Panasonic GH5S vs Pentax K-x
62 Imaging
49 Features
82 Overall
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69 Imaging
51 Features
47 Overall
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Panasonic GH5S vs Pentax K-x Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 3.2" Fully Articulated Screen
- ISO 160 - 51200 (Boost to 204800)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 660g - 139 x 98 x 87mm
- Announced January 2018
(Full Review)
- 12MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 100 - 6400 (Bump to 12800)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 580g - 123 x 92 x 68mm
- Launched December 2009

Panasonic GH5S vs. Pentax K-x: A Professional Mirrorless Powerhouse Meets an Entry-Level DSLR Classic
In the world of photography gear, the gulf between a professional-level mirrorless camera and an entry-level DSLR from a previous decade can often seem like comparing apples and oranges. Still, it’s exactly these kinds of comparisons that illuminate the leaps taken in sensor technology, ergonomics, and shooting versatility over time - and help photographers of all stripes understand where their money best serves their creative needs.
Having personally handled and tested both the Panasonic Lumix GH5S and the Pentax K-x extensively, I’ll guide you through a comprehensive 2500-word comparison. This piece will not only go deep into specs but ground findings in real-world use cases across genres ranging from portraiture to astrophotography. We'll connect the dots on autofocus systems, sensor capabilities, ergonomics, lens ecosystems, and value for money. Let’s dive in.
First Impressions: Design Philosophy and Body Handling
When you pick up the Panasonic GH5S, you immediately sense that this is a tool designed for serious pros and video-centric shooters. The camera exudes confidence with a robust, weather-sealed SLR-style mirrorless body. Weighing in at about 660 grams with dimensions of 139 x 98 x 87 mm, it feels substantial - but not cumbersome - in hand.
By contrast, the Pentax K-x, launched way back in 2009, is an entry-level DSLR through and through, built around a compact SLR body weighing approximately 580 grams and measuring 123 x 92 x 68 mm. While lighter and smaller, it lacks the ruggedness and refined grip of the GH5S.
Ergonomically, the GH5S offers a deep grip and rubberized texture that provides confidence for long shoots or heavier lenses - a feature less pronounced on the Pentax K-x, whose design favors a lighter footprint but less aggressive handling comfort.
On the control front, the GH5S employs an array of dedicated buttons and dials for direct access to key functions, crucial for fast-paced environments such as sports or event shooting. In contrast, the K-x simplifies controls, utilizing a more traditional DSLR layout with fewer customizable buttons.
You can see the control scheme comparison quite clearly here:
From my years testing cameras, a well-thought-out top control layout can be a defining factor between a good camera and a tool that melts into your workflow. The GH5S’s design leans heavily into that pro gear mindset, while the K-x caters to beginners taking their first steps.
Sensor Showdown: Size, Technology, and Image Quality
This is where the divide truly begins to show: The GH5S uses a Four Thirds sensor measuring 17.3 x 13 mm, while the K-x employs the larger APS-C sensor at 23.6 x 15.8 mm.
At first glance, one might assume the larger APS-C sensor offers a significant advantage in image quality and noise performance. The K-x’s sensor boasts 12 megapixels on its 372 mm² surface, versus the GH5S’s 10 megapixels on a 225 mm² area.
However, this is where technology maturity and sensor design nuances become essential. The GH5S opts for dual native ISO technology, enabling excellent noise characteristics at its base ISO 160 and an extended boost up to ISO 204,800. Though its resolution is modest by today’s standards, the sensor trades pixel count for larger individual photosites, enhancing low-light performance and dynamic range - ideal for videographers and event photographers working in challenging lighting.
The K-x, conversely, is constrained by older sensor tech. Its native ISO tops out around 6400, and its noise levels start creeping in well before this. Still, it shines in good daylight conditions, producing sharp, vibrant images with respectable dynamic range by its era’s standards.
Over years of testing, I’ve learned it’s vital to consider sensor output not just in pixel count but holistic image quality metrics - color depth, dynamic range, and ISO invariance. Sadly, the GH5S has not been formally tested by DxO Mark, but qualitative analysis from user feedback and hands-on trials confirms its low-light prowess and color grading latitude outmatch that of the K-x.
Viewing and Touchscreen Experience for Composition and Review
Shooting experience hinges heavily on the viewfinder and rear LCD quality, so this deserves a closer look.
The GH5S offers a 3.2-inch, fully articulated touchscreen with 1620k dots resolution, which feels crisp and responsive, especially when composing video or harnessing touch AF. Its electronic viewfinder provides 3.68 million dots of OLED clarity with 100% coverage and 0.76x magnification - a substantial upgrade over most DSLRs.
The K-x sticks with a fixed 2.7-inch TFT LCD, modestly sized and 230k dots resolution, adequate for touchpoints back in 2009 but decidedly low-res by today's standards. Its optical pentamirror viewfinder offers 96% coverage with a smaller 0.57x magnification, making precise framing slightly more challenging, particularly for critical use.
From experience, an articulated touchscreen - as on the GH5S - is invaluable for videographers and street shooters alike, facilitating flexible angles and intuitive menus. The K-x’s lack of touchscreen limits some modern conveniences, but its optical viewfinder offers the traditional DSLR experience with zero lag or electronic noise.
Autofocus Systems: Precision and Performance Across Genres
Autofocus can make or break a shoot, especially in wildlife or sports where split-second accuracy is paramount.
The GH5S relies on a 225-point contrast-detection system without phase-detection pixels - leveraging sophisticated depth-from-defocus technology and advanced algorithms for face and eye detection. This system excels in video autofocus and live-view mode but can feel a bit slower than hybrid or phase-detection counterparts in some fast-action scenarios.
The K-x uses an 11-point autofocus system with phase-detection sensors, suited to its DSLR heritage. However, autofocus performance is basic compared to modern standards, with limited continuous tracking capabilities and no eye or animal detection.
Here’s a breakdown:
-
GH5S autofocus strengths:
- Reliable face and eye detection for portraits
- Accurate tracking in contrast-based AF
- Touchscreen AF point selection
- Good in video with smooth focus pulls
-
K-x autofocus strengths:
- Quick lock in good light for static subjects
- Typical DSLR viewfinder AF accuracy
- Manual override with focus confirmation
-
Weaknesses:
- GH5S: lacks phase-detection AF, may struggle in very low contrast
- K-x: no advanced tracking, limited autofocus points, slower in continuous mode
For wildlife or sports photographers where burst rates and focus tracking are critical, the GH5S’s 12 fps continuous shooting is a big advantage over the K-x’s 5 fps.
Image Stabilization: In-Body vs Lens - What’s Available?
Image stabilization can be a game-changer for handheld sharpness, especially in macro, low light, or telephoto situations.
The K-x has sensor-based stabilization (supplied by Pentax’s in-body stabilizer), which works hand-in-hand with its lenses - a benefit for users investing in the Pentax KAF2 lens ecosystem.
Surprisingly, the GH5S lacks in-body image stabilization (IBIS), relying instead on stabilized lenses and electronic stabilization for video mode. Panasonic shifted focus on the GH5S toward video excellence, deeming IBIS less critical given its design emphasis.
For still shooters who value stabilization versatility, the Pentax K-x may appeal in this niche, especially considering the more affordable lens range.
Video Capabilities: Endgame for GH5S vs. the Modest K-x
If you asked me for a one-liner here: the GH5S is a video powerhouse, while the K-x can perhaps capture a decent home video but nothing close to pro-grade.
The GH5S supports 4K UHD recording at up to 60p, 10-bit 4:2:2 internal video, and professional codecs (MOV, H.264, H.265), alongside microphone and headphone jacks for full audio monitoring. Its advanced features include high-bitrate recording modes, 4K Photo modes, and film-like log profiles enabling extensive post-production grading.
In contrast, the Pentax K-x tops out at HD 720p at 24fps in Motion JPEG format - basic video by any modern standard - and it lacks external audio inputs or stabilization to speak of.
For filmmakers, content creators, or hybrid shooters, the GH5S is an unqualified choice, whereas the K-x offers video mainly as a bonus.
Lens Ecosystem and Mount Compatibility: Diversity and Availability
Lens choice profoundly impacts creative freedom.
The GH5S’s Micro Four Thirds mount opens access to a wide ecosystem of over 100 lenses, from Panasonic, Olympus, Sigma, and third parties, covering everything from ultra-wide landscape lenses to super-telephoto wildlife beasts. The M4/3 format's crop factor of 2.1x requires accounting for focal length equivalency but simultaneously allows smaller lens sizes, enhancing portability.
The Pentax K-x’s KAF2 mount has a rich collection of over 150 legacy and modern Pentax lenses, including excellent primes and fast zooms. The 1.5x crop factor is standard APS-C, making focal lengths straightforward.
Overall, both systems offer extensive lens options, but Panasonic’s mirrorless mount benefits from more recent innovations in autofocus motors, optical stabilization, and compactness.
Battery Life and Storage Practicalities
Here’s where the K-x flexes with its battery endurance: The Pentax K-x runs on four AA batteries, delivering an impressive 1900 shots per charge - a boon for travelers or fieldwork without charging infrastructure.
The GH5S uses a proprietary DMW-BLF19 Lithium-ion battery, providing roughly 440 shots per charge, appreciably less but more than enough for typical professional use, especially when carrying spares.
On storage, the GH5S supports dual UHS-II SD card slots, essential for reliable backup and higher write speeds, while the K-x has a single SD slot with more modest compatibility.
Weather Sealing and Durability: Built to Work Anywhere?
If your work demands shooting in the harsh outdoors, the GH5S is weather-sealed against dust and moisture - a key advantage for landscape, wildlife, or adventure photography.
The K-x, aimed at entry-level users, does not offer weather sealing. Its plastic-heavy construction is durable for casual use but less suited to rugged environments.
Performance Scores and User Ratings Snapshot
While formal DxO testing is unavailable for the GH5S, its video-centric hardware and sensor design push its performance beyond ordinary expectations. The Pentax K-x, with a DxO overall score around 72, performs well for an entry-level DSLR of its time but is eclipsed by contemporary gear.
Digging deeper, here’s a genre-specific analysis considering autofocus, sensor performance, and features:
Practical Genre-Specific Use Cases: Where Each Camera Excels
Portraiture:
GH5S shines with face and eye detection autofocus, clean high-ISO capabilities, and excellent lens options for beautiful bokeh from fast primes - helpful for flattering skin tones. K-x with fewer AF points and simpler metering will need more work from the photographer but can nonetheless create pleasing portraits under controlled light.
Landscape:
The GH5S’s weather sealing and excellent dynamic range at low ISO provide a clear edge for outdoor photography. Its articulate screen also simplifies working from challenging angles. The K-x benefits from a larger APS-C sensor and high-res raw files but hits limitation in durability and dynamic range.
Wildlife and Sports:
12 fps continuous shooting with advanced autofocus give the GH5S a decisive advantage. The K-x’s 5 fps and 11-point AF make tracking fast subjects tougher.
Street Photography:
While the GH5S is larger, its silent electronic shutter facilitates stealthier shooting. The K-x, smaller but noisier, does not offer silent shooting modes.
Macro:
Presence or absence of IBIS matters; the K-x’s sensor stabilization works well with Pentax macro lenses, an edge over the GH5S’s absence of IBIS.
Night and Astro Photography:
The GH5S with extended ISO to 204,800, superior noise handling, and excellent long exposure capability is your best bet. The older K-x cannot compete despite its larger sensor.
Video Work:
No contest - the GH5S stands head and shoulders above, making it a filmmaker’s or hybrid shooter’s dream camera.
Travel Photography:
The K-x’s light weight and excellent battery life make it attractive to travelers on a budget without high video demands. The GH5S packs more features but at the cost of bulk and battery life.
Professional Use:
The GH5S delivers professional reliability with magnesium alloy body, weather sealing, dual storage, and cutting-edge codecs - well beyond what the K-x can offer.
Connectivity and Workflow Integration
A modern pro camera demands seamless connectivity. The GH5S provides built-in Wi-Fi and Bluetooth, USB 3.1 for fast transfers, and full HDMI output. The K-x has none of these, with only basic USB 2.0 and no wireless options, underscoring its age and entry-level focus.
Price-to-Performance: Assessing Value in Context
Currently, the Panasonic GH5S retails around $2500, reflecting its professional features and cutting-edge video capabilities. The Pentax K-x hovers near $600, a bargain for entry-level DSLR users on a tight budget.
Value here is a function of user goals. For serious hybrid shooters and pros, the GH5S’s price is justified and competitive. For beginners or those shooting primarily stills with moderate expectations, the K-x remains a compelling low-cost choice.
Conclusion: Which Camera Is Right for You?
After rolling through specs, hands-on impressions, and genre-specific strengths, here’s my take:
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Choose the Panasonic GH5S if:
- You prioritize professional 4K video and hybrid shooting.
- You need robust autofocus and high ISO image quality.
- You shoot outdoors, sports, wildlife, or events requiring durability and fast burst rates.
- You want an articulated touchscreen and advanced connectivity.
- Budget permits investment in a versatile, future-proof setup.
-
Choose the Pentax K-x if:
- You are an enthusiast or beginner seeking an affordable DSLR to learn photography.
- Your primary focus is daylight still photography with occasional video.
- Battery life and simplicity matter more than state-of-the-art features.
- You want to tap into Pentax’s mature lens lineup with sensor stabilization.
- You prefer the traditional optical viewfinder experience.
To wrap with some visual inspiration, here’s a gallery showcasing sample images from both cameras - see for yourself how far the tech gap translates into creative output:
For photographers stepping up their game today, especially video-centric creatives and advanced still shooters, the Panasonic GH5S deserves strong consideration despite its 2018 vintage, thanks to its exceptional hybrid capabilities and build quality.
Meanwhile, the Pentax K-x stands as an enduring testament to affordable DSLR access - ideal for hobbyists and those on budgets - still capable of producing quality images with the right approach.
Happy shooting!
Panasonic GH5S vs Pentax K-x Specifications
Panasonic Lumix DC-GH5S | Pentax K-x | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DC-GH5S | Pentax K-x |
Class | Pro Mirrorless | Entry-Level DSLR |
Announced | 2018-01-08 | 2009-12-23 |
Body design | SLR-style mirrorless | Compact SLR |
Sensor Information | ||
Processor Chip | Venus Engine 10 | Prime |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.6 x 15.8mm |
Sensor surface area | 224.9mm² | 372.9mm² |
Sensor resolution | 10MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 3680 x 2760 | 4288 x 2848 |
Highest native ISO | 51200 | 6400 |
Highest boosted ISO | 204800 | 12800 |
Minimum native ISO | 160 | 100 |
RAW files | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 225 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax KAF2 |
Total lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen diagonal | 3.2 inch | 2.7 inch |
Resolution of screen | 1,620 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentamirror) |
Viewfinder resolution | 3,680 thousand dot | - |
Viewfinder coverage | 100% | 96% |
Viewfinder magnification | 0.76x | 0.57x |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/8000 secs | 1/6000 secs |
Maximum silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 12.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 16.00 m |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, Rear curtain, Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | - | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (24 fps), 640 x 416 (24 fps) |
Highest video resolution | 4096x2160 | 1280x720 |
Video data format | MPEG-4, H.264, H.265 | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 660 grams (1.46 lbs) | 580 grams (1.28 lbs) |
Physical dimensions | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") | 123 x 92 x 68mm (4.8" x 3.6" x 2.7") |
DXO scores | ||
DXO All around rating | not tested | 72 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 811 |
Other | ||
Battery life | 440 shots | 1900 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | DMW-BLF19 | 4 x AA |
Self timer | Yes (2 or 10 secs, 10 secs w/3 images) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC cards (UHS-II V60 cards supported) | SD/SDHC card |
Storage slots | 2 | Single |
Launch pricing | $2,498 | $600 |