Panasonic S1H vs Sony RX100 VII
52 Imaging
74 Features
87 Overall
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88 Imaging
54 Features
78 Overall
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Panasonic S1H vs Sony RX100 VII Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 5952 x 3988 video
- Leica L Mount
- 1052g - 151 x 114 x 110mm
- Announced August 2019
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8-4.5) lens
- 302g - 102 x 58 x 43mm
- Introduced July 2019
- Old Model is Sony RX100 VI
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic S1H vs. Sony RX100 VII: The Ultimate Camera Showdown for Enthusiasts and Professionals
In my years testing hundreds of cameras - from pro DSLRs to pocket-sized compacts - I’ve rarely encountered two devices as radically different yet equally compelling as the Panasonic Lumix S1H and the Sony RX100 VII. On paper, these cameras seem worlds apart: a flagship full-frame mirrorless powerhouse facing off against a sophisticated 1-inch sensor compact. But what do those differences mean in everyday photography? Which model truly shines in portrait sessions, wild expeditions, or behind the scenes on a video shoot?
Having spent weeks with both, shooting portraits in studio settings, chasing wildlife in forests, capturing fast-action sports, and even snapping impromptu street scenes, I’m eager to share an in-depth, practical comparison that cuts through specs to show you how these two perform in real life.
Getting to Know the Players: Size, Build, and Handling
Before we dive into image quality or autofocus, I want to start with something tactile: the physical feel and usability. How does it feel in your hands, and how intuitive is it when elbows-deep in a shoot?

The Panasonic S1H is a substantial beast - measuring roughly 151 x 114 x 110 mm and tipping the scales at over 1kg (1052g), it firmly sits in professional full-frame land. Its robust SLR-style mirrorless body boasts a magnesium alloy frame, excellent weather sealing, and an intuitive button layout - everything a trail-hardened photographer or videographer could want. The heft contributes to stability, particularly with long telephoto lenses, but it’s no grab-and-go.
Contrastingly, the Sony RX100 VII is an absolute marvel of compact engineering, weighing just 302g and fitting snug into (or on) your palm with dimensions of 102 x 58 x 43 mm. This is a camera you genuinely can slip into any jacket pocket and forget about - yet it surprises with an 8.3x zoom lens range and a tilting touchscreen.
My takeaway: The S1H feels like a serious workhorse you need to commit to carrying, while the RX100 VII invites spontaneous creativity with no compromise on portability.
Design Language and Control Layout: Professional vs. Pocketable
Handling a camera involves how controls are laid out and how quickly you can access settings intuitively, especially in changing scenarios.

The S1H impresses with a rich array of dedicated dials and buttons, including top-plate exposure compensation, ISO wheels, and a well-placed joystick to navigate the 225-point AF system with ease. The illuminated buttons come into play beautifully in low light, and the fully articulating 3.2-inch, 2330k-dot touchscreen offers superb viewing angles for video and live-view photography.
The RX100 VII keeps things pared down - typical for compacts - with a tilting 3-inch screen of 921k dots and fewer physical controls. The zoom ring along the lens is smooth and intuitive but takes some getting used to for exposure adjustments. The pop-up electronic viewfinder (EVF) with 2360k dots is commendable in such a small package, but the magnification maxes out at 0.59x, which feels modest compared to the S1H’s 0.78x viewfinder with 5760k dots.
For professional shooters, the S1H’s abundance of physical controls enables faster tweaking on the fly, which I found invaluable during fast-paced shoots. For casual or travel shooters, the RX100 VII’s streamlined design is less intimidating and still responsive.
Sensor Specs and Image Quality: Full Frame Depth vs. 1-Inch Versatility
Now, the heart of the camera - the sensor - where image quality originates. This comparison is a study in contrasts.

The Panasonic S1H’s full-frame CMOS sensor measures 35.6 x 23.8 mm, offering a substantial 847.3 mm² surface area and 24 megapixels of resolution. The sensor includes an anti-aliasing filter, which is a conservative choice that reduces moiré but slightly softens the image compared to filterless designs. Native ISO caps at 51200 with a boosted maximum of 204800, giving it remarkable low-light range. Though DxO Mark hasn’t officially tested this model, my own lab and field tests revealed excellent color depth, wide dynamic range, and minimal noise up to ISO 6400.
On the other hand, the RX100 VII employs a 1-inch BSI-CMOS sensor sized just 13.2 x 8.8 mm (116.16 mm²), with 20 MP resolution. Though much smaller, Sony’s stacked design and backside illumination technology help maximize light gathering and speed. DxO rates it at an overall score of 63, with color depth at 21.8 bits and dynamic range at 12.4 EV, respectable numbers but predictably trailing behind full-frame.
Practically, this means the S1H excels in image fidelity and low-light performance - excellent for large prints or cropping flexibility. Meanwhile, the RX100 VII shines in bright to moderate lighting, with some compromises in shadow recovery and noise at very high ISOs.
Portrait Performance: Skin Tones, Bokeh, and Eye-AF Precision
Portraiture is one area where sensor size, autofocus, and lens character combine critically.
In studio environments with controlled lighting, the Panasonic S1H produces creamy skin tones with a smooth natural palette. Paired with some of Panasonic’s sharp Leica L-mount primes, background separation and bokeh are gorgeous, benefiting from the large sensor and wide apertures achievable with those lenses. Face detection autofocus works reliably via contrast detection spread over 225 focus points, locking quickly and smoothly on faces. Occasional misses happen when subjects face away or in extreme side light, but generally, it tracks well. Unfortunately, it lacks native animal eye AF, which may impact pet portrait shooters.
The Sony RX100 VII’s fast hybrid AF system includes phase detection and boasts excellent real-time Eye AF that works remarkably well in a pocket camera - solid for spontaneous portraits. Its fixed Zeiss Vario-Sonnar T* 24-200mm f/2.8-4.5 lens balances reach with aperture flexibility. At longer focal lengths, background blur is decent, but due to the smaller sensor, bokeh smoothness doesn’t rival full-frame lenses. Skin tones are accurate with pleasing color rendering, though slightly less nuanced under mixed lighting.
If portraits are your main focus and you prize ultimate background separation and tonal subtlety, the Panasonic S1H wins easily, but the RX100 VII is a surprisingly strong performer for its class when portability is a priority.
Landscape Photography: Detail, Dynamic Range, and Durability
Landscape shooters need resolution, dynamic range, and often weather-sealed bodies for harsh conditions.
Thanks to its higher resolution and wide dynamic range, the Panasonic S1H is hands-down the better choice. Its sensor’s 24MP output brings fine detail and impressive shadow recovery - ideal for expansive panoramas. I tested the S1H on foggy mountain mornings and damp coastal cliffs; the environmental sealing kept it running flawlessly in drizzle and dust. Its broad ISO range allows flexibility as light falls or brightens.
The RX100 VII’s 20MP resolution does capture good detail, but the smaller 1-inch sensor limits dynamic range, so highlights can clip and shadows crush more quickly. Additionally, the lack of any weather sealing means you must be cautious shooting in wet or dusty conditions. To its credit, the lens range from moderate wide to telephoto is versatile for framing landscapes.
Bottom line: For serious landscape photography, the S1H's durability and file quality make it a top-tier option; the RX100 VII acts more as a capable field assistant for casual landscapes on the go.
Wildlife and Sports: Autofocus Speed, Burst Rates, and Telephoto Reach
Tracking erratic subjects demands fast AF and high frame rates.
The Panasonic S1H offers a steady 9 fps continuous shooting which, combined with 225 focus points employing contrast detection, does well for moderate wildlife and sports action but doesn’t rival DSLR-level phase detection AF systems specialized for speed and predictive tracking. Paired with fast telephoto primes or zooms on Leica L mount, the crop factor of 1x preserves reach, but the system’s AF occasionally hunts during erratic movement or low-light action.
The RX100 VII surprises with a 20 fps burst - more than double the S1H - with a stacked sensor enabling near-silent electronic shutter speeds up to 1/32000 s. Its hybrid AF includes phase detection across a large area, combined with real-time Eye AF and tracking that works exceptionally well on birds or athletes in daylight. The 24-200mm zoom (equiv. to 24-540mm full-frame due to 2.7x multiplier) delivers superb reach from a compact body - and I found it ideal for street-side wildlife or casual sporting events where size and speed matter most.
If your priority is fast capture of fleeting subjects in daylight, the RX100 VII leads. For deliberate, high-quality telephoto shooting, especially in tougher light, the Panasonic S1H provides stronger glass and better ISO performance.
Street and Travel Photography: Discretion, Portability, and Battery Life
Street photography rewards light gear that stays unobtrusive, while travel demands versatility and endurance.
The RX100 VII’s compact build is an unmatched advantage for street artists and travelers. Weighing under 310g and outfitted with silent shooting modes, it virtually disappears in your hand or pocket. The touch screen and quick autofocus facilitate capturing candid moments effortlessly. Battery life around 260 shots per charge is respectable but demands carrying spares on longer outings.
The Panasonic S1H weighs over a kilo and commands a full camera bag. However, its 400-shot battery life combined with dual SD card slots provides much more shooting time and backup confidence without mid-trip interruptions. On travel, the articulated screen and full weather sealing help immensely for varied conditions. The trade-off is size; this body will get noticed and may restrict mobility in tight urban scenarios.
My personal workflow favors the RX100 VII for street and casual travel, reserving the S1H for planned shooting days when image quality and ruggedness trump portability.
Macro and Close-Up Photography: Magnification and Focus Precision
Macro is a niche where lens compatibility and focus accuracy are paramount.
The Panasonic S1H supports a wide ecosystem of Leica L-mount macro lenses, which I found deliver excellent sharpness and true 1:1 magnification options. The camera’s focus bracketing and stacking features - rare for full-frame - help craft detailed composites with silky smooth depth of field. Sensor-based 5-axis stabilization further aids handheld close-ups.
The RX100 VII’s fixed lens reaches focusing as close as 8 cm, enabling decent close-up shots, but with limited magnification due to the zoom design. Focus bracketing and stacking aren’t supported here. Optical image stabilization compensates nicely but macro enthusiasts will find it limiting over time.
Bottom line: Serious macro shooters should gravitate to the S1H platform; the RX100 VII suffices for casual or travel-inspired close-ups.
Night, Astro, and Low Light: ISO Handling and Exposure Options
Shooting at night or capturing the stars demands low noise and flexible exposure control.
I pushed both cameras well into dim light scenarios. The Panasonic S1H’s full-frame sensor and max boosted ISO of 204800 provide superior image quality, enabling star fields and night portraits with tolerable noise after editing. Its manual exposure modes and in-camera focus assist development are a boon for astrophotographers.
The RX100 VII’s smaller sensor restricts usable ISO to around 1600–3200 without significant noise. Although it has excellent silent electronic shutters and built-in timelapse, astrophotography is limited to simpler compositions. The silent shutter also prevents camera shake on longer exposures.
If you crave night sky mastery or event photography in dark venues, the Panasonic S1H delivers far more serious capability.
Video Capability: Resolution, Formats, and Stabilization
Both cameras target video creators but at different scale and ambition.
The Panasonic S1H is a video-centric marvel capable of 6K full-frame recording at 24 fps, with incredibly flexible codecs such as H.265 and linear PCM audio support. It features sensor-based 5-axis image stabilization and full-size headphone/mic jacks for professional audio monitoring. Its articulating screen and rugged build make it ideal for on-location filmmaking.
Sony’s RX100 VII can shoot UHD 4K up to 30 fps with good quality compression (XAVC S), including microphone input but lacking headphones. It boasts excellent optical image stabilization to smooth handheld video. For casual content creators prioritizing portability, this camera is a strong contender, but it doesn’t approach the S1H’s cinematic video tools.
If videography is your passion or profession, the S1H’s pro features justify its size and price tag.
Professional Workflow Integration and Connectivity
Workflow efficiency matters, especially for pros with demanding schedules.
The Panasonic S1H supports dual UHS-II SD cards permitting seamless backup or overflow recording, a prerequisite for professional workflows. Its USB and HDMI connectivity facilitate external monitoring and file transfer, and wireless features enable tethered shooting and remote control.
The RX100 VII offers a single SD slot and supports Memory Stick Pro Duo as well, with built-in Wi-Fi, Bluetooth, and NFC for easy sharing. However, its limited external ports reduce tethering and advanced integration capabilities.
For studio or location professionals who require robust data and workflow tools, the S1H is the clear choice.
Price-to-Performance: Weighing Investment and Value
Price significantly impacts decision-making: the S1H retails near $4000 vs. around $1300 for the RX100 VII.
The S1H commands a premium justified by its full-frame sensor, professional video, rugged build, and extensive lens ecosystem. If your photography or videography work depends on top-tier image quality and advanced features, the investment pays dividends.
Conversely, the RX100 VII offers excellent value in a pocketable form factor, delivering versatility for a variety of uses - travel, casual wildlife, street photography - without the burden of a large kit.
Breaking It Down by Photography Type: What Each Camera Excels At
| Discipline | Panasonic S1H | Sony RX100 VII |
|---|---|---|
| Portrait | Superior color, bokeh, lens options | Great eye AF, convenient zoom |
| Landscape | High DR, weather sealed | Portable, versatile zoom |
| Wildlife | Strong IQ, decent AF but slower | Fast burst, excellent AF tracking |
| Sports | Moderate fps, reliable AF | High fps, fast hybrid AF |
| Street | Bulky but effective controls | Discreet, pocketable |
| Macro | Lens ecosystem & focus bracketing | Limited close-up, no stacking |
| Night/Astro | Outstanding high ISO & manual | Limited, noisier |
| Video | Pro 6K & 4K, superior audio | 4K at 30 fps, microphone input |
| Travel | Heavy but durable & versatile | Lightweight & quick |
| Professional Work | Dual cards, workflow ready | Basic integration |
Gallery: Sample Shots That Tell the Story
I put both cameras through identical shooting scenarios, including studio portraiture, forest wildlife, sunny landscapes, and twilight cityscapes.
The S1H’s frames exhibit richer detail in shadows and highlights, wider dynamic range, and creamy bokeh transitions, especially at wider apertures. Skin tones appeared more natural and nuanced. The RX100 VII’s images feel punchy and sharp in daylight but reveal more noise and less highlight retention after sunset.
Final Thoughts: Which One is Right for You?
If you are a professional photographer or filmmaker seeking uncompromising image and video quality, extensive lens choices, and robust build that withstands harsh environments, the Panasonic S1H is a workhorse worth the investment. It’s a serious tool for portraits, landscapes, macro, and cinematic video production, though you must accept its size, weight, and price.
On the flip side, if you value portability, versatility, and quick access to an impressive zoom range in a pocket-friendly form - while still enjoying advanced AF and good image quality - then the Sony RX100 VII represents excellent bang-for-buck for street photographers, travelers, or casual shooters seeking convenience without sacrificing too much performance.
How I Tested This Comparison
My assessments were derived from extensive side-by-side shooting in controlled studio environments as well as dynamic field settings spanning different lighting and subject challenges. I continuously evaluated autofocus responsiveness using both static and moving test targets, gauged image quality across ISO ranges using standardized charts, and scrutinized video quality and stabilization in real-world handheld shoots.
Each camera’s ergonomics were tested over multi-hour use periods, noting control layout intuitiveness and screen visibility. Battery endurance was measured through continuous shooting and video recording cycles. File workflows were evaluated on tethering and dual-card configurations.
This comprehensive approach ensured recommendations grounded not just in specifications but in genuine photographic experience.
I hope this detailed comparison helps you find the camera that best matches your creative ambitions and shooting style. Feel free to share your questions or experiences - I’m always curious to hear how different cameras perform for photographers across the spectrum!
Panasonic S1H vs Sony RX100 VII Specifications
| Panasonic Lumix DC-S1H | Sony Cyber-shot DSC-RX100 VII | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Sony |
| Model | Panasonic Lumix DC-S1H | Sony Cyber-shot DSC-RX100 VII |
| Category | Pro Mirrorless | Large Sensor Compact |
| Announced | 2019-08-28 | 2019-07-25 |
| Physical type | SLR-style mirrorless | Large Sensor Compact |
| Sensor Information | ||
| Processor Chip | Venus Engine | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Full frame | 1" |
| Sensor dimensions | 35.6 x 23.8mm | 13.2 x 8.8mm |
| Sensor surface area | 847.3mm² | 116.2mm² |
| Sensor resolution | 24 megapixel | 20 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 6000 x 4000 | 5472 x 3648 |
| Max native ISO | 51200 | 12800 |
| Max enhanced ISO | 204800 | - |
| Minimum native ISO | 100 | 125 |
| RAW pictures | ||
| Minimum enhanced ISO | 50 | 64 |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 225 | - |
| Lens | ||
| Lens mounting type | Leica L | fixed lens |
| Lens focal range | - | 24-200mm (8.3x) |
| Max aperture | - | f/2.8-4.5 |
| Macro focus distance | - | 8cm |
| Total lenses | 30 | - |
| Focal length multiplier | 1 | 2.7 |
| Screen | ||
| Type of display | Fully Articulated | Tilting |
| Display diagonal | 3.2 inches | 3 inches |
| Display resolution | 2,330k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 5,760k dots | 2,360k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.78x | 0.59x |
| Features | ||
| Minimum shutter speed | 60 seconds | 30 seconds |
| Fastest shutter speed | 1/8000 seconds | 1/2000 seconds |
| Fastest quiet shutter speed | 1/8000 seconds | 1/32000 seconds |
| Continuous shutter rate | 9.0 frames/s | 20.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 5.90 m (at Auto ISO) |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | - |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/320 seconds | 1/2000 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 5952 x 3988 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Max video resolution | 5952x3988 | 3840x2160 |
| Video file format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD, XAVC S |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | NP-BX1 lithium-ion battery & USB charger |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 1052 gr (2.32 lb) | 302 gr (0.67 lb) |
| Physical dimensions | 151 x 114 x 110mm (5.9" x 4.5" x 4.3") | 102 x 58 x 43mm (4.0" x 2.3" x 1.7") |
| DXO scores | ||
| DXO Overall score | not tested | 63 |
| DXO Color Depth score | not tested | 21.8 |
| DXO Dynamic range score | not tested | 12.4 |
| DXO Low light score | not tested | 418 |
| Other | ||
| Battery life | 400 photos | 260 photos |
| Battery type | Battery Pack | Battery Pack |
| Battery model | - | NP-BX1 |
| Self timer | Yes | Yes |
| Time lapse shooting | ||
| Storage type | Dual SD/SDHC/SDXC slots (UHS-II supported) | SD/ SDHC/SDXC, Memory Stick Pro Duo |
| Card slots | Two | 1 |
| Cost at release | $3,998 | $1,298 |