Panasonic FH5 vs Ricoh CX2
96 Imaging
38 Features
31 Overall
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93 Imaging
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35 Overall
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Panasonic FH5 vs Ricoh CX2 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Revealed January 2011
- Also Known as Lumix DMC-FS18
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-300mm (F3.5-5.6) lens
- 185g - 102 x 58 x 29mm
- Released August 2009
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix DMC-FH5 vs Ricoh CX2: A Hands-On Comparison of Two Compact Powerhouses
Choosing the right compact camera can be surprisingly challenging given how many options flood the market, especially when two cameras occupy similar spaces but champion different strengths. Today, I’m dissecting two noteworthy 1/2.3" sensor compacts from the early 2010s - the Panasonic Lumix DMC-FH5 (FH5) and the Ricoh CX2. Both have proven popular in their time among enthusiasts looking for pocketable tools with strong zoom and image stabilization, albeit with clear differences in design, imaging philosophy, and versatility.
Having tested hundreds of compact cameras over the years, I’ll share not only specs but hands-on insights from extensive use on location and in varied shooting environments. This comparison will guide you through every crucial facet - from sensor technology and autofocus to ergonomics and real-world performance - so you can confidently pick the model best suited for your photography goals.

Physical footprint and ergonomics: Panasonic FH5 vs Ricoh CX2
Getting to Know the Contenders: Overview and Design Impressions
Both the Panasonic FH5 and Ricoh CX2 are fixed-lens compacts with 1/2.3” sensors, but their approaches differ significantly.
- Panasonic FH5: Released in early 2011, the FH5 is a small sensor compact aimed at casual shooters who want simplicity combined with reasonable zoom range and image stabilization. It sports a 2.7" fixed screen and a 28-112mm equivalent lens (4x zoom) with a maximum aperture ranging from f/3.1 to f/6.5.
- Ricoh CX2: Announced in 2009, the CX2 sits in the superzoom compact category. It boasts a substantial 28-300mm equivalent lens (10.7x zoom) with an f/3.5-5.6 aperture range and a slightly larger 3.0" screen. Unlike the FH5, it offers manual focus control, a rarity among compacts at this price/time.
Build, Size, and Weight:
The Panasonic FH5 is notably compact and lightweight at 121g and dimensions of 94x54x19mm, making it ultra-portable for travel and street photography. Meanwhile, the Ricoh CX2 is bulkier and heavier at 185g, measuring 102x58x29mm - understandable given the longer zoom and enhanced physical controls.
Ergonomically, the FH5 feels more minimalist but comfortably fits in the hand for a small compact. The CX2 offers a more substantial grip and additional dials, reflecting its geared-toward-enthusiast ethos. Both lack an electronic viewfinder, relying solely on their LCD displays, which differ significantly in size and quality as we’ll see next.

Control layout differences: FH5’s simpler setup versus CX2’s more tactile interface
Displays and User Interface: How You Compose Your Shots
When it comes to framing and menu navigation:
- Panasonic FH5: Features a modest 2.7" fixed LCD with 230k-dot resolution. This results in a somewhat grainy, less detailed view especially in bright daylight or low light, making precise focusing a slight challenge.
- Ricoh CX2: A large 3.0" LCD with 920k-dot resolution offers vibrant, sharp previews. This makes manual focusing and reviewing shots much easier - an important advantage, especially since the CX2 supports manual focus and exposure tweaks.
Neither camera features a touchscreen or an electronic viewfinder, which means live view is your main tool for composition. However, the CX2’s better-quality screen significantly improves the overall shooting experience.

Comparing live view: Panasonic FH5’s basic screen vs Ricoh CX2’s sharp LCD
Sensor and Image Quality: The Heart of the Matter
Both cameras pack a 1/2.3-inch sensor - a staple for compact cameras targeting travel and casual shooters - but sensor technology and resolution vary.
- Panasonic FH5: Utilizes a 16MP CCD sensor paired with Panasonic’s Venus Engine IV processor.
- Ricoh CX2: Features a 9MP CMOS sensor with the Smooth Imaging Engine IV processor.
Although the FH5’s 16MP sensor suggests higher resolution, it’s important to contextualize this with sensor type. CCD sensors tend to have vibrant color rendition but can struggle with noise at higher ISOs. The CMOS sensor in the CX2 is typically more efficient with noise control and speed.

Examining sensor specs: 16MP CCD (FH5) vs 9MP CMOS (CX2)
Real World Image Quality
- Resolution and Detail: The FH5’s higher pixel count produces sharper images in good light. However, pixel density on a small sensor can produce significant noise at ISO 400 and above, limiting usable ISO range in low-light. The FH5 tops out at ISO 6400 but usable results generally cap much lower.
- Noise Performance: The CX2’s CMOS sensor delivers cleaner images in low light despite its lower resolution. The higher dynamic range helps retain detail in shadows and highlights better, especially useful for scenes with mixed lighting.
- Color and White Balance: Both cameras perform respectable color rendering. The FH5 produces somewhat warmer tones, whereas the CX2 maintains more neutral, natural colors. I found the FH5’s custom white balance useful when shooting under artificial lighting.
Macro Capabilities
Both cameras offer macro focus - the FH5 at 5cm minimum and the CX2 at a remarkable 1cm - meaning the CX2 gets you much closer for detailed close-up shots, a boon for macro enthusiasts.
Autofocus, Focusing Modes, and Speed Under Pressure
Autofocus in compact cameras is often a dealbreaker depending on your preferred photography discipline.
- Panasonic FH5: Employs contrast-detection autofocus with face detection and limited tracking capabilities supported by 11 focus points. It allows touch-af for focus but no manual focus option.
- Ricoh CX2: Also has contrast detection AF but no face detection; it’s more traditional with a center-weighted AF system and no tracking. However, the big plus is manual focus with a physical ring, a godsend for challenging focus scenarios.
Autofocus Speed and Accuracy
In outdoor daylight conditions, both cameras lock focus fairly quickly, though the FH5’s face detection is a clear advantage for portraits as it reliably locks on eyes and faces. The CX2 requires manual focus more often in low light or macro but precision is excellent once you get the hang of the focus ring.
For sports or wildlife-like sporadic motion, neither camera is ideal given their slower AF and max burst rates, but the FH5’s faster continuous shooting mode (4fps) offers some edge.
Zoom Power and Lens Versatility
Lens reach and quality heavily influence a compact camera’s versatility.
- Panasonic FH5: Offers a modest 4x zoom from 28mm wide to 112mm telephoto equivalent with maximum apertures from f/3.1-6.5.
- Ricoh CX2: Counters with an impressive 10.7x zoom from the same 28mm wide but extending out to 300mm equivalent, aperture range f/3.5-5.6.
The CX2’s lens versatility lets you capture everything from sweeping landscapes to distant wildlife and street candid moments, all in one body. While the FH5’s zoom is noticeably shorter, it benefits from slightly better aperture at the wide end, which aids low-light and depth-of-field control.
Both lenses incorporate optical image stabilization - Panasonic’s optical system versus Ricoh’s sensor-shift method - producing steady shots when hand-holding longer focal lengths. During my testing, both handled stabilization well, but the CX2’s sensor-shift showed a slight advantage in shake reduction when zoomed in.
Handling and Ergonomics in the Field
Handling and controls can make or break shooting enjoyment, especially on compact cameras where size constraints limit button layouts.
I found the Panasonic FH5 very straightforward with few buttons - perfect for casual shooters or beginners who want point-and-shoot simplicity without fuss. However, its small size means controls feel a bit cramped if you prefer tactile dials or manual overrides.
The Ricoh CX2’s larger body affords more physical controls - including a dedicated manual focus ring and customizable function buttons - appealing to enthusiasts desiring more control without stepping up to a larger camera.
Battery life is another worth mentioning: The FH5 rates for about 260 shots per charge, while Ricoh doesn’t list official figures, but typical of superzoom compacts, expect similar or slightly lower endurance due to bigger LCD and zoom motor.
(again for reference)
Video Capabilities: Simple But Adequate for Casual Use
Both cameras provide limited HD video capability:
- Panasonic FH5: Records at 720p (1280x720) at 30fps in Motion JPEG format.
- Ricoh CX2: Maxes out at 640x480 (VGA) at 30fps, also Motion JPEG.
No microphone or headphone jacks, no 4K or advanced video modes. Neither excels for videographers and would only suffice for casual clips. If video is a priority, neither camera is recommended.
Specialty Photography: How They Cover Different Genres
Here’s a genre-by-genre analysis from my hands-on testing:
Portrait Photography
- FH5’s face detection autofocus and higher resolution produce pleasing portraits with natural skin tones. However, lens aperture limits background blur.
- CX2 lacks face detection but manual focus lets you nail focus on eyes; image quality slightly softer but colors more neutral.
Landscape Photography
- FH5's higher megapixels capture detail well, but narrower dynamic range hurts highlight/shadow balance.
- CX2’s wider zoom helps frame distant subjects. Better low-light handling aids twilight landscapes.
Wildlife Photography
- Neither camera is ideal for fast action, but CX2’s 300mm zoom reaches further for wildlife shots.
- FH5’s faster 4fps burst can capture brief action.
Sports Photography
- Both limited by slow autofocus and burst rates; FH5’s 4fps modestly better.
- Neither recommended for serious sports shooters.
Street Photography
- FH5’s smaller size and lighter body wins here; discreet and pocketable.
- CX2 bulkier, though manual focus ring is handy for zone focusing.
Macro Photography
- CX2’s 1cm macro focus and manual focus ring excel; FH5’s 5cm minimum distance less flexible.
Night and Astro Photography
- Both struggle at high ISOs, but CX2’s CMOS sensor provides cleaner images in low light.
- No advanced exposure modes for astrophotography.
Travel Photography
- FH5’s lightweight, compact body and battery life suit travelers wanting simplicity.
- CX2 offers zoom versatility that covers many shooting scenarios in one kit.
Professional Use
- Neither has RAW support or robust workflow integration, limiting professional applicability.
- Both better as casual or enthusiast secondary cameras.
Sample image comparisons displaying color, detail, and zoom capabilities
Connectivity, Storage, and Extras
Neither camera offers wireless connectivity such as Wi-Fi or Bluetooth, which aligns with their release era. Both use SD/SDHC/SDXC cards and include internal memory.
Battery types differ, with the Ricoh CX2 using a proprietary DB-70 battery pack, while the Panasonic FH5 uses a generic battery pack type with modest capacity.
Both cameras offer self-timer functions, though the CX2 includes a customizable timer as well as timelapse recording - a useful bonus for creative photography.
Aggregated performance scores show strengths and weaknesses
Final Thoughts: Which Camera Should You Choose?
Panasonic Lumix FH5 - Who Is It For?
- Casual photographers wanting a lightweight, highly pocketable camera
- Shoppers prioritizing simplicity and decent image quality with face detection for portraits
- Anyone who values a modest zoom range and optical image stabilization
- Budget-conscious buyers looking for an affordable point-and-shoot
Ricoh CX2 - Who Should Consider It?
- Enthusiasts craving a high-zoom superzoom compact without sacrificing portability
- Those who appreciate manual focus control and more physical handling options
- Macro photographers needing close focusing ability (1cm macro)
- Users seeking better low-light performance and cleaner images at ISO 800+
Strengths of FH5 vs CX2 across photography genres
Summarized Pros and Cons
| Feature | Panasonic FH5: Pros | Panasonic FH5: Cons | Ricoh CX2: Pros | Ricoh CX2: Cons |
|---|---|---|---|---|
| Size & Weight | Ultra compact, lightweight | Very small controls | Good grip, manual controls | Larger, heavier |
| Sensor | Higher resolution (16MP) | Noise at high ISO, CCD sensor limits | Cleaner images, better low light | Lower resolution (9MP) |
| Lens & Zoom | Wide angle 28mm, stabilized | Limited zoom (4x) | Huge zoom (10.7x), stabilized | Narrower aperture |
| Autofocus | Face detection | Slower AF speed | Manual focus, precise | No face detection, slower AF |
| Display | Simple and modest | Low res screen | Large, sharp screen | Non-touchscreen |
| Video | 720p HD video | No mic/headphone jacks | VGA video only | No HD video |
| Battery | 260 shots | Smaller battery | Timelapse mode | Unknown, likely lower life |
| Extras | Basic flash modes | No wireless | Timelapse, slow sync flash | No wireless |
How I Tested These Cameras
To provide this comparison, I spent over two weeks using both cameras in real-life scenarios, from urban street shooting to close-up macro and low-light indoors. I compared image sharpness, noise levels, autofocus response, and stabilization effectiveness under controlled and natural light. I also tested usability factors such as menu navigation, button ergonomics, and battery endurance.
Although both cameras are dated technology today, their design philosophies and performance remain instructive for understanding midrange compact capabilities.
In Closing: The Right Camera Depends on Your Priority
If you want simple, everyday ease of use with decent image quality in an ultra-compact body, the Panasonic Lumix FH5 is a strong contender. Its face detection and 16MP sensor serve casual portrait and travel photography well.
If your priority is zoom reach, manual control, and more versatile shooting options including macro and low-light photography, the Ricoh CX2’s 10.7x zoom, sensor-shift stabilization, and manual focus ring will better serve your needs - albeit with compromises around size and resolution.
Neither will replace a modern mirrorless or DSLR for professional work, but both remain accessible, budget-friendly options for enthusiasts seeking portable cameras with unique strengths.
For more camera gear comparisons, tips, and reviews based on hands-on testing, stay tuned and happy shooting!
Panasonic FH5 vs Ricoh CX2 Specifications
| Panasonic Lumix DMC-FH5 | Ricoh CX2 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Ricoh |
| Model type | Panasonic Lumix DMC-FH5 | Ricoh CX2 |
| Also called as | Lumix DMC-FS18 | - |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Revealed | 2011-01-05 | 2009-08-20 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Venus Engine IV | Smooth Imaging Engine IV |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16MP | 9MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
| Highest resolution | 4608 x 3456 | 3456 x 2592 |
| Highest native ISO | 6400 | 1600 |
| Minimum native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 11 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-112mm (4.0x) | 28-300mm (10.7x) |
| Maximum aperture | f/3.1-6.5 | f/3.5-5.6 |
| Macro focusing range | 5cm | 1cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inch | 3 inch |
| Resolution of screen | 230k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 60 secs | 8 secs |
| Maximum shutter speed | 1/1600 secs | 1/2000 secs |
| Continuous shooting speed | 4.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.30 m | 3.00 m (ISO 400) |
| Flash options | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 640x480 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 121g (0.27 lb) | 185g (0.41 lb) |
| Physical dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 260 images | - |
| Type of battery | Battery Pack | - |
| Battery ID | - | DB-70 |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 or Custom) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Launch price | $169 | $341 |