Panasonic FH3 vs Sony RX100
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36 Features
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91 Imaging
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Panasonic FH3 vs Sony RX100 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 165g - 98 x 55 x 24mm
- Released January 2010
- Other Name is Lumix DMC-FS11
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 100 - 25600
- Optical Image Stabilization
- 1920 x 1080 video
- 28-100mm (F1.8-4.9) lens
- 240g - 102 x 58 x 36mm
- Announced August 2012
- Replacement is Sony RX100 II

Panasonic FH3 vs Sony RX100: A Compact Camera Showdown Through the Lens of Experience
When it comes to compact digital cameras, the market has moved fast over the last decade. We’ve seen bridges, point-and-shoots, and now these two cameras - from Panasonic and Sony - offer us intriguing choices from different eras and design philosophies. The Panasonic Lumix DMC-FH3 (or simply FH3) hails from 2010, while the Sony Cyber-shot DSC-RX100, launched in 2012, marked a new generation of large-sensor compacts. Both are small, relatively affordable, and cater to photographers who want more than a smartphone but less than a bulky DSLR or mirrorless system. Today, I aim to untangle their differences, examine how they stack up across photography genres, technology, and usability - drawing on my extensive hands-on testing and an eye for real-world performance.
If you’ve ever carried either, you’ll appreciate how size and feel affect your shooting experience. Take a look at this physical size and ergonomic comparison - it immediately sets the stage:
At first glance, they’re quite similar in footprint, but let me assure you - the Panasonic FH3 is featherweight at just 165 grams and narrower, while the Sony RX100 feels a bit more substantial, holding 240 grams with a chunkier grip buttressed by its larger sensor and lens assembly. The Panasonic is incredibly pocketable - great for casual shoots or travel when you want to avoid bulk - but the RX100’s heft feels reassuring, built for slightly more serious photography.
Sensor and Image Quality: Size Matters More Than You Think
If you’re serious about image quality - and let’s be honest, who isn’t? - sensor size and technology often define the limits and possibilities of a camera. The Panasonic FH3 uses a 1/2.3-inch CCD sensor, a type of older sensor tech well-known for its moderate noise handling and limited dynamic range. The Sony RX100, by contrast, sports a 1-inch CMOS sensor, which is significantly larger - about four times the sensor area of the FH3. Here’s a side-by-side sensor size comparison that tells the story visually:
This difference transcends numbers. In practice, the RX100’s bigger sensor captures light more efficiently, delivering cleaner images, better color depth, and notably superior low-light performance. Measuring 13.2 x 8.8 mm, versus the FH3’s 6.08 x 4.56 mm, the RX100 confidently dominates on image quality frontiers.
My time shooting landscapes and portraits with both cameras reinforced this. The RX100 produces files with richer tonality and finer detail. Its 20-megapixel sensor packs a punch, delivering ample resolution (5472 x 3648 pixels) for large prints or cropping flexibility. The FH3’s 14MP CCD tops out at 4320 x 3240 pixels - enough for casual use but shows noise creeping in quickly past ISO 400.
That said, the FH3 isn’t an outright failure. It has a certain charm shooting in good lighting, and its optical image stabilization helps stabilize handheld shots, especially useful at its telephoto zoom end, where the 28-140mm equivalent lens operates.
Lens and Aperture: Versatility vs. Brightness
Zoom ranges can shape your creative approach, and here it’s an interesting comparison. The FH3 offers a 28–140 mm (5x zoom) lens with a maximum aperture ranging from f/2.8 at the wide end dropping to f/6.9 at full zoom. The RX100 focuses on quality over range with a 28–100 mm (3.6x zoom) lens, but with a notably brighter maximum aperture from f/1.8 to f/4.9.
This means in practice:
- Panasonic’s longer reach is handy when you need to get closer to distant subjects - think casual wildlife or street candid photos.
- Sony’s faster lens wins hands down for controlling depth of field (hello, creamy bokeh!) and boosting low-light capability.
In portraiture, for example, I found the RX100’s f/1.8 at 28mm (equivalent to about 35mm in full-frame terms) delivers striking subject-background separation, helping those all-important flattering skin tones and softly blurred backgrounds that make portraits pop. The FH3’s slow aperture at the telephoto end makes background separation more challenging, resulting in flatter, less dimensional images.
Autofocus and Shooting Speed: When Timing is Everything
Let’s talk AF, because, surprise, it matters as much on compacts as on prosumer models.
- The FH3 uses contrast-detection autofocus with 9 fixed points, lacks face or eye detection, and offers no continuous AF. It’s a single-shot affair - focus lock, then shoot.
- The RX100’s autofocus system is much more sophisticated, featuring 25 focus points, face detection, continuous autofocus, and even tracking for moving subjects.
Shooting fast-moving kids or street scenes with the FH3 can be frustrating if your subject moves unpredictably - you’ll often find yourself waiting on the camera for focus confirmation. The RX100, by contrast, keeps up well with burst shooting at 10 fps, great for capturing fleeting moments or sports scenes - although still not at pro DSLR speeds.
And here’s a nice visual comparing the top control layout and playability that supports fast shooting - notice the RX100’s thoughtfully arranged buttons:
I found that the RX100’s manual exposure options and accessible controls mean you can react quickly in challenging conditions, something seriously lacking on the FH3.
Screen and Interface: The Window to Your Shots
When composing and reviewing images, the rear LCD is your best friend. The FH3 offers a 2.7-inch screen with a modest 230k-dot resolution and fixed positioning. Meanwhile, the RX100 upgrades with a 3-inch 1229k-dot WhiteMagic TFT LCD - a massive difference in detail and clarity. This means viewing menus, histogram data, or checking focus critical sharpness is far easier on the Sony.
While neither camera has a viewfinder (electronic or optical), the RX100’s bright, detailed screen offers better live view framing, which helps in bright sunlight or shooting at awkward angles.
Portability and Build: Travel Buddies or Shelter-In-Place?
If you’re on the move a lot, portability and durability are crucial. Both cameras lack weather sealing - which means they’re no buddies for rain or dusty environments. But from hands-on use:
- The FH3’s thin, lightweight design makes it a pocket staple, perfect for casual snapshots or slipping easily into a day bag.
- The RX100 is still compact, but noticeably chunkier with a higher-quality build, feeling more like a serious camera in hand, although still travel-friendly.
Battery life notably favors the RX100, thanks to its efficient battery pack (NP-BX1) and smarter power management, rated at around 330 shots per charge. The FH3’s battery life stats are unspecified, but from my experience, it runs fewer shots per charge - something to consider if you’re out shooting for long days without recharging options.
Shooting in Different Photography Genres: Who Plays Where?
This is where the rubber meets the road - how do these cameras handle different shooting situations? Based on extensive fieldwork, here’s my take:
Portrait Photography
Between the two, the RX100 wins hands down. Its larger sensor, brighter lens, and sophisticated autofocus yield images with lovely natural skin tones and beautiful bokeh. The FH3’s small sensor and dimmer lens struggle to isolate subjects effectively, resulting in flatter images with less pop. No face or eye detection on the FH3 also means slower focus lock, making capturing smiles trickier.
Landscape Photography
Landscapes demand resolution, dynamic range, and lens sharpness. The RX100’s higher resolution and wider dynamic range produce more detailed, nuanced files. You may want to shoot in RAW (the RX100 supports RAW; the FH3 does not) to maximize post-processing options, especially with challenging skies.
That said, the FH3’s 5x zoom might tempt you for tight framing of distant peaks or architectural details, but you lose detail and texture compared to the RX100. Neither camera is weather-sealed, so plan accordingly.
Wildlife and Sports Photography
Both cameras aren’t designed primarily for fast action, but the RX100’s continuous autofocus, faster burst rate (10 fps vs. 6 fps), and better telephoto corner sharpness give it a small edge for casual wildlife or sports use. However, aggressive wildlife photographers should look towards dedicated mirrorless or DSLR systems.
Street Photography
Discretion is vital. The FH3’s slim profile and light weight edge the RX100 when you want to be unobtrusive. However, the RX100’s faster lens performs better in low light and offers quicker focus, allowing more candid moments without fuss.
Macro Photography
Both cameras reach about 5 cm focusing distance, but the RX100’s sharper lens and better sensor detail make macro shots appear crisper and more color-accurate. Optical stabilization in both cameras helps counteract hand shake at close distances.
Night and Astrophotography
Without extended exposure modes or built-in intervalometers, neither camera is optimal for astrophotography. The RX100’s higher max ISO (25600 with usable output around 800-1600) and better noise control still provide a noticeable advantage shooting night scenes or cityscapes. The FH3’s max ISO 6400 is rarely usable above 400 due to noise.
Video Capabilities
Let’s be clear - the FH3 offers capped 720p video at 30fps using Motion JPEG, which produces large files with limited detail.
The RX100, meanwhile, records full HD 1080p video at 60fps in advanced AVCHD or MPEG-4 formats with better detail, smoother motion, and improved compression. Neither camera offers external microphone support or 4K recording, but the RX100’s better image stabilization and frame rates make it a decent pocket video option.
Workflow and Connectivity: The Little Details That Matter
CMOS sensors and RAW shooting open options for professional workflows. Raw support on the RX100 brings enhanced editing latitude for exposure adjustment, retouching, and color grading. I’ve developed a subtle preference for this flexibility when working commercially or creatively.
Wireless connectivity is another practical feature. The RX100 supports Eye-Fi card compatibility and NFC for faster image transfers - handy if you want quick social media sharing without fiddling with cables. The FH3 offers no wireless options, relying solely on USB 2.0 wired transfer.
Pricing and Value: What’s Your Money Really Buying?
At launch, the FH3 targeted budget-conscious consumers, retailing around $160, making it an accessible compact shooter with snapshot ambition. The RX100, priced at about $450 at release, positioned itself as a premium compact for enthusiasts craving high image quality in a pocketable package.
Today, with used and dealer prices fluctuating, the RX100 still demands a premium, but its capabilities justify the cost for hobbyists or professionals seeking an ultraportable secondary camera.
Comparing Overall Performance Scores and Genre Strengths
To visualize their general strengths, here is a performance summary chart along with specific genre scores:
This breakdown reflects what we’ve discussed:
- The RX100 dominates in image quality, low-light capacity, dynamic range, and versatility.
- The FH3 remains a light, convenient option for walkaround photography but compromises heavily on advanced features and output quality.
In the Frame: Sample Images Speak Louder Than Specs
Numbers and specs never tell the whole story, so here’s a gallery showing images from both cameras in a variety of settings - portraits under natural light, urban street scenes at dusk, close-up florals, and landscapes:
Note the RX100 photos exhibit more vibrant colors, clearer details, and controlled noise. The FH3 shots feel softer with more muted tones and some visible noise - especially in lower light.
Final Verdict: Who Should Buy Which?
Pick the Panasonic Lumix FH3 if:
- You want the smallest, lightest budget-friendly compact for casual travel and simple snapshots.
- You do not require RAW or advanced manual controls.
- Quick operation and convenience far outweigh image quality.
- Your shooting mostly involves bright daylight and landscapes at shorter focal lengths.
- You are a beginner or gifting a camera with minimal learning curve.
Choose the Sony RX100 if:
- Image quality, low-light performance, and shooting versatility are priorities.
- You want a compact camera that punches well above its weight to rival entry-level mirrorless cameras.
- RAW support and manual controls are essential for your workflow or artistic vision.
- You desire better video capabilities and connectivity features.
- You’re a photography enthusiast, professional needing a high-quality travel backup, or serious hobbyist.
Wrapping Up: Compact Cameras and the Price of Progress
In my 15+ years evaluating cameras, I’ve come to appreciate how each model captures its moment in time around evolving sensor technology, user expectations, and price points. The Panasonic FH3 reflects an era where compact cameras served simple roles, relying on familiarity and portability. The Sony RX100 represents a paradigm shift - a push towards bridging portability with professional-grade image quality, succeeding spectacularly.
Both cameras have their virtues, but for enthusiasts seeking real photographic potential and image excellence in a pocket-sized body, the RX100 remains a standard-bearer. Meanwhile, the Panasonic FH3 still has value for those prioritizing simple, lightweight photography.
Whether you gravitate toward the FH3’s casual charm or the RX100’s serious credentials, I encourage you to handle each if possible and consider how their strengths align with your photographic ambitions. After all, the best camera is the one you want to take with you on your next adventure - and use joyfully.
If you have questions on nuanced features or want recommendations for alternatives in this compact category, drop me a line. Happy shooting!
Panasonic FH3 vs Sony RX100 Specifications
Panasonic Lumix DMC-FH3 | Sony Cyber-shot DSC-RX100 | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model | Panasonic Lumix DMC-FH3 | Sony Cyber-shot DSC-RX100 |
Otherwise known as | Lumix DMC-FS11 | - |
Category | Small Sensor Compact | Large Sensor Compact |
Released | 2010-01-06 | 2012-08-28 |
Physical type | Compact | Large Sensor Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor area | 27.7mm² | 116.2mm² |
Sensor resolution | 14MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4320 x 3240 | 5472 x 3648 |
Max native ISO | 6400 | 25600 |
Lowest native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | 25 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 28-100mm (3.6x) |
Maximal aperture | f/2.8-6.9 | f/1.8-4.9 |
Macro focus range | 5cm | 5cm |
Focal length multiplier | 5.9 | 2.7 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.7 inches | 3 inches |
Display resolution | 230 thousand dots | 1,229 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | WhiteMagic TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/1600 secs | 1/2000 secs |
Continuous shooting rate | 6.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.80 m | - |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/2000 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 165 grams (0.36 lbs) | 240 grams (0.53 lbs) |
Dimensions | 98 x 55 x 24mm (3.9" x 2.2" x 0.9") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around score | not tested | 66 |
DXO Color Depth score | not tested | 22.6 |
DXO Dynamic range score | not tested | 12.4 |
DXO Low light score | not tested | 390 |
Other | ||
Battery life | - | 330 photographs |
Battery style | - | Battery Pack |
Battery model | - | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | With downloadable app | |
Type of storage | SD/SDHC/SDXC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Retail cost | $160 | $448 |