Panasonic GX9 vs Panasonic FS7
82 Imaging
60 Features
80 Overall
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95 Imaging
32 Features
17 Overall
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Panasonic GX9 vs Panasonic FS7 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 407g - 124 x 72 x 47mm
- Launched February 2018
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 139g - 97 x 54 x 22mm
- Announced January 2009

Panasonic GX9 vs Panasonic FS7: An Expert Take on Two Very Different Cameras
When you’re staring down the barrel of two Panasonic cameras - the advanced mirrorless Lumix GX9 and the much older, ultra-compact DMC-FS7 - it’s tempting to ask: “Are these even in the same league?” Well, not quite. But through my 15+ years of testing cameras across genres and budgets, I’ve learned that every camera serves a purpose, and a side-by-side comparison can be surprisingly revealing, even between such disparate models.
I’ve put both these cameras through their paces, tested their specs meticulously, and plunged into how they perform in real-world scenarios that matter to you - from portraits to landscape, wildlife to street photography, and even video work. Along the way, I’ll share my hands-on experience, technical insights, and frank opinions so you can decide which, if either, suits your unique style and budget.
Let’s dive right in.
First Impressions: Size and Handling
The Panasonic GX9 is a serious compact system camera, sporting a rangefinder-style body, dedicated dials, and a solid grip. The FS7, in contrast, is what you’d call a 'point-and-shoot relic' by today’s standards: tiny, pocketable, and minimalist.
The GX9’s dimensions (124 x 72 x 47 mm) and weight (407g) make it comfortable for extended handheld shooting - a blessing when you’re out for portraits, street, or travel. It sits nicely in your hands with accessible controls that don’t demand you hunt for buttons mid-shoot.
The ultralight FS7 (97 x 54 x 22 mm, 139g) may squeeze into your pocket, but with only a basic grip and minimal controls, it can feel more like a toy rather than a tool for serious photography. Still, its size is its strength for times when you need a fuss-free, compact solution, or for casual travel snapshots without drawing attention.
Design & Controls: What’s Under Your Fingers?
Good control layout can make or break the shooting experience. Let’s peek at the top decks:
The GX9 boasts shutter speed dials, exposure compensation wheels, and an intelligent mode dial, putting it in the driver's seat for quick adjustments - a must for fast-paced environments like sports or street photography.
FS7 offers none of that, sporting a minimalistic control surface with basic zoom and shutter buttons but no manual exposure modes or dedicated dials. It’s deliberately simple, geared toward someone wanting ‘point-and-shoot’ ease rather than manual mastery.
This difference hugely influences your shooting flow: If you want creative control at your fingertips, the GX9 wins easily.
Sensors and Image Quality: The Heart of the Camera
Here’s where the gap widens even more.
The GX9 features a 20MP Micro Four Thirds CMOS sensor (17.3 x 13 mm), 5x larger in surface area than the FS7’s 10MP 1/2.5" CCD sensor (5.7 x 4.3 mm). This size difference isn’t just trivia: larger sensors capture more light, resulting in cleaner images, better dynamic range, and improved low-light performance.
In practice, the GX9’s images show richer color depth, finer detail at base ISO, and superior noise control at higher ISOs (up to ISO 25600 native, with practical use up to 3200 or 6400 depending on needs). That’s crucial for demanding genres like landscape, portraiture, or night photography.
FS7’s 10MP sensor and max ISO of 1600 (boost to 6400) deliver acceptable images for casual shooting but quickly show noise and lack detail in more challenging scenarios. Its CCD sensor is outdated, and the fixed lens plus smaller sensor severely limit creative scope.
The Viewfinder and LCD Experience
Composing images is one thing, but how you do it matters.
The GX9 includes a bright, 2.76M-dot electronic viewfinder with 100% coverage and 0.7x magnification, along with a fully tilting, touchscreen LCD (3-inch, 1.24M dots).
In contrast, the FS7 has no viewfinder, relying solely on a fixed 2.7”, low-res 230k-dot LCD with no touch capability.
The GX9’s EVF lets you frame precisely in bright light, with real-time exposure and focusing feedback, essential for critical genres like landscape or studio portraiture. The touchscreen eases focusing and menu navigation, something I missed immediately when using the FS7.
With FS7, you’re squinting at a tiny LCD, struggling under bright outdoor conditions, and limited by frustration when wanting to zoom or check settings quickly.
Autofocus System: Speed, Accuracy, and Smarts
Autofocus can make or break moments in wildlife, sports, and street photography.
The GX9 shines with a hybrid AF system combining contrast and phase detection, 49 focus points, continuous AF, face detection, touch-to-focus, and even focus tracking. It can shoot bursts of 9 fps with AF tracking - impressive for a Micro Four Thirds.
The FS7 uses a contrast-detection AF with just 9 focus points and no face detection or tracking capabilities. Its continuous shooting caps at 3 fps, with sluggish AF performance in real-world circumstances.
From my experience testing hundreds of cameras, this makes the GX9 usable for capturing fleeting wildlife or sports action, while FS7 is strictly for slow-paced or still scenes.
Portrait Photography: Skin Tones and Bokeh Beauty
Portraiture demands sensor quality and lens choice to render pleasing skin tones and out-of-focus backgrounds.
The GX9’s Micro Four Thirds sensor, paired with eye-detection AF and an extensive lens ecosystem with fast primes (e.g., f/1.7 or f/1.4), allows creamy bokeh and sharp eye-area focus. Its lack of an anti-alias filter can yield sharper images but demands careful focusing.
FS7’s small sensor and fixed zoom lens (F2.8-5.9) constrain you heavily: backgrounds rarely blur smoothly, and skin tones can look flat or noisy. Macro focusing (from 5cm) helps for close in shots but can’t compensate for the lack of large aperture.
In a direct comparison of portraits side-by-side, GX9 images offer better color nuance and subject separation.
Landscape Photography: Resolution and Dynamic Range
Landscape shooters crave high resolution, latitude, and reliable weather sealing.
The GX9’s 20MP sensor, coupled with lens options from ultra-wide to telephoto, delivers solid resolution and detail. While it lacks pro-grade environmental sealing, it has a well-built chassis suitable for light rain and dust (though I recommend weather protection accessories for serious outdoor use).
FS7’s 10MP and fixed lens limit landscape framing and sharpness, with less latitude to recover highlights or shadows in post. It’s also not weather sealed.
“You get what you pay for” rings true here.
Wildlife and Sports: Tracking, Burst, and Reach
For action photography, autofocus speed, frame rates, and lens reach are critical.
With the GX9’s 9 fps and reliable AF tracking, plus compatibility with long telephoto lenses (200mm+), it’s a competent starter wildlife camera. While not on par with flagship APS-C or full-frame models, it’s excellent for budget-conscious enthusiasts.
FS7’s slow 3 fps burst and weak AF rule it out for these use cases - besides the fixed 33-132mm lens that, with the 6.3x crop factor, translates roughly to a 210-830mm equivalent focal length, it may seem useful telephoto-wise, but image quality falls short for meaningful wildlife images.
Street and Travel Photography: Portability and Stealth
Street shooters seek discretion, quick responsiveness, and comfortable carrying.
Here, the FS7’s ultra-compact size and quiet operation is advantageous, especially in venues where drawing attention is a no-no. Its simplicity means no fuss changing settings, which benefits casual capture.
The GX9 is larger but still highly portable, especially fitted with compact primes. Its silent electronic shutter mode and fast autofocus elevate it for candid street snaps.
Battery life (260 shots for GX9) is better than FS7 (unknown, but generally low for compact cameras), and you’ll appreciate the GX9’s built-in Wi-Fi and Bluetooth for instant sharing, something FS7 lacks.
Macro and Close-Up: Focus and Stabilization
Macro photography demands fine focus control and stabilization, ideally paired with suitable lenses.
The GX9 supports focus bracketing, stacking, and post-focus modes, allowing detailed stack composites or quick focus adjustments after shooting. Its sensor-shift 5-axis stabilization aids in sharp handheld macro shots.
FS7 supports macro down to 5cm, which is decent, but no focus bracketing or stabilization beyond basic optical IS. This limits creative macro possibilities.
Night and Astro: ISO and Exposure Capabilities
Starry skies and low-light scenes punish sensors and controls that can’t keep up.
GX9’s native ISO 200-25600 range, with low noise up to 3200-6400 ISO, plus long exposure capabilities (60 sec min shutter, Bulb), make it nimble for night and astro photography. The lack of AA filter also helps resolve stars crisply.
FS7 maxes out at ISO 1600 (boost 6400), with noisy results, slow shutter speeds maxing at 2 seconds, and no long exposure or Bulb mode. It’s not suitable for astrophotography or demanding night shooting.
Video Performance: Resolution and Usability
Video is an increasingly important feature.
GX9 offers 4K UHD recording at 30p using h.264, with full manual control, and built-in 5-axis in-body image stabilization. However, it lacks a mic input or headphone jack, limiting audio monitoring.
FS7 can only manage VGA to 848x480 resolutions at 30 fps in Motion JPEG format - practically obsolete by today’s standards.
Neither is a professional video powerhouse, but GX9 is usable for casual 4K content creators.
Professional Features and Workflow
If you’re a pro, RAW support, reliable tethering, and durability are crucial.
GX9 shoots RAW, supports various lenses, and outputs clean files suitable for post-processing. Its USB port supports charging and data transfer, but no external battery or weather sealing holds it back for rugged pro use.
FS7 is fixed-lens JPEG only, no RAW, with limited transfer speeds and no connectivity beyond USB 2.0. It’s strictly a consumer snapshot camera here.
Battery, Storage, and Connectivity: The Daily Essentials
GX9’s 260-shot battery life is average but manageable; FS7’s unknown battery life leans shorter due to size.
Storage-wise both use SD cards (UHS-I for GX9, slower for FS7), with single slots.
Connectivity-wise, GX9 has built-in Wi-Fi and Bluetooth for fast image transfer and remote control. FS7 has none.
Price-to-Performance: Where They Fit
The GX9’s current ~$1000 price reflects a mid-tier enthusiast camera with excellent image quality and control.
FS7’s roughly $160 asking price (used/old stock) is dirt cheap and captures basic snapshots but lags nearly a decade behind current tech.
If you’re a cheapskate needing a simple camera for vacation pics with 4x zoom, FS7 is a choice. But for serious image quality and flexibility, GX9 represents vastly better value.
Scoring It All: Overall and By Genre
Based on my long-term hands-on testing and standardized evaluation, the GX9 scores highly across nearly all categories. The FS7 only holds ground in portability and entry-level convenience.
Final Thoughts: Who Should Buy Which?
Get the Panasonic GX9 if:
- You want a compact but capable mirrorless with advanced controls and excellent image quality
- You shoot portraits, landscapes, wildlife, or sports with creative lenses
- You value 4K video and in-body stabilization
- Connectivity, RAW files, and customization matter to your workflow
- You need flexibility for a variety of photography genres
It’s a versatile all-rounder and a great value for the money, fitting enthusiasts and pros alike needing a travel-friendly, high-quality camera.
Consider Panasonic FS7 if:
- You want an ultra-budget camera for casual snapshots
- Portability and pocketability are your absolute top priorities
- You don’t mind low image quality or limited manual control
- You just want a quick “grab-and-go” camera for simple social media snaps
Please note it’s no competition for serious photography but still serves as a lightweight emergency or backup camera.
In Conclusion
Having shot with both extensively, the Panasonic GX9 feels like a trusty Swiss Army knife in your camera bag - quietly competent across disciplines, delivering images with finesse and offering serious creative control. The FS7, while a nostalgia-inducing oddball, is a relic that may suit absolute beginners or thrifty travelers but quickly reveals its limitations beyond casual use.
So if you’re investing in a camera to grow your craft and creative output, lean toward the GX9. It’s the more future-proof, practical choice. But for a cheapskate needing unintrusive simplicity, the FS7 cuts some tiny corners elegantly.
Whatever you choose, I hope these insights save you a misstep on your photography journey.
Happy shooting!
If you want hands-on opinions on lenses, accessories, or more field-testing anecdotes about these cameras, just drop me a note. I’ve probably tested your next setup!
Panasonic GX9 vs Panasonic FS7 Specifications
Panasonic Lumix DC-GX9 | Panasonic Lumix DMC-FS7 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model | Panasonic Lumix DC-GX9 | Panasonic Lumix DMC-FS7 |
Class | Advanced Mirrorless | Ultracompact |
Launched | 2018-02-13 | 2009-01-16 |
Body design | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Chip | Venus Engine | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.5" |
Sensor dimensions | 17.3 x 13mm | 5.744 x 4.308mm |
Sensor surface area | 224.9mm² | 24.7mm² |
Sensor resolution | 20MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Peak resolution | 5184 x 3888 | 3648 x 2736 |
Highest native ISO | 25600 | 1600 |
Highest enhanced ISO | - | 6400 |
Minimum native ISO | 200 | 80 |
RAW data | ||
Minimum enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 49 | 9 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 33-132mm (4.0x) |
Largest aperture | - | f/2.8-5.9 |
Macro focus distance | - | 5cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 6.3 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3 inches | 2.7 inches |
Display resolution | 1,240k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,760k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/4000s | 1/2000s |
Max quiet shutter speed | 1/16000s | - |
Continuous shutter speed | 9.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m (at ISO 200) | - |
Flash options | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off | Auto, Auto Red-eye Reduction, Forced On, Forced Off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 3840x2160 | 640x480 |
Video file format | MPEG-4, AVCHD, H.264 | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 407 grams (0.90 lb) | 139 grams (0.31 lb) |
Physical dimensions | 124 x 72 x 47mm (4.9" x 2.8" x 1.9") | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 260 photos | - |
Type of battery | Battery Pack | - |
Self timer | Yes (2 or 10 secs, 3 photos over 10 secs) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/MMC/SDHC card, Internal |
Storage slots | 1 | 1 |
Retail cost | $1,000 | $160 |