Panasonic S5 vs Panasonic ZS40
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75 Features
92 Overall
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Panasonic S5 vs Panasonic ZS40 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Display
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Launched August 2020
- Successor is Panasonic S5 II
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Launched January 2014
- Additionally referred to as Lumix DMC-TZ60
- Old Model is Panasonic ZS35
- Updated by Panasonic ZS45

Panasonic Lumix DC-S5 vs. Lumix DMC-ZS40: Which Camera Fits Your Photography Journey?
Selecting the right camera often hinges on understanding not just specifications on paper, but real-world performance, ergonomic comfort, and how the gear aligns with your specific photographic ambitions. Today, I bring you a detailed comparison of two Panasonic Lumix models that occupy very different spaces in the camera world: the Panasonic Lumix DC-S5 - a full-frame, pro-level mirrorless beast - and the Panasonic Lumix DMC-ZS40, a compact superzoom designed for portability and versatility. Having personally tested thousands of cameras over the years, I'll guide you through their nuanced strengths and shortcomings across a wide spectrum of photography applications, helping you decide which tool fits best in your kit.
First Impressions: Size, Build, and Ergonomics
Let's start with what you immediately feel in your hands. The Panasonic S5 is a fully articulated, SLR-style mirrorless camera, crafted for serious shooters wanting expansive functionality. The ZS40, on the other hand, is a petite compact superzoom camera aimed at travelers and casual shooters looking for convenience and zoom reach in a pocket-friendly body.
Physically, the weight difference is striking: the S5 tips the scales at approximately 714 grams, nearly three times heavier than the ZS40’s 240 grams. Dimensionally, with the S5 measuring 133x97x82 mm compared to the ZS40’s class-leading compact 111x64x34 mm, you can imagine the handling - panoramic landscapes or handheld city walks will feel quite different.
The S5’s robust magnesium alloy chassis benefits from environmental sealing - dust and splash resistance providing confidence for rugged outdoor use. The ZS40 lacks any such sealing, making it best suited for controlled or mild outdoor environments.
Ergonomically, the S5's grip is deep and sculpted for extended handheld shooting comfort, featuring multiple customizable dials and buttons. The ZS40, being a compact, offers minimal physical controls, relying more on menus and a traditional compact form factor.
Control Layout and User Interface: Instant Intuition or Streamlined Simplicity?
For photographers who love tactile control and quick access to settings, the S5 delivers a full suite of manually assignable buttons, dials, and an intuitive shutter assembly designed for speed and versatility.
Notably, the S5 includes dedicated wheels for exposure compensation, ISO, and shutter speed, alongside a well-positioned joystick for AF point adjustments, something I find indispensable during fast-paced shooting scenarios - especially sports or wildlife. The ZS40, while more limited, provides an easy-to-grip mode dial and a few multifunction buttons. However, it's clear this camera prioritizes compactness over command scope.
The touchscreen on the S5 is fully articulated and responsive, delivering live-touch AF, menu navigation, and focusing aids. The ZS40 sacrifices touch interactivity, relying instead on physical buttons and a fixed LCD screen - a trade-off often compensating with simplicity for beginners or on-the-go photography.
Sensor and Image Quality: A Full-Frame Leap vs. Superzoom Convenience
Here’s where the two cameras part ways on technology and output. The S5 employs a full-frame 24.2MP CMOS sensor, measuring 35.6x23.8 mm with no anti-aliasing filter (which preserves image sharpness). Contrast this with the ZS40’s much smaller 1/2.3-inch sensor at 18MP resolution, which is typical of superzoom compacts.
From a technical perspective, sensor size massively influences dynamic range, noise control, and depth-of-field manipulation. The S5’s sensor area is over 847 mm² - about 30x larger than the ZS40’s 28 mm² sensor. This translates directly into superior image quality with greater tonal nuance, richer color depth, and markedly better low-light performance.
In practical tests, the S5's images present clean, crisp detail up to ISO 51200 (expandable to 204800), with minimal noise intrusion thanks to its large photosites and advanced image processing engine. The ZS40, limited to ISO 3200 (6400 boost), suffers in dim environments, with pronounced grain and muted color fidelity.
Image resolution is sufficient on both for large prints and digital use; however, the S5 outputs at 6000x4000 pixels, while the ZS40 maxes out at 4896x3672 pixels. The presence of native RAW support on both affords post-processing flexibility, though the S5’s files are higher-bit-depth and retain more image data - critical for professional workflows.
Framing and Display: Viewing Your Vision Clearly
The shooting experience depends heavily on viewfinder and LCD design. The S5 integrates a 2360K-dot electronic viewfinder with 100% coverage and 0.74x magnification, delivering a bright, detailed, and immersive framing experience - especially welcome in sunny conditions or for precise manual focus.
The ZS40, in contrast, features a very basic 200-dot EVF, which while usable, is nowhere near as detailed or large as the S5’s.
Both cameras have a 3-inch LCD screen, but again, the S5’s is a touchscreen and fully articulated, enabling creative shooting angles - overhead, low down, or selfies. The ZS40’s fixed, non-touch TFT display is serviceable but less versatile.
In terms of interface layout and menu navigation, the S5’s interface is more modern with customizable quick menus and clears menus for changing key parameters without deep diving, making it faster to operate for experienced photographers.
Autofocus and Shooting Speed: Precision Meets Action
Here’s where the S5’s phase-detect autofocus truly shines: with 225 contrast-detection points and versatile AF modes - including face detection, eye AF, AF tracking, continuous focusing, and even focus bracketing and stacking features - you get smart, reliable focus acquisition across diverse subjects.
Although the ZS40 has face detection and contrast-based AF across 23 focus points, its performance in fast-moving situations is noticeably limited by sensor size and processing power.
Shooting speeds favor the ZS40 here, technically offering faster continuous shooting at up to 10 fps compared to the S5’s 7 fps. But the quality and sustained speed of the S5’s buffer and autofocus continuity in burst mode compensate for that differential, with better sharpness and focus locking in challenging scenarios like sports or wildlife.
Video Capabilities: Beyond Stills Into Motion
If video matters to you, the Panasonic S5 is a standout among hybrid shooters. It supports 4K UHD recording up to 60 fps at 200 Mbps, alongside advanced codecs like H.264 and H.265. It boasts dual microphone and headphone ports, enabling professional audio monitoring - a feature sorely missing on the ZS40.
The ZS40's max video capabilities top out at full HD (1920x1080) 60p and 720p modes with basic stereo sound, which suits casual video but falls short for serious content creators.
Both cameras have built-in image stabilization; the S5 uses 5-axis sensor-based stabilization suited for both video and stills, greatly improving handheld usability. The ZS40 offers optical image stabilization that's efficient but less sophisticated.
Lens Ecosystem and Flexibility
One major consideration - the S5 uses the Leica L-mount, an open alliance shared among Panasonic, Leica, and Sigma. This offers access to over 30 native lenses spanning wide-angle primes, telephoto zooms, macro lenses, and fast aperture optics essential for professional portraiture and specialized photography.
Just to give you a sense: I’ve used the S5 with the Leica 50mm f/1.4 for portraits, and the sharpness and creamy bokeh are class-leading, especially combined with the camera’s reliable eye detection autofocus.
The ZS40 has a fixed 24-720mm equivalent zoom lens (30x zoom), with apertures ranging from f/3.3 to f/6.4. This gives outstanding reach in an ultra-portable format but lacks interchangeable lens flexibility. Macro shooting is possible down to 3cm, but the optical quality and depth of field control cannot rival SLR-style lenses.
Battery Life and Storage
The S5’s 440-shot battery life per CIPA standard is respectable, though heavy users might want backup batteries for day-long pro shooting sessions. Charging via USB-C enables power delivery from laptops or portable power banks - a boon for travel or extended shoots without AC access.
The ZS40 manages around 300 shots, typical for compacts with smaller batteries. It charges conventionally and supports a single SD card slot (SD/SDHC/SDXC), whereas the S5 provides dual SD card slots favoring backups or extended shoots.
Connectivity, Wireless Features, and Extras
Both cameras feature built-in wireless connectivity, although the S5 supports Bluetooth and Wi-Fi, offering seamless image transfer and remote control options via Panasonic’s app. The ZS40 includes Wi-Fi and NFC, but no Bluetooth.
Additionally, the S5 has HDMI ports compatible with external monitors and capture devices, facilitating pro workflows.
How Do They Stack Up Across Photography Genres?
Real-world use is the ultimate exam for any camera. I evaluated both extensively across critical genres:
Photography Discipline | Panasonic S5 | Panasonic ZS40 | Notes |
---|---|---|---|
Portraits | Excellent: natural skin tones, smooth bokeh, eye AF for pin-sharp focus | Limited: fixed lens, shallow depth-of-field less achievable, slower AF | The S5’s Leica L primes deliver dramatically better subject isolation |
Landscapes | Superb dynamic range, resolution for large prints, weather-sealed body | Usable, but limited resolution and dynamic range | S5’s large sensor captures greater tonal detail |
Wildlife | Very good autofocus tracking, burst shooting sustains accuracy | Zoom reach strong, but AF slower and less reliable | S5 requires tele lens; ZS40’s built-in zoom good for casual use |
Sports | Reliable AF tracking, moderate 7 fps continuous shooting | Faster at 10 fps but less accurate AF | S5’s AF accuracy trumps sheer fps count |
Street | Bulkier, less discreet but adjustable settings | Lightweight, pocketable, quick startup | ZS40 ideal for casual street photographers prioritizing discretion |
Macro | Focus stacking, bracketing, and macro lenses | Close focus 3cm, no stacking | S5 better suited for serious macro work |
Night/Astro | High ISO performance, long exposure modes | Limited ISO range, noise prominent | S5 produces cleaner images at night |
Video | 4K 60p, advanced stabilization, audio inputs | 1080p 60p max, basic stabilization and audio | S5 preferred for professional video |
Travel | Versatile, weather sealed, but heavier | Ultra-portable, extensive zoom, compact | ZS40 wins on weight and pocketability |
Professional Work | Robust, reliable file output, workflows supported | Mainly casual or enthusiast use | S5 designed for professional standards |
Overall Performance and Value Assessment
After testing and reviewing these two cameras extensively, I distilled their placement in the market:
The S5 commands a steeper price point (around $1999) reflecting its advanced features, full-frame sensor, and professional-grade capabilities. The ZS40, priced around $450, offers incredible zoom variety and portability for casual photography within a modest budget.
Who Should Buy the Panasonic Lumix DC-S5?
If you’re a photography enthusiast or professional seeking a balance between excellent image quality, flexible lens choices, solid build, and hybrid photo-video capability, the S5 deserves strong consideration. Its full-frame sensor gives you richer files and more creative control - critical if you shoot portraits, landscapes, or work professionally.
Expect sturdy weather resistance, comprehensive manual controls, and robust autofocus performance that sustains sharp shots in demanding environments. Combine that with excellent video specs, and you have a hybrid powerhouse.
Who Is the Panasonic Lumix DMC-ZS40 Made For?
The ZS40 shines for photographers prioritizing ultra-compact convenience, an enormous superzoom lens, and affordability. It’s well suited to travel, casual street photography, and anyone who wants a ready-to-go camera without lugging extra lenses.
Low-light and image quality performances are typical for compacts of its class - fine for social sharing and everyday snapshots but unfit for demanding creative applications.
Wrapping Up: Practical Purchase Advice
Choosing between these cameras boils down to your photographic priorities.
- Need world-class image quality, lens flexibility, and videography? The Panasonic S5 is your best bet.
- Want a lightweight travel companion with a huge zoom range and straightforward point-and-shoot ease? The ZS40 fits.
Both are commendable in their niches, but their technology, design philosophy, and user experience differ widely.
Dear readers, knowing all the specs is only part of the story. I recommend renting or hands-on testing these cameras whenever possible to see which one feels right. Feel free to explore my detailed photo galleries and video tests linked above for added perspective.
Let me know if you want me to dive deeper into particular use cases or workflow tips for either camera - I’ve been down that path many times and love sharing insights. Happy shooting!
Images used in this article are my own and exemplify the practical differences discussed here.




Panasonic S5 vs Panasonic ZS40 Specifications
Panasonic Lumix DC-S5 | Panasonic Lumix DMC-ZS40 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DC-S5 | Panasonic Lumix DMC-ZS40 |
Also Known as | - | Lumix DMC-TZ60 |
Type | Pro Mirrorless | Small Sensor Superzoom |
Launched | 2020-08-14 | 2014-01-06 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | - | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.6 x 23.8mm | 6.17 x 4.55mm |
Sensor surface area | 847.3mm² | 28.1mm² |
Sensor resolution | 24 megapixels | 18 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 4896 x 3672 |
Highest native ISO | 51200 | 3200 |
Highest enhanced ISO | 204800 | 6400 |
Min native ISO | 100 | 100 |
RAW files | ||
Min enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 225 | 23 |
Lens | ||
Lens mount | Leica L | fixed lens |
Lens focal range | - | 24-720mm (30.0x) |
Maximal aperture | - | f/3.3-6.4 |
Macro focus range | - | 3cm |
Total lenses | 31 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Range of display | Fully Articulated | Fixed Type |
Display sizing | 3.0 inch | 3 inch |
Resolution of display | 1,840 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | TFT LCD with AR coating |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 200 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60 seconds | 4 seconds |
Max shutter speed | 1/8000 seconds | 1/2000 seconds |
Max quiet shutter speed | 1/8000 seconds | - |
Continuous shutter speed | 7.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 6.40 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 714g (1.57 lb) | 240g (0.53 lb) |
Dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 440 images | 300 images |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD Memory Card, SDHC Memory Card, SDXC Memory Card | SD/SDHC/SDXC, Internal |
Storage slots | Dual | 1 |
Retail cost | $1,999 | $450 |