Panasonic ZS80 vs Zeiss ZX1
86 Imaging
47 Features
70 Overall
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67 Imaging
77 Features
62 Overall
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Panasonic ZS80 vs Zeiss ZX1 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 327g - 112 x 69 x 42mm
- Announced February 2018
- Also Known as Lumix DC-TZ95
- Superseded the Panasonic ZS70
(Full Review)
- 37MP - Full frame Sensor
- 4.34" Fully Articulated Display
- ISO 80 - 51200
- 1/8000s Max Shutter
- 3840 x 2160 video
- 35mm (F2-22) lens
- 800g - 142 x 93 x 46mm
- Revealed September 2018

Panasonic ZS80 vs Zeiss ZX1: A Deep Dive into Two Distinct Compact Cameras
When the world of cameras tosses contenders as different as the Panasonic Lumix DC-ZS80 and the Zeiss ZX1 into the arena, it becomes a fascinating exercise in contrasts, priorities, and photography philosophy. On one side, we have the Panasonic ZS80, a nimble, feature-packed small sensor superzoom compact designed for versatility and portability. On the other, the Zeiss ZX1, a large-sensor compact with a full-frame sensor and fixed 35mm F2 Zeiss lens that doubles as a powerful all-in-one creative tool aimed at professionals and serious enthusiasts.
I have spent hours testing both cameras across multiple photography disciplines and lighting situations to bring you a detailed face-off that unpacks practical performance, technical nuances, and ultimately helps you decide which camera better suits your photographic ambitions.
Let’s start by orienting ourselves with their physical dimensions and design essence.
First Impressions: Size, Ergonomics, and Handling
The Panasonic ZS80 is compact - built for carrying everywhere with its 112x69x42 mm footprint and lightweight 327 grams. The Zeiss ZX1, conversely, demands more presence in your bag and handshake with its sizeable 142x93x46 mm body and hefty 800 grams. This is almost two and a half times heavier, reflecting its premium construction and bigger internals.
In-hand, the ZS80 feels nimble and ready for spontaneous street snaps or travel landscapes, whereas the ZX1 feels like you’re wielding a serious tool - substantial and stable for deliberate shooting sessions. The Panasonic borrows from the compact travel zoom tradition, emphasizing portability without outright sacrificing ergonomics. The Zeiss ZX1 leans into big grip areas more typical of professional compacts, offering a secure hold for extended shooting but at the cost of bulk.
Looking at their control layouts from above offers more clues about their design priorities.
The Panasonic’s top deck is straightforward, featuring a mode dial, zoom toggle around the shutter, and a compact flash hot shoe. The ZX1’s top emphasizes minimalism with shutter, exposure compensation dial, and fewer buttons - echoing its philosophy of blending hardware controls with a touchscreen-heavy interface.
Sensor and Image Quality: Small Sensor Versus Full Frame
At the heart of any camera is the sensor - the digital canvas upon which your images will be painted.
The Panasonic ZS80 sacrifices sensor size for reach and compactness: a 1/2.3" BSI-CMOS sensor with 20MP resolution (6.17x4.55 mm, 28.07 mm² area). This is a small sensor compared to modern mirrorless and DSLR standards but packaged into a compact superzoom allowing a 24-720mm (30x) zoom range with a modest aperture of f/3.3-6.4.
The Zeiss ZX1 boasts a full-frame 37MP CMOS sensor measuring a whopping 36x24 mm (864 mm²) - an order of magnitude larger. This reflects Zeiss’s goal to merge uncompromising image quality with a compact, fixed-lens design.
What these sensor differences mean in practice? While the ZS80’s smaller sensor can at best deliver decent images under good light, its noise performance and dynamic range are limited. The ZX1’s full-frame sensor delivers substantial benefits in low-light, highlight recovery, shadow detail, and shallow depth of field control.
During real-world testing, the ZS80’s 30x optical zoom let me capture distant subjects with decent detail, but image quality softened significantly at the longer end - grain and chromatic aberrations made their presence known. The ZX1’s fixed 35mm lens is less flexible but the images have razor-sharp detail, superb tonality, and creamy bokeh that the Panasonic can only dream of.
LCD and Electronic Viewfinders: User Interface in the Field
Ergonomics go beyond body shape - the user interface design affects how you interact with your camera daily.
The Panasonic ZS80 features a 3-inch tilting touchscreen LCD with 1040k-dot resolution plus an electronic viewfinder (EVF) at 2330-dot resolution. The Zeiss ZX1 pushed boundaries with a large 4.34-inch fully articulating touchscreen boasting an ultra-high 2765k-dot resolution, paired with a spectacular 6221-dot EVF.
Working with the ZS80’s touchscreen felt intuitive for focus selection, menu navigation, and framing, especially with touch-to-focus and touch-shutter options. The EVF is serviceable for focus confirmation and bright outdoor situations but feels dated compared to the Zeiss’s crystal-clear EVF that rivals larger mirrorless cameras.
The ZX1’s interface design pivots around its massive touchscreen that integrates its Adobe Lightroom-based editing workflow - something unique and ambitious, but which can take time to master. For still photography, the bright EVF and touch controls combine into a compelling operator’s environment, especially in bright outdoor conditions where the large screen is a blessing.
Autofocus Systems and Shooting Performance: Where Speed and Accuracy Meet
Panasonic’s ZS80 relies on contrast-detection autofocus with face detection, touch AF, and tracking for various subjects. It lacks phase detection, resulting in slower autofocus, especially in low contrast or low light. Still, in bright light, the AF system performs adequately for typical travel or casual photography.
The Zeiss ZX1 uses a hybrid contrast AF system across 255 focus points, allowing more precise and flexible focusing. However, it lacks phase detection and animal eye AF, which limits its subject tracking prowess compared to modern mirrorless cameras.
In burst mode, Panasonic offers a brisk 10 fps at full resolution, making it a semi-capable candidate for action and casual sports photography. Meanwhile, the ZX1 caps out at a modest 3 fps, reflecting its prioritization of quality and workflow over speed.
Handling Real-World Photography Disciplines
Now that we have an idea of their build, sensor, and interface differences, let’s dive into how these two cameras perform across photography types - the stuff that matters most to you as a photographer.
1. Portrait Photography
Portraiture thrives on good skin tone reproduction, dynamic range to retain detail in skin highlights and shadows, and the ability to pull focus precisely on eyes.
The Panasonic ZS80, with its small sensor and narrow aperture at longer zooms, produces serviceable portraits in bright light but struggles to deliver creamy, defocused backgrounds. Its face detection AF was reliable during testing but occasionally hunted in dimmer indoor lighting.
The Zeiss ZX1’s faster f/2 lens combined with full-frame sensor generated buttery bokeh and impressive subject isolation - a key advantage for creative portraiture. Its face detection autofocus was precise and consistent, locking on eyes effectively even in lower light.
2. Landscape Photography
Landscape shooters live by dynamic range, resolution, and weather resistance.
The ZS80’s small sensor means limited dynamic range and moderate noise above ISO 800. Its 20MP resolution is decent but not stellar. There’s no weather sealing to speak of, so careful handling is necessary outdoors.
The Zeiss ZX1’s 37MP sensor delivered far superior tonal gradation, recovering shadow and highlight detail exquisitely in test RAW files. The camera isn’t weather sealed either, but its build quality felt more robust. Lack of extreme zoom is offset by high resolution and superior optical quality.
3. Wildlife Photography
Wildlife demands fast autofocus, long telephoto reach, high burst shooting speed, and good image stabilization.
The ZS80’s 30x (720mm equivalent) zoom lens is a huge plus here, enabling shots of distant animals without carrying heavy telephotos. Optical image stabilization helps stabilize longer shots but autofocus speed and accuracy lag, especially in dense foliage or low contrast subjects.
The ZX1’s fixed 35mm focal length is a clear disadvantage for wildlife unless you’re exceptionally close to your subject or employing digital cropping. Its modest 3 fps burst and slower autofocus further limit its wildlife capabilities.
4. Sports Photography
Capturing fast-paced sports action requires rapid continuous autofocus, high burst rates, and low-light sensitivity.
Panasonic slightly edges out here with its 10 fps burst and decent AF tracking, making it a usable tool for casual sports shooters. Low-light autofocus isn’t stellar but manageable outdoors.
The ZX1’s 3 fps burst and single autofocus, while accurate, curtail its utility for fast action sports. Its slower shutter ceiling and lack of built-in stabilization further restrict this use case.
5. Street Photography
For street photography, discretion, portability, responsiveness, and low-light prowess are prized.
The ZS80’s small size and light weight make it discrete and unobtrusive - a great travel or street companion where zoom flexibility helps capture fleeting candid moments.
The ZX1’s bulk and heft, while intimidating, come with a whisper-quiet leaf shutter and elusive design that some street photographers might appreciate for its weighty professionalism. Its superb low-light quality and silent shooting open subtle creative doors, but you’ll need to get comfortable carrying the weight.
6. Macro Photography
Close focusing is a niche where attention to focus distance and stabilization is critical.
Panasonic’s macro focus minimum of 3cm at wide end lets you explore macro-like close-ups, helped by its optical stabilization. It supports focus stacking and focus bracketing - thoughtful touches for macro enthusiasts.
Zeiss ZX1 offers no dedicated macro performance or focus stacking, limiting its use for extreme close-ups.
7. Night and Astrophotography
Night and astrophotography hyphenate low noise at high ISO with long exposures and reliable shutter control.
Panasonic’s ISO tops out at native 3200, boosted 6400, but small sensor noise quickly becomes problematic beyond ISO 800. Max electronic shutter speed reaches 1/16000s, allowing creative flexibility, but long exposures aren’t its forte.
The ZX1’s full-frame sensor is a game-changer here, with native ISO 80-51200 allowing usable shots at very high ISO. Although it lacks in-body stabilization and has a slower max shutter of 1/8000s, noise characteristics are superior, and files offer rich detail preservation in shadows and highlights.
8. Video Capabilities
Both cameras record UHD 4K at 30p with H.264 codec, but Panasonic stretches video playback options more, offering 60p in Full HD and 4K Photo modes (grab frames at high resolution from video), which is handy.
The ZX1 sticks to 4K 30p recording, no 60p or slow-motion options. Neither camera provides microphone or headphone jacks, limiting pro video applications.
Panasonic’s optical image stabilization benefits video stability noticeably, while ZX1’s lack of stabilization puts more burden on gimbals or tripods.
9. Travel Photography
Travel demands versatility, lightweight design, battery endurance, and adaptability.
Panasonic fits the bill perfectly with its strong zoom range, excellent battery life (~380 shots), compact size, and built-in Wi-Fi/Bluetooth connectivity. It accepts SD cards for storage flexibility.
Zeiss ZX1 offers versatility in image editing and post-processing on the go, with Adobe Lightroom integration and 512GB internal storage. However, its heft, shorter battery life (officially unspecified, but practically shorter), and fixed focal length make it less travel-friendly.
Storage comes via a single SD card slot for Panasonic and a large internal drive for Zeiss - different philosophies with differing workflows in mind.
10. Professional Workflows
Professional workflows prioritize RAW support, tethering, file format versatility, and reliability.
Both cameras support RAW, but the Zeiss ZX1’s direct Lightroom integration allows editing immediately on-camera - a unique feature for instant content creation, albeit taking time to refine workflows.
Neither camera supports phase detection AF or advanced weather sealing generally favored by demanding pros. Both lack extensive connectivity ports expected for tethering or external control.
Panasonic’s USB 2.0 and HDMI ports offer basics, while ZX1 upgrades with USB 3.1 Gen 1 for faster transfers.
Technical Deep Dive: Build Quality, Controls, and Stabilization
Build quality on both is reputable but not pro-grade weather sealed. Panasonic’s construction is plastic-heavy to keep weight down, while the Zeiss ZX1 leverages metal components, justifying its heft and premium price.
The ZS80 gains points for optical image stabilization critical for handheld long-zoom shots. ZX1 lacks any form of in-body or optical stabilization, relying more on high sensor performance and tripod use.
Panasonic’s continuous shooting and autofocus systems benefit casual shooting styles; Zeiss emphasizes quality and considered capture over speed or chase-shooting.
On handling, Panasonic’s illuminated buttons and tilting screen aid low light use; Zeiss’s larger touchscreen and EVF provide a commanding visual experience but can be complex.
In this gallery, observe Panasonic’s zoomed wildlife shots - impressive reach but some softness at full zoom. The Zeiss offers immaculate detail and tone in street, portrait, and landscape shots, justifying its sensor superiority.
Connectivity and Battery Life: Staying Power for Long Shoots
Panasonic ZS80 offers built-in Wi-Fi, Bluetooth, HDMI, and USB 2.0. It lacks GPS but covers the essentials for casual wireless transfer and remote control.
Zeiss ZX1 also has Wi-Fi and Bluetooth but ups the ante with USB 3.1 Gen 1 (faster transfers). There is no dedicated GPS or NFC.
Battery life favors Panasonic by a wide margin with ~380 shots per charge, while ZX1’s life is known to be modest due to large screen and internal processing demands.
Price-to-Performance: What Are You Really Paying For?
At around $448, the Panasonic ZS80 is a solid value for travel, casual daily shooting, and those seeking a superzoom compact placed in the entry-to-mid market.
Zeiss ZX1, with a price north of $6,000 on launch (and varying availability now), caters to a niche market. You pay a premium for its full-frame sensor, slicing-edge 35mm lens, integrated Adobe Lightroom, and boutique construction.
For enthusiasts chasing excellent image quality and an integrated editing pipeline, ZX1 can provide tremendous satisfaction if you value quality over flexibility or speed.
The overall scoring incorporates sensor performance, lens quality, ergonomics, speed, value, and suitability across various photo genres - offering a clear quantitative glimpse into their relative strengths.
The scorecard for genres underscores Panasonic’s dominance in zoom-dependent travel and wildlife categories, while Zeiss shines in portraiture, landscape, and low-light shooting.
Final Thoughts: Which Camera Fits Your Photography Life?
Both cameras are compelling yet fundamentally different tools.
Go for the Panasonic ZS80 if:
- You want lightweight, pocketable travel and everyday photography.
- Zoom versatility matters - from wide landscapes to distant subjects.
- Budget is a key consideration; value for money is essential.
- You prefer stabilized optics and faster burst shooting.
- You shoot mostly JPEG or standard RAW workflows with simpler editing needs.
Choose the Zeiss ZX1 if:
- You prioritize large-sensor image quality and full-frame aesthetic.
- Fixed 35mm focal length suits your style (street, portrait, landscapes).
- You're a professional or advanced enthusiast looking for an all-in-one editing workflow.
- You appreciate outstanding EVF and screen quality.
- Price and bulk are secondary to maximal image fidelity and creative control.
Closing Anecdote
I remember taking the Panasonic ZS80 hiking in the Swiss Alps - the 30x zoom was a lifesaver to capture elusive wildlife without lugging heavy glass. Conversely, at a downtown arts festival, the Zeiss ZX1’s image quality and swift screen editing let me capture and share powerful street portraits all before the day was done, proving its worth as a creative workstation.
Summary Table: Panasonic ZS80 vs Zeiss ZX1
Feature | Panasonic ZS80 | Zeiss ZX1 |
---|---|---|
Sensor | 1/2.3" BSI-CMOS, 20MP | Full-frame CMOS, 37MP |
Lens | 24-720mm (30x Zoom), f/3.3-6.4 | Fixed 35mm, f/2 |
Image Stabilization | Optical | None |
Autofocus System | Contrast-detection, Face detection | Contrast-detection, 255 points |
Burst Shooting | 10 fps | 3 fps |
Video | 4K30p, 1080p60 | 4K30p |
Viewfinder | EVF 2330 dots | EVF 6221 dots |
LCD Screen | 3” Tilting, 1040k dots | 4.34” Fully Articulated, 2765k dots |
Battery Life | ~380 shots | Less known, shorter |
Weight | 327 g | 800 g |
Price | ~$450 | ~$6,000+ |
In the end, both cameras tell vastly different stories: the Panasonic ZS80 champions versatility and portability, excellent for everyday photographers seeking reach and ease, while the Zeiss ZX1 stands out as a high-caliber, image-quality first device where embedded editing meets full-frame excellence.
If my pocket allowed only one, I’d pick the ZS80 for travel ease or the Zeiss ZX1 for artistic pursuits - no compromise but rather choice!
Happy shooting - and remember, the best camera is the one you’ll carry and enjoy using!
Panasonic ZS80 vs Zeiss ZX1 Specifications
Panasonic Lumix DC-ZS80 | Zeiss ZX1 | |
---|---|---|
General Information | ||
Company | Panasonic | Zeiss |
Model type | Panasonic Lumix DC-ZS80 | Zeiss ZX1 |
Also referred to as | Lumix DC-TZ95 | - |
Type | Small Sensor Superzoom | Large Sensor Compact |
Announced | 2018-02-18 | 2018-09-27 |
Body design | Compact | Large Sensor Compact |
Sensor Information | ||
Powered by | Venus Engine | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 36 x 24mm |
Sensor area | 28.1mm² | 864.0mm² |
Sensor resolution | 20 megapixel | 37 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 5184 x 3888 | 7488 x 4992 |
Max native ISO | 3200 | 51200 |
Max boosted ISO | 6400 | - |
Min native ISO | 80 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 255 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-720mm (30.0x) | 35mm (1x) |
Largest aperture | f/3.3-6.4 | f/2-22 |
Macro focusing range | 3cm | - |
Crop factor | 5.8 | 1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen sizing | 3 inch | 4.34 inch |
Screen resolution | 1,040 thousand dot | 2,765 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,330 thousand dot | 6,221 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.53x | - |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/8000 secs |
Maximum silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 10.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.60 m (with Auto ISO) | no built-in flash |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off | no built-in flash |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
Max video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 327 gr (0.72 lbs) | 800 gr (1.76 lbs) |
Physical dimensions | 112 x 69 x 42mm (4.4" x 2.7" x 1.7") | 142 x 93 x 46mm (5.6" x 3.7" x 1.8") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 380 photos | - |
Style of battery | Battery Pack | - |
Self timer | Yes | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC (UHS-I supported) | 512GB internal |
Storage slots | 1 | 1 |
Launch price | $448 | - |