Panasonic GH5S vs Panasonic GF3
62 Imaging
49 Features
82 Overall
62


90 Imaging
47 Features
48 Overall
47
Panasonic GH5S vs Panasonic GF3 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 3.2" Fully Articulated Display
- ISO 160 - 51200 (Bump to 204800)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 660g - 139 x 98 x 87mm
- Launched January 2018
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 264g - 108 x 67 x 32mm
- Released August 2011
- Earlier Model is Panasonic GF2
- Later Model is Panasonic GF5

Panasonic GH5S vs Panasonic GF3: A Technical and Practical Comparative Analysis for Discerning Photographers
In this detailed comparison, we examine two Panasonic mirrorless cameras from vastly different eras and market segments: the professional-grade Panasonic Lumix DC-GH5S, announced in early 2018, and the entry-level Panasonic Lumix DMC-GF3, first released in 2011. Although both share the Micro Four Thirds lens mount, their design intent, target users, and technical specifications widely diverge. This analysis will help enthusiasts and professionals understand their operational core differences, photographic capabilities, and practical usability, so as to make a fully informed camera choice.
A Tale of Two Generations: Build and Ergonomics
When assessing system cameras for purchase, physical size, handling, and control layout remain integral factors influencing real-world shooting experience.
The GH5S features a solid SLR-style mirrorless chassis weighing approximately 660g with dimensions of roughly 139x98x87mm. It exudes a robust, weather-sealed build designed for professional operation in challenging outdoor environments. The larger form factor includes a deep grip and strategically placed external dials and buttons promoting tactile responsiveness under dynamic shooting conditions.
In stark contrast, the GF3 embodies minimalist, rangefinder-style compactness, weighing only 264g and measuring a slim 108x67x32mm. This camera’s focus on portability and casual use trades extensive physical controls for a more stripped-down, touch-centric interface.
From the top view, the GH5S presents an abundant array of physical control wheels and dedicated function buttons - allowing intuitive access to ISO, shutter speed, exposure compensation, and drive modes without dipping into menus. Conversely, the GF3’s top plate reflects its entry-level ambition with just a shutter button, exposure compensation dial, and a mode dial, relying heavily on its touchscreen interface for other adjustments.
Ergonomic takeaway: Photographers prioritizing ruggedness and direct manual control will prefer the GH5S, especially in demanding environments. The GF3 suits users favoring discretion and ease of carry, with fewer direct physical controls.
Sensor and Image Quality: Evolution of Performance
The heart of image quality lies in sensor technology. Both cameras employ 17.3 x 13 mm Four Thirds CMOS sensors but differ significantly in resolution and processing.
- GH5S Sensor:
- 10 megapixels (3680 x 2760)
- No anti-aliasing filter to maximize sharpness
- Max native ISO: 51200 (boostable to ISO 204800)
- Venus Engine 10 processor tailored for video and low light
- GF3 Sensor:
- 12 megapixels (4000 x 3000)
- Equipped with anti-aliasing filter reducing moiré risk
- Max native ISO: 6400
- Venus Engine FHD processor aimed at general photography
At first glance, the GF3’s higher megapixel count might suggest superior detail resolution, but in practical evaluation, the GH5S’s larger photosites due to lower resolution yield markedly better low-light performance and dynamic range. Empirical testing confirms substantial noise reduction benefits at elevated ISO values on the GH5S, making it more adept for demanding lighting situations including night or indoor photography.
The lack of an anti-aliasing filter on the GH5S presents sharper images in good light but requires careful exposure to avoid moiré in fine patterns. Meanwhile, the GF3’s AA filter means smoother, if softer, images.
Image quality assessment: For photographers prioritizing noise performance, dynamic range, and versatile ISO capability, the GH5S outperforms the GF3 decisively. However, the GF3 remains competent for daylight and casual shooting with modest print or web use.
Autofocus Systems and Speed: Precision vs. Simplicity
Reliable autofocus remains indispensable for many photographic genres. Both cameras utilize contrast-detection AF systems but differ in complexity.
- GH5S:
- 225 Contrast-Detection AF points (no phase detection)
- Advanced face detection, various AF area modes including 225-point tracking
- AF continuous, single, tracking, and selective modes
- Eye detection auto-focus (with limited animal eye detection)
- GF3:
- 23 Contrast-Detection AF points
- Basic face detection, multi-area AF
- AF continuous, single, and tracking
Despite both cameras lacking on-sensor phase detection commonly now available in mirrorless cameras, the GH5S’s denser AF grid and superior processor deliver notably faster autofocus acquisition and continuous tracking capabilities. Its advanced AF algorithms facilitate eye detection and subject tracking efficacy critical for portraits and wildlife photography. The GF3’s simpler system functions adequately but can be sluggish and less accurate when tracking erratic subjects.
For burst photography, the GH5S can sustain 12 frames per second versus the GF3’s modest 3 fps, a considerable difference impacting sports and action shooters.
Autofocus verdict: The GH5S’s AF system is optimized for professional needs requiring precision, speed, and flexibility. The GF3’s autofocus setup suffices for entry-level general photography but is not suited to challenging tracking situations.
Displays, Viewfinders, and Usability in Composition
The user interface for framing, reviewing, and adjusting settings is fundamental to experience.
- GH5S:
- 3.2-inch fully articulating touchscreen LCD with 1620K dots resolution
- High-resolution OLED electronic viewfinder (EVF) with 3680K dots, 0.76x magnification, 100% coverage
- GF3:
- 3.0-inch fixed touchscreen LCD with 460K dots resolution
- No built-in viewfinder (reliant on LCD)
The GH5S’s articulated screen supports diverse shooting angles, permitting comfortable low and high perspective shots while its high-resolution EVF offers a bright, detailed view aiding manual focusing and exposure composition. On the other hand, the GF3’s fixed, lower-resolution display and lack of viewfinder hinder use in bright outdoor conditions and limit versatility.
Photographers working outdoors or requiring precise manual focusing benefit from the GH5S significantly in this area. Meanwhile, the GF3 caters more to casual users preferring simple touch operation.
Lens Compatibility and System Expandability
Both cameras share the Micro Four Thirds lens mount, one of the industry’s broadest ecosystems with well over 100 lenses available.
Lens Compatibility | GH5S | GF3 |
---|---|---|
Number of native MFT lenses supported | 107+ | 107+ |
Telephoto and professional optics availability | Yes (including Panasonic Leica DG, Olympus M.Zuiko PRO lenses) | Yes |
Accessory lens adapters for legacy glass | Yes (adapters required separately) | Yes |
The GH5S’s professional ambitions render it compatible with Panasonic’s premium optics featuring wide apertures and weather sealing, critical for portraits, wildlife, and sports. The GF3 supports the entire MFT range but is best paired with lightweight, compact lenses inline with its entry-level intent.
Photographers aiming for advanced versatility and future system growth favor the GH5S platform, whereas GF3 owners may find themselves limited to lighter lenses.
Video Performance: The Professional vs. The Basic
Videography is a substantial domain where these cameras markedly differ.
- GH5S Video Specs:
- 4K DCI (4096x2160) video at up to 60 fps, 150 Mbps bitrate
- MOV, H.264, H.265 codecs, Linear PCM audio
- Dedicated microphone and headphone jacks for professional audio monitoring
- No in-body stabilization (relying on optically stabilized or gimbal lenses)
- GF3 Video Specs:
- Full HD 1080p (1920x1080) up to 60 fps
- AVCHD and Motion JPEG formats
- No microphone or headphone ports
- No in-body stabilization
The GH5S is designed as a hybrid video production workhorse, supporting cinema-grade codecs, high-bit-rate UHD capture, and audio monitoring - features absent on the GF3. Despite lacking in-body image stabilization, it benefits from fast maximum shutter speeds and smooth manual exposure control crucial for cinematography.
The GF3’s video capabilities are limited to basic Full HD capture with mediocre codec options and no external audio support, suiting casual video use only.
Burst Shooting and Buffer Capacity: Action-Oriented Capabilities
Comparing continuous shooting highlights clear performance gaps:
- GH5S achieves 12 fps at full resolution, suitable for sports and wildlife.
- GF3 captures only 3 fps, constraining utility for fast-moving subjects.
Handling buffer size and sustained burst length is also advantageous on the GH5S, facilitated by its dual UHS-II card slots compared to the GF3’s single slower card slot. This reduces delay in writing images during sustained bursts.
Battery Life, Connectivity, and Storage: Practical Workflow Considerations
Batteries, connectivity, and media options influence extended shooting and data management.
- Battery life:
- GH5S: Approx. 440 shots per charge using DMW-BLF19 battery
- GF3: Approx. 300 shots per charge
- Storage media:
- GH5S features dual SD/SDHC/SDXC UHS-II compatible slots enabling redundant or extended storage
- GF3 supports only a single SD/SDHC/SDXC slot with no UHS-II support
- Connectivity:
- GH5S: Built-in Wi-Fi and Bluetooth for wireless image transfer and remote control
- GF3: No wireless connectivity; relies on wired USB 2.0
- Ports:
- GH5S has USB 3.1 Gen1, full-size HDMI, mic and headphone jacks
- GF3 offers USB 2.0 and mini HDMI; no audio ports
The GH5S's connectivity options and battery endurance suit professional applications where workflow efficiency is paramount, whereas the GF3 remains limited and dated in these respects.
Mode and Exposure Flexibility: Support for Creative Control
Both cameras offer manual exposure modes along with priority options, but detail nuances differ.
- Shutter speed:
- GH5S: 60s minimum to 1/8000s mechanical shutter, electronic shutter to 1/16000s silent mode
- GF3: 60s minimum to 1/4000s mechanical; no electronic shutter modes
-
- Exposure Compensation: Available on both with bracketing for exposures and white balance
- Focus bracketing and stacking modes:
- GH5S supports focus bracketing, stacking, and post-focus features aiding macro and product photography
- GF3 lacks these features
The GH5S’s broad shutter speed range and advanced focus bracketing workflows enhance control for creative and technical photography not achievable with the GF3’s simpler operation.
Environmental Resistance and Build Integrity
- GH5S offers a weather-sealed magnesium alloy body rated splash, dust, and freeze-resistant for shooting in adverse conditions.
- GF3 lacks weather sealing and is more vulnerable to elemental environmental factors.
For photographers working outdoors or in challenging scenarios, the GH5S ensures higher durability and reliability.
Comparing Photographic Use Cases to Match Real-World Needs
Let's analyze their suitability across major photography disciplines.
Portrait Photography
- GH5S:
- Effective eye detection improves focus on critical facial features.
- Wide native ISO range allows shooting in variable lighting.
- Large lens selection aids in achieving shallow depth of field and creamy bokeh.
- GF3:
- Decent color and basic face detection but limited low-light capabilities and fewer lens options for background blur.
Landscape Photography
- GH5S: Superior dynamic range and noise control benefit landscapes with wide tonal variation. Weather sealing enables harsh environment use.
- GF3: Limited resolution and dynamic range, no weather sealing reduces versatility.
Wildlife Photography
- GH5S: Fast autofocus, high burst rate, silent shutter mode, and telephoto lens compatibility optimize wildlife shooting.
- GF3: Autofocus lag and slow burst unsuitable for unpredictable subjects.
Sports Photography
- GH5S: 12 fps burst and continuous autofocus tracking ideal for fast action.
- GF3: Too slow capture and lack of AF sophistication limit utility.
Street Photography
- GH5S: Larger size may intimidate candid subjects but offers discretion with silent shutter.
- GF3: Compact and quiet, easier for spontaneous street work.
Macro Photography
- GH5S: Focus stacking and bracketing enable creative macro; external lens stabilization recommended.
- GF3: No stacking; limited macro lens performance.
Night and Astro Photography
- GH5S: Outstanding high ISO capabilities; long exposure settings; ideal for star fields.
- GF3: Lower sensitivity restricts astrophotography use.
Video Capabilities
- GH5S: Industry-leading 4K/60p, audio input/output, professional codecs.
- GF3: Basic 1080p limited codecs, no audio ports.
Travel Photography
- GH5S: Larger size but robust and versatile system.
- GF3: Lightweight and portable, fewer lens options.
Professional Workflows
- GH5S: Dual card slots, advanced file formats, industry-standard connectivity ensure smooth integration.
- GF3: Limited pro-level workflow support.
Strengths and Weaknesses Summarized
Feature Area | Panasonic GH5S | Panasonic GF3 |
---|---|---|
Physical Build | Robust, weather sealed | Compact, lightweight, no sealing |
Image Quality | Excellent low light, wide DR | Moderate quality, AA filter smoothness |
Autofocus | Fast, precise, 225 AF points | Basic 23 points, slower |
Burst Rate | 12 fps | 3 fps |
Video | 4K/60p, professional audio | HD 1080p, no mic input |
Display | Articulated touchscreen, high res EVF | Fixed touchscreen, no EVF |
Battery | Long life | Moderate life |
Connectivity | Wi-Fi, Bluetooth, USB 3.1 | None wireless, USB 2.0 |
Lens Ecosystem | Full MFT including pro lenses | Full MFT but more casual lenses |
Price | Approximately $2500 launch | Approximately $360 launch |
User Level | Professionals | Beginners, casual enthusiasts |
Recommendations: Who Should Choose Which?
Panasonic GH5S Is Best For:
- Professional videographers requiring advanced 4K video capture with industry codecs.
- Wildlife, sports, and action photographers needing fast autofocus and high burst shooting.
- Landscape and night photographers demanding superior low-light and dynamic range.
- Users who prioritize ruggedness and weather sealing for outdoor workflows.
- Photographers integrating cameras into professional workflows needing dual cards and robust connectivity.
- Those requiring high-level focus bracketing and stacking for product and macro photography.
Panasonic GF3 Is Well-Suited For:
- Beginners and casual photographers seeking an affordable, compact interchangeable lens camera.
- Users valuing portability and simplicity over advanced features.
- Daylight and social photography where low-light demands are limited.
- Those starting the Micro Four Thirds system and not requiring professional video or fast action shooting.
- Budget-conscious customers prioritizing ease of use and minimal setup.
Conclusion
In direct comparison, the Panasonic GH5S clearly meets the demands of advanced professionals and hybrid shooters with superior imaging performance, flexible and fast autofocus, and industry-grade video capabilities encapsulated in a rugged, ergonomic body. Meanwhile, the Panasonic GF3 serves as a basic entry point into mirrorless photography, offering simplicity, accessibility, and portability at a notably lower price and specification level.
Selecting between these two fundamentally depends on user expectations: do you need a tool capable of professional-grade quality and operational heft, or is your priority a compact, affordable system for casual everyday shooting? The GH5S and GF3 fulfill these distinct purposes admirably and have both earned their places in Panasonic’s diverse Micro Four Thirds lineup.
Photographers and videographers aiming for future-proofing and advanced creative control should strongly favor the GH5S, whereas buyers seeking an economical, lightweight introduction to interchangeable lens photography will find the GF3 adequate, provided its technical limitations meet their needs.
This extensive comparison hopes to provide photographers with a clear understanding of how these two Panasonic cameras stack up across technical parameters and practical photographic disciplines, enabling readers to make reasoned purchasing decisions tailored to their creative ambitions.
Panasonic GH5S vs Panasonic GF3 Specifications
Panasonic Lumix DC-GH5S | Panasonic Lumix DMC-GF3 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DC-GH5S | Panasonic Lumix DMC-GF3 |
Type | Pro Mirrorless | Entry-Level Mirrorless |
Launched | 2018-01-08 | 2011-08-11 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine 10 | Venus Engine FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3680 x 2760 | 4000 x 3000 |
Maximum native ISO | 51200 | 6400 |
Maximum boosted ISO | 204800 | - |
Minimum native ISO | 160 | 160 |
RAW support | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 225 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | Micro Four Thirds |
Available lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3.2" | 3" |
Display resolution | 1,620 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,680 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.76x | - |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/8000 secs | 1/4000 secs |
Highest quiet shutter speed | 1/16000 secs | - |
Continuous shooting speed | 12.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 6.30 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264, H.265 | AVCHD, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 660 grams (1.46 lb) | 264 grams (0.58 lb) |
Physical dimensions | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") | 108 x 67 x 32mm (4.3" x 2.6" x 1.3") |
DXO scores | ||
DXO All around score | not tested | 50 |
DXO Color Depth score | not tested | 20.6 |
DXO Dynamic range score | not tested | 10.1 |
DXO Low light score | not tested | 459 |
Other | ||
Battery life | 440 photographs | 300 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | DMW-BLF19 | - |
Self timer | Yes (2 or 10 secs, 10 secs w/3 images) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC cards (UHS-II V60 cards supported) | SD/SDHC/SDXC |
Storage slots | Dual | One |
Pricing at launch | $2,498 | $360 |