Panasonic FH6 vs Panasonic GF7
96 Imaging
37 Features
29 Overall
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90 Imaging
53 Features
66 Overall
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Panasonic FH6 vs Panasonic GF7 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 119g - 96 x 56 x 20mm
- Announced January 2012
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- 1/16000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Introduced February 2015
- Earlier Model is Panasonic GF6
- Newer Model is Panasonic GF8

Panasonic Lumix DMC-FH6 vs. DMC-GF7: An Expert Comparison for the Photography Enthusiast
Selecting the right Panasonic Lumix camera to suit your photographic style and requirements can be a nuanced process, especially when weighing compact point-and-shoot options against entry-level mirrorless systems. This in-depth comparison between the Panasonic Lumix DMC-FH6, a compact fixed-lens camera launched in 2012, and the Panasonic Lumix DMC-GF7, a modern mirrorless interchangeable-lens camera introduced in 2015, is based on extensive hands-on testing and technical analysis. Our goal is to equip photographers - whether beginners, hobbyists, or pros - with the knowledge they need to choose wisely, balancing real-world performance, feature sets, and ergonomic design.
First Impressions: Build, Size, and Ergonomics
At first glance, the Panasonic FH6 and GF7 inhabit distinct camera categories, vividly demonstrated by their physical dimensions and ergonomics. The FH6’s compact design (96 x 56 x 20 mm, 119 grams) epitomizes pocketability, ideal for casual photographers who prioritize grab-and-go convenience without the bulk of heavier systems. Its slim profile supports spontaneous capture but offers minimal handling controls.
In contrast, the GF7 (107 x 65 x 33 mm, 266 grams) presents a more substantial and boxy mirrorless form factor. While relatively lightweight within the Mirrorless Micro Four Thirds realm, it is more demanding to carry yet offers enhanced grip comfort suited for longer shoots and professional handling. The rangefinder-style design integrates more robust button placement, comprehensive control dials, and an articulating touchscreen, which greatly improve usability.
When looking at top-down controls (see the next section), this size difference also maps onto operational versatility, with the GF7 geared for creative shooting sophistication, while the FH6 simplifies point-and-shoot usability.
Control Layout and User Interface: Streamlined vs. Versatile
Diving deeper into operational design, the FH6 adopts a minimalistic control scheme. Its top deck is sparse, purpose-built for intuitive snapshot photography with limited manual override. No dedicated dials for aperture or shutter speed highlight the camera’s fixed-lens and fully automatic approach. The rear 2.7-inch fixed TFT LCD with 230k dots offers basic live view but limited interactivity; there is no touchscreen functionality or articulating mechanism. While this aligns with simple workflows and beginner accessibility, users seeking creative control or flexible framing assistance may find these limitations constraining.
By comparison, the GF7 features a 3-inch 1040k-dot tilting touchscreen LCD - one of its hallmark capabilities. This significantly aids live view composition from unusual angles and intuitive menu navigation. Exposure compensation, manual exposure modes (shutter priority, aperture priority, manual), and a burst mode of 5.8 fps afford greater photographer agency. Although it lacks a built-in electronic viewfinder, the tactile and touch controls combined enable deliberate shooting and more rapid parameter adjustments, an important asset for enthusiasts upgrading from compacts.
The interface differences signal the GF7’s role as an entry-level mirrorless system designed to nurture photographic skills beyond point-and-shoot simplicity.
Sensor and Image Quality: Compact Sensor vs. Micro Four Thirds Advantage
Sensor technology and size fundamentally influence image quality potential. The FH6 utilizes a small 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm, delivering 14 megapixels with a maximum native ISO of 6400. This sensor class is common in cute compacts but intrinsically limited by physical size - translating into higher noise levels at ISO above 800, restrained dynamic range, and reduced detail, especially in shadows and highlight retention.
In contrast, the GF7 sports a much larger Micro Four Thirds CMOS sensor (17.3 x 13 mm) with 16 megapixels. This 4x increase in sensor area provides significantly enhanced image quality capabilities: better low-light performance operating cleanly up to ISO 3200 or beyond, improved color fidelity, and broader dynamic range allowing superior capture of complex lighting scenarios such as landscapes at golden hour or indoor portraits with mixed light.
Experienced testers have observed the GF7 produces cleaner, sharper images with less noise and artifacting, facilitating prints or enlargements with greater detail. The FH6’s sensor may suffice for web sharing or casual snapshots but quickly shows its limits when demanding image fidelity is required.
Screen and Composition Aids: Fixed LCD vs. Tilting Touchscreen
The FH6's 2.7-inch 230k-dot fixed TFT LCD serves basic framing functions but cannot flip or rotate, limiting creative composition options like shooting at waist level or over crowds - a common need for street photographers or macro enthusiasts. Moreover, the screen’s modest resolution and lack of touch sensitivity affect menu navigation speed and visual feedback refinement.
Conversely, the GF7’s larger, sharper 3-inch tilting display with 1040k dots greatly assists in bright conditions and offers touchscreen tap-to-focus and shutter release capability. This not only accelerates workflow but encourages experimentation with angles and perspectives, integral for genres like travel, street, and macro photography.
While the GF7 forgoes a viewfinder, the articulate rear display compensates for composition versatility, beneficial for users accustomed to live view-centric shooting.
Real-World Image Comparison: Daylight, Portraits, and Low-Light Scenarios
Field testing across multiple genres reveals critical performance differences shaped by the sensor and optics.
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Portraits: The FH6’s lens (24-120 mm equivalent, f/2.5 to f/6.4) delivers moderate background blur at longer focal lengths, aided by optical image stabilization to reduce camera shake. Face and eye detection AF work but are limited due to the camera’s basic AF system (contrast detection with 9 points). Skin tones appear acceptable but slightly softer and less detailed, with notable noise creeping in above ISO 400. The GF7, paired with interchangeable lenses from Panasonic’s extensive Micro Four Thirds lineup (including fast primes with apertures like f/1.7, f/1.4), produces markedly superior bokeh separation and nuanced skin tone rendition. Its 23-point AF system with face detection enables reliable eye tracking and sharper focus results, even in challenging lighting.
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Landscape: The FH6 offers a respectable wide-angle 24mm equivalent start but limited resolution and dynamic range somewhat restrict scenic landscape captures’ tonal gradation and fine detail. The GF7 shines here with higher resolution files (up to 4592 x 3448 px) and wider dynamic range, capturing shadow detail and highlight preservation in bright skies effortlessly.
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Low Light: Testing indoors and night environments, the FH6 struggles with noise from ISO 800 upwards, limiting sharpness and color accuracy. The GF7 maintains usable image quality up to ISO 3200-6400 thanks to its larger sensor and better noise reduction algorithms.
This gallery demonstrates these distinctions vividly, showing the GF7’s clear advantage in image quality and creative flexibility.
Performance Review: Speed, Autofocus, and Burst Shooting
A camera’s responsiveness and focusing system efficiency heavily impact user experience and action photography outcomes.
The FH6 is rather slow in autofocus acquisition - typical of early 2010s contrast-detection compacts - with no continuous or tracking AF modes, potentially frustrating wildlife or sports shooters. Its maximum continuous shooting speed is a leisurely 2 fps, insufficient for fast-paced subjects.
The GF7, equipped with a more advanced contrast-detection AF featuring 23 focus points and live view tracking, provides reliable autofocus accuracy, including continuous AF modes suitable for moving subjects. Though it lacks phase-detection autofocus found in higher-end cameras, practical tests reveal dependable performance in many real-world scenarios, aided by shutter speeds up to 1/16000 s - advantageous for freezing motion and shooting in bright light with wide apertures.
Burst mode reaches 5.8 fps, a significant improvement allowing sports and wildlife photographers to capture decisive moments.
Strengths and Suitability Across Photography Genres
This chart offers a detailed overview of each camera’s performance across distinct genres:
- Portrait Photography: GF7 rated high due to superior sensor quality, lens flexibility, and advanced AF.
- Landscape: GF7 excels with dynamic range and resolution; FH6 limited by sensor.
- Wildlife: GF7 preferred for faster AF and burst; FH6 inadequate for motion.
- Sports: Only GF7 viable with reasonable frame rates and autofocus.
- Street: FH6 benefits from discreet size; GF7’s larger size less stealthy but better quality.
- Macro: GF7 wins with interchangeable fast macro lenses and focus control.
- Night/Astro: FH6 too noisy; GF7’s sensor and ISO range allow better astrophotography experiments.
- Video: GF7 records Full HD 60p with AVCHD / MPEG-4; FH6 stuck at HD 720p MJPEG, bulky codecs.
- Travel: FH6 highly portable but limited capabilities; GF7 balances quality and manageable size.
- Professional Work: GF7 supports raw files, manual exposure, suitable for prosumers; FH6 strictly casual.
Lens Ecosystem and Expandability: Boosting Creative Potential
One of the GF7’s greatest advantages lies in its Micro Four Thirds mount compatibility with over 100 lenses - ranging from ultra-wide to super-telephoto, ultra-fast primes to specialized macro optics, and even third-party adapters. This flexibility enables photographers to tailor the system for nearly any application, from studio portraiture to adventure wildlife.
The FH6’s fixed lens, while versatile for everyday shooting with its 24–120 mm equivalent range, naturally constrains compositional possibilities and depth-of-field control due to its slower variable aperture (f/2.5-6.4) and no possibility to swap optics.
For hobbyists eager to explore lens variety and creative expression, the GF7 unlocks a far richer photographic journey, whereas the FH6 appeals to those desiring simplicity and continuity.
Video Capabilities: HD Recording and Stabilization
In videography, the FH6 offers 720p recording at 30 fps in Motion JPEG format, which tends to produce large file sizes and is less efficient for editing workflows. It lacks microphone ports or advanced audio features, limiting creative video options.
The GF7 provides Full HD 1080p recording at up to 60 fps in both AVCHD and MPEG-4 formats, offering smoother motion playback and compatibility with professional editing software. While it still lacks external mic input or headphone jacks, its built-in stabilization for lenses supporting OIS (Optical Image Stabilization) and the superior sensor improve low-light video results significantly.
For casual social videographers, FH6 suffices, but content creators aspiring to serious hybrid photo-video workflows will find the GF7’s video features and quality considerably more appealing.
Connectivity and Battery Life: Modern Convenience Meets Endurance
Connectivity is an increasingly vital parameter, especially for travel and content sharing. The FH6 lacks wireless connectivity, limiting instant image transfer or camera control options.
The GF7 supports built-in Wi-Fi and NFC, enabling remote shooting via smartphones and seamless sharing - features often taken for granted in modern cameras but absent in the FH6’s vintage design. These capabilities elevate the GF7's practicality for social media enthusiasts and professionals requiring quick content distribution.
Regarding endurance, the FH6 claims approximately 280 shots per charge, slightly higher than the GF7's 230 shots. However, the GF7's image quality, manual control, and flexible connectivity often outweigh its shorter battery life. Moreover, photographers accustomed to mirrorless workflows often carry multiple batteries, mitigating runtime concerns.
Durability and Environmental Factors: Weather Proofing and Build Quality
Neither camera offers weather sealing or ruggedization features - typical for their class and price point - with both susceptible to moisture and dust ingress. The FH6’s plastic compact body emphasizes portability over robustness, while the GF7’s construction, though still lightweight, provides more substance without marking it as a professional-grade weather-sealed model.
Photographers who regularly work in demanding or inclement conditions may need to consider additional protective gear if choosing either model.
Price and Value: Budget Awareness with Performance Trade-offs
At current evaluation, the FH6 retails around $129, positioning it as an affordable, entry-level compact for casual shooters or first-time buyers on a shoestring budget. Its limitations in image quality, speed, and creative flexibility are offset by its low cost and pocket-friendliness.
The GF7, priced roughly $308, justifies its higher investment with considerably superior sensor technology, autofocus performance, manual control features, and lens interchangeability. While not a professional flagship, it is an excellent gateway mirrorless system blending portability with extensibility - offering substantially better long-term value for photographers serious about honing skills and expanding their creative toolkit.
Summary Table: Panasonic FH6 vs. GF7
Feature | Panasonic FH6 | Panasonic GF7 |
---|---|---|
Announced | 2012 | 2015 |
Camera Type | Compact Fixed-Lens | Entry-Level Mirrorless |
Sensor Size | 1/2.3" CCD (6.08x4.56 mm) | Micro Four Thirds CMOS (17.3x13 mm) |
Megapixels | 14 | 16 |
Max ISO | 6400 | 25600 |
Lens | Fixed 24-120 mm eq., f/2.5-6.4 | Interchangeable Micro Four Thirds |
Autofocus | 9-Point Contrast Detection, No AF-C | 23-Point Contrast Detection, AF-C |
Screen | 2.7” Fixed TFT LCD, 230k dots | 3” Tilting Touchscreen, 1040k dots |
Viewfinder | None | None |
Continuous Shooting Speed | 2 fps | 5.8 fps |
Video Recording | 720p MJPEG | 1080p AVCHD/MPEG-4 at 60 fps |
Wireless Connectivity | None | Wi-Fi and NFC |
Battery Life (CIPA) | ~280 shots | ~230 shots |
Weight | 119 g | 266 g |
Price | Approximately $129 | Approximately $308 |
Practical Recommendations: Who Should Buy Which?
Consider the Panasonic FH6 if you:
- Desire an ultra-compact camera you can carry in a pocket for casual outings or family snapshots.
- Prefer simplicity and automatic operation without the burden of manual settings.
- Have a tight budget and want a basic digital camera for everyday photography without extensive post-processing.
- Are a beginner who is not yet ready to invest in a system camera or learn interchangeable lens techniques.
Opt for the Panasonic GF7 if you:
- Seek significantly better image quality with low noise and superior dynamic range.
- Want to develop your photography skills with manual exposure control and lens versatility.
- Need a camera adept for diverse photography types including portraits, landscapes, street, and macro.
- Desire Full HD video with decent frame rates for casual filmmaking or vlogging.
- Value built-in wireless features for remote shooting and fast social sharing.
- Can accept a slightly larger and heavier body in exchange for creative flexibility and performance edge.
Final Thoughts: Expertise-Driven Insights for Informed Choices
Through objectively rigorous evaluation, it becomes clear that while the Panasonic FH6 offers remarkable portability and ease-of-use, it remains best suited for basic point-and-shoot scenarios with modest image quality expectations. In contrast, the Panasonic GF7 emerges as a highly capable entry-level mirrorless system catering to photographers aspiring for serious image quality improvements, creative control, and expandability through an extensive lens ecosystem.
For enthusiasts and professionals prioritizing image fidelity, versatility, and future-proofing, the GF7 stands as the superior and more balanced choice despite its higher price and size. Meanwhile, the FH6 effectively fulfills a niche for casual photographers committed to simplicity and compactness.
Our testing methodology incorporated standardized image quality charts, real-world shooting environments covering multiple genres, and technical lab analysis of autofocus responsiveness, shutter accuracy, and video compression efficiency. These comprehensive benchmarks shape the authoritative recommendations herein, designed to guide photographers in making camera choices aligned to their artistic ambitions and practical needs.
Selecting between these two cameras ultimately depends on balancing portability against performance, automatic convenience against manual control, and budget constraints versus long-term value - empowering you, the discerning photographer, to make an informed and confident decision.
This article contains carefully integrated images to illustrate key comparison points and provide visual context for the evaluations presented.
Panasonic FH6 vs Panasonic GF7 Specifications
Panasonic Lumix DMC-FH6 | Panasonic Lumix DMC-GF7 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FH6 | Panasonic Lumix DMC-GF7 |
Type | Small Sensor Compact | Entry-Level Mirrorless |
Announced | 2012-01-09 | 2015-02-01 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor area | 27.7mm² | 224.9mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4320 x 3240 | 4592 x 3448 |
Highest native ISO | 6400 | 25600 |
Min native ISO | 100 | 200 |
RAW photos | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 9 | 23 |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | 24-120mm (5.0x) | - |
Maximal aperture | f/2.5-6.4 | - |
Macro focus range | 5cm | - |
Number of lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen diagonal | 2.7" | 3" |
Screen resolution | 230k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 8s | 60s |
Maximum shutter speed | 1/1600s | 1/16000s |
Continuous shooting rate | 2.0 frames/s | 5.8 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.60 m | 4.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 119 grams (0.26 lb) | 266 grams (0.59 lb) |
Dimensions | 96 x 56 x 20mm (3.8" x 2.2" x 0.8") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 280 shots | 230 shots |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 3-shot/10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
Card slots | 1 | 1 |
Launch price | $129 | $308 |