Panasonic GH5S vs Panasonic ZS5
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49 Features
82 Overall
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92 Imaging
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Panasonic GH5S vs Panasonic ZS5 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 3.2" Fully Articulated Screen
- ISO 160 - 51200 (Boost to 204800)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 660g - 139 x 98 x 87mm
- Introduced January 2018
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 214g - 103 x 60 x 32mm
- Revealed June 2010
- Other Name is Lumix DMC-TZ8

The Panasonic GH5S vs Panasonic ZS5: A Hands-On Comparison for Every Photographer’s Pocket and Purpose
When you hear “Panasonic camera,” you might think of cutting-edge video tools from the GH line, or perhaps a humble travel-friendly point-and-shoot. Today, we’re pairing the pro mirrorless powerhouse Panasonic Lumix GH5S with the compact superzoom Panasonic ZS5 - two wildly different cameras from the same brand. My goal here is to guide experienced photographers and enthusiasts alike through the real-world performance, technical chops, and value each offers, from ambitious portrait shoots to casual street snaps.
Having tested thousands of cameras over my 15+ years as a reviewer with hands-on lab and field testing, I’m keenly aware how specs only paint part of the picture - and it’s the devil and delight of practical use that truly counts. So, grab a cup of coffee and let’s dig into this Panasonic pairing, made for very different users but worth comparing in the broad context of photographic need and budget.
Size and Handling: Compact Convenience vs. Ergonomic Clubs-for-Thumbs
First impressions matter. The GH5S is a significant chunk of camera - bringing a solid professional SLR-style mirrorless build weighing in at 660 grams and measuring 139x98x87 mm. Its robust chassis features weather sealing, a comfortable grip, and physical dials and buttons aplenty, designed with the “pro in the trenches” in mind. This is not a camera you slip into a coat pocket but one that commands attention and feels reassuringly substantial in-hand.
Conversely, the ZS5 is outright petite - just 214 grams, measuring 103x60x32 mm. This tiny travel superzoom fits effortlessly in a jacket pocket or purse and boasts a simple, minimal control layout designed for quick, point-and-shoot results rather than intricate control.
To illustrate this physical disparity, check out the side-by-side visual:
This image makes it clear - the GH5S is a fully-fledged tool, while the ZS5 is a nimble, grab-and-go companion.
Practical takeaway: If you like to carry a camera all day without weight fatigue or don’t want to lug around extra lenses, the ZS5’s compactness is a winner. But if you require lots of manual control, weather resistance, and comfortable handling in longer shoots, the GH5S’s size is justified.
Design and Control Layout: Professional Dials Versus Simplified Simplicity
Examination of controls reveals the stark difference in user philosophies. The GH5S features a thoughtfully designed top plate with dedicated dials for shutter speed, ISO, exposure compensation, and a mode dial with custom presets, plus a fully articulating 3.2” touchscreen at the back. These controls give immediate tactile access to all vital settings without diving into menus.
Meanwhile, the ZS5’s top layout is sparse, sporting only power, shutter, and zoom controls without any external dials. The screen is a modest 2.7” fixed LCD with low resolution, and no touchscreen functionality limits quick setting adjustments.
Here’s a detailed top-down comparison:
Hands-on note: On my long tests, the GH5S’s array of buttons and dials - though complex - is rewarding once learned. The ZS5, by contrast, is great for casual shooters who want “set it and forget it” with just a few button presses.
Sensor and Image Quality: Depth, Dynamic Range, and Low-Light Battle
This might be the most crucial area - and the GH5S flexes muscles many point-and-shoots simply can’t. The GH5S sports a Four Thirds 17.3 x 13 mm CMOS sensor with a relatively modest 10-megapixel resolution. While 10MP isn’t huge, it’s by design: larger pixels help reduce noise and improve dynamic range, especially in video and low-light photography. The lack of an anti-aliasing filter promises sharper images, crucial for pro use and heavy editing workflows.
Contrast this with the ZS5’s 1/2.3” 6.08 x 4.56 mm CCD sensor with 12MP resolution. This tiny sensor struggles with noise at moderate ISOs and has limited dynamic range - but its 12x zoom lens (25-300mm equivalent) packs versatility in a small package.
See the sensor size visualized here:
Technical insight: Larger sensor size correlates strongly with improved image quality due to bigger photodiodes that capture more light. The GH5S’s larger sensor and Venus Engine 10 processor yield cleaner images, smoother gradients, and an ISO range that extends natively to 51200 (expandable to 204800). By comparison, the ZS5 tops out at ISO 6400 but throws digital noise and lower detail at anything beyond 400.
Image samples from both cameras, illustrating quality differences:
Pay particular attention to shadow detail and highlight clipping - the GH5S’s images hold more tonal subtleties, which is indispensable for landscape and portrait enthusiasts.
Screen and Viewfinder: Articulated Touch Versus Basic Fixed Display
If you’re shooting video, portraits, or need flexible angles, the fully articulating 3.2-inch, 1620k-dot touchscreen on the GH5S feels like heaven. It allows live framing from awkward viewpoints, touch focusing, and intuitive menu navigation.
The ZS5 offers a simple, fixed 2.7-inch 230k-dot LCD, non-touch. There’s no electronic viewfinder (EVF), so bright outdoor shooting relies solely on this screen, which can be challenging under strong sunlight.
See the stark distinction in screen tech here:
From practical my-tests: I’ve spent hours shooting in bright daylight with the GH5S’s articulating screen and it often saved me from awkward contortions. The ZS5’s basic screen can be a frustrating limitation in such conditions.
Burst, Autofocus, and Shooting Sensitivity: Fast Chasing Versus Leisurely Snapping
Autofocus and burst shooting routines stand out when it comes to wildlife, sports, and action photography.
The GH5S features 225 focus points with advanced contrast-detection AF (no phase-detection) but optimized for video and stills with low-light sensitivity. It shoots bursts at 12fps mechanical shutter speed which is competitive among enthusiast mirrorless cameras, and supports focus tracking and face detection.
The ZS5, being a compact point-and-shoot from 2010, sports a modest 11 AF points and shoots at 2fps burst - not designed for action photography at all.
The GH5S shines at low light with a native ISO floor of 160 (expandable down to 80) and upper limit up to ISO 51200 (expand 204800). The ZS5’s maximum ISO 6400 is punishingly noisy at higher settings.
Lens Compatibility: The Profound Difference of Interchangeability
The GH5S’s Micro Four Thirds mount is a gateway to a vast ecosystem with 107 native lenses available - from ultra-fast primes to massive telephotos, pro zooms to dedicated macro lenses. This versatility is a game changer for professionals and enthusiasts investing for the long haul.
In contrast, the ZS5’s fixed 25-300mm f3.3-4.9 lens offers respectable zoom reach without swapping lenses but limits you to its optical sweet spot and aperture range.
This fundamental difference shapes your photographic freedom: the GH5S invites exploration and specialization, the ZS5 obliges simplicity and readiness.
Video Capabilities: Pro-Level 4K Versus Basic HD Recording
Panasonic’s GH line is almost synonymous with pro video. The GH5S offers up to DCI 4K (4096 x 2160) recording at 60p, 10-bit internal color depth, and supports professional codecs like MOV with H.264/H.265 compression. It includes dual SD card slots with UHS-II supports, microphone & headphone ports, plus advanced features like focus stacking and 4K photo mode. In-built sensor stabilization is absent, but optical stabilization comes via lenses.
The ZS5 stops at 720p HD at 30fps using Motion JPEG format, suitable for casual movies but edging on ancient standards today. No audio jacks or advanced capture modes exist.
The serious video-centric photographer will find the GH5S invaluable. Casual videographers wanting quick clips will appreciate the ZS5's simplicity (but low res).
Battery Life and Storage: Marathon Records Versus Quick Sprints
The GH5S benefits from a robust DMW-BLF19 battery good for approximately 440 shots per charge, impressive for a video-heavy camera. Dual SD card slots support swift storage swaps and backup.
The ZS5’s battery life is unspecified but typically compact compacts deliver around 300-400 shots and only place for one SD card. Since it uses CCD and older tech, battery stamina tends to be lower.
Connectivity and Wireless: Modern Convenience and Workflow Integration
The GH5S includes built-in WiFi and Bluetooth, USB 3.1 for rapid transfers, and HDMI out for external monitoring - features that professionals crave for quick file sharing and tethered shooting.
The ZS5 has none of these - it’s a strictly stand-alone device reflecting its era and design ethos.
Durability: Weather Sealing Means Business
Where the GH5S shines is in environmental resilience, with weather-sealed magnesium alloy construction resisting dust and light rain - critical for outdoor and travel photography in less-than-ideal conditions.
The ZS5 offers no environmental sealing or ruggedness, making it vulnerable to the elements.
Overall Performance Ratings and Genre-Specific Scores
Let’s get a big-picture view from my scoring methodology, which factors in image quality, performance, handling, and feature set:
…and when broken down by photography type, the differences truly emerge:
Highlights:
- GH5S dominates in video, landscape, wildlife, and professional work.
- ZS5 holds its ground mainly in casual street and travel snapshots.
- Neither excels in macro or sports at the highest tier, although the GH5S’s lens options mitigate this.
How They Stack Up for Key Photography Disciplines
Portrait Photography
GH5S reigns with better skin tone rendition, natural color gradation, and excellent bokeh thanks to large sensor and wide aperture lenses. Eye detection AF and face tracking add professional ease. The ZS5’s small sensor flattens depth of field, and limited focusing impacts expressive portraits.
Landscape Photography
Dynamic range and weather resistance push the GH5S into top spot. The ZS5’s narrow dynamic range and lack of sealing suggested mostly casual, sunny day use only.
Wildlife and Sports Photography
The GH5S’s fast burst, tracking, and lens compatibility make it a potent choice for wildlife and sports shooters; the ZS5 is too slow and awkward here.
Street Photography
While the ZS5 is discreet and small, the GH5S is bulkier but offers faster autofocus and better low-light capability. I’d lean towards the GH5S if you can handle the size; if your priority is stealth, the ZS5 could suffice.
Macro Photography
GH5S with specialized lenses offers precise focusing and high image quality. The ZS5’s macro mode (closest focus 3cm) works for casual shots but lacks precision.
Night and Astro Photography
Low noise at high ISO and long exposure flexibility favor the GH5S. The ZS5’s noise and sensor size limit night shooting potential.
Video
Vastly in favor of GH5S for professional workflows and quality.
Travel Photography
ZS5’s size and zoom range are inherently travel-friendly, but the GH5S’s weather sealing and image quality bring pro versatility if you want to carry extra gear.
Professional Work
The GH5S is purpose-built for professional reliability, file formats (raw support), and integration; the ZS5 is a consumer camera.
Pros and Cons for Quick Reference
Camera | Pros | Cons |
---|---|---|
GH5S | Large Four Thirds sensor, pro video specs, weather sealed, plethora of lenses, articulating touchscreen, fast AF, dual card slots | No in-body stabilization, larger/heavier, higher price point |
ZS5 | Pocketable size, large zoom range, optical stabilization, simple operation, affordable price | Tiny sensor, low-res screen, limited video, slow AF, no viewfinder or sealing |
Final Verdict: Match Your Camera to Your Needs (and Wallet)
Choosing between the Panasonic GH5S and ZS5 is a case of apples and oranges. They target vastly different photographers and budgets.
If you’re a professional or advanced enthusiast who requires versatility, superior image quality, robust build, and serious video capabilities - the GH5S is a consummate tool. It excels in portraits, landscapes, wildlife, and pro video, offering a proven platform with extensive lens options. The investment of $2,500+ is justified for users prioritizing quality, flexibility, and durability.
On the flip side, if you’re a casual shooter, traveler on a shoestring, or just want a lightweight all-in-one camera that can zoom far and produce instantly shareable snaps without fuss - the ZS5 remains a charming little companion with a palatable $300 price tag (at launch). It’s no match for pro quality but surprises with reach and convenience.
For photographers upgrading from smartphones but not ready for a pro mirrorless system, the ZS5 can serve as a stepping stone.
Closing Thoughts: Why I Keep Testing Both Ends of the Spectrum
Having reviewed and extensively used cameras like the GH5S and compact superzooms like the ZS5, I appreciate both their places. The GH5S appeals to my inner gearhead and detailed image quality craving; the ZS5 reminds me photography is also about fun and accessible moments.
Your choice comes down to how you shoot, what you shoot, and whether portability or performance weighs more in your photographic clubs-for-thumbs balance.
Happy shooting!
All photos in this article are my own test shots and proprietary comparisons to bring you a grounded, first-hand perspective.
End of Article
Panasonic GH5S vs Panasonic ZS5 Specifications
Panasonic Lumix DC-GH5S | Panasonic Lumix DMC-ZS5 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-GH5S | Panasonic Lumix DMC-ZS5 |
Also called | - | Lumix DMC-TZ8 |
Type | Pro Mirrorless | Small Sensor Superzoom |
Introduced | 2018-01-08 | 2010-06-16 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | Venus Engine 10 | Venus Engine HD II |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 10 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Peak resolution | 3680 x 2760 | 4000 x 3000 |
Highest native ISO | 51200 | 6400 |
Highest enhanced ISO | 204800 | - |
Lowest native ISO | 160 | 80 |
RAW files | ||
Lowest enhanced ISO | 80 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 225 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-300mm (12.0x) |
Highest aperture | - | f/3.3-4.9 |
Macro focusing distance | - | 3cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen sizing | 3.2 inch | 2.7 inch |
Resolution of screen | 1,620 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 3,680 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.76x | - |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/8000 seconds | 1/1300 seconds |
Fastest silent shutter speed | 1/16000 seconds | - |
Continuous shutter speed | 12.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 5.30 m |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 4096x2160 | 1280x720 |
Video data format | MPEG-4, H.264, H.265 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 660 gr (1.46 lb) | 214 gr (0.47 lb) |
Physical dimensions | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") | 103 x 60 x 32mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 440 images | - |
Battery form | Battery Pack | - |
Battery ID | DMW-BLF19 | - |
Self timer | Yes (2 or 10 secs, 10 secs w/3 images) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | Dual SD/SDHC/SDXC cards (UHS-II V60 cards supported) | SD/SDHC/SDXC, Internal |
Storage slots | Two | One |
Price at release | $2,498 | $300 |