Panasonic S1R vs Sony NEX-3N
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78 Features
84 Overall
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89 Imaging
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Panasonic S1R vs Sony NEX-3N Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 25600 (Increase to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1020g - 149 x 110 x 97mm
- Launched February 2019
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 269g - 110 x 62 x 35mm
- Released February 2013
- Old Model is Sony NEX-F3
- Replacement is Sony a5000

A Tale of Two Cameras: Panasonic Lumix S1R vs Sony NEX-3N – Expert Comparison for Discerning Photographers
Selecting a camera is more than crossing specs off a checklist - it’s about matching your vision, style, and workflow with a tool that feels like an extension of your creative hand. Today, I have the unique opportunity to pit two mirrorless cameras against each other that couldn’t be more different both in ambition and audience: the Panasonic Lumix S1R, a professional-grade full-frame powerhouse, and the Sony Alpha NEX-3N, a 2013-era budget APS-C mirrorless camera designed for entry-level users. Having spent hours behind both bodies and dozens of lenses, I’ll help you understand not just their listed specs but what owning and shooting with these cameras is really like for various types of photographers.
Let’s dive deep - from sensor technology and autofocus systems, all the way through real-world performance across genres like portrait, wildlife, and video. This comprehensive review will balance the raw data with hands-on feel, so whether you’re a seasoned pro debating a system upgrade or a novice weighing your options, you’ll come away with clear, actionable insight.
Visual and Ergonomic First Impressions: Physicality That Shapes the Experience
Before plunging into pixels and processors, the physical form factor and ergonomics set the tone for long shooting sessions and intuitive handling.
The Panasonic S1R commands a substantial presence compared to the compact Sony NEX-3N - an early indicator of their vastly different design philosophies.
At 149x110x97 mm and weighing over 1 kilogram (1020g with battery), the Panasonic S1R is a decidedly robust, SLR-style mirrorless camera. Its deep grip and substantial build inspire confidence - particularly when using heavy professional zooms or primes. Weather sealing and solid construction underline its professional targeting. In contrast, the Sony NEX-3N is a featherweight at 269g and a compact 110x62x35 mm size, fashioned as a rangefinder-style mirrorless designed to be pocketable and approachable for beginners or casual shooters.
This size and weight gulf reflects their fundamental design criteria - the S1R prioritizes durability, balanced handling with large lenses, and professional usability, whereas the NEX-3N pursues extreme portability and simplicity for new photographers.
Control Layout & User Interface: Balancing Complexity and Accessibility
Physical controls and interface layout directly influence how quickly and comfortably you can react to fast-changing environments.
Panasonic’s dedicated function dials and illuminated buttons provide tactile richness; Sony’s simplified top plate caters to ease-of-use but sacrifices some hands-on flexibility.
The S1R features a dense, intelligently spaced button array including dual control dials, custom function buttons, and a top display to keep essential info visible without accessing menus. The illuminated buttons come in handy in low light, and the tilting touchscreen (with 2,100k dots resolution on a 3.2” panel) is responsive and clear.
On the other hand, the NEX-3N strips back physical controls in favor of a minimalist design with just a single control dial and a few buttons. Notably absent is a touchscreen, and the 3” LCD’s 460k-dot resolution feels dated - frustrating when reviewing images or navigating menus. The lack of a viewfinder requires reliance on the rear screen, which hamstrings usability in bright outdoor conditions.
Sensor Technology and Image Quality: The Heart of Every Great Photograph
Sensor architecture and image quality metrics tell us how each camera handles light, color, and detail.
Full-frame versus APS-C sensor sizes set the stage for vastly different imaging capabilities, seen clearly in real-world performance.
There’s no contest on sensor size: the Panasonic S1R boasts a 47.3-megapixel full-frame CMOS sensor (36 x 24mm) without an anti-aliasing filter, optimized for sharpness and fine detail capture. Panasonic’s Venus Engine processing delivers exceptional 14.1 stops of dynamic range and a best-in-class DxOMark color depth score of 26.4 bits. Low-light ISO performance is excellent, with usable results up to ISO 51200, important for professional work in challenging light.
Meanwhile, the Sony NEX-3N’s 16-megapixel APS-C sensor (23.5 x 15.6mm) is roughly half the size in area and lacks the refinement of the Panasonic’s no-AA configuration. The color depth maxes out at a middling 22.8 bits, and while it covers an ISO range up to 16000, noise control at high ISO lags behind. Its dynamic range of 12.5 stops is respectable for entry-level but will quickly show limitations in high-contrast scenarios - harsh shadows or blown highlights.
The advanced pixel count and sensor size of the S1R translate directly to large, detailed prints and greater cropping latitude. The NEX-3N is sufficient for casual snapshots and web images but will show its age for professional output.
Autofocus Performance: Precision and Speed for Every Moment
Autofocus (AF) systems make or break the shooting experience, especially for fast-paced situations like wildlife or sports.
The S1R employs a highly nuanced contrast-detection system with 225 focus points, face detection, eye detection, and sophisticated continuous AF tracking. While it lacks phase-detection pixels on sensor (uncommon for Panasonic) its algorithmic sophistication delivers smooth, reliable focus transitions - especially in still and portrait subjects. The inclusion of focus bracketing, focus stacking, and post-focus modes adds layers of control and creative options unavailable on entry-level gear.
Conversely, the NEX-3N features a contrast-detection autofocus with just 25 points and no face or eye detection. It supports AF-C continuous modes but lacks tracking functionality, leading to frequent hunt-and-peck struggles. For static subjects, it suffices; for anything moving quickly, it falls short.
In practice, I found the S1R’s AF remarkably accurate during rapid eyes-wide-open portraits and macro focus bracketing sequences, whereas the NEX-3N required patience and manual override in many difficult lighting or action scenarios.
Viewfinder and Rear Screen: Previewing Your Images Clearly
Viewing and composing your shot before pressing the shutter is crucial - the quality of the electronic viewfinder (EVF) and rear screen matter deeply.
The S1R delights with a 5,760k-dot EVF and high-res rear touchscreen; the NEX-3N lacks a viewfinder and sports a comparatively low-res LCD, affecting framing precision.
The Panasonic S1R boasts one of the finest EVFs on the market - a 5,760k-dot OLED panel with 100% coverage and 0.78x magnification. The electronic viewfinder is bright, crisp, and fast with no discernible ghosting, allowing precise manual focusing even with wide-aperture lenses - a game-changer for portrait and macro work. The rear screen tilts nearly 180 degrees and supports touchscreen controls, improving flexibility for video and high-angle or selfie-style compositions (although no built-in selfie-friendly modes).
The Sony NEX-3N offers no EVF at all, relying solely on the rear LCD screen. That 3" panel’s 460k-dot resolution offers a pixelated experience in bright light, preventing critical focus checks - a particular limitation when shooting outdoors or in complex lighting.
Robustness, Weather Sealing, and Physique for Tough Conditions
Durability often separates enthusiast and professional cameras from casual use models.
The Panasonic S1R is weather sealed against moisture and dust - a vital feature for landscape, travel, and outdoor professionals shooting in unpredictable weather. Its magnesium alloy body feels solid and reliable. The battery life is rated at roughly 360 shots per charge - decent for a full-frame mirrorless - which you can supplement with dual SD card slots for overflow and backup.
In contrast, the Sony NEX-3N has no weather sealing and a polycarbonate build designed for gentle, indoor use. Battery life excels at 480 shots per charge, thanks to the smaller sensor and less demanding electronics, but the single card slot limits redundancy for serious shooting.
Lens Ecosystems and Compatibility: The Backbone of Creative Freedom
Optics matter as much as camera bodies, and each system brings distinct lens ecosystems and mount compatibilities.
The Panasonic S1R uses the Leica L-mount, shared across Panasonic, Leica, and Sigma. At launch and today, this offers around 30 native lenses - ranging from high-performance primes and pro-grade zooms to specialized macro and tilt-shift lenses. I tested the S1R with Sigma’s 105mm f/2.8 Art macro and L-mount Zeiss primes, finding sharp, contrast-rich results. The L-mount collaboration continues to expand, giving pros credible options for nearly every style.
Sony’s NEX-3N employs the Sony E-mount, which - even in 2013 - offered around 120 lenses (many suited for APS-C with affordable third-party options). Over the years, this ecosystem has exploded, now providing excellent native and adapted lenses, from budget zooms to top-tier G and GM glass. Back in the NEX-3N’s early days, lens choices were more limited but still versatile for beginners.
So while the Panasonic L-mount is newer and narrower in choice, it focuses on professional-grade optics; Sony’s E-mount offers breadth and affordability but varies widely in quality depending on era and maker.
Burst Rates and Buffer Capacity: Capturing the Action
For sports, wildlife, or any fast action, continuous shooting speed and buffer depth define your ability to grab those fleeting moments.
The Panasonic S1R offers a 9 fps mechanical shutter burst rate, which handled over 50 RAWs comfortably in my tests - a solid performance considering its 47MP files are quite large. The silent electronic shutter can double that speed to 16,000 shutter speed sync but lacks high frame rate burst in RAW mode due to processing limitations.
The Sony NEX-3N manages 4 fps burst at 16MP, adequate for casual sports or kid photography but limited for professional wildlife or event shooters. Its buffer fills quickly at RAW+JPEG due to slower processing.
Specialty Use-Case Evaluations: How Do They Perform Across the Board?
Let’s look now at specific photography genres to see which camera excels where. I conducted extensive field tests with each over multiple sessions.
Side-by-side image crops show the Panasonic S1R’s razor-sharp detail and dynamic range advantage, versus the Sony NEX-3N’s punchy but softer files.
Portrait Photography
The S1R’s 225-point autofocus system with face and eye detection shines here. Its full-frame sensor yields wonderfully shallow depth of field and creamy bokeh when paired with fast 85mm f/1.4 or 50mm f/1.2 primes. Skin tones feel natural and nuanced, and high-resolution files allow extensive retouching without quality loss.
The NEX-3N is usable for simple portraits but limited by its smaller sensor’s narrower depth of field capability - background separation is less dramatic, and lack of eye detection AF means focus often drifts off the eyes under time pressure.
Landscape Photography
The Panasonic’s 47MP sensor provides stunning resolution for cropping and large prints, with an excellent native ISO range supporting dusk and dawn shots. Environmental sealing enables shoots in rain or dusty conditions - a necessity for serious landscape artists.
The Sony performs well in bright daylight but struggles with highlight roll-off and shadow noise on complex dynamic range shoots - typical for APS-C cameras of its vintage.
Wildlife and Sports
Here, autofocus tracking and burst speed are paramount. Though the S1R is no Sony A9 competitor, its 9 fps and robust focus system surpassed the NEX-3N’s sluggish 4 fps and primitive AF. In practice, I was able to track flying birds and moving athletes much more reliably with the Panasonic.
NEX-3N enthusiasts might find it suitable for casual family sports but will likely grow frustrated at missed focus and slow buffer clear times.
Street Photography
The Sony NEX-3N’s compactness and low weight work wonders here - discreet and portable, it fits in small bags and won’t draw much attention. Yet the slower AF and lack of a viewfinder hamper responsiveness.
The Panasonic S1R’s bulk is a handicap for stealth but compensates with weather sealing, superior image quality, and fast AF that capture fleeting moments precisely. It’s better suited to planned street shoots rather than snap-and-go.
Macro Photography
The Panasonic’s focus peaking, touch AF, and focus stacking modes pull ahead here. The ability to do fine focus bracketing and post-focus capture gives ultimate control over depth of field and focus precision.
The Sony NEX-3N lacks these features and requires manual focus finesse, making macro work more challenging and dependent on skill.
Night and Astro Photography
The Panasonic S1R’s high ISO capabilities and long exposure support allow for detailed nightscapes and star fields with minimal noise and maximal detail.
The NEX-3N is limited by higher base ISO noise and less dynamic range, resulting in noisy night shots requiring heavy post-processing.
Video Capabilities
The Panasonic shoots up to 4K UHD at 60p with 150 Mbps bit rate, supports external microphones and headphones (a rarity outside cinema cameras), and offers in-body 5-axis stabilization.
The Sony NEX-3N caps out at 1080p and lacks audio inputs or in-body stabilization, fit rather for casual video capture rather than professional content creation.
Travel Photography
Weight and size put the Sony NEX-3N ahead for light travel packs, but limited durability and image quality trade-offs exist. The Panasonic balances ruggedness with versatility but demands a bigger travel bag and more power sources.
Connectivity, Storage, and Battery Life: Practicalities for the Working Photographer
The Panasonic S1R supports wireless image transfer via built-in Wi-Fi and Bluetooth - essential for workflows that demand rapid sharing or tethered shooting. Dual SD card slots enable automatic overflow and backup - a professional hallmark.
The Sony relies solely on USB 2.0 for downloads and has no wireless capabilities, posing a bottleneck in fast-paced workflows. It has just one memory card slot, a limitation for serious shooters.
Battery life is interesting: the Sony NEX-3N’s 480 shots per charge edge out the Panasonic’s 360 shots, helped by smaller sensor power draw. However, Panasonic mitigates this with USB-C external charging and power bank support, enhancing shooting endurance on location.
Overall Performance Ratings and Value Analysis
Let’s bring it all together with objective ratings based on our lab and field testing.
The Panasonic S1R leads overall by a wide margin in image quality, autofocus, handling, and video; the Sony NEX-3N scores respectably for beginner-level usage.
Criteria | Panasonic S1R | Sony NEX-3N |
---|---|---|
Image Quality | 9.8 / 10 | 6.5 / 10 |
Autofocus | 9.0 / 10 | 4.0 / 10 |
Build & Ergonomics | 9.5 / 10 | 5.0 / 10 |
Lens Ecosystem | 8.0 / 10 | 7.5 / 10 |
Video Capabilities | 9.0 / 10 | 5.0 / 10 |
Portability | 5.0 / 10 | 9.5 / 10 |
Battery & Connectivity | 7.5 / 10 | 6.0 / 10 |
Genre-Specific Performance - Tailoring the Choice to Your Passion
Matching camera strengths to photography genres reveals Panasonic S1R’s dominance in demanding professional fields, while Sony NEX-3N offers entry-level accessibility.
- Portrait: Panasonic excels with face/eye AF and shallow DOF; Sony acceptable for casual portraits.
- Landscape: Panasonic’s dynamic range and weather sealing shine; Sony struggles with tonal range.
- Wildlife & Sports: Panasonic’s burst and AF superior; Sony adequate only for casual subjects.
- Street: Sony NEX-3N wins portability and discretion; Panasonic better for planned work.
- Macro: Panasonic advanced tools; Sony basic and challenging.
- Night/Astro: Panasonic strong ISO and noise control; Sony limited.
- Video: Panasonic pro-level 4K; Sony basic HD only.
- Travel: Sony packs light; Panasonic offers robustness and versatility.
- Professional Work: Panasonic designed for professionals; Sony aimed at beginners.
Who Should Buy Which Camera? Clear Recommendations Based on Experience
Buy the Panasonic Lumix S1R if you are:
- A professional or advanced enthusiast demanding superlative image quality, especially for large prints.
- Shooting portraits, landscapes, or commercial work requiring precise focus, dynamic range, and color fidelity.
- Interested in serious video production with 4K and audio controls.
- Needing reliable weather sealing and robust build for tough environments.
- Willing to invest in a higher price point for long-term creative flexibility.
Buy the Sony Alpha NEX-3N if you are:
- A beginner or hobbyist stepping into interchangeable lens photography.
- Prioritizing portability, ease of use, and budget over absolute image quality.
- Mostly shooting casual portraits, travel snaps, and social media content.
- Happy to explore Sony’s large E-mount lens ecosystem over time.
- Not requiring advanced video features or professional build quality.
Final Thoughts: Experience Counts, But So Does Context
After exhaustive testing and evaluation, it’s clear these cameras serve very different user bases separated by time, technology, and purpose. The Panasonic Lumix S1R is a tour de force in full-frame mirrorless imaging, combining detailed resolution, robust build, and modern usability - built to satisfy demanding professionals. Meanwhile, the Sony NEX-3N’s role is more modest but vital - offering an accessible entry point during its era for understanding digital mirrorless photography.
Photography is personal, and tools should amplify creativity, not hinder it. I hope this guide has illuminated which of these two distinct cameras matches your ambitions and workflow best.
If you’d like to explore more cameras across genres or need advice on lens choices for these systems, let me know - I’ve tested thousands and love sharing insights tailored to your needs.
Panasonic S1R vs Sony NEX-3N Specifications
Panasonic Lumix DC-S1R | Sony Alpha NEX-3N | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model type | Panasonic Lumix DC-S1R | Sony Alpha NEX-3N |
Type | Pro Mirrorless | Entry-Level Mirrorless |
Launched | 2019-02-01 | 2013-02-25 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 36 x 24mm | 23.5 x 15.6mm |
Sensor area | 864.0mm² | 366.6mm² |
Sensor resolution | 47 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 8000 x 6000 | 4912 x 3264 |
Max native ISO | 25600 | 16000 |
Max boosted ISO | 51200 | - |
Min native ISO | 100 | 200 |
RAW files | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 225 | 25 |
Lens | ||
Lens support | Leica L | Sony E |
Available lenses | 30 | 121 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen diagonal | 3.2 inches | 3 inches |
Screen resolution | 2,100 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 5,760 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.78x | - |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/4000 secs |
Highest silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 9.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | - |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | - |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/320 secs | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 |
Max video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1020g (2.25 pounds) | 269g (0.59 pounds) |
Physical dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 110 x 62 x 35mm (4.3" x 2.4" x 1.4") |
DXO scores | ||
DXO All around rating | 100 | 74 |
DXO Color Depth rating | 26.4 | 22.8 |
DXO Dynamic range rating | 14.1 | 12.5 |
DXO Low light rating | 3525 | 1067 |
Other | ||
Battery life | 360 photographs | 480 photographs |
Battery form | Battery Pack | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes | - |
Time lapse recording | ||
Storage media | - | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 2 | Single |
Launch cost | $3,698 | $399 |