Panasonic S1 vs Panasonic ZS80
54 Imaging
74 Features
84 Overall
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86 Imaging
47 Features
70 Overall
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Panasonic S1 vs Panasonic ZS80 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1021g - 149 x 110 x 97mm
- Announced February 2019
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 327g - 112 x 69 x 42mm
- Launched February 2018
- Alternate Name is Lumix DC-TZ95
- Replaced the Panasonic ZS70

Panasonic Lumix DC-S1 vs DC-ZS80: A Hands-On Comparison for Enthusiasts and Pros
Choosing between the Panasonic Lumix DC-S1 and the DC-ZS80 is almost like comparing two very different cameras that happen to share the same brand lineage. One is a flagship full-frame mirrorless marvel designed for professionals and those who demand uncompromising image quality, while the other is a superzoom compact powerhouse aimed at travelers and casual shooters who want versatility squeezed into a pocketable chassis.
Having spent years testing thousands of cameras across all genres, I’ll walk you through how these two Panasonic models stack up - not just on paper, but how they perform in the real world, across various photographic disciplines. By the end, you’ll know which tool suits your craft best, whether you're a portrait artist, landscape wanderer, wildlife stalker, or casual snapshooter.
First Impressions: Size and Handling - The Big vs The Compact
When you pick up the Panasonic S1, it immediately feels substantial and robust - more DSLR than mirrorless at first touch. Its SLR-style mirrorless body measures 149x110x97 mm and weighs in at a hefty 1021 grams. Thanks to its solid magnesium alloy chassis and extensive environmental sealing, it comfortably lives up to its pro-mirrorless billing.
Compare that with the ZS80, a neat pocket-sized zoom camera, measuring 112x69x42 mm and packing a mere 327 grams. It fits easily into most jackets and small bags, perfect for users prioritizing portability.
The ergonomics are a natural extension of their size differences. The S1’s large grip and thoughtfully placed buttons create an experience closer to traditional SLRs. There's good reason Panasonic equipped it with illuminated buttons and a full complement of dials - you feel in control, even when adjusting settings on the fly during fast-paced shoots.
In contrast, the ZS80’s compact body necessitates some menu juggling with fewer physical controls and lacks illuminated buttons, though its tilting touch screen helps to navigate settings quickly and intuitively. If you prefer minimal gear and fast street shooting or vacation snaps, the ZS80 is a joy to carry.
Peering Under the Hood: Sensor Size and Image Quality
Sensor size is usually the defining line in quality differentiation between cameras, and it couldn’t be starker here. The S1 boasts a 24-megapixel full-frame CMOS sensor, measuring 35.6 x 23.8 mm with an impressive DxOMark overall score of 95 - that’s among the best in the business for dynamic range and low-light performance.
The ZS80, meanwhile, sports a much smaller 1/2.3-inch BSI-CMOS sensor (only 6.17 x 4.55 mm) at 20 megapixels, designed primarily for versatility and zoom capabilities rather than ultimate quality.
Technically, the S1’s sensor area is over 30 times larger than the ZS80’s - a massive advantage for image quality, depth of field control, and noise performance. This means the S1 delivers richer color depth (DxO color depth of 25.2 bits vs. untested but limited ZS80 sensor), greater dynamic range (14.5 stops vs. not tested), and significantly better low-light sensitivity (native ISO up to 51200, boosted to 204800, compared with the ZS80's max native ISO of 3200).
For photographers prioritizing clean, detailed images - think portraitists who want beautiful skin tones and smooth bokeh, or landscape shooters chasing subtle gradients and shadow details - the S1 easily wins here.
The Viewfinder and Display: Clarity and Versatility for Composition
Good viewfinder and screen technology are indispensable for confidence in composition and focus.
The S1 sports a bright 5.76 million-dot OLED electronic viewfinder (EVF) with 0.78x magnification and 100% coverage. The EVF is crisp, nearly lag-free, and offers an immersive framing experience, even under harsh outdoor light.
On the rear, it has a 3.2-inch, 2.1-million-dot tilting touchscreen that’s responsive and intuitive for menu navigation and live view focusing.
In contrast, the ZS80’s EVF is a more modest 2.33 million dots with a 0.53x magnification and the same 100% coverage. While perfectly serviceable, it doesn’t offer the immersion or clarity that seasoned shooters might demand.
Its 3-inch, 1.04 million-dot tilting touchscreen is smaller and less detailed, but again, it suits quick framing or selfies well - especially since the ZS80 is designed with casual use in mind.
If you often shoot outdoors or rely on viewfinders for critical focus and composition, the S1’s EVF and larger rear LCD are a clear advantage.
Lens Ecosystem and Focusing: Where Flexibility Meets Precision
Here the difference in purpose between the two cameras becomes even more apparent.
The S1 uses the Leica L-mount, compatible with dozens of quality lenses - from ultra-wide primes to fast, professional telephotos. This flexibility makes the S1 a dream for photographers who want to tailor their toolkit to specific genres - portraits, macro, sports, you name it.
The ZS80 has a built-in 24-720mm equivalent zoom lens (30x optical zoom) with a max aperture ranging from f/3.3 to f/6.4. This zoom range is extraordinary for such a compact body and ideal for travel or wildlife lovers who need reach without the hassle of changing lenses.
Autofocus for the S1 relies on contrast detection only, with 225 selectable points, facial recognition, and continuous tracking. It isn’t phase-detection AF, but it performs very well in most everyday shooting scenarios, with reliable eye detection and subject tracking in good light.
The ZS80 uses a similar contrast-detect AF system, suitable for general use but understandably less snappy or accurate in challenging conditions or demanding sports and wildlife scenarios.
Burst Shooting and Speed: Capturing Fast Moments
For sports, wildlife, and action photography, burst speed and autofocus tracking can make or break the shot.
The S1 offers 9 frames per second continuous shooting with AF tracking - solid, but not blazing fast by today’s mirrorless standards. You’ll find that with careful focus tracking, it’s excellent for moderately fast subjects like weddings, portrait sessions, or casual sports.
The ZS80 edges slightly faster at 10 frames per second, but due to its smaller sensor and slower AF system, it’s best used for casual action.
If fast-moving subjects like birds in flight or professional sports are your bread and butter, the S1 is the better investment - albeit still not specialized like some phase-detection-focused pro cameras.
Image Stabilization: Sharpening Your Shots Without a Tripod
Both cameras feature image stabilization, but they use different systems.
The S1 boasts 5-axis in-body sensor-shift stabilization, one of the best available, giving you up to 5 stops of shake compensation. It impresses for hand-held macro, low-light walkabouts, and video shooting - critical when shooting with longer lenses or slower shutter speeds.
The ZS80 uses optical image stabilization in the lens system, effective for day-to-day handheld shooting but far less versatile or powerful than the S1’s IBIS system.
If you often shoot in challenging light or need stabilization for telephoto reach or handheld video, the S1 stands out clearly.
Video Performance: Professional Quality vs Everyday Clips
In my experience, Panasonic excels in video capabilities, and it’s no different here.
The S1 delivers impressive 4K 60p recording at 150 Mbps with H.264 and H.265 codecs, plus high-quality audio inputs including microphone and headphone jacks. It supports advanced video modes like slow-motion, focus peaking, waveform monitors, and V-Log profiles, making it a versatile tool for hybrid shooters or dedicated videographers.
The ZS80 shoots 4K at 30p max and lacks headphone or microphone inputs. Its codecs and bit rates are more modest, better suited for casual video bloggers or travel clips rather than professional productions.
Battery Life and Storage: Practical Considerations for Long Shoots
Both cameras deliver around 380 shots per charge, which surprised me for the tiny ZS80 - an impressive achievement given its size.
The S1 houses two SD card slots (UHS-II compatible) for safe and flexible storage, while the ZS80 contains one slot supporting UHS-I cards.
Charging options favor the S1 with USB power delivery, allowing in-field charging with high-wattage power banks or laptop chargers - essential for professional day-long shoots.
Durability and Weather Sealing: Ready for the Elements?
The S1 is built to withstand adverse conditions with splash, dust, and freeze-proof sealing. This adds valuable peace of mind for outdoor and travel photographers venturing into unpredictable environments.
The ZS80 has no weather sealing, suitable for casual or urban use where weather exposure risk is low.
Image Samples and Performance Scores: Seeing is Believing
I’ll let you judge the final results visually. Here are some side-by-side image crops emphasizing detail, color, and dynamic range.
The image differences here are stark. The S1’s full-frame sensor reveals richer tones, smoother gradients, and finer textures. The ZS80’s results are surprisingly strong given its sensor size but noticeably noisier at higher ISOs with less depth.
From DxOMark’s evaluation, here’s a consolidated score snapshot:
And if you’re curious how the cameras perform across specialized genres:
Which Panasonic Camera is Right for You? Practical Recommendations
If you’re serious about photography or professional work:
- The Panasonic S1 is the obvious choice - unparalleled image quality, versatile lens ecosystem, excellent stabilization, and professional video features make it ideal for portraits, landscapes, macro, and event coverage.
- Its weather sealing and ergonomics further enhance its appeal for outdoor and commercial use.
- The price at ~$2500 body-only is a serious investment, but one justified by quality and durability.
For enthusiasts, travelers, and casual photographers:
- The ZS80 is a compact marvel giving you a massive zoom range and 4K video in a pocketable package.
- It’s perfect for travel, street photography, or family events where you want convenience over absolute image quality.
- Priced around $450, it’s a tremendous value with plenty of intelligent features packed into a small frame.
- Just temper expectations in low light or demanding focus scenarios.
Final Thoughts: Experience Matters
Both cameras are excellent – but for fundamentally different users. I’ve tested these cameras extensively in diverse conditions, and each shines in its domain.
The Panasonic S1 is your tool if you demand image quality, flexibility, and reliability for serious creative or professional pursuits. The ZS80 is a superb choice for an all-in-one solution to fit wherever you go, without the complexity or bulk of interchangeable lenses.
Whichever you choose, you’re getting Panasonic’s excellent imaging pedigree and thoughtful engineering. Just ask yourself: are you the seasoned craftsman who needs ultimate control, or the inquisitive shooter who wants versatility in your pocket? Your answer will guide you to the camera that fits your vision - and your lifestyle.
Thank you for reading this detailed hands-on comparison! Feel free to share your own experiences or questions below - I’m happy to help you find the best fit for your photographic adventures.
Panasonic S1 vs Panasonic ZS80 Specifications
Panasonic Lumix DC-S1 | Panasonic Lumix DC-ZS80 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-S1 | Panasonic Lumix DC-ZS80 |
Also called as | - | Lumix DC-TZ95 |
Type | Pro Mirrorless | Small Sensor Superzoom |
Announced | 2019-02-01 | 2018-02-18 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | Venus Engine | Venus Engine |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.6 x 23.8mm | 6.17 x 4.55mm |
Sensor area | 847.3mm² | 28.1mm² |
Sensor resolution | 24MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 5184 x 3888 |
Highest native ISO | 51200 | 3200 |
Highest enhanced ISO | 204800 | 6400 |
Min native ISO | 100 | 80 |
RAW format | ||
Min enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 225 | - |
Lens | ||
Lens support | Leica L | fixed lens |
Lens zoom range | - | 24-720mm (30.0x) |
Max aperture | - | f/3.3-6.4 |
Macro focusing distance | - | 3cm |
Available lenses | 30 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Type of screen | Tilting | Tilting |
Screen diagonal | 3.2 inch | 3 inch |
Screen resolution | 2,100 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760 thousand dots | 2,330 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.78x | 0.53x |
Features | ||
Minimum shutter speed | 60s | 4s |
Fastest shutter speed | 1/8000s | 1/2000s |
Fastest silent shutter speed | 1/8000s | 1/16000s |
Continuous shutter rate | 9.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 5.60 m (with Auto ISO) |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/320s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Highest video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1021g (2.25 lb) | 327g (0.72 lb) |
Physical dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 112 x 69 x 42mm (4.4" x 2.7" x 1.7") |
DXO scores | ||
DXO Overall rating | 95 | not tested |
DXO Color Depth rating | 25.2 | not tested |
DXO Dynamic range rating | 14.5 | not tested |
DXO Low light rating | 3333 | not tested |
Other | ||
Battery life | 380 photographs | 380 photographs |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes | Yes |
Time lapse feature | ||
Storage type | - | SD/SDHC/SDXC (UHS-I supported) |
Card slots | Dual | Single |
Launch price | $2,498 | $448 |