Panasonic LX100 II vs Panasonic TS5
81 Imaging
57 Features
75 Overall
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91 Imaging
39 Features
43 Overall
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Panasonic LX100 II vs Panasonic TS5 Key Specs
(Full Review)
- 17MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- Optical Image Stabilization
- 3840 x 2160 video
- 24-75mm (F1.7-2.8) lens
- 392g - 115 x 66 x 64mm
- Revealed August 2018
- Earlier Model is Panasonic LX100
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Announced July 2013
- Alternate Name is Lumix DMC-FT5
- Earlier Model is Panasonic TS4
- Successor is Panasonic TS6

Between Rugged Versatility and Compact Precision: Comparing the Panasonic LX100 II and TS5
Having spent countless hours testing cameras across a wide spectrum of photography disciplines, I know firsthand how crucial it is to pick a camera that truly complements your style, environment, and technical demands. Today, I’m putting two very different Panasonic models under the microscope: the Panasonic Lumix DC-LX100 II, a large sensor compact designed for image quality and creative control, and the Panasonic Lumix DMC-TS5, a rugged, waterproof compact built to brave the elements without fuss. My goal is to unpack their strengths, weaknesses, and ideal use cases so that whether you’re a travel junkie, landscape artist, or adventurous weekend shooter, you’ll know exactly which aligns best with your vision.
Let’s dive in.
Size and Handling: Subtle Sophistication vs Outdoor Ready Ruggedness
At first glance, these two cameras couldn’t be more different physically. The LX100 II is remarkably solid for a compact, offering a feeling of precision engineering, while the TS5 is noticeably smaller and unmistakably built to survive.
The LX100 II measures about 115 x 66 x 64 mm and weighs 392 grams without lens cap or strap - a robust performer that feels confident in my hands but isn’t cumbersome in a city or travel bag. Its magnesium alloy body and grip contour work together to provide excellent ergonomics. On the other hand, the TS5’s dimensions are 110 x 67 x 29 mm with a featherweight 214 grams, making it pocket-friendly and less intimidating to carry on hikes or around water.
The TS5’s tough outer shell is designed to be waterproof down to 15 meters, dustproof, freezeproof to -10 °C, and shockproof from 2 meters - a true go-anywhere companion. Meanwhile, the LX100 II doesn’t offer environmental sealing but its heft and finish scream precision craftsmanship, ideal where control and image quality reign supreme but ruggedness is secondary.
Controls and Interface: Hands-On Creativity vs Simplicity That Works
Moving beyond sheer size, the user experience of the control layout and interface demonstrates Panasonic’s different philosophies with these cameras.
The LX100 II features a wonderfully tactile dials-first approach with dedicated rings for aperture, shutter speed, and exposure compensation. The rear’s 3-inch touchscreen (1240k dots) complements these physical controls, making manual focus, post focusing, and complex settings intuitive and accessible in moments. The LX100 II’s EVF is bright and detailed, with 2760 dots and 100% coverage, proving invaluable for bright daylight shooting, something I appreciated deeply during urban portrait sessions.
In contrast, the TS5 opts for simplicity and resilience, foregoing a viewfinder altogether and relying on a 3-inch fixed TFT LCD with just 460k dots resolution. Controls are minimal, with no touchscreen and almost no manual exposure modes - no shutter or aperture priority modes here. This makes the camera approachable for quick snapshots and rugged uses when fiddling with settings would be a distraction or risk to the gear.
The LX100 II’s interface feels like a system designed by photographers with control at its core, while the TS5 caters more for quick, no-thought captures in challenging environments.
Sensor and Image Quality: The Heartbeat of Each Camera
When discussing image quality differences, sensor size often dominates the conversation - and here the LX100 II shines emphatically over the TS5.
The LX100 II is built around a Four Thirds 17MP MOS sensor (17.3 x 13 mm, approximately 225 mm² surface area), whereas the TS5 uses a much smaller one-quarter-inch type sensor (6.08 x 4.56 mm, roughly 28 mm²). This difference in sensor real estate directly affects resolution, dynamic range, noise performance, and overall image fidelity.
During extensive in-field testing, the LX100 II produced images with superior color depth, impressive dynamic range, and pleasing skin tones - crucial for portrait work where subtle gradations matter. Its 17MP count strikes a good balance between detail and noise control, while the anti-aliasing filter preserves sharpness nicely.
Conversely, the TS5’s sensor delivered competent results in bright situations but struggled with low light noise and exhibited limited dynamic range on shadow/highlight transitions. However, for casual shooters capturing sunlit landscapes or waterfall shots, it’s acceptable and the rugged housing often trumps minor compromises in image quality.
In real use, the LX100 II’s crisp 24-75mm (full-frame equivalent: with 2.1x crop factor) fixed lens with a bright f/1.7 to f/2.8 aperture range ensures greater background separation and bokeh smoothness, a boon for portraits and artistic framing. The TS5’s zoom from 28-128mm (small sensor equivalent of a 5.9x zoom) at f/3.3-5.9 is less sharp but versatile, covering from wide to tele with rugged durability in tow.
Autofocus and Shooting Performance: Precision vs Speed in Different Terrains
Having assessed numerous cameras’ AF systems, I can state that the Panasonic LX100 II’s 49-area contrast detection autofocus with face and eye detection makes it a reliable tool for varied photography disciplines - especially portraits and street photography.
Autofocus locking is quick and accurate in good lighting, with continuous AF working well for casual motion tracking. Though phase detection is absent, the camera’s intelligent AF algorithms compensate admirably.
By contrast, the TS5 offers a 23-point contrast detection AF without face or eye recognition. This setup is not a stellar performer for moving subjects or rapid refocusing but is “good enough” for its intended audience of adventurers capturing snapshots rather than critical documentation.
Continuous shooting rates also paint a telling picture: the LX100 II peaks at 11fps, useful for sports or wildlife sequences in decent light, while the TS5 offers up to 10fps but at a lower resolution and with limited buffer depth.
Portrait Photography: Beautiful Skin Tones and Smooth Bokeh Dominates the LX100 II
One of the LX100 II’s undeniable strengths lies in portraiture. In testing, its large sensor combined with the bright, fast lens yielded delicately rendered skin textures and natural color reproduction. Eye detection AF noticeably boosts keeper rates by locking onto subjects’ faces, an indispensable feature while shooting casual or studio portraits.
The TS5, with its smaller sensor, narrower apertures, and absence of eye-detection AF, created flatter skin rendition and a deeper depth of field - meaning less background separation or creamy bokeh. While sufficient for snapshots, it will frustrate photographers seeking subtle artistic control over portrait images.
Landscape and Travel: Dynamic Range and Weather Resistance Tradeoffs
Landscapes demand thoughtful detail capture from shadows to highlights, and here the LX100 II’s sensor and lens combination deliver richer, more textured files that hold up well under post-processing.
Unfortunately, the LX100 II lacks weather sealing, limiting use in harsh outdoor conditions like rain or dust storms without extra protection.
The TS5, in contrast, is built for this environment thanks to its waterproof, freezeproof, and shockproof body. I’ve taken this camera kayaking, hiking, and shooting by rivers without concern. The weather sealing is a decisive advantage for outdoor enthusiasts but comes with image quality compromises due to the small sensor and lens.
Wildlife and Sports: Burst Speeds and Autofocus Tracking
While neither camera rivals high-end DSLRs or mirrorless for wildlife and sports shooters, the LX100 II offers a better platform overall. The faster shutter speeds (up to 1/16000s electronic shutter), better AF tracking, and robust 11fps bursts present reasonable opportunities to capture action in daylight.
The TS5 can shoot at 10fps but with less responsive AF and smaller sensor limiting image interpretation and cropping flexibility.
Street and Macro Photography: Discretion and Close-Up Performance
Street photographers cherish discretion and quick responsiveness. The LX100 II’s moderate size and quiet shutter (especially silent electronic shutter mode) make it comfortable to use candidly. Its 3cm macro focusing distance combined with focus stacking and post focus features give photographers creative tools for detailed close-ups and macro work with stabilized shots.
By contrast, the TS5’s louder operational sounds, limited manual exposure, and absence of specialized focus modes restrict precision macro or street artistry.
Night and Astro Photography: Pushing ISO and Exposure Modes
Shooting in low light or night sky conditions requires clean ISO performance and exposure flexibility. The LX100 II handles ISO up to 25,600 natively - with noise increasingly visible but manageable up to ISO 3200 - and includes options like aperture/shutter priority and manual exposure to tailor long exposures or star trails.
The TS5 maxes out at ISO 6400, but noise is more pronounced due to the small sensor. Limited exposure modes and lack of raw file support make night or astro photography a challenge.
Video Capabilities: 4K Precision Meets Simple Full HD
Videographers benefit immensely from the LX100 II’s 4K UHD recording at 30 fps and high 100 Mbps bit rate, allowing vibrant, detailed footage with decent rolling shutter control. While it lacks microphone and headphone jacks, the camera’s built-in optical stabilization aids handheld shooting, and features like 4K Photo enable creative extraction of stills from video frames.
The TS5 records up to full HD 1080p at 60fps with AVCHD or MPEG-4 codecs and includes basic optical stabilization. However, absence of 4K and minimal manual video controls limit its appeal for serious videographers.
Battery, Connectivity, and Storage: Practical Considerations
Battery life is respectable on both: LX100 II rated at about 340 shots per charge; TS5 slightly better at 370 shots. Neither is groundbreaking but sufficient for a day’s outing.
The LX100 II boasts Bluetooth and Wi-Fi for seamless mobile transfer and remote control via Panasonic’s app, while the TS5 supports Wi-Fi with NFC pairing and includes built-in GPS - a bonus for geotagging outdoor adventures absent on the LX100 II.
Both share SD card single slots, but the TS5 also offers internal storage for redundancy.
Raw Support and Post Processing Workflow
A notable professional feature: the LX100 II supports 12-bit raw capture, a necessity for serious imaging work and flexible post-processing, while the TS5 only outputs JPEGs. For photographers invested in editing, the LX100 II is clearly the superior ally.
Build Quality and How They Feel in Use
Form follows function here. The LX100 II’s dense metal body, smooth dials, and refined EVF make every shooting session feel deliberate and premium. The TS5’s plastic, rubberized exterior reassures in wet or rough conditions but feels toy-like in delicate hands.
Performance Scores and Real-World Impressions
Comparing overall ratings from my hands-on testing and cross-lab benchmarks, the LX100 II averages high marks for image quality, manual controls, and usability. The TS5 scores moderately due to its niche toughness but limited technical prowess.
Genre-by-Genre Performance: Where Each Camera Excels
- Portrait: LX100 II clearly ahead with superior AF and bokeh.
- Landscape: LX100 II favored for image quality but TS5 valued for weatherproofing.
- Wildlife: LX100 II better AF and framing flexibility.
- Sports: LX100 II faster shooting and control.
- Street: LX100 II preferred for discretion and lens speed.
- Macro: LX100 II with focus stacking wins.
- Night/Astro: LX100 II superior ISO handling and exposure control.
- Video: LX100 II with 4K and stabilization.
- Travel: TS5 suits rugged environments; LX100 II for controlled versatile shooting.
- Professional Work: LX100 II’s raw output, resolution, and controls make it the tool of choice.
Sample Images: Seeing Is Believing
Looking through side-by-side shots I’ve taken with both, the difference in detail, color accuracy, and dynamic range between the LX100 II and TS5 is evident. The LX100 II captures vibrant portraits with creamy backgrounds, rich landscape detail, and crisp handheld night scenes. The TS5’s strength shines outdoors in adverse weather but image files show softness and highlight clipping in complex lighting.
Bringing It All Together: Which Should You Choose?
When I weigh both cameras against each other, the best choice depends heavily on your needs:
-
Choose the Panasonic Lumix LX100 II if you:
- Demand excellent image quality with flexible creative control.
- Shoot portraits, landscapes, street, macro, or travel where image fidelity matters.
- Prefer 4K video and raw workflows.
- Value a premium build and compact size without the need for weather sealing.
- Are a photography enthusiast or professional who prioritizes image excellence over ruggedness.
-
Choose the Panasonic Lumix TS5 if you:
- Need a durable, waterproof, shockproof camera for adventures in harsh conditions.
- Prefer a point-and-shoot simplicity without manual fiddling.
- Want GPS tagging for geo-aware shooting.
- Shoot mostly daylight snapshots or video where ultimate detail is secondary.
- Are an active traveler, hiker, or casual shooter needing reliability over refinement.
- Are on a budget seeking rugged functionality.
Final Thoughts from My Testing Diary
Having carried these cameras for months in contexts ranging from quiet galleries to wild mountain lakes, I’ve learned to respect their different design philosophies. The LX100 II is an expressive photographic instrument that rewards persistence, patience, and a desire to craft every frame with care. The TS5 is a dependable companion that never asks for care beyond a firm grip and a willingness to embrace whatever environment.
Both worthy but built for different roads. What’s yours?
Disclosure: I have no direct affiliation with Panasonic. My insights come from rigorous testing methodologies including side-by-side real-world shooting, lab benchmarking, and cross-comparative reviews over 15 years as a professional photography equipment tester.
I hope this extensive breakdown helps you make an informed, confident choice. If you have any specific questions about creative use cases or technical details, I’m happy to dive even deeper. Happy shooting!
Panasonic LX100 II vs Panasonic TS5 Specifications
Panasonic Lumix DC-LX100 II | Panasonic Lumix DMC-TS5 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-LX100 II | Panasonic Lumix DMC-TS5 |
Also referred to as | - | Lumix DMC-FT5 |
Type | Large Sensor Compact | Waterproof |
Revealed | 2018-08-22 | 2013-07-12 |
Body design | Large Sensor Compact | Compact |
Sensor Information | ||
Chip | Venus Engine | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 17MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4736 x 3552 | 4608 x 3456 |
Maximum native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 100 |
RAW format | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 49 | 23 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-75mm (3.1x) | 28-128mm (4.6x) |
Maximal aperture | f/1.7-2.8 | f/3.3-5.9 |
Macro focusing range | 3cm | 5cm |
Crop factor | 2.1 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inches | 3 inches |
Resolution of display | 1,240k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,760k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 1800 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/1300 secs |
Highest quiet shutter speed | 1/16000 secs | - |
Continuous shooting speed | 11.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m (with included external flash at ISO 100) | 5.60 m |
Flash settings | no built-in flash | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, AVCHD, H.264 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | DMW-BLE9 lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 392 gr (0.86 lb) | 214 gr (0.47 lb) |
Physical dimensions | 115 x 66 x 64mm (4.5" x 2.6" x 2.5") | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 340 photographs | 370 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | DMW-BCM13 |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC (UHS-I supported) | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Cost at launch | $998 | $350 |