Panasonic FH6 vs Sony RX10 III
96 Imaging
37 Features
29 Overall
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53 Imaging
52 Features
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Panasonic FH6 vs Sony RX10 III Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 119g - 96 x 56 x 20mm
- Revealed January 2012
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-600mm (F2.4-4.0) lens
- 1051g - 133 x 94 x 127mm
- Released March 2016
- Earlier Model is Sony RX10 II
- Refreshed by Sony RX10 IV

Panasonic FH6 vs Sony RX10 III: A Hands-On Comparison for Serious Photographers and Enthusiasts
Choosing the right camera means more than just weighing specs on paper; it’s about matching your photographic ambition with a tool that empowers creativity with reliability, image quality, and ergonomic comfort. Today, we’ll compare two very different bridge cameras from Panasonic and Sony - the Panasonic Lumix DMC-FH6, an entry-level compact from 2012, and the Sony Cyber-shot DSC-RX10 III, a high-end superzoom bridge released in 2016. Both are fixed-lens cameras with zoom versatility, but they serve very different users.
Our detailed, hands-on comparison will walk you through their sensor technology, ergonomics, autofocus, video capabilities, and more - all based on extensive field testing and bench measurement experience. Whether you’re a casual traveler seeking an affordable pocket camera or a professional looking for ultimate versatility without switching lenses, we will help you find the best match. We will also examine how each camera performs across key photography styles - from portraits to landscapes, wildlife to street, and macro to video.
Let’s start by visually sizing each camera and exploring their physical designs.
Compact vs Bridge: Size and Handling Face-Off
When choosing a camera, your grip and size preference matter. The Panasonic FH6 is a small sensor compact designed for portability, while the Sony RX10 III is a much larger and more robust bridge-style camera built to deliver DSLR-like control with a hefty zoom lens.
- Panasonic FH6 measures a petite 96x56x20mm and weighs just 119g - easy to slip in any pocket or small bag.
- Sony RX10 III is significantly larger at 133x94x127mm and weighs 1051g - closer to an enthusiast DSLR in bulk and presence.
The FH6’s compactness means it suits casual walk-around shooting, street photography, or travel where minimal weight is critical. However, its small size also limits physical controls and grip comfort during prolonged shoots.
The RX10 III’s SLR-like body offers a pronounced hand grip, extensive physical buttons, and a more confident shooting stance. Its heft translates into better balance when using its large fixed 24-600mm equivalent lens (full-frame equivalent) - important for telephoto stability.
Let’s take a closer look at their top control layouts, which influence speed and ease of operation.
Layout and Ergonomics: Control Placement and Usability
Top controls are crucial for photographers who rely on quick adjustments in shutter speed, aperture, or ISO. Here’s a side-by-side look:
- Panasonic FH6 offers minimal physical controls - basically a mode dial and shutter button with no manual exposure modes or dedicated dials for aperture or shutter priority. It’s designed for simplicity, targeting beginners.
- Sony RX10 III features a more sophisticated layout with dedicated dials for aperture and shutter speed, a mode dial with full manual modes, and customizable buttons. This reflects its professional ambitions.
Handling the RX10 III feels far more tactile and intuitive when you want direct exposure control, while the FH6 nudges you toward automatic shooting and post-capture tweaks.
The FH6’s batteries and memory cards install in a tiny compartment, whereas the RX10 III’s setup is more reminiscent of DSLRs with a robust battery pack offering longer life.
Next, image quality is a fundamental consideration, so let’s analyze sensor size and performance.
Sensor Technology and Image Quality: Why Size and Type Matter
Sensor size and type largely dictate resolution, dynamic range, low-light performance, and depth of field control. Panasonic’s FH6 employs a 1/2.3” CCD sensor, while Sony’s RX10 III uses a larger 1-inch BSI-CMOS sensor.
Feature | Panasonic FH6 | Sony RX10 III |
---|---|---|
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | 1" (13.2 x 8.8 mm) |
Sensor Type | CCD | BSI-CMOS |
Megapixels | 14 MP | 20 MP |
Maximum ISO | 6400 (max native) | 12800 (native), Boost to 25600 |
Dynamic Range (DxOMark) | Not tested | 12.6 stops |
Color Depth (DxOMark) | Not tested | 23.1-bit |
From experience, smaller CCD sensors like that in the FH6 tend to produce images with less dynamic range and are more prone to noise at higher ISOs. The RX10 III’s 1-inch BSI-CMOS offers a healthy boost in image quality with better color reproduction, improved low-light performance, and deeper highlight and shadow detail.
In practical use, the RX10 III captures noticeably cleaner images when shooting indoors or in dim light, thanks to that sensor and a bright aperture range of f/2.4-4.0.
The FH6’s fixed zoom lens, while versatile at 24-120mm equivalent, limits creative control with an aperture sliding from f/2.5 to f/6.4, which impacts background separation for portraits.
Next up - viewing and composing your images on the back of the camera.
Composing Your Shots: LCD Screen and Viewfinder Quality
Good viewfinders and screen tech influence framing precision and ease of use, especially in bright conditions or fast-moving situations.
- The FH6 features a 2.7-inch fixed TFT LCD with low 230k-dot resolution - quite modest by today’s standards. No touch input, no viewfinder, so composing under bright sun can be challenging.
- In contrast, the RX10 III sports a 3-inch tilting LCD with 1,229k-dot resolution for crisp playback and composing at unusual angles. It also includes a high-res electronic viewfinder (EVF) with 2,359k-dot resolution and 100% coverage.
Our hands-on field shoots confirmed the RX10 III’s EVF is a standout for bright light and action photography, allowing confident focus verification and exposure checks. The FH6’s lack of EVF limits it primarily to casual shooting or moments where you can shield the screen.
From street shooting to wildlife tracking, the RX10 III’s screen and viewfinder combo serve as vital visual tools.
Let’s explore autofocus and shooting speeds next - directly impacting your ability to capture fleeting moments.
Autofocus and Shooting Performance: Speed, Accuracy, and Tracking
Autofocus is one of the most important differentiators, especially for moving subjects in wildlife, sports, and street photography.
Autofocus Capability | Panasonic FH6 | Sony RX10 III |
---|---|---|
Focus Type | Contrast detection | Contrast detection |
Focus Points | 9 | 25 |
Face Detection | Yes | Yes |
Continuous AF | No | Yes |
AF Tracking | No | Yes |
Manual Focus | No | Yes |
The FH6 has a basic 9-point contrast-detection AF system with center-weighted focusing. It can do face detection but offers no continuous autofocus, tracking, or manual focus control. This limits its suitability for action or wildlife photography where subjects move unpredictably.
The RX10 III uses a more advanced contrast-detection system with 25 focus points supplemented by sophisticated tracking algorithms. While it lacks phase detection AF, the RX10 III’s speed and tracking are impressively reliable in the field for birds, sports, and fast street scenes.
Continuous burst shooting speed also differs widely:
- FH6 tops out at 2 shots per second (fps), good for casual shutterbugging.
- RX10 III shoots at up to 14 fps, allowing you to chase fast action or capture fleeting expressions with confidence.
This difference alone can sway your purchase if you prioritize responsiveness for professional or enthusiast-level shooting.
Versatile Zoom Lenses: Reach and Aperture Across the Range
Both cameras feature fixed zoom lenses but with distinct focal lengths and apertures:
Feature | Panasonic FH6 | Sony RX10 III |
---|---|---|
Focal Length | 24-120mm equiv. (~5x zoom) | 24-600mm equiv. (~25x zoom) |
Maximum Aperture | f/2.5 – f/6.4 | f/2.4 – f/4.0 |
Macro Focus Range | 5 cm | 3 cm |
Optical Image Stabilization | Yes | Yes |
The Panasonic FH6 offers moderate zoom range ideal for basic snapshots and casual portraits, landscapes, and travel scenes. But its smaller zoom range and slower aperture at longer focal lengths limit creative control and low light use.
Sony’s RX10 III shines here with an impressively long 25x zoom reaching 600mm equivalents. This accommodates distant wildlife, sports, and nature shooters without lens swapping. Its relatively bright aperture up to f/4 keeps images sharp and bokeh appealing throughout much of the zoom range.
Both cameras feature optical image stabilization, but the RX10 III's system is optimized for longer focal lengths and smoother video capture.
Exploring Real-World Photography Genres
Let’s review how these cameras perform across major photography disciplines to help you visualize their strengths and limitations.
Portraits: Skin Tones, Bokeh, and Eye Detection
- FH6 handles portraits passably with its f/2.5 wide aperture but produces limited background blur due to small sensor size and slower aperture at tele ranges. Built-in face detection helps but no continuous eye autofocus is available.
- RX10 III creates attractive portraits with natural skin tones and creamy bokeh, thanks to a larger sensor and faster lens. Eye detection autofocus (though no animal eye AF) makes headshots sharper and more engaging.
Landscapes: Dynamic Range and Resolution
- RX10 III is clearly the better landscape tool with higher 20 MP resolution and excellent dynamic range for capturing both shadows and highlights in complex outdoor scenes.
- FH6 produces lower resolution and compressed dynamic range, reducing detail in skies and shadows.
Wildlife and Sports: Autofocus and Burst Rate
- RX10 III excels here with a 600mm zoom, fast 14 fps burst, and AF tracking, letting you freeze action effectively.
- FH6 cannot keep up with fast-moving subjects or long-range shooting.
Street Photography: Discretion and Portability
- FH6’s tiny size and quiet operation make it discreet for street photography but limited in dynamic or low light conditions due to sensor and lens constraints.
- RX10 III’s bulk makes it less stealthy but its quick autofocus and excellent low light abilities offset this for urban photojournalism.
Macro: Magnification and Focus Precision
- Both offer close focusing, but the RX10 III’s 3 cm macro range combined with its large sensor lets you capture fine detail and creamy backgrounds more artistically.
Night and Astro Photography: High ISO Performance
- The RX10 III’s BSI-CMOS sensor offers cleaner high ISO images up to 12800 ISO native, suitable for low light and some astrophotography.
- The FH6 struggles past 800 ISO, with noisy results making long-exposure night scenes challenging.
Video Capabilities: Resolution and Audio Inputs
Feature | Panasonic FH6 | Sony RX10 III |
---|---|---|
Max Video Resolution | 1280x720 (HD) at 30fps | 3840x2160 (4K UHD) at 30fps |
Video Format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone Input | No | Yes |
Headphone Output | No | Yes |
Stabilization | Optical | Optical |
The RX10 III firmly leads in video production with native 4K UHD capture, advanced codecs, microphone and headphone jacks, and superior stabilization. The FH6’s basic HD video and lack of external audio inputs constrain its use to casual videography.
Build Quality and Durability
- The FH6 features a plastic compact body without environmental sealing - adequate for everyday use but fragile for harsh conditions.
- The RX10 III is robust, with weather-sealing against dust and light moisture, helping professionals maintain shoot continuity outdoors.
Connectivity, Storage, and Battery
Feature | Panasonic FH6 | Sony RX10 III |
---|---|---|
Wireless Connectivity | None | Built-in Wi-Fi and NFC |
Storage Type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo |
Battery Life (CIPA) | 280 shots | 420 shots |
Wireless connectivity in the RX10 III allows easy image transfer and remote control via smartphones - major workflow advantages. The FH6’s absence of any wireless option means you must use USB for file import.
Battery life favors the RX10 III marginally, supporting longer shooting days without change.
Summary of Our Evaluation: Overall and Genre Scores
Here’s a synthesized overview based on testing in key categories:
- Panasonic FH6 scores well as an ultra-affordable, pocketable compact for beginners and casual users prioritizing simplicity and travel ease.
- Sony RX10 III rates highly as a purpose-built all-in-one superzoom bridge camera for advanced enthusiasts and professionals needing versatile optics, superior image quality, and solid video features.
Final Recommendations: Which One Should You Choose?
To help you decide, here are our tailored recommendations for different photographers.
Choose the Panasonic Lumix DMC-FH6 If:
- You’re a casual user or beginner seeking a very affordable point-and-shoot.
- You want a tiny, lightweight camera for travel or street snapshots.
- Your photography is mostly daylight or well-lit scenes with minimal manual controls.
- Video needs are basic and convenience trumps quality.
- You want a simple camera to get started quickly.
Choose the Sony Cyber-shot DSC-RX10 III If:
- You’re a serious enthusiast or professional desiring a flagship all-in-one zoom for diverse shooting.
- You photograph wildlife, sports, or fast action needing quick autofocus and long reach.
- You require excellent image quality, dynamic range, and high-resolution files.
- Video creation is important, with 4K recording and external audio support.
- You need durability and weather sealing for outdoor shoots.
This comparison aims to help you confidently narrow down your choice based on real-world usability and photography goals. If your budget and carrying capacity allow, the Sony RX10 III delivers markedly better performance and flexibility, justifying its significantly higher price point.
Bringing It All Together With Sample Images
To illustrate the image quality differences, here’s a gallery of representative shots from both cameras covering portraits, landscapes, and wildlife. Notice the RX10 III's superior detail, color accuracy, and low-noise performance.
Feel free to check out sample RAW files and reviews online or visit a store to handle both cameras yourself. Hands-on experience remains the best learning tool.
Accessories and Lens Ecosystem
Both cameras have fixed lenses, so accessory choices become your next step:
- For the FH6, consider compact cases, extra batteries, and SD cards - basics for casual use.
- The RX10 III supports external flashes, microphone accessories, and remote triggers. Investing in quality ND filters can extend its video and landscape shooting possibilities.
Closing Thoughts: Your Creative Journey Starts Here
Choosing a camera is the first step on an exciting creative path. Whether you’re capturing candid street scenes with the lightweight Panasonic FH6 or pursuing wildlife at a distance with the Sony RX10 III’s superzoom, each tool opens distinctive doors.
Explore, experiment, and let your photography flourish with gear aligned to your passion and technique. Visit local retailers to test handling, and consider your workflow needs carefully. With informed decisions, your next camera can be both a joy to use and a steadfast partner on your artistic journey.
Happy shooting!
Panasonic FH6 vs Sony RX10 III Specifications
Panasonic Lumix DMC-FH6 | Sony Cyber-shot DSC-RX10 III | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FH6 | Sony Cyber-shot DSC-RX10 III |
Class | Small Sensor Compact | Large Sensor Superzoom |
Revealed | 2012-01-09 | 2016-03-29 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor surface area | 27.7mm² | 116.2mm² |
Sensor resolution | 14MP | 20MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4320 x 3240 | 5472 x 3648 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 25600 |
Lowest native ISO | 100 | 125 |
RAW support | ||
Lowest boosted ISO | - | 64 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 9 | 25 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-120mm (5.0x) | 24-600mm (25.0x) |
Largest aperture | f/2.5-6.4 | f/2.4-4.0 |
Macro focusing distance | 5cm | 3cm |
Focal length multiplier | 5.9 | 2.7 |
Screen | ||
Range of screen | Fixed Type | Tilting |
Screen diagonal | 2.7 inch | 3 inch |
Resolution of screen | 230 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 8 seconds | 30 seconds |
Maximum shutter speed | 1/1600 seconds | 1/2000 seconds |
Maximum silent shutter speed | - | 1/32000 seconds |
Continuous shooting speed | 2.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.60 m | 10.80 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 119 gr (0.26 pounds) | 1051 gr (2.32 pounds) |
Physical dimensions | 96 x 56 x 20mm (3.8" x 2.2" x 0.8") | 133 x 94 x 127mm (5.2" x 3.7" x 5.0") |
DXO scores | ||
DXO All around rating | not tested | 70 |
DXO Color Depth rating | not tested | 23.1 |
DXO Dynamic range rating | not tested | 12.6 |
DXO Low light rating | not tested | 472 |
Other | ||
Battery life | 280 photographs | 420 photographs |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, continuous) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Price at launch | $129 | $1,398 |