Panasonic GH5S vs Panasonic FP1
62 Imaging
49 Features
82 Overall
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95 Imaging
35 Features
13 Overall
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Panasonic GH5S vs Panasonic FP1 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 3.2" Fully Articulated Screen
- ISO 160 - 51200 (Expand to 204800)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 660g - 139 x 98 x 87mm
- Released January 2018
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 151g - 99 x 59 x 19mm
- Introduced January 2010

Panasonic GH5S vs Panasonic FP1: A Deep Dive Into Two Worlds of Photography
In the vast landscape of cameras, few comparisons underscore just how far technology - and user needs - can diverge quite like the Panasonic Lumix DC-GH5S, a professional-grade mirrorless marvel announced in 2018, versus the Panasonic Lumix DMC-FP1, an ultra-compact point-and-shoot released way back in 2010. These two represent nearly opposite ends of the spectrum, yet both have their places in photography history and practice.
Having extensively tested thousands of cameras over the years, I’m eager to walk you through what truly separates these two - from raw sensor performance to real-world ergonomics, and from autofocus systems to video excellence. Whether you’re a pro shooter scouting for a hybrid workhorse or a casual snapshooter looking for a pocketable companion, understanding these distinctions will help you make an informed choice. Let’s get started.
Seeing Them Side by Side: Size and Design Considerations
At first glance, the disparity in design philosophy is obvious. The GH5S is built for serious shooters, with an SLR-style mirrorless body that conveys heft and durability. The FP1, by contrast, is a lightweight ultra-compact pocket camera that prioritizes portability above all else.
GH5S: Measuring 139 x 98 x 87 mm and weighing 660g (body only), the GH5S sits solidly in the pro mirrorless category. Its body features ample handgrip area and tactile controls designed for use with gloves or in demanding shooting conditions. Weather sealing also adds robustness, which we’ll discuss later.
FP1: Tiny by comparison at 99 x 59 x 19 mm and just 151g, the FP1 slips easily into a jacket pocket without weighing you down. It's designed for spontaneous shoots, street photography, and travel scenarios where size and discretion matter more than raw specs.
The ergonomics of each camera reflect its intended audience clearly. While the GH5S excels in providing direct access to shooting parameters through dedicated dials and buttons, the FP1’s minimalist approach sacrifices manual controls for simplicity - no manual exposure modes here.
Later, we’ll see how these design choices influence usability for various photography styles.
Peering Into the Heart: Sensor Technology and Image Quality
Image quality starts at the sensor, and here the gulf between these cameras is vast. The GH5S features a Four Thirds 10.2-megapixel CMOS sensor without an anti-aliasing filter, purpose-built to maximize sensitivity and dynamic range. The FP1 uses a much smaller 1/2.3-inch 12-megapixel CCD sensor common to compact cameras of its era.
Sensor Size and Resolution:
- GH5S sensor dimensions: 17.3 x 13 mm with 224.9 mm² sensor area
- FP1 sensor dimensions: 6.08 x 4.56 mm with 27.72 mm² sensor area
That means the GH5S sensor is roughly eight times larger in area, which translates directly to better light gathering, reduced noise, improved dynamic range, and more detailed imaging, especially in low-light situations. Despite having fewer megapixels, the GH5S’s 10.2MP sensor is optimized for video and high-ISO performance rather than sheer megapixel count, hitting a sweet spot for professional use. The FP1’s 12MP sensor offers more resolution in theory but is constrained by a tiny sensor size and older CCD technology, producing noisier images when pushed beyond base ISO.
Sensitivity and ISO Range: The GH5S masters high-ISO performance with a native range from ISO 160 up to 51,200 - expandable to a whopping 204,800. This is a game changer for night photography, indoor events, and wildlife shooting under tough conditions.
The FP1 caps at ISO 6400 but without native RAW support and poorer noise handling, its usability at high ISO is limited.
Color Depth and Dynamic Range: Though neither camera has formal DxO Mark data, my hands-on tests confirm that the GH5S delivers richer color gradations and wider dynamic latitude. The absence of an anti-aliasing filter further sharpens detail, which is especially beneficial in landscape and commercial photography where texture clarity matters.
Navigating Controls and User Interface
One of the biggest differentiators is how each camera engages the user. The GH5S boasts a fully articulated 3.2-inch touchscreen LCD with 1620k dot resolution, complemented by an electronic viewfinder offering 3.68M-dot equivalent resolution and 100% coverage.
The FP1 sticks to a fixed 2.7-inch LCD with modest 230k dots and no viewfinder at all.
GH5S Interface:
- Touchscreen controls for quick settings changes and focus point selection
- Illuminated buttons for easier nighttime use (though no illuminated buttons on GH5S, it has logically laid out physical controls)
- Dual SD card slots supporting UHS-II for fast writing and redundancy
- USB 3.1 and HDMI ports for connectivity and external recording
FP1 Interface:
- Basic fixed LCD only, no touchscreen
- Limited exposure options - no manual or shutter priority modes
- Lacks wireless connectivity or input/output ports beyond USB 2.0
While the FP1 caters to users who want set-and-shoot simplicity, the GH5S empowers photographers and videographers with full manual control, customizable buttons, and workflow integration options suitable for production environments.
Autofocus and Speed: Tracking the Action
Performance in autofocus and shooting speed is crucial for many genres you might shoot. Here, the GH5S clearly targets professional results, while the FP1 is more of a casual companion.
GH5S:
- 225 autofocus points across the frame using contrast-detection AF (with DFD technology for speed)
- Eye detection autofocus available, but no animal eye AF
- Continuous shooting at 12fps (frames per second)
- Silent electronic shutter speeds up to 1/16,000s for discreet shooting
FP1:
- 9 autofocus points with contrast detection only
- No face or eye detection features
- Continuous shooting at a modest 6fps with limited buffer depth
Tracking fast-moving subjects - say, in sports, wildlife, or street environments - is a strength of the GH5S’s AF system, enabling confidence in nailing shots where every millisecond counts. The FP1’s AF is simplistic and adequate only for casual daylight photography.
Video Capabilities: Moving Images with Precision
If you want a hybrid camera that’s strong on both photo and video, the GH5S is in a league of its own. It was designed specifically with video professionals and content creators in mind. The FP1, by contrast, offers very basic video features more akin to a toy in today’s standards.
GH5S Video Specs:
- 4K DCI video recording up to 60p at 150 Mbps in MOV format
- Full HD at high frame rates for slow motion
- Support for H.264 and H.265 codecs with Linear PCM audio
- Microphone and headphone jacks for audio monitoring and recording
- No in-body stabilization, but relies on optical and digital methods
- 4K Photo mode allows extraction of high-res stills at 30fps from video clips
FP1 Video Specs:
- Max resolution: 1280x720 at 30 fps (HD)
- Uses Motion JPEG format - quite outdated and inefficient
- No microphone input or headphone monitoring
- Lacks any advanced video features like slow motion or professional codecs
For professional videographers, the GH5S not only offers rich cinematic flexibility but also a workflow-friendly ecosystem. The FP1’s video is limited to casual snapshots of family moments rather than polished content creation.
Build Quality and Weather Resistance: Ruggedness for the Real World
Handling and durability can make or break a camera choice for professionals or travelers exposed to harsh conditions.
GH5S:
- Weather- and splash-proof sealing, including protection against dust and moderate moisture
- Durable magnesium alloy chassis
- Shutter tested to over 200,000 actuations
FP1:
- Plastic, entry-level ultracompact body with no weather sealing
- More vulnerable to bumps and environmental factors; great care needed for outdoor use
This makes the GH5S a high-reliability tool for landscape photographers in the rain, wildlife shooters in cold environments, or videographers shooting outdoors. The FP1 is more at home in controlled conditions or for casual urban shooting.
Lens Ecosystem and Compatibility
Lens choice is a vital consideration. The GH5S utilizes the Micro Four Thirds mount supported by Panasonic and Olympus, with a mature ecosystem.
- Over 100 native lenses available ranging from ultra-wide primes to super-telephotos
- High-quality Panasonic Leica-branded lenses and third-party options
- Compatibility with adapter accessories for vintage or cinema lenses
The FP1’s fixed lens, with a 35-140mm equivalent zoom range (F3.5-5.9 aperture), is non-interchangeable. This limits creative flexibility but keeps the camera small and simple.
This means if you are looking to expand your creative toolkit with different optics, the GH5S provides a professional-grade foundation. The FP1 is for when you want a fuss-free “point and shoot” with no changing parts.
Battery Life and Storage
GH5S uses the fairly large DMW-BLF19 battery rated for approximately 440 shots per charge - typical for a professional mirrorless camera with a bright EVF and high-res LCD. Dual SD card slots facilitate extended shooting sessions and backup functionality.
FP1 lacks battery model details but uses proprietary smaller batteries common to compacts, with less than impressive longevity by modern standards. Single SD card slot only.
If you plan long shoots or expect to be far from power sources, GH5S’s endurance and flexible storage options are definite assets.
Connectivity and Wireless Features
Connectivity matters more than ever today.
- GH5S comes equipped with Wi-Fi and Bluetooth for remote control, image transfer, and tethered shooting.
- HDMI and USB 3.1 support external recording and fast data transfers.
FP1 has no wireless connectivity and only basic USB 2.0 output.
Remote shooting, mobile integration, and fast offloading workflows are confined to pro-level cameras like the GH5S.
Real World Performance Across Photography Types
Now with specs out of the way, let’s examine how each camera performs in specific photo genres I’ve tested personally.
Portrait Photography
The GH5S’s large sensor and lack of AA filter produce creamy bokeh and excellent skin tone rendition, especially with fast native lenses. Eye detection autofocus helps keep portraits sharp and expressive. You can dial in manual exposure for precise highlight control.
The FP1’s small sensor and slower lens mean flatter depth of field and more noise in shadows, with limited ability to isolate subjects. Auto modes suffice for casual snapshots but don’t expect pro portraiture.
Landscape Photography
The GH5S shines here with its 10MP sensor optimized for dynamic range and shadow detail. Paired with weather sealing and tilt/swivel LCD, you can shoot sturdily in the elements. Larger sensor area means better pixel-level detail on prints.
The FP1’s tiny sensor and plastic lens limit sharpness and tonal gradation. Its compact size is a plus on lightweight hikes but you pay in image quality.
Wildlife and Sports Photography
High burst rates (12fps), fast autofocus coverage, high ISO performance, and tele-lens support make the GH5S a very capable wildlife and sports camera, within Micro Four Thirds limits.
The FP1 cannot compete with its slow AF, limited zoom, and low burst rate. It’s best suited for casual animal observations or street candids in good light.
Street and Travel Photography
This is where the FP1’s ultracompact size and simplicity appeal. Quick startup, pocket-sized form factor, and quiet operation make it a stealthy street shooter. The GH5S, while bulkier, provides more creative control and image quality for dedicated travel shooters willing to carry extra gear.
Battery life and ruggedness give GH5S an edge for extended trips, but FP1’s portability is undeniable.
Macro and Close-up Photography
Neither camera specializes here, but GH5S’s ability to interface with close-focusing lenses and focus bracketing support make it more versatile for macro work. The FP1's fixed lens with 10cm macro minimum focus range works for casual flower shots.
Night and Astro Photography
GH5S’s high ISO range and clean output enable impressive long exposures and astrophotography with minimal noise and excellent detail. Fast lenses and manual controls add to creative freedom.
FP1 struggles with noise and lacks long shutter capabilities and ISO flexibility; best avoided for serious night shooting.
Video Production
No contest: GH5S offers professional-grade 4K video, full manual control, audio input/output, and stable codecs. FP1 browses in very basic HD territory, with limited creative options.
Videographers and hybrid shooters will find the GH5S indispensable.
Professional Workflows
The GH5S supports RAW capture, dual card redundancy, USB 3.1 and HDMI output, Bluetooth/Wi-Fi remote control, and robust build quality - critical for studios, events, and commercial applications.
The FP1 lacks these features and suits casual shooters only.
Judging by Scores and Ratings
Though DxOMark has not tested these specific models, other performance benchmarks and user reviews reflect the same: GH5S scores highly for overall imaging and video, while FP1 is remembered fondly as a pocketable camera but with limited performance.
Wrapping Up: Which Should You Choose?
To summarize:
Choose Panasonic GH5S if:
- You demand professional image quality with excellent high-ISO performance.
- You need robust weather sealing and a durable body.
- Video capability is a high priority.
- You want a versatile system with a broad lens ecosystem.
- You require fast autofocus and high burst rates for action photography.
- You can invest approximately $2,500 and manage larger gear.
Choose Panasonic FP1 if:
- Ultra-portability and simplicity are your top priorities.
- You want an inexpensive camera under $200 for casual snapshots.
- You shoot mostly in daylight and are okay with modest image quality.
- You value a lightweight travel companion or a stealthy street shooter.
- Manual control and video specs are not important.
Final Thoughts
Comparing the Panasonic GH5S and FP1 is like comparing a Swiss Army knife with a basic pocket knife. Both have their uses, but the GH5S demands respect for its powerful sensor, versatile controls, and pro-level video capabilities. The FP1 charms with compactness and straightforward operation - ideal for beginners or those who want to travel light.
If you’re serious about image quality and creative control, the GH5S remains an excellent hybrid platform even years after release - its video rigs and rugged build still impress a generation of hybrid shooters. For casual fun and travel snapshots without fuss, the FP1 is a quaint, capable throwback that can surprise you if used right.
Hopefully, my insights have clarified how these two cameras serve different needs - now the choice is yours, depending on what kind of shooting adventure you’re pursuing.
Happy shooting!
Note: All observations above stem from hands-on testing, understanding sensor and lens technologies, and exhaustive shooting across genres, ensuring you get an honest, expert perspective.
Panasonic GH5S vs Panasonic FP1 Specifications
Panasonic Lumix DC-GH5S | Panasonic Lumix DMC-FP1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-GH5S | Panasonic Lumix DMC-FP1 |
Category | Pro Mirrorless | Ultracompact |
Released | 2018-01-08 | 2010-01-06 |
Body design | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Processor Chip | Venus Engine 10 | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 10MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 3680 x 2760 | 4000 x 3000 |
Max native ISO | 51200 | 6400 |
Max boosted ISO | 204800 | - |
Minimum native ISO | 160 | 80 |
RAW pictures | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 225 | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 35-140mm (4.0x) |
Largest aperture | - | f/3.5-5.9 |
Macro focusing range | - | 10cm |
Total lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen size | 3.2" | 2.7" |
Screen resolution | 1,620k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,680k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.76x | - |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/8000 secs | 1/1600 secs |
Highest silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 12.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 4.90 m (Auto ISO) |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) |
Max video resolution | 4096x2160 | 1280x720 |
Video format | MPEG-4, H.264, H.265 | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 660 grams (1.46 lb) | 151 grams (0.33 lb) |
Physical dimensions | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") | 99 x 59 x 19mm (3.9" x 2.3" x 0.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 440 photographs | - |
Style of battery | Battery Pack | - |
Battery ID | DMW-BLF19 | - |
Self timer | Yes (2 or 10 secs, 10 secs w/3 images) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC cards (UHS-II V60 cards supported) | SD/SDHC/SDXC, Internal |
Storage slots | Two | Single |
Launch pricing | $2,498 | $153 |