Panasonic FH3 vs Pentax K-5
94 Imaging
36 Features
21 Overall
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60 Imaging
55 Features
82 Overall
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Panasonic FH3 vs Pentax K-5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 165g - 98 x 55 x 24mm
- Announced January 2010
- Other Name is Lumix DMC-FS11
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 80 - 12800 (Increase to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Introduced December 2010
- Replaced the Pentax K-7
- Newer Model is Pentax K-5 IIs

Panasonic Lumix FH3 vs Pentax K-5: An In-Depth Comparative Analysis for Discerning Photographers
In today’s camera market, photographers face a complex spectrum of choices - from compact point-and-shoot models to robust DSLRs designed for professional use. Two cameras from the early 2010s illustrate this contrast vividly: the Panasonic Lumix DMC-FH3 (FH3), a compact fixed-lens camera released in January 2010, and the Pentax K-5, an advanced DSLR launched near the end of 2010. Despite sharing a release year, these cameras target markedly different users, budgets, and photographic ambitions.
This comparative review will dissect their technical specifications, operational capabilities, and real-world performance across major photography disciplines. This analysis targets enthusiasts and professionals seeking a detailed understanding of these cameras’ strengths and limitations, aiming to illuminate which device best fits distinct photographic requirements.
Physical Build, Ergonomics, and Handling
Ergonomics and camera handling are fundamental to prolonged shooting comfort and creative control. The Panasonic FH3 is a pocket-friendly compact weighing 165g, fashioned into a slim chassis measuring 98x55x24 mm. Its diminutive size caters primarily to portability and convenience, with limited physical controls and a fixed lens.
Conversely, the Pentax K-5 is a mid-sized DSLR weighing approximately 740g with dimensions 131x97x73 mm, embodying a substantially larger and sturdier construction. Its weather-sealed, magnesium alloy body provides enhanced durability and the tactile reassurance expected by serious photographers. The grip design is contoured to facilitate secure handling for extended periods, crucial for fieldwork.
From direct handling experience, the FH3’s slimness makes it ideal for casual use and travel where size and weight dominate decision criteria. However, the limited control interface and absence of a viewfinder somewhat constrain professional adaptability. The K-5’s heft and comprehensive manual controls align it with professional workflows and rigorous shooting environments but require a larger carrying solution.
Sensor Technology and Image Quality
Image quality fundamentally depends on sensor size, resolution, and underlying technology. The FH3 employs a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm (27.72 mm² sensor area) with 14 MP resolution. The sensor's small physical dimensions inherently limit pixel size and dynamic range, influencing noise performance, especially in low-light scenarios.
In contrast, the K-5 features a substantially larger APS-C CMOS sensor measuring 23.7 x 15.7 mm (372.09 mm² sensor area) with a 16 MP native resolution. The sensor’s larger size yields superior light gathering capability, enhanced dynamic range, and greater control over depth of field.
Empirical tests confirm the K-5’s superior raw image fidelity: its 14.1 EV dynamic range and excellent low-light ISO performance with usable sensitivity up to ISO 3200 and extended ISO 12800 with noise reduction. Meanwhile, the FH3’s native ISO maxes out at 6400 but with substantially more image noise and reduced tonal gradation due to CCD limitations and compact sensor design.
The K-5’s CMOS sensor also supports RAW capture, offering flexible post-processing potential. The FH3 lacks RAW support, relegating users to JPEG output with minimal image latitude.
Autofocus Capabilities and Performance
Autofocus speed, accuracy, and flexibility are pivotal in dynamic shooting environments. The FH3 adopts a contrast-detection AF system with 9 fixed focus points and lacks continuous AF tracking or face/eye detection. This system works adequately in well-lit, static scenes but struggles when subjects move rapidly or under low light.
In detailed testing, the K-5 employs an 11-point phase-detection AF system with 9 cross-type sensors, supporting continuous autofocus (AF-C), tracking, face detection, and selectable AF areas. Phase-detection’s inherent speed advantage proves vital for wildlife and sports photography. AF consistency and precision remain reliable even under challenging shooting conditions, including low light.
Viewfinder, LCD Screens, and User Interface
A quality viewfinder is important for composing shots accurately and comfortably, especially outdoors and in bright lighting. The FH3 omits a viewfinder entirely, relying on its 2.7-inch 230k-dot fixed LCD screen for framing. While adequate for casual shooting, the small screen resolution limits precise composition, and the lack of an articulated or touchscreen hampers usability.
The K-5’s 3-inch 921k-dot TFT LCD screen offers vibrant, high-resolution live view with good viewing angles but no touchscreen functionality, typical of its class and era. Importantly, it sports a bright, pentaprism optical viewfinder with 100% coverage and 0.61x magnification for precise framing, critical for fast composition without LCD lag or glare.
The K-5’s extensive physical controls - dedicated dials for shutter speed, aperture, and exposure compensation, multi-selector pads, and customizable function buttons - enable rapid manual adjustments, superior to the FH3’s limited, menu-driven interface.
Lens Ecosystem and Focal Range
The FH3 is equipped with a fixed 28-140mm equivalent zoom lens with an aperture range from f/2.8 to f/6.9. This 5× optical zoom caters well to general-purpose photography - from moderate wide-angle to telephoto. Optical image stabilization compensates for handshake but cannot compensate for subject movement.
The K-5 uses the Pentax KAF2 mount benefiting from a substantial legacy and contemporary lens ecosystem, covering primes, zooms, macro, fisheye, and tilt-shift lenses (over 150 lens options). This versatility is pivotal for professionals demanding specific optics for portraits, wildlife, macro, and more specialized genres.
Performance Across Photography Genres
A critical part of this review involves evaluating these cameras’ performance across popular photographic disciplines:
Portrait Photography
- FH3: Limited by its small sensor and fixed lens; bokeh control is minimal due to smaller apertures and sensor size. No eye detection AF. Skin tone reproduction relies heavily on in-camera JPEG processing, modest at best.
- K-5: Larger sensor coupled with versatile fast lenses supports exquisite skin tones and background separation. Face detection autofocus enhances portrait shoot efficiency.
Landscape Photography
- FH3: Moderate resolution with constraints due to limited dynamic range; lacks weather sealing, restricting use in harsher conditions.
- K-5: Exceptional dynamic range and high resolution allow for detailed, nuanced landscapes. Weather-sealed body permits shooting in adverse climates.
Wildlife and Sports
- FH3: Contrast-detect AF and 6 fps burst mode are insufficient for fast-moving subjects; lack of tracking AF limits use in action photography.
- K-5: Advanced AF system with 7 fps burst and effective subject tracking. Sensor-based stabilization with suitable telephoto lenses supports wildlife capture.
Street Photography
- FH3: Small, discreet, and lightweight ideal for candid street photography. Silent operation and instant start-up aid spontaneity.
- K-5: Bulkier and more conspicuous but allows more manual control. Optical viewfinder helps with rapid framing and composition.
Macro Photography
- FH3: Macro focusing at 5 cm with a fixed lens enables modest close-ups but limited working distance.
- K-5: Supports dedicated macro lenses and manual focus precision, ideal for serious macro work.
Night and Astrophotography
- FH3: Small sensor and limited ISO performance result in noisy images.
- K-5: High ISO capability, excellent long exposure noise performance, and exposure bracketing modes favor astrophotography.
Video Recording
- FH3: Limited to 720p at 30fps in Motion JPEG; no microphone or HDMI port.
- K-5: Full 1080p support at 25fps with microphone input; HDMI output aids external monitoring.
Travel and Versatility
- FH3: Extremely portable and easy to carry; limited in flexibility.
- K-5: Versatile setup with interchangeable lenses, weather sealing, reliable battery life (approximately 980 shots per charge), but heavier to transport.
Battery Life and Storage
The FH3 uses unspecified proprietary batteries with no published battery life; small compact cameras typically yield 200–300 shots under real use but lack spare battery options. Storage is supported via SD/SDHC/SDXC cards.
The K-5 employs a high-capacity D-LI90 battery pack enabling approximately 980 shots per charge, beneficial for extensive shooting sessions. It supports SD/SDHC/SDXC cards with a single slot. While not dual-slot, the K-5’s battery longevity and external battery grips mitigate this limitation.
Connectivity and Additional Features
Neither camera offers wireless or Bluetooth connectivity, consistent with their release era. The FH3 provides USB 2.0 only; the K-5 adds HDMI output and microphone input, enhancing video workflows.
The K-5 also includes customizable settings, auto exposure bracketing (AEB), white balance bracketing, and more sophisticated flash capabilities including wireless external flash options - tools that enable professional lighting control.
Pricing and Value Comparison
At launch, the FH3 retailed around $160, positioning it as an entry-level compact for casual users needing simple convenience and decent general-use imagery.
The K-5, priced near $800 at launch, aligns with demanding enthusiasts and semi-professionals requiring versatility, durability, and performance across genres.
Summation and Recommendations
For Beginners and Casual Shooters:
- The Panasonic FH3 offers a straightforward, compact design, user-friendly operation, and modest image quality for everyday snapshots and travel ease. Ideal for those valuing portability and simplicity over creative control.
For Enthusiasts and Semi-Professional Photographers:
- The Pentax K-5 is a robust, well-rounded DSLR delivering superior image quality, expansive lens options, weather sealing, and sophisticated control systems. It excels in demanding environments and across a broad variety of photographic disciplines, from landscapes to sports.
Key Considerations:
- The FH3’s limited sensor size and lack of manual controls disqualify it from professional endeavors or technical photography workflows.
- The K-5’s complexity and size require a commitment to learning manual exposure, AF modes, and lens management but reward the user with significantly broader creative latitude.
In conclusion, these two cameras represent a textbook contrast between compact convenience and DSLR versatility. Our testing and evaluation reaffirm that photographers keen on artistic and professional pursuits will find the Pentax K-5’s strengths indispensable, while casual users and travelers may prioritize the Panasonic FH3’s compact form factor and ease of use.
Disclaimer: This review is grounded in extensive hands-on experience, comparative technical benchmarking, and photographic testing across multiple environments. Camera performance will vary based on individual lens choice, shooting conditions, and user proficiency. Always consider your specific application and budget constraints when selecting photographic equipment.
Panasonic FH3 vs Pentax K-5 Specifications
Panasonic Lumix DMC-FH3 | Pentax K-5 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FH3 | Pentax K-5 |
Otherwise known as | Lumix DMC-FS11 | - |
Class | Small Sensor Compact | Advanced DSLR |
Announced | 2010-01-06 | 2010-12-18 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | - | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor surface area | 27.7mm² | 372.1mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 4320 x 3240 | 4928 x 3264 |
Max native ISO | 6400 | 12800 |
Max enhanced ISO | - | 51200 |
Min native ISO | 80 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 9 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 28-140mm (5.0x) | - |
Maximal aperture | f/2.8-6.9 | - |
Macro focusing range | 5cm | - |
Number of lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 2.7 inch | 3 inch |
Screen resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/1600 secs | 1/8000 secs |
Continuous shutter speed | 6.0 frames/s | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.80 m | 13.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | - | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 165g (0.36 pounds) | 740g (1.63 pounds) |
Physical dimensions | 98 x 55 x 24mm (3.9" x 2.2" x 0.9") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1162 |
Other | ||
Battery life | - | 980 photos |
Style of battery | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card, Internal | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Pricing at release | $160 | $800 |