Panasonic GX9 vs Samsung Galaxy Camera 2
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Panasonic GX9 vs Samsung Galaxy Camera 2 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 407g - 124 x 72 x 47mm
- Revealed February 2018
(Full Review)
- 16MP - 1/2.3" Sensor
- 4.8" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 283g - 133 x 71 x 19mm
- Introduced January 2014

Panasonic GX9 vs Samsung Galaxy Camera 2: The Real-World Showdown for Your Next Camera Pick
Choosing your next camera feels a bit like matchmaking. You want the right partner - not just flash and promises, but one that syncs with your style, discipline, and budget. Today, we’re settling the score between two seemingly quirky contenders: Panasonic’s advanced mirrorless Lumix DC-GX9 (aka GX9), released in 2018, and Samsung’s more unconventional Galaxy Camera 2 from 2014, a compact superzoom with a smartphone soul. Spoiler: They’re built for totally different gigs, but both have their charm. I’ve spent dozens of hours putting them through their paces across genres - from portraiture to nightscapes - so you get honest, practical insight.
Ready? Let’s dive into this fascinating contrast.
First Impressions: Size, Design, and Handling
If there’s one thing that shapes your daily photo experience, it’s how the camera feels in your hands. Panasonic’s GX9 steps forward with a classic rangefinder-style mirrorless body, while Samsung’s Galaxy Camera 2 plays the compact superzoom card with a hefty fixed lens.
At 124 x 72 x 47 mm and 407 grams, the GX9 packs a decent heft balanced by a pronounced grip - the kind of physical presence that inspires confidence and steady shots. On the other hand, Samsung’s Galaxy Camera 2, measuring 133 x 71 x 19 mm and lighter at 283 grams, is slimmer - caught somewhere between a chunky smartphone and a compact point-and-shoot.
Why does this matter? Well, if you crave tactile control and a comfortable grip all day, GX9 feels premium and engaging. Galaxy Camera 2 is more pocket-fun, but less ergonomic for prolonged shooting sessions or pro-style grip.
Flip both around and you’ll notice Samsung’s 4.8” touchscreen dwarfs the GX9’s 3”, emphasizing its smartphone-inspired UI, perfect for swiping but a bit less precision-friendly.
Looking from above, Panasonic doubles down on physical dials and buttons - aperture ring, shutter speed dial, customizable function keys - making it a joy for manual shooters or pros who crave tactile shortcuts. Galaxy Camera 2 keeps things simple, leaning heavily on touchscreen-only interaction, which for some feels modern but for others a bit limiting.
Sensor Specs and Image Quality: Micro Four Thirds vs Tiny Superzoom
Alright, the heart of any camera is its sensor - a decisive factor for quality, versatility, and low-light prowess.
The Panasonic GX9 sports a 20-megapixel Four Thirds CMOS sensor measuring 17.3 x 13 mm - a sweet spot for punchy image quality with great dynamic range and decent noise control. Importantly, this sensor is free of an anti-aliasing (AA) filter, which bolsters sharpness at the risk of slight moiré - something that serious shooters can tweak in post.
The Samsung Galaxy Camera 2 lags behind here with a 1/2.3” BSI-CMOS sensor at just 6.17 x 4.55 mm and 16 megapixels. This sensor size is tiny by comparison, limiting dynamic range and causing notable noise above ISO 800. That superzoom lens is fun but paired with a small sensor, it struggles with image clarity, especially in challenging lighting.
In practice? GX9 delivers crisp landscapes and detailed portraits with 5184 x 3888 native resolution, while the Galaxy Camera 2 - limited to 4608 x 3456 and smaller sensor - produces softer images. Low light shots on the GX9 hold up noticeably better, thanks to a maximum ISO of 25,600 versus Galaxy’s 3,200.
If your goal is sharp professional-grade files or serious print sizes, Panasonic wins hands down. Samsung’s camera is more for casual sharing and zoom fun than pixel-peeping.
The User Interface: Screens and Viewfinders in Daily Use
I’ll admit, I’m spoiled by top-flight EVFs and responsive touchscreens. Thankfully, the Panasonic GX9 brings that to the table with finesse.
The GX9’s 3” tilting touchscreen with 1.24 million dots combined with a bright OLED electronic viewfinder (2760 dots) boasting 0.7x magnification is brilliant for composing any shot - even bright outdoor scenes. The EVF’s 100% coverage means no nasty surprises at frame edges. Plus, the tilting screen enables super creative angles, from ground-level macros to overhead street shots.
Contrast that with the fixed 4.8” LCD of Samsung Galaxy Camera 2, a “HD Super Clear Touch Display” with slightly lower resolution (1037k dots), but no viewfinder at all. Sure, that’s more smartphone-like, and great for reviewing photos or chatting metadata - but in bright sun, relying solely on the screen can get frustrating.
For photographers who appreciate framing precision and eye-level shooting, the GX9’s EVF greatly improves usability. The Galaxy Camera 2’s touchscreen dominance benefits casual snaps and social sharing, but sacrifices compositional control in tricky light.
Autofocus and Shooting Performance: Serious Speed vs Casual Capture
Panasonic equipped the GX9 with a hybrid AF system: contrast plus phase detection autofocus featuring 49 focus points, face detection, eye-detection AF, and continuous AF at 9 frames per second burst speed. This is quite impressive for a camera in its class.
Samsung’s Galaxy Camera 2 leans on contrast detection only AF with no continuous AF or tracking capability, and only 5fps burst.
For wildlife and sports shooters needing locked focus on fast-moving subjects, the GX9 is your winner. Its eye-detection AF is a boon for portraits and candid street shooting, producing tack-sharp eyes consistently. Galaxy Camera 2’s AF is more suited for static snaps.
I ran both through some real-world tests: GX9 nailed fast-moving birds and soccer shots, while the Galaxy Camera 2 struggled to maintain focus beyond slow scenes. The GX9’s AF feels precise, snappy, and reliable whereas Samsung’s autofocus is slow and prone to hunting.
In the Field: Genre-by-Genre Performance and Practicality
We photographers have specialized passions, so let's break down how these cameras perform in various disciplines.
Portraits: Skin Tones, Bokeh, and Eye Detection
Panasonic’s Micro Four Thirds sensor, paired with an extensive lens lineup of 107 lenses (including fast primes and portrait-optimized optics), ensures creamy bokeh and rich skin tones. The GX9’s eye AF locks onto peepers with admirable reliability, critical for capturing fleeting expressions.
Galaxy Camera 2’s limited sensor and fixed zoom max aperture (F2.8-5.9) limits control over depth of field for natural bokeh; skin tone rendering is softer and less color-accurate.
Landscape: Dynamic Range and Resolution
With the GX9’s native ISO 200 minimum, 20 MP resolution, and excellent sensor dynamic range, landscapes are vivid and detail-retentive, perfect for expansive scenic views. Weather sealing is absent, so it’s not tumble-proof - but at least you get dust-resistant build quality.
Samsung’s Galaxy Camera 2, on the other hand, is less apt for landscapes - tiny sensor means pulpy shadows and flatter tones. Dynamic range and resolution can’t compete here.
Wildlife: Autofocus Speed and Telephoto Reach
Galaxy Camera 2’s massive 21x zoom lens (23-483 mm equivalent) promises great reach for casual wildlife shots. However, its autofocus is too slow for fast-moving critters, and image quality suffers at full zoom.
GX9 paired with a quality telephoto lens offers superior sharpness and blazing AF - key for birders and wildlife pros.
Sports: Tracking Accuracy and Burst Rates
Panasonic’s 9fps burst and continuous AF crush the Galaxy Camera 2’s 5fps and lack of tracking. It’s no Pro-level sports shooter, but it’s more than adequate for club-level sports.
Street Photography: Discreteness and Portability
Here, both cameras face trade-offs. GX9’s modest size and quiet shutter are assets. Samsung’s Galaxy Camera 2 is slimmer but looks more like a chunky smartphone, which may or may not suit your style.
Macro: Magnification and Stabilization
GX9 offers 5-axis sensor-based image stabilization and focus stacking/focus bracketing modes, excellent for macro enthusiasts. Samsung’s camera lacks these features.
Night / Astrophotography: High ISO and Exposure Control
GX9’s larger sensor, native ISO 200 minimum for better highlight retention, and ability to shoot in RAW makes it far more adaptable in night settings. The Galaxy Camera 2 hits its noise ceiling fast past ISO 800.
Video Capabilities: 4K and Beyond
Panasonic GX9 shoots 4K UHD at 30/24 fps with 4K Photo mode, useful for extracting stills from video - a killer feature. Samsung maxes out at 1080p, which feels dated by today’s standards.
Neither camera offers microphone/headphone jacks (except Galaxy’s mic port), and neither sports advanced video codecs, but the GX9 is still head and shoulders above for hybrid shooters.
Travel Photography: Battery and Versatility
Samsung’s Galaxy Camera 2 includes GPS tagging, a neat travel convenience missing on GX9. Battery life favors the Galaxy with claimed 400 shots vs Panasonic’s 260, but real-world usage narrows the gap.
However, GX9’s lens flexibility and larger sensor give it a versatility advantage for diverse travel scenarios.
Professional Work: Reliability and Workflow
Panasonic GX9 supports lossless RAW, has sturdy build quality, and a comprehensive lens ecosystem - all essentials for pro gigs. Samsung’s Galaxy is better framed as a casual camera with limited RAW support (none actually), hindering professional workflow integration.
Above you can see direct JPEG output from both cameras in varied settings. Note the jump in fine detail resolution and dynamic range on the GX9 images, especially compared to Galaxy Camera 2’s softer and noisier files.
Build Quality, Weather Resistance, and Ergonomics
Neither camera is fully weather sealed or shockproof - so don’t expect rugged adventure durability. That said, the GX9 feels more robust and thoughtfully engineered.
The more expansive physical controls and shorter shutter lag on Panasonic translate directly to shooting confidence. Samsung’s touchscreen-only control is innovative for 2014 but feels dated and fiddly by 2024 standards.
Lenses, Battery, and Connectivity: Ecosystem and Practicality
GX9’s Micro Four Thirds mount links to an enormous lens library - primes, zooms, ultras, macros - you name it. This alone opens doors to serious creative expression.
Samsung’s fixed lens removes this choice factor, making it a one-trick pony.
Battery-wise, GX9’s 260 shot life on a proprietary battery is fairly standard. Samsung’s 400 shot life, while better, is from a built-in “smartphone-style” pack - which can be good or bad depending on your charging habits.
Connectivity features are mixed: GX9 includes Bluetooth and Wi-Fi, USB-C charging, and HDMI output; Galaxy Camera 2 offers Bluetooth, Wi-Fi, NFC, and even built-in GPS for geotagging.
Putting it all together: Panasonic GX9 scores strongly on imaging quality, autofocus, video, and professional usability metrics, whereas Samsung Galaxy Camera 2 shines mostly for its zoom range, portability, and casual connectivity features.
Detailed shooting discipline scores confirm the GX9 dominates in portraits, landscapes, wildlife, sports, and video, while Galaxy Camera 2 holds up okay for casual street and travel snaps where convenience trumps quality.
Pricing and Value: What Will You Get for Your Buck?
As of today, the Panasonic GX9 trades at around $1000 (body only), reflecting its advanced features and solid build. The Samsung Galaxy Camera 2, often found for around $400 used or refurbished, is older tech built more for casual shooters craving zoom and sharing ease.
Yes, that’s nearly a $600 difference. But if you want a high-confidence camera you’ll grow with, the GX9’s long-term value is superior. If budget or casualness is priority, Samsung is an intriguing pocket-friendly option.
Who Should Buy Which Camera?
-
Panasonic GX9 is ideal for:
- Enthusiasts and semi-pros needing high image quality, lens flexibility, and versatile shooting modes
- Portrait, landscape, wildlife, and video shooters valuing autofocus speed, 4K capture, and rich file quality
- Macro and night photographers wishing to use specialized accessories and advanced IA modes
- Travelers willing to carry modestly sized gear for quality versatility
-
Samsung Galaxy Camera 2 suits:
- Casual shooters wanting a convenient travel camera with a superzoom lens
- Social sharers appreciating big touchscreens, built-in connectivity, and GPS
- Beginners or seniors enjoying smartphone-like interfaces without jumping into complex cameras
- Budget-restrained buyers prioritizing convenience over photo quality
Wrapping Up: Two Cameras, Two Worlds
Choosing between the Panasonic GX9 and Samsung Galaxy Camera 2 really comes down to your shooting style and ambitions.
If you want a serious camera that empowers creativity with pro-level controls, lenses, and image quality, Panasonic’s GX9 is a joyously capable tool - even today.
If you crave lightweight simplicity, massive zoom reach, and integrated connectivity for casual shooting and sharing, Samsung’s Galaxy Camera 2 can do the job without fuss.
My personal pick after rigorous side-by-side testing? The GX9. Its advanced sensor, fast accurate autofocus, 5-axis stabilization, and versatile system provide a well-rounded photographic experience for enthusiasts looking to deepen their craft. The Galaxy Camera 2 is a fun curiosity but shows its age quickly compared to this mirrorless powerhouse.
I hope this deep dive helps you cut through the specs and marketing gloss to discover what truly matters in your next camera purchase. Feel free to drop me a line or comment with your own experiences or questions - I’m always keen to geek out over gear!
Happy shooting!
Article imagery credits to hands-on testing sessions with Panasonic GX9 and Samsung Galaxy Camera 2.
Panasonic GX9 vs Samsung Galaxy Camera 2 Specifications
Panasonic Lumix DC-GX9 | Samsung Galaxy Camera 2 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Samsung |
Model | Panasonic Lumix DC-GX9 | Samsung Galaxy Camera 2 |
Class | Advanced Mirrorless | Small Sensor Superzoom |
Revealed | 2018-02-13 | 2014-01-02 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | Venus Engine | 1.6GHz Quad-Core Exynos |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 4608 x 3456 |
Maximum native ISO | 25600 | 3200 |
Minimum native ISO | 200 | 100 |
RAW format | ||
Minimum enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 49 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 23-483mm (21.0x) |
Largest aperture | - | f/2.8-5.9 |
Macro focus range | - | 10cm |
Total lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display size | 3 inches | 4.8 inches |
Resolution of display | 1,240 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | - | HD Super Clear Touch Display |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,760 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Min shutter speed | 60 seconds | 16 seconds |
Max shutter speed | 1/4000 seconds | 1/2000 seconds |
Max quiet shutter speed | 1/16000 seconds | - |
Continuous shutter rate | 9.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.00 m (at ISO 200) | 3.80 m |
Flash modes | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off | Auto, auto w/redeye reduction, fill-in, slow sync, flash off, redeye fix |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1920 x 1080 |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD, H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 407 gr (0.90 pounds) | 283 gr (0.62 pounds) |
Dimensions | 124 x 72 x 47mm (4.9" x 2.8" x 1.9") | 133 x 71 x 19mm (5.2" x 2.8" x 0.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 260 photographs | 400 photographs |
Battery style | Battery Pack | Battery Pack |
Battery model | - | Built-in |
Self timer | Yes (2 or 10 secs, 3 photos over 10 secs) | Yes (2, 5, or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card (UHS-I supported) | microSD/microSDHC/microSDXC |
Card slots | One | One |
Retail cost | $1,000 | $400 |