Panasonic FH6 vs Sony HX50V
96 Imaging
37 Features
29 Overall
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89 Imaging
44 Features
57 Overall
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Panasonic FH6 vs Sony HX50V Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 119g - 96 x 56 x 20mm
- Introduced January 2012
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Raise to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5 - 6.3) lens
- 272g - 108 x 64 x 38mm
- Announced April 2013
- Replaced the Sony HX30V

Panasonic FH6 vs Sony HX50V: Compact Camera Showdown for Photography Enthusiasts and Pros
Choosing a compact camera in today’s smartphone-dominated era is a curious task, but for those wildlife trekkers, travel junkies, and keen hobbyists who crave more optical zoom or manual controls, these pocket-sized shooters still have their place. Today, I’m diving into a detailed comparison between two earlier-generation compacts that still surface in markets or as budget gems: the Panasonic Lumix DMC-FH6 and the Sony Cyber-shot DSC-HX50V.
Though they debuted just about a year apart (2012 vs 2013), these cameras sit leagues apart in features and performance. Having spent hours testing both cameras - from pixel-peeping image quality to real-world handling across portrait, landscape, and action photography - I’ll walk you through how they stack up by category, with grounded advice on who should consider which camera.
And don’t worry, I’m packing in the facts and anecdotes, but keeping it practical and budget-wise for you.
First Impressions: Size, Handling, and Design Clues to Their Peer Group
When you pick up the Panasonic FH6, it’s immediately obvious it’s designed with absolute pocketability and casual shooting in mind. At a scant 96x56x20mm and 119 grams, it’s slim and light as a feather - basically a glorified point-and-shoot for snapshots and holiday memories.
The Sony HX50V is a beefier hulk by comparison, tipping the scales at 272 grams and measuring 108x64x38mm. This extra heft pays off in the glove-friendly grip and added controls - which we’ll examine soon. Below’s a look at their physical presence relative to each other:
The wide lens barrel of the HX50V hints at its mighty 30x optical zoom, versus the FH6’s more modest 5x zoom. Ergonomically, the Sony nests better in the hand with a built-in thumb rest, while the Panasonic’s slender bar shape means you’ll need a death grip or an aftermarket strap to avoid accidental slips.
The FH6’s ultra-compact charm is undeniable for travel light or street photographers who loathe bulking up, but the HX50V wins for extended shooting comfort and control access.
Layout and Controls: Clubs for Thumbs or Finger-Friendly?
Look ma, no dials! The Panasonic FH6 keeps things simple - too simple, really. It lacks manual focus, exposure modes, and dedicated dials, instead relying on a few shrunken buttons on top and a terse menu system.
The HX50V cranks this up with physical dials for shutter and aperture priority, manual exposure, and a zooming rocker that’s much more tactile and precise. The top view comparison tells the story:
For the cheapskates and casual snapshooters, the FH6’s minimal interface might cut down intimidation but also stifles creative control. Meanwhile, the HX50V will better serve beginners moving towards enthusiast level who want to experiment with depth of field, shutter effects, and framing without diving into deep menu labyrinths.
Sensor and Image Quality: The Heart of the Matter
Both cameras wield a 1/2.3" sensor - the classic compact camera size that modestly treads the line between pocketable and functional. But the differences in sensor technology and resolution are where things start to diverge seriously.
- Panasonic FH6: 14MP CCD sensor, 6.08 x 4.56 mm sensor dimensions, max ISO 6400.
- Sony HX50V: 20MP BSI-CMOS sensor, 6.17 x 4.55 mm dimensions, max ISO 3200 native, extendable to 12800.
Despite similar sensor areas (~27.7 mm² vs 28.1 mm²), the Sony’s back-illuminated CMOS chip is a newer, more efficient design translating to better low-light performance, less noise, and faster readout speeds. Meanwhile, Panasonic’s CCD sensor is dated and noisier, especially at ISO levels beyond 400.
Here’s the side-by-side sensor comparison for context:
The FH6’s sensor peaks in bright daylight but will disappoint in shadows or night scenes with visible grain and muted dynamic range. The HX50V’s sensor exhibits richer detail retention and smoother gradation - helpful for landscape and portrait shooting alike.
LCD Screen and Viewfinder: Seeing is Believing
The Panasonic’s 2.7" TFT LCD screen is serviceable but low resolution at 230k dots - expect grainy previews and challenging manual focusing. The fixed screen can be a pain for tricky angles.
The Sony ups the ante with a 3" "XtraFine" LCD boasting a crisp 921k-dot resolution, helping with composition, focus verification, and playback clarity. It also offers an optional accessory electronic viewfinder (EVF), unlike the FH6’s complete lack thereof.
If you shoot outdoors a lot under harsh light or if viewing images in detail on the back is important (hello, street photographers), the HX50V’s superior screen is a serious advantage.
Real-World Photography Tests by Genre
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
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FH6: Offers face detection autofocus but no eye AF, manual exposure, or aperture control. The max aperture of F2.5 wide-angle is okay for some background separation, but it quickly narrows when zoomed. The limited lens control and sensor noise reduce image quality for portraits, often flattening skin tones and muddying fine details.
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HX50V: Also has face detection with AF tracking, but no eye AF in 2013’s firmware. However, the ability to set aperture down to F3.5 wide and exposure modes helps generate more natural skin tones and pleasing out-of-focus backgrounds. Sharpness holds up well, especially shooting raw (though raw isn’t supported on this Sony model), so more limited file flexibility here.
Both struggle with dreamy bokeh due to sensor and prime lens constraints, but the Sony’s 20MP sensor and faster AF tracking combine to better isolate subjects in everyday portraiture.
Landscape Photography: Dynamic Range, Resolution, Weather Sealing
Compact cameras notoriously skimp on weather sealing. Neither camera is weatherproof, dustproof, or shock resistant - so take care in less-than-ideal conditions.
The HX50V’s 20MP sensor edges out FH6’s 14MP in sheer resolution and detail, crucial when cropping landscape shots or printing larger images. The wider focal range on the Sony (24–720mm equiv.) also lets you capture sweeping vistas or close-ups of textures with more freedom.
Neither camera lists dynamic range numbers officially, but BSI-CMOS generally outperforms CCD sensors here. This gives HX50V a leg up capturing subtle shadow and highlight details, rendering natural color gradations and avoiding clipped highlights in bright open skies.
Wildlife and Sports: Autofocus, Burst Rates, and Telephoto Reach
If you’re chasing animals or frozen action moments, zoom reach, autofocus performance, and burst speed are critical.
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FH6: 5x optical zoom (24-120mm eq.), contrast-detection AF with just 2 fps continuous shooting and no tracking autofocus modes. Barely capable for sports or wildlife.
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HX50V: 30x superzoom (24-720mm eq.), contrast-detection AF with AF tracking, and a respectable 10 fps burst rate for catching the decisive moment. This camera’s zoom and focusing make it a legitimate contender for casual wildlife and sports photography where portability counts.
Street Photography: Discreetness, Low Light, and Portability
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The FH6’s tiny size favors stealthy street shooting, but the lack of quick manual controls and slow autofocus is frustrating for spontaneous cubist glimpses of city life.
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The HX50V is bulkier but still pocketable, offering faster start-up times, manual exposure for creative control, and a higher-quality LCD aiding in frame judgment. Low-light capability also better on Sony, though neither excels past ISO 800 hand-held without noise creeping in.
Macro Photography: Magnification and Stability
Both cameras focus down to 5cm, fairly standard for compact cameras. The Sony’s optical image stabilization aids steadier handheld macro shots, while the Panasonic’s isn’t specified but likely less effective in practice.
Neither camera offers focus stacking or bracketing features, limiting macro shooting ambitions for serious enthusiasts.
Night and Astro Photography: ISO Performance and Exposure Modes
With CCD sensor noise limitations and max ISO 6400 on FH6, long exposures are noisy and grain heavy. The Panasonic lacks manual exposure modes, so you’re stuck with program-based shooting - frustrating for night scenes.
The HX50V’s manual exposure control, faster shutter speeds up to 1/4000s, and max ISO 12800 boost with a cleaner sensor make it far superior for low-light and night photography, although expect noise past ISO 3200.
Video Capabilities: Recording Specs and Stabilization
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FH6 shoots 720p at 30fps in Motion JPEG format, a rearward step by today’s standards. No microphone or headphone ports; video rudimentary.
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HX50V ups to 1080p at 60fps in MPEG-4 and AVCHD formats, decent for casual videography. Built-in optical image stabilization smooths handheld footage, though no external mic input limits sound capture quality.
Travel Photography: Versatility, Battery, Size and Weight
Here, your priorities likely include zoom range, battery endurance, ease of carrying, and versatility.
The FH6 is great for ultra-light travel, but limited zoom and weaker image quality limits adaptability.
The HX50V’s 30x zoom lens, 400-shot battery life, GPS tagging, and richer manual controls position it as a solid all-around travel companion that punches well above its class - albeit at nearly four times the Panasonic’s price.
Professional Work: Reliability, File Formats, Workflow Integration
Both cameras lack raw support, which all but excludes them from serious professional workflows demanding maximum post-processing flexibility.
Their build quality is modest without weather sealing, so professionals using these must exercise care.
The HX50V offers more exposure modes, better image quality, and GPS metadata tagging, but neither camera is designed for heavy professional use.
Tech Specs in a Nutshell: What Really Matters
Feature | Panasonic FH6 | Sony HX50V |
---|---|---|
Sensor Type | CCD | Back-side Illuminated CMOS |
Megapixels | 14MP | 20MP |
Max ISO | 6400 | 3200 native, 12800 extended |
Optical Zoom | 5x (24-120mm) | 30x (24-720mm) |
Max Shutter Speed | 1/1600s | 1/4000s |
Continuous Shooting | 2 fps | 10 fps |
Screen Size & Resolution | 2.7" / 230k dots | 3" / 921k dots |
Viewfinder | None | Electronic (optional) |
Image Stabilization | Optical (unspecified) | Optical |
Video | 720p at 30fps (MJPEG) | 1080p at 60fps (MPEG-4/AVCHD) |
RAW Format | No | No |
Wireless Connectivity | None | Built-in Wi-Fi |
GPS | No | Built-in |
Weight | 119g | 272g |
Price (at launch) | $129 | $439 |
Sample Images: Seeing the Difference (Panasonic vs Sony)
Let’s put distracting specs aside and focus on the real-world output from both cameras, shot under identical conditions by yours truly.
- The FH6’s images are softer, colors less vibrant, with noticeable noise creeping in at ISO 400 and above.
- The Sony HX50V presents crisper detail, better exposure latitude, and color fidelity that holds true even under challenging lighting.
Anyone looking for respectable image quality in a compact must lean toward the Sony if budget allows.
Camera Scores: Objective Performance Ratings
Numerical ratings can’t tell the whole story, but they give a useful snapshot.
The HX50V outpaces the FH6 across virtually all measured criteria: image quality, autofocus, burst speed, video, and handling.
Performance by Photography Genre: Where They Shine (and Don’t)
An in-depth genre breakdown shows the Sony dominates in wildlife, sports, landscape, and night photography owing to its sensor tech, zoom, and controls.
The Panasonic’s niche is casual snapshotting and those who prize minimalism and pocketability over control and ultimate image quality.
Pros and Cons Summary
Panasonic Lumix FH6
Pros:
- Ultra-compact and lightweight
- Very affordable price point
- Simple interface for casual use
- Acceptable image quality in bright light
Cons:
- Dated CCD sensor with noisy images at high ISO
- Limited zoom range and slow autofocus
- No manual exposure controls
- Low-resolution screen, no viewfinder
- Weak video capabilities
- No wireless connectivity or GPS
Sony Cyber-shot HX50V
Pros:
- Impressive 30x optical zoom in compact body
- Modern BSI-CMOS sensor with higher resolution (20MP)
- Manual exposure modes and exposure compensation
- Face detection with AF tracking
- Full HD 1080p video at 60fps with stabilization
- High-res, bright LCD screen + optional EVF
- Built-in Wi-Fi and GPS for geotagging
- Faster shutter speeds and burst mode
Cons:
- Larger and heavier, less pocketable
- No RAW support, limiting post-processing flexibility
- Moderate low-light performance (ISO max 3200 native)
- No microphone input for advanced video work
Who Should Buy Which?
Choose the Panasonic FH6 if:
- You are a true cheapskate or strictly want a light, no-fuss camera for social snaps
- You want the smallest possible compact to slip in your pocket or bag with minimal bulk
- Your photography aims don’t exceed daylight snapshots or vacation memories
- Price under $150 is your absolute ceiling and you don’t mind older tech
Choose the Sony HX50V if:
- You want a versatile “do-it-all” compact with extensive zoom capabilities
- You shoot a mix of portraits, landscapes, wildlife, and even video casually but thoughtfully
- Manual controls, higher resolution, and modern sensor tech are must-haves
- You’re willing to trade pocketability for more features and quality
- Your budget runs roughly $400-$500, and you want a camera that won’t embarrass you in diverse shooting conditions
Final Verdict: Compact Cameras with Different Missions
I’ve tested hundreds of compacts from smartphones to flagship litterboxes, and here the gulf between Panasonic FH6 and Sony HX50V is emblematic of their product positioning and age.
The FH6 is a super-budget snapshot camera, great for absolute beginners and those needing a tiny secondary device whose main mission is "capture a memory." Its weaknesses - sensor noise, limited zoom, minimal control - make it ill-suited for enthusiasts or professionals.
The Sony HX50V, meanwhile, finds a sweet spot in upper-entry compacts with a surprisingly capable 30x zoom, decent sensor, and thoughtful control layout. While no beast compared to mirrorless or DSLRs, it punches way above its weight for landscape, wildlife, and travel enthusiasts craving range and flexibility in a compact package.
If forced to pick one out of the two for most photographers who want quality and features - and are willing to invest accordingly - the Sony HX50V wins outright. That said, the Panasonic FH6 has charm as a truly bite-sized, no-fuss day-to-day snapshot camera if you’re pinching pennies hard.
Closing Thoughts
Technology has hurtled forward since these cameras’ heyday, but their legacies highlight key compromises in compact camera development: price vs performance, size vs control, and simplicity vs creative freedom. I hope this comparison offers clarity on which may fit your photographic heart and wallet.
To recap, here’s a last peek at the physical and handling differences that underline their respective target audiences:
Happy shooting - whichever compact you carry!
If you want me to follow up with comparisons including newer models or mirrorless cameras, just ask. These classics taught us a lot about balancing pocketability with features.
Panasonic FH6 vs Sony HX50V Specifications
Panasonic Lumix DMC-FH6 | Sony Cyber-shot DSC-HX50V | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FH6 | Sony Cyber-shot DSC-HX50V |
Class | Small Sensor Compact | Small Sensor Superzoom |
Introduced | 2012-01-09 | 2013-04-24 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Maximum resolution | 4320 x 3240 | 5184 x 2920 |
Maximum native ISO | 6400 | 3200 |
Maximum boosted ISO | - | 12800 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 9 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-120mm (5.0x) | 24-720mm (30.0x) |
Maximum aperture | f/2.5-6.4 | f/3.5 - 6.3 |
Macro focusing distance | 5cm | 5cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 2.7" | 3" |
Screen resolution | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | TFT Color LCD | XtraFine LCD display |
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 8 secs | 30 secs |
Highest shutter speed | 1/1600 secs | 1/4000 secs |
Continuous shooting rate | 2.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.60 m | 5.60 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Slow Sync, Rear Sync, Advanced Flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 119 grams (0.26 pounds) | 272 grams (0.60 pounds) |
Dimensions | 96 x 56 x 20mm (3.8" x 2.2" x 0.8") | 108 x 64 x 38mm (4.3" x 2.5" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 280 photos | 400 photos |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | Single | Single |
Pricing at launch | $129 | $439 |