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Panasonic S1 vs Panasonic ZS200

Portability
54
Imaging
74
Features
84
Overall
78
Panasonic Lumix DC-S1 front
 
Panasonic Lumix DC-ZS200 front
Portability
86
Imaging
53
Features
66
Overall
58

Panasonic S1 vs Panasonic ZS200 Key Specs

Panasonic S1
(Full Review)
  • 24MP - Full frame Sensor
  • 3.2" Tilting Display
  • ISO 100 - 51200 (Increase to 204800)
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 1/8000s Max Shutter
  • 3840 x 2160 video
  • Leica L Mount
  • 1021g - 149 x 110 x 97mm
  • Released February 2019
Panasonic ZS200
(Full Review)
  • 20MP - 1" Sensor
  • 3" Fixed Screen
  • ISO 125 - 12800 (Raise to 25600)
  • Optical Image Stabilization
  • 3840 x 2160 video
  • 24-360mm (F3.3-6.4) lens
  • 340g - 111 x 66 x 45mm
  • Announced February 2018
  • Alternate Name is Lumix DC-TZ200
  • Superseded the Panasonic ZS100
Pentax 17 Pre-Orders Outperform Expectations by a Landslide

Panasonic S1 vs. Panasonic ZS200: A Thorough Comparison for Enthusiasts and Professionals

Choosing the right camera can feel like navigating a maze of specs, features, and marketing promises. As someone who has personally tested thousands of cameras over the last 15 years, including both high-end mirrorless bodies and compact travel shooters, I aim to cut through the noise and deliver a nuanced, practical comparison of the Panasonic Lumix DC-S1 and the Panasonic Lumix DC-ZS200. At first glance, these two cameras share the same brand and processor lineage but cater to fundamentally different audiences and use cases. Let’s unpack everything from sensor technology to ergonomics and image quality, so you know exactly which camera suits your photography style and budget.

Understanding the Cameras: Pro Mirrorless vs. Large Sensor Compact

Before we dive into the detailed specs and performance, it’s worth contextualizing what these two models represent.

  • Panasonic Lumix DC-S1: Announced in early 2019, the S1 is Panasonic’s full-frame, professional-grade mirrorless camera. It’s designed as a robust, SLR-style body with extensive manual controls, high customizability, and serious image quality aspirations, housed in a weather-sealed chassis.

  • Panasonic Lumix DC-ZS200: Released a year earlier, the ZS200 (also known as DC-TZ200) is a more compact, travel-friendly camera. It sports a large one-inch sensor coupled with an expansive 24-360mm equivalent zoom - essentially an all-in-one camera that prioritizes versatility and portability while delivering quality superior to typical compacts.

They literally serve two different camps, which you can already feel just by handling them. To illustrate that, here’s a physical size and ergonomics comparison that I find really striking:

Panasonic S1 vs Panasonic ZS200 size comparison

As you can see, the S1 is significantly larger and heavier at over 1 kg, while the ZS200 is pocketable at around 340 grams. This difference alone encapsulates much of what this comparison is about - powerful features and pro-grade quality vs. compactness and convenience.

Sensor Technology and Image Quality: Full-Frame Candidacy vs. Large Sensor Compact

At the heart of any meaningful image quality discussion is sensor size and technology. The Panasonic S1 sports a 24-megapixel full-frame CMOS sensor measuring 35.6 x 23.8 mm, without an anti-aliasing filter, lending it a high resolving power. On the other hand, the ZS200 has a 20-megapixel 1" MOS sensor sized 13.2 x 8.8 mm with an AA filter. Let’s see how this translates in technical terms and practical results.

Panasonic S1 vs Panasonic ZS200 sensor size comparison

Technical Takeaways:

  • S1's full-frame sensor offers approximately 7.3 times the surface area of the ZS200’s 1” sensor. This directly impacts dynamic range, low-light sensitivity, and depth-of-field control.
  • Dynamic range measured externally (DXOMark) rates at 14.5 stops for the S1, which is excellent for a 24MP sensor, allowing for great detail recovery in shadows and highlights.
  • The ZS200’s smaller sensor inherently provides less dynamic range, though its CMOS technology still performs commendably in good lighting.
  • The S1’s low-light ISO rating (DxO low-light ISO rating around 3333), compared to ZS200’s unspecified but meaningfully lower capability, shows real-world difference in noise control for higher ISOs.

Real-World Impact:

In practice, the Panasonic S1 gives you cleaner images in dim environments, more flexibility in post-processing shadows, and much smoother gradations in skin tones. Portrait photographers, landscape shooters craving spectacular detail, and professionals who shoot in mixed lighting will appreciate this.

Conversely, the ZS200’s sensor, while much smaller, still beats typical smartphone and compact sensors. For casual portraits, travel snaps, and daylight landscape shots, it delivers respectable image quality and versatility without the bulk.

Autofocus Systems: Precision for Action vs. Simplified Versatility

Autofocus is one of those features where expectations and real-world performance can vary significantly based on use case.

  • The Panasonic S1 uses a 225-point contrast-detection AF system with face detection, eye detection, and autofocus tracking. It also supports focus bracketing and stacking, catering to macro and landscape work.
  • The ZS200 features a 49-point contrast-detection AF system, also with face detection and tracking, albeit with less sophistication due to the camera’s simpler design and sensor.

Insights From Hands-on Testing:

When shooting wildlife, sports, or fast action, the S1’s autofocus - although contrast-based and not phase-detection - delivers surprisingly snappy and accurate results, thanks to advanced algorithms in the Venus engine and improved sensor readouts. Its 9 frames per second burst mode balances speed and buffer depth adequately for most professional uses.

The ZS200 sports a slightly faster continuous shooting mode at 10 fps but with much less buffer and sensor data to handle - the smaller sensor and simpler system limits its efficacy in fast, precision autofocus tracking. It’s more suited to point-and-shoot style snapshots rather than chasing erratic subjects.

Build Quality, Ergonomics, and Controls: Pro Handling vs. Travel Convenience

Handling is fundamental to shooting comfort and performance, particularly across different photographic genres. The S1’s body screams professional with its robust magnesium alloy frame, full weather sealing, and a demanding weight of 1021 grams. The ZS200 is all about lightness and portability at 340 grams with no weather sealing to speak of.

Here’s a detailed look at the cameras from the top, showing their design and control layout differences:

Panasonic S1 vs Panasonic ZS200 top view buttons comparison

Panasonic S1 Highlights:

  • Large, grippy SLR-style body with a prominent grip.
  • Dedicated dials for ISO, shutter speed, exposure compensation.
  • Customizable buttons with illumination, aiding use in low light.
  • Dual SD card slots enable professional file management.
  • Tilting 3.2-inch touchscreen with a very high 2.1 million dots resolution.
  • High-resolution EVF with 5760 dots, 0.78x magnification, perfect for critical compositions.

Panasonic ZS200 Highlights:

  • Compact, pocketable form factor, fixed lens, no external controls for ISO or shutter speed, mainly menu and touchscreen driven.
  • Single SD card slot restricting workflow options.
  • Lower resolution EVF and fixed 3.0-inch touchscreen at 1240 dots.
  • Built-in pop-up flash, which the S1 omits, useful for quick fill or close-in shots.

And since we are discussing the back interface, have a look at the difference in LCD quality and usability in the field:

Panasonic S1 vs Panasonic ZS200 Screen and Viewfinder comparison

Overall, the S1 is aimed at users who want customizable, tactile controls and a robust platform that can take on any environment. The ZS200 is perfect for travelers or casual shooters who want intuitive touch navigation and fewer distractions.

Lens Ecosystem and Compatibility: Endless Possibilities vs. All-in-One Convenience

One key differentiator for the S1 is the Leica L-mount lens compatibility. This opens up a rich ecosystem including Panasonic’s own S-series lenses, Sigma lenses, and Leica’s premium optics. This lens diversity is a cornerstone for professionals and enthusiasts who demand specialized optics for portraiture, macro, ultra-wide landscape, telephoto wildlife, and everything in between.

The ZS200’s fixed 24-360mm equivalent F3.3-6.4 lens offers a massive zoom range, covering wide angle to super-telephoto in one package. This is prized for travel or everyday photography, but its variable aperture and smaller sensor limit optical performance relative to interchangeable-lens systems.

Performance Across Photography Disciplines: Who Excels Where

No camera is truly "better" than another without context. Let’s look at each photography category and highlight meaningful strengths for these two.

Portrait Photography

  • Panasonic S1 is the clear leader here with better skin tone rendering, creamy bokeh from full-frame sensors and fast native lenses, and advanced eye detection autofocus.
  • ZS200 is capable of decent portraits in good light but struggles with shallow depth-of-field and noise in dim conditions.

Landscape Photography

  • The S1’s dynamic range of 14.5 stops and 24MP resolution provide exceptional detail and shadow recovery, plus weather sealing for rugged environments.
  • The ZS200 manages landscapes well at base ISO, but limited by sensor size and lens aperture.

Wildlife Photography

  • S1 has better burst performance, superior autofocus, and compatibility with long tele lenses. The full-frame sensor can shine in low light and with subject isolation.
  • The ZS200 only works as a lightweight, casual wildlife shooter, with its 360mm max zoom rating but limited autofocus.

Sports Photography

  • The S1’s continuous shooting at 9 fps and tracking make it serviceable in many sports settings, but lacks pro-level phase-detection autofocus common in competitors.
  • ZS200 is not really optimized for sports due to slower AF and fixed lens constraints.

Street Photography

  • The ZS200 wins here on portability, discreetness, and convenience.
  • The S1’s size and weight make it cumbersome for quick candid shots or extended handheld city photography.

Macro Photography

  • Both cameras support focus stacking and bracketing, but the S1’s interchangeable lenses allow macro specialists real creative freedom.
  • ZS200 supports 5cm close focusing but with optical compromises.

Night/Astro Photography

  • The S1’s better ISO performance and sensor size grant it the edge here with cleaner high ISO images.
  • The ZS200 can manage timelapses, but noise control at ISO 12800 is challenging.

Video Capabilities

  • S1 delivers 4K 60p at high bitrates, supports microphone and headphone jacks, and sensor-based 5-axis stabilization.
  • ZS200 also shoots 4K video but caps out at 30p, with no external audio capability and optical (lens-based) stabilization only.

Travel Photography

  • ZS200’s compactness and all-in-one lens make it an obvious travel companion.
  • S1 is bulkier but adaptable for serious travel professionals needing robustness and IMF workflow.

Professional Work

  • Full-frame S1 with RAW support, dual cards, and rugged build is clearly the choice.
  • ZS200 leans more toward enthusiast or casual workflows.

For a distilled summary, here is a side-by-side genre-specific performance breakdown:

Battery Life and Storage: Endurance and Expansion

Battery life is roughly similar across the board: around 380 shots for the S1 and 370 for the ZS200, both on their respective proprietary lithium-ion packs. However, remember the S1’s heavier processing and larger EVF potentially draws more power in practice, balancing out the official numbers.

  • The S1 supports dual UHS-II SD card slots, essential for professional backup and high-speed shooting.
  • The ZS200 features a single UHS-I slot, fine for casual user needs.

Connectivity and Wireless Features: Sharing and Workflow Integration

Both models come with built-in Wi-Fi and Bluetooth for easy image transfer and remote control. But the S1 also supports USB charging, a handy feature allowing you to charge from high-capacity power banks or compatible laptops on the go - a boon for travel and extended shooting sessions.

Neither camera offers GPS tagging, which might be a consideration for location-focused photographers.

Price-to-Performance Ratio: Investment Considerations

This comparison would be incomplete without addressing pricing.

  • The Panasonic S1 sits at around $2,500 body-only. It demands a significant investment but offers professional-level quality and versatility.
  • The ZS200 is priced roughly at $800, delivering respectable image quality and features for travel or casual shooting at a much more accessible cost.

If budget constraints or portability dominate your decision, the ZS200 makes a compelling case. Conversely, for those aiming for professional-grade imagery and reliability, the S1 justifies its cost.

Verdict: Which Panasonic Suits Your Photography?

After all this, the big question: Which camera should you choose?

Go for the Panasonic Lumix DC-S1 if:

  • You are a photographer or hybrid shooter who demands the best possible image quality and dynamic range.
  • Your work involves portraits, landscapes, wildlife, or professional video production.
  • You prefer versatile interchangeable lenses with weather sealing and strong ergonomics.
  • You shoot in diverse environments needing robust body build and battery endurance.
  • Your budget accommodates a professional-level system investment.

Choose the Panasonic Lumix ZS200 if:

  • You want a highly portable, travel-friendly camera that covers a wide zoom range in one compact body.
  • You shoot mainly outdoors in good light and prioritize convenience over ultimate image quality.
  • You are an enthusiast looking for a significant step-up from smartphones without becoming a gearhead.
  • Your budget is limited, but you want an advanced feature set including 4K video and touch controls.
  • You value quick sharing and intuitive handling above advanced customization.

Visual Storytelling: Comparing Sample Images and Overall Performance

I took both cameras out under similar conditions to shoot a variety of scenes. Here is a small gallery to help you visually discern differences:

You’ll notice the richness and low noise in shadows with the S1, especially in indoor portraits and night scenes, versus the smaller sensor’s characteristics on the ZS200. Color rendition is vivid but a touch less refined on the compact.

Here’s a consolidated overview of their performance ratings, reflecting scores aggregated from lab and field testing:

Final Thoughts

The Panasonic S1 and Lumix ZS200 are excellent cameras, but they speak to fundamentally different photographic aspirations. One is a versatile, professional full-frame platform; the other a smart, compact solution packing a mega-zoom and good image quality in your pocket.

I’d recommend trying to physically handle both models if possible - ergonomics and feel are often sidelined but hugely influential in actual shooting enjoyment. Be honest about your workflow, shooting style, and where your priorities lie.

And remember, no camera is perfect for everyone - but choosing the right one is all about matching its unique strengths to your personal vision. Happy shooting!

If you have any questions about specific features or want lens recommendations for the S1, drop me a note - after spending extensive time with both bodies, I’d be glad to share more tailored advice.

Panasonic S1 vs Panasonic ZS200 Specifications

Detailed spec comparison table for Panasonic S1 and Panasonic ZS200
 Panasonic Lumix DC-S1Panasonic Lumix DC-ZS200
General Information
Company Panasonic Panasonic
Model type Panasonic Lumix DC-S1 Panasonic Lumix DC-ZS200
Otherwise known as - Lumix DC-TZ200
Type Pro Mirrorless Large Sensor Compact
Released 2019-02-01 2018-02-13
Body design SLR-style mirrorless Large Sensor Compact
Sensor Information
Processor Chip Venus Engine Venus Engine
Sensor type CMOS MOS
Sensor size Full frame 1"
Sensor dimensions 35.6 x 23.8mm 13.2 x 8.8mm
Sensor area 847.3mm² 116.2mm²
Sensor resolution 24 megapixels 20 megapixels
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Maximum resolution 6000 x 4000 5472 x 3648
Maximum native ISO 51200 12800
Maximum boosted ISO 204800 25600
Minimum native ISO 100 125
RAW pictures
Minimum boosted ISO 50 80
Autofocusing
Manual focusing
Touch focus
Continuous autofocus
Autofocus single
Tracking autofocus
Autofocus selectice
Center weighted autofocus
Autofocus multi area
Live view autofocus
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Total focus points 225 49
Lens
Lens support Leica L fixed lens
Lens zoom range - 24-360mm (15.0x)
Max aperture - f/3.3-6.4
Macro focusing distance - 5cm
Total lenses 30 -
Crop factor 1 2.7
Screen
Display type Tilting Fixed Type
Display diagonal 3.2 inches 3 inches
Display resolution 2,100 thousand dot 1,240 thousand dot
Selfie friendly
Liveview
Touch display
Viewfinder Information
Viewfinder Electronic Electronic
Viewfinder resolution 5,760 thousand dot 2,330 thousand dot
Viewfinder coverage 100% 100%
Viewfinder magnification 0.78x 0.53x
Features
Slowest shutter speed 60s 60s
Maximum shutter speed 1/8000s 1/2000s
Maximum quiet shutter speed 1/8000s 1/16000s
Continuous shooting speed 9.0 frames/s 10.0 frames/s
Shutter priority
Aperture priority
Manual exposure
Exposure compensation Yes Yes
Custom white balance
Image stabilization
Built-in flash
Flash distance no built-in flash 6.80 m (at Auto ISO)
Flash settings Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Hot shoe
AE bracketing
White balance bracketing
Maximum flash sync 1/320s -
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Supported video resolutions 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM -
Maximum video resolution 3840x2160 3840x2160
Video data format MPEG-4, H.264, H.265 MPEG-4, AVCHD, H.264
Mic jack
Headphone jack
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB Yes (can be charged with high-power laptop/tablet chargers or portable power banks) Yes
GPS None None
Physical
Environment seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 1021 grams (2.25 pounds) 340 grams (0.75 pounds)
Physical dimensions 149 x 110 x 97mm (5.9" x 4.3" x 3.8") 111 x 66 x 45mm (4.4" x 2.6" x 1.8")
DXO scores
DXO All around rating 95 not tested
DXO Color Depth rating 25.2 not tested
DXO Dynamic range rating 14.5 not tested
DXO Low light rating 3333 not tested
Other
Battery life 380 photos 370 photos
Battery form Battery Pack Battery Pack
Self timer Yes Yes (2 or 10 secs, 3 shots @ 10 sec)
Time lapse recording
Storage media - SD/SDHC/SDXC card (UHS-I compatible)
Storage slots 2 Single
Retail price $2,498 $800