Panasonic GX9 vs Sony NEX-F3
82 Imaging
60 Features
80 Overall
68


86 Imaging
57 Features
60 Overall
58
Panasonic GX9 vs Sony NEX-F3 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 407g - 124 x 72 x 47mm
- Revealed February 2018
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 314g - 117 x 67 x 42mm
- Introduced August 2012
- Superseded the Sony NEX-C3
- Newer Model is Sony NEX-3N

Panasonic GX9 vs Sony NEX-F3: A Hands-On Mirrorless Showdown for Serious Photographers
Selecting a mirrorless camera can feel like navigating a labyrinth, given how many factors - from sensor tech to handling - shape the experience and results. I’ve spent years testing hundreds of cameras, and comparing the Panasonic Lumix GX9 and Sony NEX-F3 gives a fascinating glimpse into the evolution and trade-offs in mirrorless systems across different eras and target audiences. Here’s my detailed, experience-driven take to help you decide which one matches your photographic journey best.
Initial Impressions: Size Matters, But So Does Feel
At first glance, both cameras share a rangefinder-style mirrorless footprint that appeals to enthusiasts who value portability without sacrificing control. Side-by-side, the Panasonic GX9 has a somewhat chunkier, more rounded body compared to the smaller, leaner Sony NEX-F3. The Panasonic weighs about 407g, while the Sony is lighter at 314g. That difference, combined with the GX9’s pronounced grip, provides a more stable in-hand feel during extended shoots. I personally prefer this for landscape and wildlife work, where steadiness counts, while the compactness of the NEX-F3 wins for street and travel photography where discreetness and ease of carry are paramount.
One element to note: the GX9’s body measures 124 x 72 x 47mm, slightly larger than the NEX-F3’s 117 x 67 x 42mm. You’ll want to handle both if possible to feel if the Panasonic’s heft enhances your confidence in handheld use or if the Sony’s lightweight design fits your style better.
Top-Down: Control Layouts and Usability in the Field
Spending hours with both cameras, I noticed the GX9 sports a more mature and tactile button layout. Dedicated dials for exposure compensation, exposure mode, and shutter speed give hands-on photographers the ability to tweak settings rapidly - even in bright daylight or stressful moments - without fumbling through menus. The NEX-F3’s more simplified top design, while cleaner, requires menu diving for some essential adjustments, which occasionally interrupts creative flow.
For advanced shooters who like a direct connection with exposure parameters (think: sports or manual portrait sessions), the GX9’s control ergonomics offer a clear advantage. Conversely, beginners or hobbyists stepping up from smartphones might appreciate the NEX-F3’s straightforward approach without feeling overwhelmed.
Sensor Technology and Image Quality Analysis
This section is crucial for image purists who want every pixel to tell their story. The Panasonic GX9 employs a 20.3MP Four Thirds CMOS sensor measuring 17.3 x 13 mm, whereas the Sony NEX-F3 holds a 16.1MP APS-C sensor sized 23.4 x 15.6 mm. So, while the NEX-F3’s sensor has fewer megapixels, its physically larger size offers inherent advantages in light gathering and noise control - vital for low-light and high-ISO shooting.
However, the GX9 compensates with a no optical low-pass filter (OLPF) design that optimizes fine detail and sharpness at base ISO. When I shot landscapes and macro subjects with the GX9, I could pull out fine texture in rocks and petals that looked slightly softened on the Sony footage. Yet, in challenging dim environments and night photography, the larger Sony sensor exhibited cleaner shadows with less chroma noise - a predictable result given sensor physics.
Color depth and dynamic range also differ: the Sony NEX-F3 benefits from 22.7 bits color depth (DxOMark data) and a dynamic range around 12.3 EV, compared to the Panasonic’s untested but typically solid Four Thirds output. Practically, this means the Sony offers a wider exposure latitude in raw files before clipping highlights or crushing shadows if you like to shoot high-contrast scenes.
LCD Screens and Live View Experience
For composing shots on the fly, touchscreen functionality and resolution matter. The Panasonic GX9 rocks a 3-inch, 1,240k-dot tilting touchscreen that supports tap-to-focus and menu navigation. This responsiveness feels intuitive, especially when shooting at odd angles or navigating menus rapidly during a shoot. As someone who often shoots handheld landscapes and street scenes, this feature boosts my efficiency and connection to the subject.
On the other hand, the Sony NEX-F3’s 3-inch 920k-dot tilting TFT Xtra Fine LCD lacks touch control, which means focusing and menu interaction rely solely on buttons and dials. While not a dealbreaker, in a modern context, this can slow workflow or feel less natural to photographers used to smartphones or newer mirrorless interfaces.
Neither camera offers a built-in electronic viewfinder (EVF) in the NEX-F3’s case, though the GX9 includes a bright 2.76M-dot EVF with 100% coverage and 0.7x magnification, excellent for critical framing and low-light composing that can strain LCD screens.
Autofocus Systems Put to the Test
Autofocus (AF) performance is often the dividing line for which camera suits your needs best. The Panasonic GX9 employs a hybrid AF system with 49 points, combining contrast and phase detection with face-detection features, including eye detection. This results in fast, confident focusing, especially noticeable in portraits and street photography - a must-have for capturing fleeting expressions or decisive moments.
The Sony NEX-F3, built in 2012, uses 25 contrast-detection AF points, lacking phase detection and eye AF, and in practical use this translates to slower and less reliable focusing under challenging conditions - low light, fast subjects, or complex backgrounds.
Continuous AF tracking on the GX9 feels very capable for wildlife or general action, maintaining focus well during burst shooting at 9fps. The NEX-F3 maxes out at 6fps but the tracking isn’t as robust, meaning you might miss focus in high-speed sports or erratic subjects.
Burst Rates and Buffer Performance
In the world of sports or wildlife photography, frame rates can make or break your shoot. The Panasonic GX9’s 9fps continuous shooting with AF-C outperforming the Sony’s 6fps continuous shooting even without reliable AF tracking sets it apart. The buffer size on the GX9 sustains longer bursts, which I confirmed during real-world testing shooting birds in flight - critical when timing is tight.
The Sony’s smaller buffer fills more quickly, and combined with its less advanced AF, means fewer keepers during burst sequences. This could frustrate enthusiasts who work in rapid-action environments.
Build Quality and Weather Sealing
Neither camera offers official weather sealing or advanced environmental protections, so cautious handling is a must, especially for outdoor and travel photography in challenging climates. The Panasonic GX9’s more robust construction and higher-quality materials give it a feeling of durability over the Sony NEX-F3’s lighter, more plastic-heavy build. If you’re prone to rugged shoots or demanding workflows, this difference in reliability and confidence is worth considering.
Lens Ecosystem and Focal Length Flexibility
When it comes to lenses, compatibility can define how your system grows and adapts. The Panasonic GX9 fits into the Micro Four Thirds system, boasting a substantial library with over 100 native lenses from Panasonic, Olympus, and third-party manufacturers. The 2.1x crop factor means telephoto lenses achieve effective focal lengths double their nominal values - great for wildlife or sports telephoto reach in a compact form.
In comparison, the Sony NEX-F3’s Sony E-mount APS-C system is supported by 121 lenses, including high-quality primes and zooms, better suited for low-light shooting due to generally faster apertures. The 1.5x crop factor is a sweet spot balancing wide and telephoto capabilities.
I find the Sony lens lineup to offer more premium optics options overall, but Panasonic’s lenses excel in size-to-performance ratio, especially with stabilizing power aiding handheld shooting. Your lens selection depends heavily on shooting style - telephoto reach and speed for wildlife/sports (Panasonic) vs. faster glass and aperture variety for portraits and low light (Sony).
Battery Life and Storage Considerations
Surprisingly, the older Sony NEX-F3 manages better battery life around 470 shots per charge compared to the Panasonic GX9’s 260 shots. This might reflect more efficient power management or simpler electronics on the Sony but matters for extended trips or professional shoots without convenient recharging.
Both cameras accept SD cards (GX9 supports UHS-I), but note the Sony also accommodates Memory Stick Pro Duo media - a legacy option. The GX9 only supports SD formats. If you prefer faster, modern cards for high-bit-rate video and rapid RAW shooting, the Panasonic’s UHS-I compatibility supports those workflows better.
Image Styles and Real-World Results Across Genres
Now, to the heart of what a camera promises - capturing compelling images across all photography types. I put both cameras through extensive trials.
Portraits
The Panasonic GX9’s eye detection AF and finer sensor detail deliver precise focus on eyes and lovely skin tone reproduction. Its sensor-based 5-axis stabilization means you can handhold primes longer without blur, producing smooth bokeh and sharp subject isolation - a joy for portrait lovers.
The Sony’s lack of eye AF hampers quick focus on eyes, and slightly softer detail from the anti-aliasing filter means portraits are less punchy but still very usable. Color rendition is warm but less nuanced, suitable for casual portraits.
Landscapes
With higher resolution and no anti-aliasing filter, the GX9 shines in landscape captures, rendering textures and wide dynamic ranges with subtle highlight recovery in shadowed areas. The 5-axis stabilization helps for handheld twilight shots.
Sony’s APS-C sensor’s dynamic range is also excellent; it captures vast tonal gradation, though slightly less sharp at base ISO. Larger sensor size benefits scenes with varied light - sunsets, forests - with cleaner shadow rendition.
Wildlife
The GX9’s faster autofocus and 9fps burst rate deliver more reliable captures of erratic wildlife movement. The smaller sensor also enables a longer effective reach, an advantage in distance shooting.
The Sony’s slower AF and shorter burst capabilities limit success in this area.
Sports
Similar to wildlife, Panasonic’s autofocus tracking and frame rates are preferable in sports shooting, although neither camera is truly tailored to professional high-speed action.
Street
Sony’s compact size and lighter weight aid discreet street shooting. Yet, the GX9’s quieter shutter and advanced AF, including face detection, help capture candid moments with confidence.
Macro
Panasonic’s focus stacking and bracketing options, not present on Sony, empower macro enthusiasts to achieve impressive depth of field extension.
Night and Astrophotography
Sony’s larger sensor and better high-ISO noise control contribute to cleaner astrophotographs and night scenes. The GX9 performs well but displays more noise at ISO 3200+.
Video
Both record up to 1080p video; the GX9 adds 4K video capability, an essential upgrade for hybrid shooters wanting crisp, detailed 4K recordings. Optical image stabilization during video shooting is a GX9 advantage.
Neither camera supports microphone or headphone ports, limiting external audio capabilities - a downside for serious videographers.
Travel and Professional Use
Panasonic’s superior build, lens system, and feature set favor professional or serious enthusiast travelers prioritizing image quality and responsiveness over battery life. Sony’s battery longevity, lighter weight, and affordability appeal to casual travelers or beginners upgrading from compacts or phones.
Connectivity and Extras
The GX9 includes built-in Wi-Fi and Bluetooth, facilitating instant image transfer and remote control - modern necessities for sharing and quick preview. The Sony NEX-F3 is limited to Eye-Fi card support and USB 2.0, less flexible for today’s connected workflows.
Price vs Performance: What’s the Real Value?
At launch, the Panasonic GX9 commanded roughly $999, more than double the Sony NEX-F3’s $470 entry price. Does the premium translate into vastly superior capability? Undeniably yes - in image quality, features, and user experience.
For casual shooters or beginners on a budget, the Sony NEX-F3 still offers a competent APS-C sensor and a solid lens ecosystem. However, the Panasonic GX9 justifies its price with pro-level features like fast hybrid focusing, 4K video, superior build, and stabilization.
Who Should Buy Which?
-
Choose the Panasonic GX9 if:
- You prioritize image quality with fine detail and sharpness.
- You need fast, reliable autofocus with eye detection for portraits and street.
- You want 4K video capabilities with in-body stabilization.
- You shoot wildlife, sports, macro, or landscape with an extended lens range.
- You value a robust camera body and direct, tactile control dials.
- You can invest more upfront for longevity and professional features.
-
Choose the Sony NEX-F3 if:
- You want a lightweight, budget-friendly entry into mirrorless APS-C.
- You shoot primarily casual portraits, travel snapshots, or day-to-day pictures.
- Battery life is a strong consideration for long outings.
- You prefer a simpler user interface and less bulky gear.
- You’re comfortable coping with slower AF and less expansive features.
Final Thoughts from My Field Tests
Spending days shooting side-by-side in diverse environments, I found the Panasonic GX9 a more compelling and versatile tool for serious photography demanding image quality, speed, and modern convenience. The Sony NEX-F3 still holds charm as a capable lightweight system for those starting out or prioritizing portability and price.
If you are making a long-term investment into mirrorless with an eye to advanced workflows and multiple disciplines, the GX9 is a clear winner. For the budget or beginner, the Sony NEX-F3 remains relevant though noticeably dated by today’s standards.
Whatever your choice, both cameras represent milestones in mirrorless development and carry unique strengths worth experiencing hands-on.
I hope this deep dive helps you navigate the nuances and find your ideal photographic companion.
Happy shooting!
Panasonic GX9 vs Sony NEX-F3 Specifications
Panasonic Lumix DC-GX9 | Sony Alpha NEX-F3 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model type | Panasonic Lumix DC-GX9 | Sony Alpha NEX-F3 |
Type | Advanced Mirrorless | Entry-Level Mirrorless |
Revealed | 2018-02-13 | 2012-08-16 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor area | 224.9mm² | 365.0mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 5184 x 3888 | 4912 x 3264 |
Highest native ISO | 25600 | 16000 |
Min native ISO | 200 | 200 |
RAW pictures | ||
Min boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 49 | 25 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony E |
Available lenses | 107 | 121 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Screen type | Tilting | Tilting |
Screen diagonal | 3" | 3" |
Screen resolution | 1,240k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | - | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic (optional) |
Viewfinder resolution | 2,760k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Highest silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 9.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.00 m (at ISO 200) | - |
Flash modes | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD, H.264 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 407 grams (0.90 pounds) | 314 grams (0.69 pounds) |
Physical dimensions | 124 x 72 x 47mm (4.9" x 2.8" x 1.9") | 117 x 67 x 42mm (4.6" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 73 |
DXO Color Depth rating | not tested | 22.7 |
DXO Dynamic range rating | not tested | 12.3 |
DXO Low light rating | not tested | 1114 |
Other | ||
Battery life | 260 pictures | 470 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes (2 or 10 secs, 3 photos over 10 secs) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Cost at launch | $1,000 | $470 |