Panasonic GH6 vs Panasonic G85
56 Imaging
66 Features
89 Overall
75


69 Imaging
54 Features
84 Overall
66
Panasonic GH6 vs Panasonic G85 Key Specs
(Full Review)
- 25MP - Four Thirds Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 5760 x 2880 video
- Micro Four Thirds Mount
- 823g - 139 x 100 x 100mm
- Revealed February 2022
- Earlier Model is Panasonic GH5 II
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600 (Bump to 25600)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 505g - 128 x 89 x 74mm
- Launched September 2016
- Also referred to as Lumix DMC-G80
- Later Model is Panasonic G95

Panasonic GH6 vs Panasonic G85: A Hands-On Deep Dive from a Pro’s Perspective
Choosing between cameras can be daunting, especially when two share the same Micro Four Thirds mount but represent very different eras and capabilities. I’ve spent weeks shooting with both the Panasonic Lumix DC-GH6 and the Panasonic Lumix DMC-G85 to understand their strengths and weaknesses across various shooting disciplines.
In this detailed 2500-word comparison, I’ll blend clear technical insights with practical feedback from real-world use. Whether you’re a budding enthusiast, content creator, or pro looking to upgrade, I’ll help you cut through the specs and marketing jargon to land on the right camera for your needs and budget.
Size, Ergonomics, and Control Layout: Feeling the Differences in Your Hands
First impressions matter - how a camera feels in your grip directly affects your shooting comfort and performance, especially during extended sessions or fast action.
Let’s look at the physical size and ergonomics differences between these two bodies.
The GH6 is a noticeably larger and heavier beast at 823g, compared to the much lighter 505g G85. With dimensions of 139x100x100mm versus 128x89x74mm, the GH6 commands more desk space and camera bag real estate.
This size bump isn’t just vanity or bulk - it reflects Panasonic’s push toward professional-level handling. The GH6 offers a deeper grip with club-foot-like thumb support on the rear and more generously sized buttons and dials for quicker adjustments without fumbling. The G85 remains compact and travel-friendly but feels slightly toy-like in my hands compared to the premium heft of the GH6.
Now, peek at the top view to see how the controls compare:
The GH6 copycats a DSLR-style control layout with a dedicated top plate screen, dual control dials, and customizable function buttons. The G85, while still capable, has fewer customizable buttons and a simpler mode dial that doesn’t feel as pro-focused.
Bottom line:
- If you prize a compact, lightweight rig for quick walks or travel, the G85 wins on portability.
- For full-on pro use, where buttons and dials become muscle memory in high-pressure shoots, the GH6’s ergonomics feel like a dream.
Sensor Technology and Image Quality: The Heart of the Matter
The size and handling matter - but ultimately, image quality is king. Both the GH6 and G85 use Micro Four Thirds sensors, but there’s more beneath the surface.
- GH6 sensor: 25MP CMOS without anti-aliasing filter, larger pixel count for finer detail.
- G85 sensor: 16MP CMOS, also sans anti-aliasing filter, but older generation.
The GH6’s higher resolution (5776×4336 vs 4592×3448) translates to crisper images with better ability to crop while retaining detail. It also supports expanded options like a base ISO as low as 50 (boosted) for cleaner exposures and finer highlight retention.
However, pixel count isn’t everything. Panasonic’s newer sensor and improved image pipeline on the GH6 deliver noticeable advances in dynamic range and noise control. Through side-by-side tests in harshly lit landscapes and dim interiors, the GH6 outperforms the G85 on:
- Retaining highlight and shadow details
- Cleaner images at ISO 3200 and beyond
- Better color depth and smoother gradation
The G85 still produces respectable files suitable for web, prints up to A3, and casual use - but for critical professionals or those printing large formats, the GH6’s sensor leap is significant.
LCD and Viewfinder: Composing Shots and Reviewing Work
How you frame and review your shots shapes your workflow. Both cameras have articulating 3-inch screens, but there are notable differences.
The GH6’s higher resolution display (1840k dots vs 1040k dots on the G85) shows sharper previews, meaning fewer surprises when you get to post-processing. The fully articulated screen on both cameras is a big win for videographers and vloggers, allowing for front-facing flips or creative angles.
Moving to the electronic viewfinders:
- GH6: 3680k dot OLED with 0.76x magnification
- G85: 2360k dot OLED with 0.74x magnification
The GH6’s EVF is brighter, more detailed, and refreshes faster, which makes tracking moving subjects and manual focusing easier - critical for sports and wildlife shooters.
Autofocus Systems: Snapping the Perfect Focus
Autofocus remains one of the hardest features to quantify. I tested both in a mix of conditions: portraits, wildlife, street, and sports.
Both cameras employ contrast-detect autofocus - Panasonic doesn’t use phase-detection on these models. However, newer processors and software improvements make the GH6’s AF notably faster and more reliable.
Key takes:
- The GH6 supports animal eye AF, which is revolutionary for pet and wildlife shooters. Seriously, it nails bird and dog eyes accurately even when movement and low light challenge lesser systems.
- Face and eye detection on the GH6 is smoother and tracks reliably even with complex backgrounds. The G85’s face detection works well, but is less consistent with partial or side-on profiles.
- Continuous AF and tracking modes on the GH6 handle fast-moving action (sports, kids) at its 14 FPS burst rate better, locking focus cleanly throughout. The G85’s 9 FPS is fun but AF tends to "hunt" more often in continuous tracking.
If sharp focus on moving subjects is a priority, expect the GH6 to outperform comfortably.
Burst Shooting and Buffer: Shooting Fast and Furious
When shooting sports or wildlife, burst speed and buffer size can make or break your shot collection.
- GH6 boasts 14 frames per second with continuous autofocus, supported by a deep buffer that lets you hold the shutter down for dozens of RAW frames before slowing. The high-speed mechanical shutter maxes out at 1/8000sec with an electronic shutter reaching 1/32000sec, great for daylight action.
- G85 offers a maximum of 9 frames per second, with a smaller buffer and a slower mechanical shutter capped at 1/4000sec.
In practical terms, the GH6’s burst capabilities give you more chances to catch a fleeting smile, a bird wing-flap, or that perfect racing finish line moment.
Video Capabilities: For Hybrid Shooters and Content Creators
If you produce content combining stills and video, the GH6 shines brightest. Panasonic targets this camera heavily at pros and serious creators.
- The GH6 records up to 5.7K 60p RAW video, respectable for cinema-quality productions and flexible post workflows.
- It supports 4K 120p slow-motion in ALL-Intra codecs, excellent for dramatic slow-motion edits.
- Advanced codecs like H.264 and H.265 and unlimited recording times are bonuses for serious videographers.
- Pro-grade audio ports (mic and headphone) built-in let you monitor sound live.
The G85, while rock-solid for its era, caps out at 4K 30p with AVCHD/MPEG-4 codecs, no headphone port, and limited bitrate. It’s good for casual YouTube and family videos but won’t satisfy semi-pro or professional workflows.
Build Quality and Weather Sealing: Ready for the Elements?
Both cameras feature weather-sealed magnesium alloy bodies to resist dust and splash, but the GH6 delivers a more robust construction.
- The GH6 has passed more rigorous environmental testing for dust, splash, and even freeze resistance, making it suitable for semi-professional fieldwork.
- The G85 is splash and dust resistant, but not freezeproof or crush-resistant.
For landscape shooters or pros working outdoors, this difference might justify the price gap alone.
Lens Ecosystem and Mount Compatibility
Both cameras use the Micro Four Thirds mount, meaning lens compatibility is broad and thriving.
- Panasonic and Olympus (now OM System) offer upwards of 100 native lenses, from ultraportable primes to pro telephotos.
- Third parties like Sigma, Tokina, and Panasonic’s own Leica-branded lenses add to choice.
Thanks to the sensor crop factor (2.1x), MFT lenses can double the effective reach of telephoto primes and zooms, a boon for wildlife and sports shooters on a budget.
Battery Life and Storage Options: Staying Powered Up
The GH6 and G85 both use rechargeable battery packs but differ in endurance:
- GH6 battery life is rated at ~360 shots per charge, slightly better than the G85’s 330 shots. Real-world usage will vary based on display and EVF use, but expect near-similar durations with modern power-saving modes.
- Storage-wise, the GH6 supports dual card slots: one CFexpress Type B and one UHS-II SD card. This combination offers blazing-fast write speeds and backup recording for demanding video workflows.
- The G85 only has a single UHS-I SD card slot - fine for stills but limiting for pro video redundancy.
Connectivity: Wireless and Ports
Both cameras have built-in wireless connectivity, but with some gaps:
- GH6 supports Bluetooth and Wi-Fi, allowing remote control and easy file transfer.
- G85 has Wi-Fi only, lacking Bluetooth.
- GH6 offers modern USB 3.2 Gen 1 for faster tethered transfers, compared to G85’s USB 2.0.
- HDMI ports are present on both, but only the GH6 offers full-sized connections suitable for clean external recording.
Price-to-Performance Ratio: What’s the Real Investment?
Here’s where things get practical:
- GH6 launches at about $2200 USD body only.
- G85 can be found for under $900 USD new or gently used.
The GH6 clearly targets professionals or serious enthusiasts demanding cutting-edge video, speed, and durability. It justifies its price with superior specs and versatile pro features.
The G85 remains the best option for entry-level enthusiasts, hobbyists, or those on tight budgets who still want solid image quality, respectable video, and compact portability.
How Each Camera Performs Across Photography Genres
I’ve tested both models extensively across key disciplines to gauge their real-world suitability:
Portrait Photography
- GH6: Higher resolution sensor captures crisp detail and smooth skin tones. Excellent autofocus eye and face detection, plus generous bokeh from fast lenses make it ideal for professional portraits.
- G85: Capable but limited by lower resolution. Good AF but lacks animal eye AF. Bokeh and tonal transitions aren’t as refined.
Landscape Photography
- GH6’s improved dynamic range, higher native resolution, and robust weather sealing make it a landscape champ.
- G85 is adequate for amateur landscapes but can struggle with highlight retention in harsh conditions.
Wildlife Photography
- GH6’s fast continuous AF, animal eye AF, and 14 FPS burst give it the edge here.
- G85’s slower AF and modest frame rate suit casual bird watching but not serious action.
Sports Photography
- GH6 is a clear winner with superior tracking and burst speed.
- G85 is a tight little competitor for casual sports or kids’ games.
Street Photography
- G85’s smaller size makes it stealthy and less obtrusive in crowds. The GH6 feels a little more conspicuous but its focus is faster.
- Both handle low light okay but GH6’s better ISO performance helps.
Macro Photography
- Both offer focus bracketing and stacking but GH6’s resolution advantage helps capture detailed textures.
- Stabilization on both is solid enough for handheld macros.
Night and Astro Photography
- GH6’s lower base ISO (50), better noise performance, and longer exposures with electronic shutter outperform the G85 for night and astro shooters.
- G85 can serve casual night scenes but with noisier images.
Video Capabilities
- GH6 blows away the competition here with 5.7K RAW, professional codecs, and audio monitoring.
- G85 fits casual 4K vlogging and YouTube but lacks professional polish.
Travel Photography
- G85’s size and weight appeal to travelers prioritizing light gear, while GH6’s weather sealing and extra features favor longer trips or varied climates.
Professional Work
- GH6 is the only choice for demanding pro workflows requiring fast transfers, custom file formats, and heavy video usage.
- G85 suits beginner pros or hobbyists refining their skills.
Sample Image Quality: Seeing is Believing
Take a look at these side-by-side RAW conversions from both cameras under identical conditions.
You’ll notice the GH6 renders finer detail, better dynamic range, and smoother tonal gradations - especially in shadow and highlight areas. The G85 produces pleasant images for web use but lacks the crispness and depth for professional assignments.
Overall Performance Scores and Rankings
Here’s a snapshot of how these cameras score overall based on standardized testing and my hands-on assessment.
The GH6 scores highly for speed, video, autofocus, and pro features, whereas the G85 shines for value and beginner-friendly operation.
Pros and Cons Summary
Panasonic GH6
Pros:
- Cutting-edge 25MP sensor with excellent image quality
- Pro video specs including 5.7K RAW and 4K 120p
- Fast, reliable autofocus with animal eye detection
- Dual card slots with CFexpress support
- Robust weather sealing and physical controls
- High-resolution EVF and rear LCD screen
Cons:
- Large and heavy body, less portable
- Expensive price point
- Steeper learning curve
Panasonic G85
Pros:
- Compact and lightweight
- Solid image quality for 16MP sensor size
- Fully articulating touchscreen
- Built-in flash for casual use
- Affordable price - great entry-level option
Cons:
- Older AF system without animal detection
- Limited video resolution and codec choice
- Single card slot, slower data interface
- Lower resolution EVF and screen
Who Should Buy Which Camera?
If you’re…
- A pro videographer, hybrid shooter, or professional photographer who demands top speed, 4K+ video flexibility, rugged construction, and advanced AF, go for the GH6. Yes, it’s pricey, but you get pro-grade tools that pay for themselves in faster, higher-quality output.
- A hobbyist, traveler, or beginner budget-conscious enthusiast wanting a capable all-rounder with good image quality, autofocus, and 4K video without breaking the bank, the G85 is a smart pick. It’s a fantastic value and feels great for everyday shooting.
Final Thoughts: Experience Matters - Make Your Choice Wisely
Having tested thousands of cameras, I can say that the GH6 clearly represents Panasonic’s pinnacle of Micro Four Thirds technology as of 2022, pushing boundaries in video and autofocus while embracing pro ergonomics.
The G85, released in 2016, remains an excellent option for those entering the MFT system or prioritizing budget and portability.
Ultimately, the choice boils down to your shooting style, budget, and whether you need professional video features or a compact, versatile travel camera.
I hope this comparison arms you with the insight to pick confidently. Both cameras can deliver beautiful images, but knowing their limits and strengths lets you unlock their potential fully.
Happy shooting!
If you enjoyed this hands-on comparison or have questions about your specific shooting needs, feel free to drop a comment or reach out. I love sharing real-world experience with fellow photography enthusiasts!
Panasonic GH6 vs Panasonic G85 Specifications
Panasonic Lumix DC-GH6 | Panasonic Lumix DMC-G85 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-GH6 | Panasonic Lumix DMC-G85 |
Also referred to as | - | Lumix DMC-G80 |
Category | Pro Mirrorless | Advanced Mirrorless |
Revealed | 2022-02-22 | 2016-09-19 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 25 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 5776 x 4336 | 4592 x 3448 |
Max native ISO | 25600 | 25600 |
Max boosted ISO | - | 25600 |
Minimum native ISO | 100 | 200 |
RAW pictures | ||
Minimum boosted ISO | 50 | 100 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 49 |
Lens | ||
Lens mount type | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 118 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen sizing | 3.00" | 3" |
Screen resolution | 1,840 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,680 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.74x |
Features | ||
Slowest shutter speed | 60 secs | 60 secs |
Maximum shutter speed | 1/8000 secs | 1/4000 secs |
Maximum silent shutter speed | 1/32000 secs | 1/16000 secs |
Continuous shooting rate | 14.0 frames/s | 9.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 6.20 m (at ISO 100) |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Maximum flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 5760 x 2880 @60p, 4096 x 2160 @ 120p | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
Max video resolution | 5760x2880 | 3840x2160 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 823 gr (1.81 lb) | 505 gr (1.11 lb) |
Physical dimensions | 139 x 100 x 100mm (5.5" x 3.9" x 3.9") | 128 x 89 x 74mm (5.0" x 3.5" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 71 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 656 |
Other | ||
Battery life | 360 photographs | 330 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery ID | DMW-BLK22 | - |
Self timer | Yes (2 or 10 secs, 10 secs w/3 images) | Yes (2 or 10 secs, 10 secs x 3 shots) |
Time lapse shooting | ||
Type of storage | Slot 1: CFexpress Card (CFexpress Type B), Slot 2: SD/SDHC/SDXC (UHS-I/UHS-II, Video Speed Class 90 standard) | SD/SDHC/SDXC card |
Card slots | Dual | 1 |
Price at launch | $2,198 | $900 |