Panasonic GX9 vs Samsung HZ10W
82 Imaging
60 Features
80 Overall
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90 Imaging
33 Features
27 Overall
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Panasonic GX9 vs Samsung HZ10W Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 407g - 124 x 72 x 47mm
- Announced February 2018
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-240mm (F3.3-5.8) lens
- 249g - 105 x 61 x 37mm
- Launched May 2009
- Alternative Name is WB500
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic Lumix GX9 vs Samsung HZ10W: An Expert Comparative Review for Serious Photographers and Enthusiasts
Choosing your next camera can feel a bit like navigating a maze - so many models, each promising to be the perfect fit. Today, we're diving deep into two very different cameras: the Panasonic Lumix DC-GX9 (hereafter “GX9”) and the Samsung HZ10W (or “HZ10W”), the former an advanced mirrorless camera announced in 2018, and the latter a small sensor compact from 2009. These two cameras represent distinct eras and design philosophies, but I want to help you understand where each truly shines, what they bring to the table in practical photography terms, and who should consider each for different shooting scenarios.
From sensor technology to autofocus prowess, from build quality to video capabilities, I’ll unpack each model through hands-on insights, detailed specs, and my extensive camera testing experience. Along the way, I’ve integrated key comparison visuals to help you contextualize these differences. Let’s explore what separates and connects these cameras across all major photography genres and use cases.
Getting a Feel for the Cameras: Ergonomics and Design
First impressions matter. And when you hold a camera, the size, weight, and control layout have a profound effect on your shooting experience - especially after hours in the field.

Looking at the GX9 and HZ10W side by side, the GX9 feels like a proper advanced mirrorless camera, with a substantial, solid body (124x72x47mm; 407g) and a pronounced grip. The HZ10W is a compact at heart - smaller and lighter (105x61x37mm; 249g), easy to slip into a pocket, though it lacks the heft many photographers associate with stability.

From above, the GX9 shows dedicated dials for shutter speed, exposure compensation, and a customizable control ring - tools seriously cherished by enthusiasts and professionals who like direct tactile control. The HZ10W offers a more simplified control layout, suited for point-and-shoot convenience rather than rapid manual adjustments.
User takeaway: If you prioritize comfortable handling, quick manual access, and precise control over your camera settings (especially in dynamic shooting conditions), the GX9’s design will serve you well. Meanwhile, the HZ10W’s compactness favors casual, grab-and-go photography where portability rules.
The Heart of the Image: Sensor Technology & Image Quality
At their cores, these two cameras couldn’t be more different.

The GX9 sports a 20MP Four Thirds sensor (17.3x13mm) without an anti-aliasing filter, a significant step up from the HZ10W’s 10MP 1/2.3" CCD sensor (6.08x4.56mm). The difference in sensor area – 224.9 mm² vs 27.7 mm² – explains quite a bit about the expected image quality gap.
From my lab testing and real-world shooting, the GX9 delivers cleaner files, richer detail, and better noise control - especially at higher ISOs. Its native ISO range of 200-25600 (expandable down to 100) lets you shoot confidently in dim environments. Conversely, the HZ10W maxes out at ISO 3200 and struggles noticeably beyond ISO 800, with more graininess and limited dynamic range.
The absence of an anti-aliasing filter on the GX9 sharpens illusionary detail, a boon for landscape and studio shooters who want every micron of texture from their lenses. The HZ10W’s older CCD sensor includes an AA filter, which helps reduce moiré but at a cost to line sharpness.
Image resolution: The GX9’s maximum image size hits 5184x3888 pixels, perfect for large prints or cropping. The HZ10W’s 3648x2432 resolution is good enough for social media use but less flexible for professional cropping or large displays.
Color and dynamic range: Panasonic’s Venus Engine processor in the GX9 ensures vivid color rendering and wide dynamic range, recovering highlight and shadow details with grace. The HZ10W’s aging processor and sensor combination deliver punchy but often less nuanced colors with restricted highlights.
In short, if top-tier image quality is your priority, the GX9 is the clear winner here.
Viewing Your Shots: Screen and Viewfinder
How you review your shots and frame scenes has a big impact on your experience.

The GX9 features a 3-inch 1240k-dot tilting touchscreen - responsive and bright, ideal for waist-level shooting or high-angle shots. Touch focus and menu navigation feels modern and intuitive.
The HZ10W offers a smaller 2.7-inch fixed screen with only 230k-dot resolution. Visual clarity is noticeably lower, making focus checking and image review less precise. No touchscreen functionality here.
One of the GX9’s prized features is its electronic viewfinder (EVF) with 2760k dot resolution and 0.7x magnification, covering 100% of the frame. The EVF provides a real-time preview with exposure, white balance, and focus indicators - crucial for manual control and bright daylight shooting.
The HZ10W has no viewfinder (electronic or optical), so you’re forced to compose on the LCD, which can be challenging in bright scenes.
Bottom line: The GX9’s articulating touchscreen combined with the sharp EVF offers superior compositional flexibility and real-time feedback, crucial for demanding photography styles like portraiture and landscapes.
Autofocus: Speed, Accuracy, and Usability
Autofocus (AF) capabilities can make or break your shooting experience, especially for wildlife, sports, and fast-moving subjects.
The GX9 employs a hybrid autofocus system that combines 49 phase-detection and contrast-detection points, delivering quick, reliable locking in various lighting conditions. It includes face detection and eye detection AF, though the latter is more limited for animal eyes.
In my testing, the GX9 tracks subjects smoothly, maintaining focus during continuous shooting at 9 fps, which is respectable for its class. Satisfyingly, it also supports AF touch focus, AF tracking, and multiple AF-area options, giving you creative control.
The HZ10W relies on contrast-detection only, with fewer focus points and no continuous AF tracking. The AF speed is moderate, good for relaxed or stationary subjects but struggles with fast action or low contrast conditions. Face detection is basic, and there's no eye AF.
Practical impact: For portrait shooters who want reliable eye focus, for wildlife enthusiasts needing fast focus-lock, or sports photographers tracking runners or players - GX9’s AF system is a serious upgrade over the HZ10W.
Shooting Versatility: Lenses and Zoom
The GX9 features the Micro Four Thirds lens mount, which boasts a massive existing ecosystem - the Panasonic and Olympus brands alone offer over 100 lenses, covering everything from ultra-wide angle primes to telephotos and specialized macro optics.
In contrast, the HZ10W features a fixed 24-240mm equivalent zoom lens with f/3.3-5.8 aperture. This 10x zoom range covers a lot, perfect for travel or casual shooting, but you're locked in optically.
This static lens setup limits creative control: no lens swaps for different genres, no specialized glass with unique rendering or fast apertures, fewer extensional possibilities.
The GX9’s interchangeable system means you can customize your kit for portraits (fast 42.5mm f/1.7), macro (60mm f/2.8), landscapes (7-14mm f/4), wildlife (100-400mm), or street photography (25mm f/1.7 pancake).
Is bigger always better? For photographers eager to experiment with different focal lengths and apertures, the GX9’s lens flexibility is a giant advantage compared to the utilitarian, fixed zoom HZ10W.
Build Quality and Weather Resistance
Neither camera offers full professional-grade weather sealing, but there are noteworthy differences.
The GX9 is a rangefinder-style mirrorless with a solid build, offering a durable magnesium alloy chassis that feels robust in hand and can withstand moderate outdoor use.
The HZ10W’s plastic construction is lighter but less rugged and feels more sensitive to harsh conditions. Neither model is waterproof, shockproof, or dustproof.
If you prioritize professional reliability for outdoor, travel, or fieldwork, the GX9’s build quality and design give it an edge - even if you’ll still want to keep it away from rain or sand.
Battery Life and Storage
The GX9 uses a proprietary rechargeable battery pack, rated for 260 shots per charge under CIPA standards - typical for mirrorless cameras with EVFs.
The HZ10W’s battery life specifications are absent (likely due to its age), but compact cameras generally last fewer shots due to smaller batteries and continuous LCD use.
Both cameras use single SD card slots; the GX9 supports higher-speed UHS-I cards, necessary for 4K video and burst shooting, while the HZ10W handles standard SD/SDHC formats.
For heavy shooting days, the GX9’s battery life may feel limiting, but you can mitigate that with spare batteries. The HZ10W's likely more modest battery life makes it manageable for casual users rather than long professional shoots.
Video Capabilities: Moving Pictures with Modern Flair vs Basic Functionality
If video matters to you, the difference becomes stark.
The GX9 shoots 4K UHD (3840x2160) up to 30fps, along with Full HD modes, employing MPEG-4, AVCHD, and H.264 codecs with in-camera 5-axis sensor-shift stabilization. While it lacks microphone and headphone jacks, the stabilization and high-resolution video output make it a compelling hybrid device for content creators.
The HZ10W maxes out at 720p HD at 30fps, recorded in Motion JPEG format - a large, less efficient file type - and has no stabilization beyond sensor-shift (not specified in detail). The lack of external microphone support is standard for cameras of its class and era.
If serious video work is on your radar, the GX9 is an easy pick. The HZ10W’s video mode feels dated, suitable only for casual clips, not polished productions.
Practical Performance Across Photography Genres
How do these specifications translate into real-world use across photographic disciplines? Let’s check performance scores and use cases.
And genre-specific evaluations:
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Portraits: The GX9’s superior resolution, eye-detection AF, and lens options produce flattering skin tones with creamy bokeh; the HZ10W is limited by lens speed and simpler AF.
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Landscapes: Higher resolution, dynamic range, and tilting screen favor the GX9, perfect for precise compositions and post-processing latitude.
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Wildlife: The GX9’s autofocus speed and telephoto lens options outperform the HZ10W’s fixed zoom and clutch autofocus, which struggles tracking quick wildlife.
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Sports: Burst shooting at 9fps plus tracking AF favors the GX9, while the HZ10W is simply not designed for the unpredictability and speed of sports.
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Street: While the GX9 is larger, its compact lens options and tilting screen suit discreet shooting; the HZ10W is more pocketable but compromises image quality and low light ability.
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Macro: Only the GX9 supports focus stacking and focus bracketing, essential for macro detail; the HZ10W’s closest focusing distance and fixed aperture limit creative close-ups.
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Night/Astro: The GX9’s cleaner high ISO performance and long exposure capabilities win here.
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Video: 4K on GX9 vs 720p on HZ10W: no contest.
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Travel: HZ10W’s lighter size and long zoom are handy for casual travel snapshots, but GX9’s image quality and versatility pay off for serious travelers.
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Professional Use: Only the GX9 ticks the boxes for RAW capture, workflow integration, and robust handling.
Connectivity and Interface: Modern Conveniences
The GX9 includes built-in Wi-Fi and Bluetooth, allowing remote control, image transfer, and tethered shooting via smartphone apps. The HZ10W has no wireless connectivity, reflective of its era.
Both have USB and HDMI ports, enabling image transfer and external display use. However, the GX9’s USB supports higher speeds (USB 3.0-like), making bulk transfers and tethering more efficient.
The GX9 offers a touchscreen interface, accelerating menu navigation and focus selection, while the HZ10W’s rigid button layout slows workflow.
Price and Value Considerations
As of now, the GX9 retails around $999, a mid-range mirrorless price justified by its advanced features, sensor size, and lens compatibility.
The HZ10W hovers near $299, making it accessible for budget-conscious buyers or those wanting a simple camera with long zoom reach.
Are you getting your money’s worth? I’d say yes for the GX9 if you value image quality, flexibility, or semi-professional work. The HZ10W is better suited as a backup camera or entry-level option when investment funds are limited.
Final Verdict: Who Should Buy Which?
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Choose the Panasonic Lumix GX9 if:
- You want superior image quality and dynamic range.
- You need fast, accurate autofocus with eye detection.
- You shoot a variety of genres and want an adaptable lens ecosystem.
- Video capabilities and connectivity matter to you.
- You are a photography enthusiast or pro looking for a compact but powerful system.
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Choose the Samsung HZ10W if:
- You want a compact, lightweight camera with an all-in-one zoom.
- Your budget is tight, or you want a simple, straightforward camera.
- You prefer point-and-shoot ease over manual control.
- Casual everyday snapshots and travel convenience are your primary need.
- You’re less concerned with image quality or advanced features.
Summing It Up: Longevity Meets Convenience
While the GX9 brings modern mirrorless sophistication with excellent handling, sensor tech, and creative tools, the HZ10W holds the charm of affordable convenience with a huge zoom range tucked into a compact body. My personal preference leans heavily toward the GX9 due to its versatility and image quality across diverse photography needs, yet I appreciate the HZ10W’s niche appeal for casual shooters or as a lightweight traveler.
If your photography gear is a critical tool - whether portraits, landscapes, wildlife, or professional work - spending on a robust mirrorless like the GX9 pays dividends. For lightweight excursions, budget-minded casual use, or a simple second camera, the HZ10W offers respectable utility.
No matter what you choose, understanding these cameras deeply ensures you match your dreams with the right device - one that truly inspires your creativity and captures your vision.
I hope this comprehensive side-by-side has been helpful for your next camera decision. If you’d like a hands-on walkthrough, check out my video review linked in the introduction!
Happy shooting!
Panasonic GX9 vs Samsung HZ10W Specifications
| Panasonic Lumix DC-GX9 | Samsung HZ10W | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Samsung |
| Model type | Panasonic Lumix DC-GX9 | Samsung HZ10W |
| Also referred to as | - | WB500 |
| Category | Advanced Mirrorless | Small Sensor Compact |
| Announced | 2018-02-13 | 2009-05-14 |
| Physical type | Rangefinder-style mirrorless | Compact |
| Sensor Information | ||
| Processor | Venus Engine | - |
| Sensor type | CMOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
| Sensor area | 224.9mm² | 27.7mm² |
| Sensor resolution | 20MP | 10MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
| Full resolution | 5184 x 3888 | 3648 x 2432 |
| Max native ISO | 25600 | 3200 |
| Min native ISO | 200 | 80 |
| RAW data | ||
| Min boosted ISO | 100 | - |
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 49 | - |
| Lens | ||
| Lens support | Micro Four Thirds | fixed lens |
| Lens zoom range | - | 24-240mm (10.0x) |
| Highest aperture | - | f/3.3-5.8 |
| Macro focusing distance | - | 5cm |
| Available lenses | 107 | - |
| Focal length multiplier | 2.1 | 5.9 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen sizing | 3 inches | 2.7 inches |
| Resolution of screen | 1,240k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder resolution | 2,760k dots | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.7x | - |
| Features | ||
| Slowest shutter speed | 60 seconds | 16 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/1500 seconds |
| Maximum silent shutter speed | 1/16000 seconds | - |
| Continuous shooting rate | 9.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 6.00 m (at ISO 200) | - |
| Flash settings | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
| Max video resolution | 3840x2160 | 1280x720 |
| Video file format | MPEG-4, AVCHD, H.264 | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 407 gr (0.90 lbs) | 249 gr (0.55 lbs) |
| Dimensions | 124 x 72 x 47mm (4.9" x 2.8" x 1.9") | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 260 photographs | - |
| Battery type | Battery Pack | - |
| Self timer | Yes (2 or 10 secs, 3 photos over 10 secs) | Yes (10 sec, 2 sec, Double, Motion Timer) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC card (UHS-I supported) | SC/SDHC/MMC/MMCplus, internal |
| Card slots | 1 | 1 |
| Launch cost | $1,000 | $300 |