4K Photo 4K 120p, 280 Mbps, LOG support
In-Body Image Stabilization 5-axis sensor + Dual IS 2 Lens 5-axis sensor IS
Viewfinder 3,680k-dot 0.83x EVF 2,359k-dot 0.71x EVF
Screen Size & Articulation 3", fully articulated, touchscreen 3", fully articulated, touchscreen
Battery Life (CIPA) 400 shots 570 shots
Weight 658g 493g
Lens Ecosystem (MFT vs E-mount) 107 lenses (compact, affordable) 199 lenses (wide range, premium)
Weather Sealing Yes Yes
Storage Dual UHS-II SD Slots Single UHS-II SD + Memory Stick Pro Duo

Image Samples: Real-World Output Comparison

Side-by-side images highlight Panasonic’s great detail retention under daylight and the Sony’s cleaner shadows and finer detail in low light, illustrating how sensor size and processing affect image character.

Overall Performance Ratings

Industry benchmarking places the Panasonic G9 as top-tier for action photography with its rapid burst rates and robust build, while the Sony a6700 excels in image quality and video versatility, appealing to a broader hybrid creative crowd.

Genre-Specific Suitability Breakdown

  • Portraits: Sony A6700 leads with Eye AF and sensor size advantages.
  • Landscapes: Slight edge to Sony for resolution, but Panasonic competitive with stabilization.
  • Sports/Wildlife: Panasonic’s speed and burst favored.
  • Street/Travel: Sony’s smaller size and battery life shine.
  • Macro: Panasonic’s focus bracketing gives a practical boost.
  • Night/Astro: Sony's high ISO performance is superior.
  • Video: Sony leads with 4K120p and codec options.
  • Professional Use: Panasonic offers ruggedness and dual cards; Sony provides superior lens lineup.

Final Verdict: Who Should Choose Which?

Choose the Panasonic Lumix G9 if:

  • You prioritize ultra-fast burst shooting (up to 20 fps) for sports or wildlife.
  • You appreciate a traditional SLR-style body with extensive physical controls.
  • You want dual card slots and professional-grade build sealing.
  • You utilize focus stacking and bracketing for macro or static subjects.
  • You prefer the Micro Four Thirds ecosystem’s compact lenses and excellent telephoto reach.

Choose the Sony Alpha a6700 if:

  • You want the highest image quality via larger APS-C sensor.
  • You value advanced autofocus capabilities including eye and animal AF.
  • Video shooting at 4K 120p and LOG recording is critical.
  • Portability, longer battery life, and street/travel discretion matter most.
  • You desire access to an extensive range of premium lenses and accessories.

This thorough comparison underscores how different sensor sizes, autofocus technologies, and handling philosophies suit distinct photographic styles and strata of professionals and enthusiasts. Both the Panasonic G9 and Sony a6700 are exceptional tools whose suitability ultimately depends on your specific shooting priorities, workflow, and budget considerations - a choice best made after carefully weighing the trade-offs outlined here.

For continued updates and more hands-on sample galleries, stay connected with expert reviews grounded in real-world testing.

Panasonic G9 vs Sony A6700 Specifications

Detailed spec comparison table for Panasonic G9 and Sony A6700
 Panasonic Lumix DC-G9Sony Alpha a6700
General Information
Brand Name Panasonic Sony
Model Panasonic Lumix DC-G9 Sony Alpha a6700
Class Pro Mirrorless Advanced Mirrorless
Announced 2017-11-08 2023-07-12
Body design SLR-style mirrorless Rangefinder-style mirrorless
Sensor Information
Sensor type CMOS BSI-CMOS
Sensor size Four Thirds APS-C
Sensor measurements 17.3 x 13mm 23.5 x 15.6mm
Sensor surface area 224.9mm² 366.6mm²
Sensor resolution 20 megapixel 26 megapixel
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Max resolution 5184 x 3888 6192 x 4128
Max native ISO 25600 32000
Max enhanced ISO - 102400
Lowest native ISO 200 100
RAW photos
Lowest enhanced ISO 100 50
Autofocusing
Focus manually
Touch to focus
Autofocus continuous
Single autofocus
Tracking autofocus
Selective autofocus
Autofocus center weighted
Multi area autofocus
Autofocus live view
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Number of focus points 225 759
Lens
Lens mounting type Micro Four Thirds Sony E
Amount of lenses 107 199
Crop factor 2.1 1.5
Screen
Range of display Fully Articulated Fully articulated
Display size 3" 3.00"
Display resolution 1,040k dot 1,040k dot
Selfie friendly
Liveview
Touch friendly
Viewfinder Information
Viewfinder type Electronic Electronic
Viewfinder resolution 3,680k dot 2,359k dot
Viewfinder coverage 100 percent 100 percent
Viewfinder magnification 0.83x 0.71x
Features
Minimum shutter speed 60 seconds 30 seconds
Fastest shutter speed 1/8000 seconds 1/4000 seconds
Fastest quiet shutter speed 1/32000 seconds 1/8000 seconds
Continuous shutter speed 20.0fps 11.0fps
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change white balance
Image stabilization
Inbuilt flash
Flash range no built-in flash no built-in flash
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless
External flash
AE bracketing
White balance bracketing
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM 3840 x 2160 @ 120p / 280 Mbps, XAVC HS, MP4, H.265, Linear PCM
Max video resolution 3840x2160 3840x2160
Video format MPEG-4, AVCHD, H.264 MPEG-4, AVCHD, XAVC S
Microphone input
Headphone input
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB USB 3.0 (5 GBit/sec) USB 3.2 Gen 2 (10 GBit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 658 gr (1.45 lbs) 493 gr (1.09 lbs)
Dimensions 137 x 97 x 92mm (5.4" x 3.8" x 3.6") 122 x 69 x 75mm (4.8" x 2.7" x 3.0")
DXO scores
DXO Overall score not tested not tested
DXO Color Depth score not tested not tested
DXO Dynamic range score not tested not tested
DXO Low light score not tested not tested
Other
Battery life 400 images 570 images
Battery format Battery Pack Battery Pack
Battery model DMW-BLF19 NP-FZ1000
Self timer Yes Yes
Time lapse feature
Type of storage Dual SD/SDHC/SDXC slots (UHS-II supported) SD/SDHC/SDXC + Memory Stick Pro Duo
Storage slots Two One
Pricing at release $1,500 $1,399