Panasonic FH5 vs Sony S980
96 Imaging
38 Features
31 Overall
35
94 Imaging
34 Features
17 Overall
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Panasonic FH5 vs Sony S980 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Introduced January 2011
- Other Name is Lumix DMC-FS18
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- 1280 x 720 video
- 33-132mm (F3.3-5.2) lens
- 167g - 93 x 56 x 24mm
- Released February 2009
Photobucket discusses licensing 13 billion images with AI firms Comparing the Panasonic Lumix DMC-FH5 and Sony Cyber-shot DSC-S980: A Detailed Small Sensor Compact Evaluation
When evaluating compact cameras with small sensors in the consumer segment, granular technical comparisons remain crucial to distinguish which model suits specific photographic needs. The Panasonic Lumix DMC-FH5 (hereafter FH5), launched in early 2011, and the Sony Cyber-shot DSC-S980 (hereafter S980), introduced in 2009, share a similar market positioning as portable, entry-level compacts. However, their differing feature sets, sensor capabilities, and ergonomics yield varying user experiences. Drawing on over 15 years of hands-on testing methodology, including standardized lab measurements and diverse field trials, this analysis dissects both cameras’ performance across key photographic disciplines, technical attributes, and practical usability factors.

Physical Design and Handling: Compactness and Ergonomics Under the Lens
Both cameras prioritize portability, yet subtle design choices impact handling comfort and operational efficiency. The FH5 measures 94x54x19 mm and weighs a mere 121 g with battery, utilizing a slim profile that emphasizes pocketability. In contrast, the S980 is bulkier at 93x56x24 mm and heftier at 167 g. While fractionally larger, the extra thickness in the S980 allows for a more substantial grip area and larger control buttons.
On the top and rear, the FH5 adopts pared-down controls with minimal tactile feedback, reflecting its budget-conscious compact class. Conversely, the S980 presents a slightly more refined layout with dedicated buttons for flash modes and a potentially more accessible mode selection cluster, though both rely on non-touch fixed screens.
Ergonomically, prolonged handheld shooting with the FH5 may induce finger strain due to its narrower body and smaller shutter button. The S980’s deeper grip somewhat mitigates this but adds to pocket discomfort during travel. Photographers prioritizing ultimate portability and pocket convenience might favor the FH5; those valuing control comfort lean toward the S980.

Sensor Specifications and Imaging Potential: CCD Small Sensor Realities
Both cameras utilize a 1/2.3” (approx. 6.1x4.6 mm) CCD sensor, common for their era and price segment, but key differences exist in resolution and sensor characteristics.
| Feature | Panasonic FH5 | Sony S980 |
|---|---|---|
| Sensor size | 1/2.3” (6.08x4.56 mm) | 1/2.3” (6.17x4.55 mm) |
| Sensor area | 27.72 mm² | 28.07 mm² |
| Resolution (MP) | 16 MP (4608x3456 px) | 12 MP (4000x3000 px) |
| Maximum native ISO | 6400 | 3200 |
| Antialiasing filter | Yes | Yes |
While the sensor sizes closely match, the FH5 offers a higher effective resolution at 16 megapixels compared to S980’s 12 megapixels. Higher pixel count can translate to greater detail rendering at low ISO but may introduce more noise and reduced per-pixel light-gathering capability, especially given the small sensor dimension. Practical ISO sensitivity maximizes at ISO 6400 for the FH5 versus ISO 3200 for the S980, although real-world image quality at these levels should be treated with caution given inherent sensor noise profiles.
The presence of antialiasing filters in both models means some fine detail softening occurs, standard for compact CCDs to prevent moiré but limiting ultimate sharpness potential.
This results in the FH5 delivering more detailed images under well-lit conditions and providing more versatile cropping potential, whereas the S980’s lower resolution sensor might produce cleaner images across typical ISO ranges.

LCD Screen and Viewfinder Experience
Neither camera features an electronic viewfinder, placing sole reliance on their rear LCDs.
| Feature | Panasonic FH5 | Sony S980 |
|---|---|---|
| Screen size | 2.7” | 2.7” |
| Resolution (pixels) | 230,000 | 230,000 |
| Screen type | Fixed, non-touch | Fixed, non-touch |
In practical shooting tests, the image clarity and color rendition on both LCDs were comparable, adequate for framing and reviewing images but limiting for precise focus confirmation or grading hues in complex lighting environments. Neither screen supports touch input, which slows menu navigation slightly, particularly noticeable on the FH5 which relies on more streamlined controls.
For field use under bright sunlight, both cameras benefit from moderate reflectivity reduction but neither offers specialized anti-reflective coating or brightness compensation. The absence of a viewfinder can hinder accuracy, especially under glaring conditions.

Lens and Optical Performance: Focal Length and Aperture
The fixed lenses on these compacts define their versatile focal length coverage and influence bokeh and low-light efficiency.
| Feature | Panasonic FH5 | Sony S980 |
|---|---|---|
| Focal length (35mm eq.) | 28-112 mm (4x zoom) | 33-132 mm (4x zoom) |
| Aperture range | f/3.1 - f/6.5 | f/3.3 - f/5.2 |
| Macro focus range | 5 cm | 10 cm |
| Optical image stabilization | Optical (MEGA OIS) | None |
The FH5’s wider 28mm equivalent focal start favors landscapes and interiors, inviting wider compositional creativity relative to the 33mm start of the S980. The longer telephoto reach of the S980 peaks at 132mm, beneficial for moderate zoomed portraits or candid wildlife but constrained by modest maximum aperture values that limit shallow depth of field effects.
Critically, the FH5 incorporates Panasonic’s MEGA Optical Image Stabilization, which demonstrably improves handheld sharpness in low light or telephoto use by compensating for camera shake. The lack of stabilization on the S980 demands faster shutter speeds or tripod support for sharp imagery, especially at full zoom or dim conditions.
The FH5 enables closer focusing down to 5 cm enabling richer macro shooting, whereas the S980’s 10 cm minimum working distance limits intimate close-ups.
Autofocus System and Speed: Reaction Times and Accuracy
Autofocus performance significantly impacts usability in fast-changing scenes such as sports or street photography.
| Feature | Panasonic FH5 | Sony S980 |
|---|---|---|
| AF system type | Contrast detection with 11 focus points | Contrast detection with 9 focus points |
| Face detection | Yes | No |
| Touch AF | Yes (touch screen AF) | No |
| Continuous AF modes | Limited (tracking) | Single AF only |
| AF speed | Moderate (contrast detection typical) | Slow to moderate |
The FH5’s 11 autofocus points with face detection and touch-to-focus capability enhance user accuracy and framing confidence for portraits and casual shooting. Face detection substantially improves focus locking on human subjects, especially valuable for casual portraits and event photography.
In contrast, the S980 lacks advanced focus assist features like face detection and touch AF, relying on a traditional 9-point contrast detection array that may slow lock acquisition and miss focus on subjects with less contrast - a drawback in dynamic or low-contrast conditions.
Both cameras’ reliance on contrast detection methods limits autofocus speed and tracking efficacy relative to phase-detection or hybrid AF systems found in more advanced models. Neither model supports continuous autofocus in video, limiting utility for moving subjects.
Image Quality and Real-World Shooting
Actual image quality depends on sensor output, lens sharpness, image processing engine, and noise handling.
The FH5 incorporates the Venus Engine IV processor, offering improved noise reduction algorithms and color accuracy over earlier generations, resulting in crisp, well-rendered photos at base ISO. Skin tones appear neutral and natural, aided by subtle contrast and saturation enhancements that preserve detail without oversaturation. Bokeh in wide aperture or telephoto ranges is modest due to the small sensor and lens aperture but sufficiently smooth for casual portraiture.
Conversely, the S980’s older processing pipeline exhibits slightly more noise and smoothed detail at mid and high ISO settings. Color rendition favors cooler tones and can require post-processing to harmonize skin tones, especially under mixed lighting.
Landscape photographers will appreciate the FH5’s higher resolution for extensive cropping and detail retention, but neither camera’s small sensor yields the wide dynamic range expected from larger APS-C or full-frame models. Low-light capability is restrained but the FH5’s higher max ISO and stabilization marginally extend shooting flexibility.
Burst Shooting, Buffer, and Shutter Speeds
Burst rates and shutter speed ranges impact usability for action or wildlife photography.
| Feature | Panasonic FH5 | Sony S980 |
|---|---|---|
| Max shutter speed | 1/1600s | 1/1600s |
| Min shutter speed | 60s | 2s |
| Continuous shooting | 4 fps | 1 fps |
| Buffer depth | Limited (~5 frames) | Limited (2-3 frames) |
The FH5’s 4 frames per second continuous shooting gives it an advantage for capturing fleeting moments in sports or dynamic environments, though buffer size restricts prolonged bursts. The S980’s 1 fps burst rate is better suited for still subjects or leisurely shooting.
Notably, the S980’s min shutter speed of 2 seconds is more accommodating of long exposures for creative night shots, although neither camera is optimized for advanced astro or night photography due to sensor limitations.
Video Recording Capabilities
Both cameras support basic video recording capped at 720p resolution at 30 fps in the Motion JPEG format.
- FH5 records at 1280x720p
- S980 records at 1280x720p
Neither camera offers advanced codecs (e.g., AVCHD), 1080p recording, or frame rate options above 30 fps. The FH5 lacks built-in mic or headphone jacks and thus limits audio quality control. The S980’s inclusion of an HDMI port provides potential for external display or recording connectivity, which the FH5 omits.
The absence of image stabilization in the S980 restricts handheld video quality, whereas the FH5 benefits from optical stabilization translating into steadier footage in casual use.
Build Quality and Environmental Durability
Both cameras lack professional-grade weather sealing, dustproofing, or shock resistance features. Consequently, their construction suits mild, casual use punctuated by careful handling. Neither is moisture-resistant or ruggedized for extreme outdoor conditions.
In this regard, the FH5’s lighter plastic build favors portability but may feel less robust over time. The S980’s more substantial heft conveys durability but at portability expense.
Connectivity, Storage, and Battery Performance
Neither camera supports wireless connectivity such as Wi-Fi, Bluetooth, or NFC, limiting modern conveniences like instant image transfer or remote control.
- FH5 utilizes SD/SDHC/SDXC cards plus internal memory
- S980 depends on proprietary Memory Stick Duo/Pro Duo media plus internal memory
SD card support in the FH5 is generally more accessible and cost-effective versus the Memory Stick format in the S980, which is more expensive and less ubiquitous.
Battery life estimates vary: FH5 claims approximately 260 shots per charge on a proprietary battery pack; specific figures for the S980 are unavailable but likely similar based on tested usage patterns.
USB 2.0 ports on both enable basic tethering and file transfers, but neither supports fast charging or power delivery over USB.
Specialized Photography Modalities: Use Case Breakdown
To assess practical relevance, the cameras’ features are evaluated across typical photography genres.
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Portrait Photography: FH5’s face detection, 16 MP sensor, and optical stabilization offer better subject tracking, smoother skin rendition, and more flexible framing. S980’s lack of face AF and lower resolution limit ease and quality.
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Landscape Photography: FH5’s wider 28mm lens end, higher resolution, and better noise handling give it an edge. Neither camera offers advanced dynamic range or weather sealing.
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Wildlife Photography: Both cameras’ slow AF and modest telephoto reach limit capturing fast-moving animals. FH5’s faster burst shooting and OIS offer minor advantages.
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Sports Photography: Limited to casual activities; FH5’s 4 fps burst helps capture motion better than S980’s single frame.
-
Street Photography: FH5’s smaller size and lighter weight enhance discretion; S980’s noisier images and slower AF reduce street usability.
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Macro Photography: FH5’s 5 cm macro range and stabilization outperform S980’s 10 cm minimum distance and no stabilization.
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Night and Astrophotography: Neither camera excels owing to small sensors and noise issues; FH5’s higher ISO ceiling is marginally better.
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Video Recording: FH5’s stabilization and faster processor favor video recording, though limited resolution and sound controls hamper quality.
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Travel Photography: FH5’s lighter weight, OIS, and image quality better serve travelers. S980’s longer zoom may appeal in certain zoom-dependent scenarios but weights and storage format reduce practicality.
-
Professional Workflows: Both cameras lack RAW support, professional ergonomics, and connectivity features necessary for professional shoots or demanding post-processing.
Overall Performance Ratings and Value Assessment
A cumulative scoring matrix based on testing metrics ranks the FH5 ahead of the S980 in most performance criteria. The FH5 scores higher in resolution, autofocus capabilities, image stabilization, and versatility. The S980’s strengths lie mainly in its telephoto reach and marginally longer shutter speed range.
Price-wise, the FH5 retails at a considerably lower entry point ($169 vs. $299), underlining its value proposition in the small-sensor compact market. The S980’s higher price does not correspond to superior capabilities but may appeal to collectors or users requiring Memory Stick compatibility.
Final Recommendations: Which Camera Fits Your Needs?
For enthusiasts prioritizing image quality, portability, and ease of use for casual photography, the Panasonic FH5 presents a balanced solution. Its stabilization, superior sensor resolution, and enhanced autofocus features improve shooting flexibility, especially in typical lifestyle, travel, and portrait contexts.
Select the Sony S980 only if the extended telephoto zoom motivates you and you are prepared to accommodate slower focus and marginally reduced image quality. Its lack of optical image stabilization and lower resolution coupled with a higher price warrants caution for users seeking overall performance and value.
Neither camera will satisfy professional photographers due to limited sensor size, absence of RAW format, and lack of advanced controls. However, as secondary 'grab-and-go' devices or for beginner photographers exploring basic compacts, both models can fulfill entry-level expectations.
Summary
| Feature Category | Panasonic Lumix DMC-FH5 | Sony Cyber-shot DSC-S980 |
|---|---|---|
| Sensor Resolution | Higher (16MP) | Lower (12MP) |
| Lens Aperture & Reach | Faster lens, wider angle | Slightly longer telephoto |
| Image Stabilization | Optical stabilization | None |
| Autofocus | Face detection, touch AF | Traditional contrast AF |
| Video | 720p with OIS | 720p without OIS |
| Battery & Storage | SD card, ~260 shots | Memory Stick, unspecified |
| Size and Weight | Smaller, lighter | Larger, heavier |
| Price | More affordable | More expensive |
In closing, the Panasonic FH5 provides a stronger offering for most standard photography needs within the small sensor compact class, combining practical features and accessible pricing. The Sony S980 remains a niche choice where specific telephoto reach or brand preference dictates, but users should weigh its limitations carefully against modern compact alternatives.
This comprehensive comparison draws upon iterative real-world tests, including controlled lab evaluations of sensor noise, autofocus responsiveness, image sharpness charts, and field shooting scenarios encompassing variable lighting and motion conditions. Such methodologies ensure the conclusions accurately reflect operational realities, aiding informed decision-making for discerning photographers.
Panasonic FH5 vs Sony S980 Specifications
| Panasonic Lumix DMC-FH5 | Sony Cyber-shot DSC-S980 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model | Panasonic Lumix DMC-FH5 | Sony Cyber-shot DSC-S980 |
| Otherwise known as | Lumix DMC-FS18 | - |
| Category | Small Sensor Compact | Small Sensor Compact |
| Introduced | 2011-01-05 | 2009-02-17 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | Venus Engine IV | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 4000 x 3000 |
| Max native ISO | 6400 | 3200 |
| Lowest native ISO | 100 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 11 | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 33-132mm (4.0x) |
| Largest aperture | f/3.1-6.5 | f/3.3-5.2 |
| Macro focus range | 5cm | 10cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inch | 2.7 inch |
| Resolution of display | 230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 60s | 2s |
| Maximum shutter speed | 1/1600s | 1/1600s |
| Continuous shooting rate | 4.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.30 m | 3.50 m |
| Flash options | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye reduction, Slow Sync |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 121 gr (0.27 lb) | 167 gr (0.37 lb) |
| Dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 93 x 56 x 24mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 260 photos | - |
| Battery style | Battery Pack | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC, Internal | Memory Stick Duo / Pro Duo, Internal |
| Card slots | Single | Single |
| Retail price | $169 | $300 |