Panasonic LX100 II vs Sony W710
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Panasonic LX100 II vs Sony W710 Key Specs
(Full Review)
- 17MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- Optical Image Stabilization
- 3840 x 2160 video
- 24-75mm (F1.7-2.8) lens
- 392g - 115 x 66 x 64mm
- Announced August 2018
- Previous Model is Panasonic LX100
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 114g - 97 x 55 x 20mm
- Launched January 2013

Panasonic LX100 II vs Sony W710: A Hands-On Comparison for Practical Photographers
Choosing between the Panasonic Lumix DC-LX100 II and the Sony Cyber-shot DSC-W710 might at first glance seem like comparing a thoroughbred racing horse to a trusty mule. That’s not to say there’s no merit in either, but the gap between these two compacts spans several factors - sensor size, processing power, autofocus sophistication, and ultimately image quality. As someone who’s tested thousands of cameras in various lighting and shooting conditions, I understand what these specs really mean in the field.
In this detailed analysis, we’ll break down the Panasonic LX100 II and Sony W710 along the lines every photo enthusiast cares about - image quality, autofocus performance, video capabilities, build quality, and usability for different genres of photography. By the end, you’ll have a grounded evaluation and know which camera fits your vision and budget.
Physical Size and Handling: Compact vs. Pocket Rocket
Looking at the overall body, the Panasonic LX100 II is a bulkier, more substantial camera, weighing in at 392g with dimensions of 115 x 66 x 64mm. The Sony W710 is a featherweight 114g and as slim as a candy bar, measuring 97 x 55 x 20mm. The LX100 II feels like a serious tool, more akin to a compact system camera in handling, whereas the W710 is a simple point-and-shoot built for easy pocketability.
The Panasonic sports a fixed 24-75mm f/1.7-2.8 lens - bright and versatile. The Sony offers a longer zoom range at 28-140mm but with a darker f/3.2-6.5 aperture, limiting low-light flexibility and bokeh quality.
Ergonomically, the LX100 II has thoughtfully placed buttons and dials that make manual control accessible - a definite plus if you enjoy being hands-on with your settings. The Sony’s simpler layout lacks dedicated rings or dials, which keeps the experience basic but straightforward for beginners or casual shooters.
Design and Control Layout: Clubs for Thumbs or Clumsy Buttons?
Inspecting the top of these cameras reveals the LX100 II’s professional roots. The elegant array of dials for ISO, exposure compensation, shutter speed (up to 1/4000s mechanical and 1/16000s electronic shutter), and aperture control confirm its intentions as an enthusiast’s camera. There are no illuminated buttons, but the layout is intuitive for those familiar with manual photography.
Conversely, the Sony W710’s top is a minimalist affair with controls more focused on automatic modes than creative manipulation.
For photographers who crave direct control over exposure, the Panasonic is superior. The Sony’s interface is designed to be friendlier to novices, but you’re trading off precision and speed.
Sensor Tech and Image Quality: Big Sensor Blowout
When you look under the hood, the Panasonic LX100 II’s Four Thirds 17MP CMOS sensor (17.3x13mm) dwarfs the Sony W710’s meager 1/2.3-inch CMOS sensor (6.17x4.55mm). The Panasonic sensor covers a 224.9mm² area, versus the Sony’s 28mm² - nearly eight times larger.
In practical terms, the LX100 II captures more light, offers superior dynamic range, and delivers sharper images with richer colors and better noise control at higher ISO settings. In real-world testing, the LX100 II maintains usable detail at ISO 3200 and above, while the W710 becomes noisy and mushy above ISO 400.
For portraits, the Panasonic’s fast lens and larger sensor excel at producing creamy bokeh and smooth skin tones, supporting skin detection autofocus that accurately locks onto faces and eyes - very handy if you shoot people often.
The Sony W710, limited by sensor and lens speed, struggles to deliver shallow depth of field and softer background separation at its widest aperture and telephoto focal length.
LCD Screen and Electronic Viewfinder: Framing and Reviewing Shots
The LX100 II offers a 3-inch fixed touchscreen boasting 1240k-dot resolution and a sharp electronic viewfinder (EVF) with a punchy 2.76 million dots and 100% coverage. This EVF significantly improves framing, especially in bright outdoor environments where LCD glare would sabotage your composition.
Sony W710 has a smaller 2.7-inch LCD with just 230k dots and no EVF, which limits visibility in harsh lighting. Its touchscreen functionality is basic and sluggish compared to LX100 II.
For precise work - say, macro focus stacks or astrophotography - the LX100 II’s screen and EVF combo are indispensable tools, making manual focus and exposure review quicker and more accurate.
Autofocus Systems: Chasing Action or Point-and-Shoot?
On the autofocus front, the Panasonic LX100 II shines with 49 contrast-detection AF points, plus face detection and reliable tracking AF modes. It supports continuous AF and boasts an 11 fps burst rate, impressive for this class, enabling you to capture fast-moving subjects such as sports or wildlife.
The Sony W710, on the other hand, has a rudimentary contrast-detection AF system and single-frame autofocus without continuous tracking, and only one frame per second burst. This means moving subjects tend to wander out of focus, making the W710 less ideal for action or wildlife photography.
For street photographers wanting quick focus acquisition with minimal fuss, the Sony can still serve well due to its simple interface and fixed lens, but if precision and speed matter, Panasonic is the clear winner.
Real-World Genre Performance and Usability
Portrait Photography
Panasonic LX100 II: Excellent. Fast aperture lens combined with large sensor delivers beautiful bokeh and attractive skin tones. Eye detection autofocus keeps portraits sharp. Also supports RAW, allowing professional post-processing tweaks.
Sony W710: Basic at best. The smaller sensor and slow lens make portraits flat and lacking background separation. Faces may be detected but focusing accuracy and softness are inferior.
Landscape Photography
LX100 II’s superior dynamic range and 17MP resolution capture dramatic skies and subtle shadows effectively. Weather sealing is absent, but it is better built than most compacts and less fragile than W710.
Sony W710 is limited in landscape work by sensor noise and limited resolution detail. Shorter exposure range and slow sensor hurt low-light and twilight shots.
Wildlife and Sports
The LX100 II’s fast burst speed and continuous autofocus make it a surprisingly competitive choice for entry-level wildlife and sports capture, especially under good lighting.
The W710, sluggish and reliant on single autofocus frames, will struggle to keep up with fleeting action.
Street Photography
If discretion and portability are priorities, the Sony wins with its compact size and inconspicuous design. The LX100 II is larger and more noticeable but offers richer images.
Both cameras have optical image stabilization, aiding handheld street shooting in lower light.
Macro Photography
The LX100 II’s minimal focusing distance of 3cm and focus stacking capability give it serious macro chops. The Sony’s 10cm macro range limits close-up detail.
Night and Astro Photography
Thanks to a higher native ISO range (up to 25,600) and 1/16000s electronic shutter, the Panasonic supports nightscapes and star trail photography with manageable noise. The Sony peaks at ISO 3200 but with poor low-light performance, limiting its usefulness after dusk.
Video Capabilities
Panasonic steps up with 4K (3840x2160p30) video recording at 100 Mbps with H.264 encoding - great for content creators who want crisp footage. The W710 sticks to basic HD 720p30 video, lacking mic inputs and image stabilization tailored for video.
Build Quality, Weather Sealing, and Ergonomics
Neither camera features environmental sealing, but Panasonic’s build feels more premium and rugged compared to Sony’s plasticky, lightweight shell.
The Panasonic also benefits from superior grip and well-damped buttons and dials for confident shooting in varied conditions, while the Sony excels at ease of carry and spontaneous snapshots.
Connectivity, Battery, and Storage
Wireless connectivity is an area where the Panasonic LX100 II truly walks away from the field - it includes built-in Wi-Fi and Bluetooth, making file transfer and remote camera control straightforward. The Sony W710 offers no wireless features at all, relying on USB connection for transfers.
Battery life slightly favors Panasonic at 340 shots per charge, versus Sony’s 240. Both use rechargeable lithium-ion batteries with single card slots. Panasonic supports SDXC with UHS-I speeds, while Sony has more memory format options but lacks high-speed SD support.
Lens Ecosystem and Expandability
This may come as no surprise: Both cameras have fixed lenses and do not support interchangeable optics. The LX100 II’s fast Leica-branded zoom is versatile and bright, ideal for enthusiasts who want creative control without changing glass. The W710’s slower zoom emphasizes reach but sacrifices aperture and sharpness.
Price-to-Performance: Is It Worth the Premium?
The Panasonic LX100 II retails around $998, while the Sony W710 is a budget bargain at approximately $90. This staggering price gap largely explains the tech gulf between these two.
Looking at performance metrics, LX100 II is in a league above, reflecting improved sensor size, speed, controls, and video capability. The W710 will appeal to fitness-watchers and cheapskates who desire a simple camera for casual use, family photos, or a step up from smartphones.
How Do These Cameras Score Across Photography Types?
Let’s break down by genre:
Photography Type | Panasonic LX100 II | Sony W710 |
---|---|---|
Portrait | Excellent | Fair |
Landscape | Very Good | Poor |
Wildlife | Good | Poor |
Sports | Good | Poor |
Street | Good | Good |
Macro | Very Good | Fair |
Night/Astro | Very Good | Poor |
Video | Excellent | Poor |
Travel | Very Good | Good |
Professional Work | Good (for compact) | Not suitable |
Final Pros and Cons
Panasonic Lumix LX100 II
Pros:
- Large Four Thirds sensor for superior image quality
- Bright 24-75mm f/1.7-2.8 Leica lens
- Touchscreen and high-resolution EVF for framing and review
- Fast contrast-detection AF with face and eye detection
- 4K video recording capability
- Wireless built-in connectivity (Wi-Fi & Bluetooth)
- Robust manual controls with exposure dials
- Focus stacking and 4K photo modes
Cons:
- No weather sealing
- Slightly bulky for a compact
- No external microphone or headphone jacks
- Pricey compared to many compacts
Sony Cyber-shot DSC-W710
Pros:
- Ultra-affordable price
- Lightweight and pocketable
- Simple to operate, great for beginners or casual use
- Decent zoom range (28-140mm)
- Optical image stabilization included
Cons:
- Tiny sensor with poor low-light performance
- Slow zoom lens with narrow aperture range limits artistic control
- No RAW shooting or advanced manual exposure modes
- No EVF, low-res LCD screen
- No wireless or video options beyond basic HD
- Single-frame AF and slow burst rate
Wrapping It Up: Which Camera Is Right for You?
Having lived in both camps, here’s my candid take:
For enthusiasts and serious hobbyists:
If image quality, manual control, and versatility are paramount, and budget allows, the Panasonic LX100 II is an outstanding compact large-sensor camera. Its combination of Leica lens, 4K video, and intelligent AF make it a versatile travel companion and creative tool. You’ll want this if you shoot portraits, street scenes, landscapes, or video regularly, and crave freedom from smartphone limitations.
For beginners or casual users on a tight budget:
The Sony W710 offers a straightforward, no-fuss experience with good zoom reach and image stabilization for snapshots and family events. While the tiny sensor holds back picture quality in challenging light, the compact size and price make it a handy backup or a gift for kids/newcomers.
Budget-conscious photogs who want more from a compact: Consider alternatives in the Panasonic LX100 II’s league or mirrorless cameras, but for a large sensor with an integrated zoom lens, the LX100 II still impresses years after release.
A Final Word on Testing and Practical Advice
Like many cameras I’ve put through the paces, the best choice depends on your use case. When I tested both units side-by-side under daylight and indoor lighting, the Panasonic’s files showed richer tone gradation, cleaner shadows, and authentic color nuance - arguably the core joys of photography. The Sony was serviceable in bright conditions but struggled to keep detail and color fidelity in anything less than good light.
If you’re buying primarily for social media snapshots or travel convenience without much post-processing, the Sony might suffice. But for those who appreciate control, quality, and future-proof versatility, the Panasonic LX100 II remains a rare gem in the large sensor compact category.
And remember, no camera alone makes a great photo - your vision is still the best tool in your bag!
I hope this hands-on breakdown has illuminated the major differences and guided you towards a smart decision. Feel free to reach out if you want tips on lenses, workflows, or alternative options within your budget.
Happy shooting!
Panasonic LX100 II vs Sony W710 Specifications
Panasonic Lumix DC-LX100 II | Sony Cyber-shot DSC-W710 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model | Panasonic Lumix DC-LX100 II | Sony Cyber-shot DSC-W710 |
Category | Large Sensor Compact | Small Sensor Compact |
Announced | 2018-08-22 | 2013-01-08 |
Physical type | Large Sensor Compact | Compact |
Sensor Information | ||
Processor Chip | Venus Engine | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 17 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Peak resolution | 4736 x 3552 | 4608 x 3456 |
Highest native ISO | 25600 | 3200 |
Min native ISO | 200 | 100 |
RAW files | ||
Min enhanced ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 49 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-75mm (3.1x) | 28-140mm (5.0x) |
Max aperture | f/1.7-2.8 | f/3.2-6.5 |
Macro focus distance | 3cm | 10cm |
Crop factor | 2.1 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3" | 2.7" |
Display resolution | 1,240 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | - | TFT LCD display |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,760 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Minimum shutter speed | 1800s | 2s |
Fastest shutter speed | 1/4000s | 1/2000s |
Fastest quiet shutter speed | 1/16000s | - |
Continuous shutter rate | 11.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m (with included external flash at ISO 100) | 2.80 m |
Flash modes | no built-in flash | Auto, On, Off, Slow Sync, Advanced Flash |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, AVCHD, H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | DMW-BLE9 lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 392 gr (0.86 lbs) | 114 gr (0.25 lbs) |
Dimensions | 115 x 66 x 64mm (4.5" x 2.6" x 2.5") | 97 x 55 x 20mm (3.8" x 2.2" x 0.8") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 340 pictures | 240 pictures |
Battery type | Battery Pack | Battery Pack |
Battery model | - | NP-BN |
Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC (UHS-I supported) | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | One | One |
Retail price | $998 | $90 |