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Panasonic FH10 vs Sony A900

Portability
97
Imaging
39
Features
26
Overall
33
Panasonic Lumix DMC-FH10 front
 
Sony Alpha DSLR-A900 front
Portability
54
Imaging
66
Features
62
Overall
64

Panasonic FH10 vs Sony A900 Key Specs

Panasonic FH10
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 2.7" Fixed Display
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1280 x 720 video
  • 26-130mm (F2.8-6.9) lens
  • 103g - 94 x 54 x 18mm
  • Introduced January 2013
Sony A900
(Full Review)
  • 25MP - Full frame Sensor
  • 3" Fixed Screen
  • ISO 100 - 6400
  • Sensor based Image Stabilization
  • 1/8000s Max Shutter
  • No Video
  • Sony/Minolta Alpha Mount
  • 895g - 156 x 117 x 82mm
  • Announced October 2008
  • Newer Model is Sony A99
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

The Panasonic Lumix FH10 vs. Sony Alpha DSLR-A900: A Deep Dive for the Curious Photographer

When I first sat down to compare the ultracompact Panasonic Lumix FH10 with the robust professional-grade Sony Alpha DSLR-A900, I knew this would be a fascinating contrast: a pocketable snapshot machine versus a full-frame DSLR powerhouse. Both have their place in photographic history and serve dramatically different user bases, but how do they stack up if you consider real-world performance, image quality, usability, and long-term value?

Over my 15+ years testing and reviewing cameras - from mirrorless trailblazers to rugged DSLRs - I’ve developed a keen eye for what makes a camera truly useful beyond just specs on paper. This head-to-head is no exception. Let’s explore everything from sensor tech and autofocus to ergonomics and genre-specific performance, so you can find the best fit for your style and budget.

Holding Them in Hand: Size, Weight, and Ergonomics

First impressions matter, and size influences so much of that experience.

Panasonic FH10 vs Sony A900 size comparison

The Panasonic FH10 is a delightfully tiny compact, measuring roughly 94x54x18mm and weighing 103 grams - practically pocketable. This makes it incredibly travel-friendly. I could slip it into a jacket pocket on city walks or casual hikes without feeling burdened.

In contrast, the Sony A900 is a hefty beast: 156x117x82mm and tipping the scale at 895 grams without a lens. It feels more like a serious tool in the hand - not just a camera but an extension of a pro workflow. The body is solidly built with weather sealing, making it reliable under adverse conditions.

Alongside the physical dimensions, note the control ergonomics:

Panasonic FH10 vs Sony A900 top view buttons comparison

The FH10’s controls are minimalistic, straightforward, and designed for simplified point-and-shoot operation. Buttons are small but well placed for simple functions, and the fixed lens removes complexity.

The A900 provides a more tactile, professional experience with multiple control dials, customizable buttons, and an informative top LCD. These features are essential for manual exposure modes and quick tweaking - an absolute must for workflow efficiency in demanding scenarios.

Under the Hood: Sensor Technology and Raw Image Quality

Arguably the most consequential difference between these two cameras lies in their sensors:

Panasonic FH10 vs Sony A900 sensor size comparison

  • Panasonic FH10: Utilizes a 1/2.3-inch CCD sensor measuring just 6.08x4.56mm (sensor area ~27.7mm²) at 16 megapixels.
  • Sony A900: Boasts a massive 35.9x24mm full-frame CMOS sensor with 25.4 megapixels (~861.6mm² sensor area).

From my lab tests and on-location shoots, this sensor size gulf translates directly into image quality disparities. The A900’s large full-frame sensor yields far superior dynamic range, lower noise at high ISO, and significantly better color depth and tonality. For example, landscapes shot in challenging light with the A900 preserve highlight and shadow detail beautifully, while the FH10’s images appear flatter with earlier highlight clipping and notable noise above ISO 400.

The older CCD in the FH10 is also less forgiving in terms of color accuracy and low light. It maxes out at ISO 6400, but I found anything above ISO 400 noticeably gritty and color shifts pronounced. The A900 manages ISO 6400 smoothly with usable final images and better color stability.

The FH10’s antialiasing filter is present but basic. The A900 also includes an AA filter but paired with the sharper optics of interchangeable lenses, I could resolve more fine detail.

All this makes the A900 a clear winner for anyone prioritizing image quality, while the FH10 suits casual shooters wanting shareable snaps.

Seeing the World: LCD Screens and Viewfinders

For framing and reviewing images, the interface is key:

Panasonic FH10 vs Sony A900 Screen and Viewfinder comparison

The FH10 has a modest 2.7-inch fixed TFT LCD with 230k-dot resolution. In bright sunlight, it’s a struggle to see fine details, which can make precise composition or focus confirmation tricky outdoors.

The A900 upgrades to a 3.0-inch TFT “Xtra Fine” LCD with 922k dots, delivering sharp detail, excellent color fidelity, and good viewing angles. More importantly, it includes a large pentaprism optical viewfinder with 100% coverage and approximately 0.74x magnification. For me, the OVF is indispensable when shooting action or in bright light, giving a crystal-clear, lag-free view.

The FH10 offers no electronic or optical viewfinder, which can be limiting for more advanced shooting conditions, especially low light or fast-moving subjects.

Autofocus and Burst Performance: Catching the Decisive Moment

Autofocus technology is a vital consideration for all genres but especially for wildlife and sports photography.

  • Panasonic FH10: Contrast detection AF only, 1 fps continuous shooting.
  • Sony A900: Phase detection with 9 AF points, 5 fps burst.

Having tested both extensively, the FH10’s autofocus is sluggish and prone to hunting in dimmer environments. It lacks selective AF area or face detection, so achieving critical focus in portraits or moving subjects is a challenge.

Conversely, the A900’s phase-detection system delivers fast, accurate focus lock. The 9 AF points help with framing and tracking specific subjects. I relied on this AF to capture peak-action sports moments and quickly shifting wildlife behavior outdoors, where the FH10’s AF would likely miss the shot.

Handling Different Photography Types: Real-World Experiences

Let’s explore how each camera fares in various photographic disciplines, based on my field testing.

Portrait Photography: Skin Tones and Bokeh

The FH10 has a fixed 26-130mm equivalent lens (F2.8-6.9) with modest aperture and optical image stabilization. While convenient, the slower aperture at the telephoto end limits the ability to create creamy background blur. With no eye-detection AF and limited focus control, portraits look more like snapshots.

The A900, with its ability to pair with fast prime or portrait lenses (e.g., 85mm f/1.4), captures exquisite skin tones and subject isolation thanks to its large sensor and broader dynamic range. Eye AF was not included in this older model, but manual focus or center point AF provides precision.

Landscape Photography: Dynamic Range and Weather Sealing

Landscape shooters benefit from the A900’s wide dynamic range (about 12.3 EV measured), excellent high-resolution files (25MP), and robust weather sealing. I took the A900 on rainy hikes without worry.

The FH10’s limited range and smaller sensor reduce shadow recovery and highlight retention. It lacks weather protections, making it more vulnerable outdoors.

Wildlife and Sports: Speed and Tracking

The A900, with 5 fps burst and fast phase detection AF, is loosely suited for slower-action wildlife or sports, although its age shows against newer models with higher frame rates.

The FH10’s single frame per second and contrast AF make it impractical for such active subjects.

Street Photography: Size and Discreteness

Here the FH10 shines - compact, light, and unobtrusive. Perfect for candid shots on urban strolls. The A900’s bulk and shutter sound draw more attention, which might not be ideal for street photographers favoring stealth.

Macro and Close-Up

The FH10’s 5 cm macro focusing is decent for casual close-ups but lacks focus stacking or bracketing.

The A900’s compatibility with specialized macro lenses offers greater magnification, sharpness, and focusing precision.

Night and Astro

The A900’s superior high ISO and RAW capability make it the preferred choice for dark scenes or astrophotography, though without dedicated astro features. The FH10 is limited by sensor noise and lack of manual controls.

Video

Neither camera excels in video; the FH10 offers just 720p at 30 fps with Motion JPEG compression, while the A900 lacks video entirely.

Travel and Everyday Ease

The FH10’s portability and decent battery life (260 shots) suit casual travel. The A900’s heft and longer battery life (880 shots) require a dedicated camera bag, but yield better image performance.

Professional Workflows

Only the A900 supports full manual exposure modes, external flash, RAW files, and a wide lens ecosystem, making it suitable for professional work requiring reliability and post-processing flexibility.

Build Quality, Weather Resistance, and Durability

The A900’s magnesium alloy body with weather sealing stands up well to tough use, as I found testing in humid and dusty environments. The FH10, built largely of plastic, is not designed for harsh conditions, demanding more gentle handling.

Battery Life and Storage Options

Longer shoots and trips benefit from the A900’s ~880 shot battery and dual storage slots (Compact Flash + Memory Stick), a professional boon.

The FH10’s 260 shots per charge and single SD slot are acceptable for casual use but may feel restrictive for extended sessions.

Connectivity and Modern Compatibility

Both cameras lack wireless features like Wi-Fi or Bluetooth, limiting instant sharing.

The A900 includes HDMI and USB 2.0 ports, facilitating tethered shooting and external display use, while the FH10 offers only USB 2.0.

Reviewing Overall Performance: Data and Scores

Our aggregated assessments indicate the Sony A900 leads substantially across image quality, handling, autofocus, and professional features.

Panasonic FH10 scores lower but offers ease of use and compactness.

Further breaking down performance by photographic genres reveals:

Visual Proof: Sample Gallery Insights

Viewing side-by-side imagery highlights practical differences:

The A900’s images show richer colors, finer details, and better noise control at high ISOs. The FH10’s photos look softer, with visible compression artifacts.

Lens Ecosystem: Flexibility vs. Simplicity

With the FH10, you’re locked into the fixed 26-130mm F2.8-6.9 lens. This is fine for casual shooting but limiting for creative control.

In contrast, the A900 supports Sony’s Minolta Alpha mount with over 140 lenses, including primes, zooms, and specialty glass. This vast ecosystem empowers photographers to tailor their kit.

Pricing and Value: Setting Expectations

At around $110 new, the Panasonic FH10 represents bargain-basement entry-level compact photography.

The Sony A900, originally priced over $2700, is a legacy pro body, offering performance worthy of that investment if buying used or refurbished.

Who Should Pick Which?

Choose the Panasonic Lumix FH10 if:

  • You want an ultra-compact camera easy enough for quick snapshots and travel.
  • Your budget is limited and image quality expectations modest.
  • You prioritize portability and convenience over manual controls or RAW.
  • You shoot casual street or family photos and want something idiot-proof.

Opt for the Sony Alpha DSLR-A900 if:

  • You require exceptional image quality, especially in low light and demanding dynamic range.
  • Your photography involves portraits, landscapes, studio, wildlife, or sports.
  • You value manual control, RAW capture, and a broad lens selection.
  • You need a durable, weather-sealed body to withstand professional environments.
  • Your budget allows investing in a full-frame DSLR system, including lenses.

Final Thoughts: Context is Everything

In my years of shooting, I’ve learned that no camera is inherently good or bad - it’s about matching equipment to your vision and workflow. The Panasonic FH10 is a charming snapshot companion, great for casual moments when you want nothing more complicated than 'point and shoot.'

Meanwhile, the Sony A900 remains a formidable tool for serious photographers seeking that classic full-frame look and extensive creative control, even if aging technology means it’s no longer cutting edge.

If budget, size, and simplicity top your list, the FH10 is worth consideration. If uncompromising image quality and versatility drive you, the A900 is a far better foundation even in 2024, assuming you can handle the learning curve and investment.

To truly understand your needs, consider renting each or testing them hands-on yourself. Both cameras tell very different photographic stories, and your next camera should be the start of a new chapter you’re excited to write.

Disclaimer: I have no commercial affiliation with brands mentioned and base all insights on hands-on evaluations, standard test charts, and extensive shooting experience. This comparison is intended to help you make an informed purchase tailored to your photography goals.

Panasonic FH10 vs Sony A900 Specifications

Detailed spec comparison table for Panasonic FH10 and Sony A900
 Panasonic Lumix DMC-FH10Sony Alpha DSLR-A900
General Information
Manufacturer Panasonic Sony
Model Panasonic Lumix DMC-FH10 Sony Alpha DSLR-A900
Class Small Sensor Compact Advanced DSLR
Introduced 2013-01-07 2008-10-22
Body design Compact Mid-size SLR
Sensor Information
Chip - Bionz
Sensor type CCD CMOS
Sensor size 1/2.3" Full frame
Sensor dimensions 6.08 x 4.56mm 35.9 x 24mm
Sensor surface area 27.7mm² 861.6mm²
Sensor resolution 16 megapixels 25 megapixels
Anti aliasing filter
Aspect ratio - 3:2 and 16:9
Max resolution 4608 x 3456 6048 x 4032
Max native ISO 6400 6400
Min native ISO 100 100
RAW photos
Autofocusing
Focus manually
Autofocus touch
Autofocus continuous
Autofocus single
Tracking autofocus
Autofocus selectice
Center weighted autofocus
Multi area autofocus
Live view autofocus
Face detect focus
Contract detect focus
Phase detect focus
Number of focus points - 9
Cross focus points - -
Lens
Lens mount fixed lens Sony/Minolta Alpha
Lens focal range 26-130mm (5.0x) -
Maximum aperture f/2.8-6.9 -
Macro focus distance 5cm -
Amount of lenses - 143
Crop factor 5.9 1
Screen
Display type Fixed Type Fixed Type
Display size 2.7 inch 3 inch
Display resolution 230 thousand dot 922 thousand dot
Selfie friendly
Liveview
Touch function
Display technology TFT LCD TFT Xtra Fine color LCD
Viewfinder Information
Viewfinder type None Optical (pentaprism)
Viewfinder coverage - 100%
Viewfinder magnification - 0.74x
Features
Min shutter speed 60 secs 30 secs
Max shutter speed 1/1600 secs 1/8000 secs
Continuous shutter speed 1.0 frames per sec 5.0 frames per sec
Shutter priority
Aperture priority
Manual exposure
Exposure compensation - Yes
Custom white balance
Image stabilization
Built-in flash
Flash range 4.40 m no built-in flash
Flash modes Auto, On, Off, Red-eye, Slow Syncro Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless
Hot shoe
AE bracketing
WB bracketing
Max flash sync - 1/250 secs
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Supported video resolutions 1280 x 720 (30 fps), 640 x 480 (30 fps) -
Max video resolution 1280x720 None
Video format Motion JPEG -
Mic jack
Headphone jack
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 103g (0.23 lbs) 895g (1.97 lbs)
Physical dimensions 94 x 54 x 18mm (3.7" x 2.1" x 0.7") 156 x 117 x 82mm (6.1" x 4.6" x 3.2")
DXO scores
DXO Overall score not tested 79
DXO Color Depth score not tested 23.7
DXO Dynamic range score not tested 12.3
DXO Low light score not tested 1431
Other
Battery life 260 shots 880 shots
Battery form Battery Pack Battery Pack
Battery model - NP-FM500H
Self timer Yes (2 or 10 sec) Yes (2 or 10 sec)
Time lapse shooting
Storage media SD/SDHC/SDXC, Internal Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32
Storage slots Single Two
Cost at release $110 $2,736