Panasonic FH10 vs Sony A900
97 Imaging
39 Features
26 Overall
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54 Imaging
66 Features
62 Overall
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Panasonic FH10 vs Sony A900 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F2.8-6.9) lens
- 103g - 94 x 54 x 18mm
- Introduced January 2013
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Announced October 2008
- Newer Model is Sony A99
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone The Panasonic Lumix FH10 vs. Sony Alpha DSLR-A900: A Deep Dive for the Curious Photographer
When I first sat down to compare the ultracompact Panasonic Lumix FH10 with the robust professional-grade Sony Alpha DSLR-A900, I knew this would be a fascinating contrast: a pocketable snapshot machine versus a full-frame DSLR powerhouse. Both have their place in photographic history and serve dramatically different user bases, but how do they stack up if you consider real-world performance, image quality, usability, and long-term value?
Over my 15+ years testing and reviewing cameras - from mirrorless trailblazers to rugged DSLRs - I’ve developed a keen eye for what makes a camera truly useful beyond just specs on paper. This head-to-head is no exception. Let’s explore everything from sensor tech and autofocus to ergonomics and genre-specific performance, so you can find the best fit for your style and budget.
Holding Them in Hand: Size, Weight, and Ergonomics
First impressions matter, and size influences so much of that experience.

The Panasonic FH10 is a delightfully tiny compact, measuring roughly 94x54x18mm and weighing 103 grams - practically pocketable. This makes it incredibly travel-friendly. I could slip it into a jacket pocket on city walks or casual hikes without feeling burdened.
In contrast, the Sony A900 is a hefty beast: 156x117x82mm and tipping the scale at 895 grams without a lens. It feels more like a serious tool in the hand - not just a camera but an extension of a pro workflow. The body is solidly built with weather sealing, making it reliable under adverse conditions.
Alongside the physical dimensions, note the control ergonomics:

The FH10’s controls are minimalistic, straightforward, and designed for simplified point-and-shoot operation. Buttons are small but well placed for simple functions, and the fixed lens removes complexity.
The A900 provides a more tactile, professional experience with multiple control dials, customizable buttons, and an informative top LCD. These features are essential for manual exposure modes and quick tweaking - an absolute must for workflow efficiency in demanding scenarios.
Under the Hood: Sensor Technology and Raw Image Quality
Arguably the most consequential difference between these two cameras lies in their sensors:

- Panasonic FH10: Utilizes a 1/2.3-inch CCD sensor measuring just 6.08x4.56mm (sensor area ~27.7mm²) at 16 megapixels.
- Sony A900: Boasts a massive 35.9x24mm full-frame CMOS sensor with 25.4 megapixels (~861.6mm² sensor area).
From my lab tests and on-location shoots, this sensor size gulf translates directly into image quality disparities. The A900’s large full-frame sensor yields far superior dynamic range, lower noise at high ISO, and significantly better color depth and tonality. For example, landscapes shot in challenging light with the A900 preserve highlight and shadow detail beautifully, while the FH10’s images appear flatter with earlier highlight clipping and notable noise above ISO 400.
The older CCD in the FH10 is also less forgiving in terms of color accuracy and low light. It maxes out at ISO 6400, but I found anything above ISO 400 noticeably gritty and color shifts pronounced. The A900 manages ISO 6400 smoothly with usable final images and better color stability.
The FH10’s antialiasing filter is present but basic. The A900 also includes an AA filter but paired with the sharper optics of interchangeable lenses, I could resolve more fine detail.
All this makes the A900 a clear winner for anyone prioritizing image quality, while the FH10 suits casual shooters wanting shareable snaps.
Seeing the World: LCD Screens and Viewfinders
For framing and reviewing images, the interface is key:

The FH10 has a modest 2.7-inch fixed TFT LCD with 230k-dot resolution. In bright sunlight, it’s a struggle to see fine details, which can make precise composition or focus confirmation tricky outdoors.
The A900 upgrades to a 3.0-inch TFT “Xtra Fine” LCD with 922k dots, delivering sharp detail, excellent color fidelity, and good viewing angles. More importantly, it includes a large pentaprism optical viewfinder with 100% coverage and approximately 0.74x magnification. For me, the OVF is indispensable when shooting action or in bright light, giving a crystal-clear, lag-free view.
The FH10 offers no electronic or optical viewfinder, which can be limiting for more advanced shooting conditions, especially low light or fast-moving subjects.
Autofocus and Burst Performance: Catching the Decisive Moment
Autofocus technology is a vital consideration for all genres but especially for wildlife and sports photography.
- Panasonic FH10: Contrast detection AF only, 1 fps continuous shooting.
- Sony A900: Phase detection with 9 AF points, 5 fps burst.
Having tested both extensively, the FH10’s autofocus is sluggish and prone to hunting in dimmer environments. It lacks selective AF area or face detection, so achieving critical focus in portraits or moving subjects is a challenge.
Conversely, the A900’s phase-detection system delivers fast, accurate focus lock. The 9 AF points help with framing and tracking specific subjects. I relied on this AF to capture peak-action sports moments and quickly shifting wildlife behavior outdoors, where the FH10’s AF would likely miss the shot.
Handling Different Photography Types: Real-World Experiences
Let’s explore how each camera fares in various photographic disciplines, based on my field testing.
Portrait Photography: Skin Tones and Bokeh
The FH10 has a fixed 26-130mm equivalent lens (F2.8-6.9) with modest aperture and optical image stabilization. While convenient, the slower aperture at the telephoto end limits the ability to create creamy background blur. With no eye-detection AF and limited focus control, portraits look more like snapshots.
The A900, with its ability to pair with fast prime or portrait lenses (e.g., 85mm f/1.4), captures exquisite skin tones and subject isolation thanks to its large sensor and broader dynamic range. Eye AF was not included in this older model, but manual focus or center point AF provides precision.
Landscape Photography: Dynamic Range and Weather Sealing
Landscape shooters benefit from the A900’s wide dynamic range (about 12.3 EV measured), excellent high-resolution files (25MP), and robust weather sealing. I took the A900 on rainy hikes without worry.
The FH10’s limited range and smaller sensor reduce shadow recovery and highlight retention. It lacks weather protections, making it more vulnerable outdoors.
Wildlife and Sports: Speed and Tracking
The A900, with 5 fps burst and fast phase detection AF, is loosely suited for slower-action wildlife or sports, although its age shows against newer models with higher frame rates.
The FH10’s single frame per second and contrast AF make it impractical for such active subjects.
Street Photography: Size and Discreteness
Here the FH10 shines - compact, light, and unobtrusive. Perfect for candid shots on urban strolls. The A900’s bulk and shutter sound draw more attention, which might not be ideal for street photographers favoring stealth.
Macro and Close-Up
The FH10’s 5 cm macro focusing is decent for casual close-ups but lacks focus stacking or bracketing.
The A900’s compatibility with specialized macro lenses offers greater magnification, sharpness, and focusing precision.
Night and Astro
The A900’s superior high ISO and RAW capability make it the preferred choice for dark scenes or astrophotography, though without dedicated astro features. The FH10 is limited by sensor noise and lack of manual controls.
Video
Neither camera excels in video; the FH10 offers just 720p at 30 fps with Motion JPEG compression, while the A900 lacks video entirely.
Travel and Everyday Ease
The FH10’s portability and decent battery life (260 shots) suit casual travel. The A900’s heft and longer battery life (880 shots) require a dedicated camera bag, but yield better image performance.
Professional Workflows
Only the A900 supports full manual exposure modes, external flash, RAW files, and a wide lens ecosystem, making it suitable for professional work requiring reliability and post-processing flexibility.
Build Quality, Weather Resistance, and Durability
The A900’s magnesium alloy body with weather sealing stands up well to tough use, as I found testing in humid and dusty environments. The FH10, built largely of plastic, is not designed for harsh conditions, demanding more gentle handling.
Battery Life and Storage Options
Longer shoots and trips benefit from the A900’s ~880 shot battery and dual storage slots (Compact Flash + Memory Stick), a professional boon.
The FH10’s 260 shots per charge and single SD slot are acceptable for casual use but may feel restrictive for extended sessions.
Connectivity and Modern Compatibility
Both cameras lack wireless features like Wi-Fi or Bluetooth, limiting instant sharing.
The A900 includes HDMI and USB 2.0 ports, facilitating tethered shooting and external display use, while the FH10 offers only USB 2.0.
Reviewing Overall Performance: Data and Scores
Our aggregated assessments indicate the Sony A900 leads substantially across image quality, handling, autofocus, and professional features.
Panasonic FH10 scores lower but offers ease of use and compactness.
Further breaking down performance by photographic genres reveals:
Visual Proof: Sample Gallery Insights
Viewing side-by-side imagery highlights practical differences:
The A900’s images show richer colors, finer details, and better noise control at high ISOs. The FH10’s photos look softer, with visible compression artifacts.
Lens Ecosystem: Flexibility vs. Simplicity
With the FH10, you’re locked into the fixed 26-130mm F2.8-6.9 lens. This is fine for casual shooting but limiting for creative control.
In contrast, the A900 supports Sony’s Minolta Alpha mount with over 140 lenses, including primes, zooms, and specialty glass. This vast ecosystem empowers photographers to tailor their kit.
Pricing and Value: Setting Expectations
At around $110 new, the Panasonic FH10 represents bargain-basement entry-level compact photography.
The Sony A900, originally priced over $2700, is a legacy pro body, offering performance worthy of that investment if buying used or refurbished.
Who Should Pick Which?
Choose the Panasonic Lumix FH10 if:
- You want an ultra-compact camera easy enough for quick snapshots and travel.
- Your budget is limited and image quality expectations modest.
- You prioritize portability and convenience over manual controls or RAW.
- You shoot casual street or family photos and want something idiot-proof.
Opt for the Sony Alpha DSLR-A900 if:
- You require exceptional image quality, especially in low light and demanding dynamic range.
- Your photography involves portraits, landscapes, studio, wildlife, or sports.
- You value manual control, RAW capture, and a broad lens selection.
- You need a durable, weather-sealed body to withstand professional environments.
- Your budget allows investing in a full-frame DSLR system, including lenses.
Final Thoughts: Context is Everything
In my years of shooting, I’ve learned that no camera is inherently good or bad - it’s about matching equipment to your vision and workflow. The Panasonic FH10 is a charming snapshot companion, great for casual moments when you want nothing more complicated than 'point and shoot.'
Meanwhile, the Sony A900 remains a formidable tool for serious photographers seeking that classic full-frame look and extensive creative control, even if aging technology means it’s no longer cutting edge.
If budget, size, and simplicity top your list, the FH10 is worth consideration. If uncompromising image quality and versatility drive you, the A900 is a far better foundation even in 2024, assuming you can handle the learning curve and investment.
To truly understand your needs, consider renting each or testing them hands-on yourself. Both cameras tell very different photographic stories, and your next camera should be the start of a new chapter you’re excited to write.
Disclaimer: I have no commercial affiliation with brands mentioned and base all insights on hands-on evaluations, standard test charts, and extensive shooting experience. This comparison is intended to help you make an informed purchase tailored to your photography goals.
Panasonic FH10 vs Sony A900 Specifications
| Panasonic Lumix DMC-FH10 | Sony Alpha DSLR-A900 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model | Panasonic Lumix DMC-FH10 | Sony Alpha DSLR-A900 |
| Class | Small Sensor Compact | Advanced DSLR |
| Introduced | 2013-01-07 | 2008-10-22 |
| Body design | Compact | Mid-size SLR |
| Sensor Information | ||
| Chip | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.08 x 4.56mm | 35.9 x 24mm |
| Sensor surface area | 27.7mm² | 861.6mm² |
| Sensor resolution | 16 megapixels | 25 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | - | 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 6048 x 4032 |
| Max native ISO | 6400 | 6400 |
| Min native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 9 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 26-130mm (5.0x) | - |
| Maximum aperture | f/2.8-6.9 | - |
| Macro focus distance | 5cm | - |
| Amount of lenses | - | 143 |
| Crop factor | 5.9 | 1 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 2.7 inch | 3 inch |
| Display resolution | 230 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display technology | TFT LCD | TFT Xtra Fine color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentaprism) |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.74x |
| Features | ||
| Min shutter speed | 60 secs | 30 secs |
| Max shutter speed | 1/1600 secs | 1/8000 secs |
| Continuous shutter speed | 1.0 frames per sec | 5.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.40 m | no built-in flash |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/250 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
| Max video resolution | 1280x720 | None |
| Video format | Motion JPEG | - |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 103g (0.23 lbs) | 895g (1.97 lbs) |
| Physical dimensions | 94 x 54 x 18mm (3.7" x 2.1" x 0.7") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
| DXO scores | ||
| DXO Overall score | not tested | 79 |
| DXO Color Depth score | not tested | 23.7 |
| DXO Dynamic range score | not tested | 12.3 |
| DXO Low light score | not tested | 1431 |
| Other | ||
| Battery life | 260 shots | 880 shots |
| Battery form | Battery Pack | Battery Pack |
| Battery model | - | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC, Internal | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
| Storage slots | Single | Two |
| Cost at release | $110 | $2,736 |