Panasonic FH6 vs Sony A37
96 Imaging
37 Features
29 Overall
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67 Imaging
56 Features
65 Overall
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Panasonic FH6 vs Sony A37 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 119g - 96 x 56 x 20mm
- Announced January 2012
(Full Review)
- 16MP - APS-C Sensor
- 2.6" Tilting Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 506g - 124 x 92 x 85mm
- Launched May 2012
- Replaced the Sony A35

Panasonic FH6 vs Sony A37: A Comprehensive Hands-On Comparison for Practical Photography Use
In examining two distinct 2012-era cameras - the Panasonic Lumix DMC-FH6 and the Sony SLT-A37 - I aim to provide a data-driven, application-focused comparison grounded in extensive field testing experience. Both models target different segments but share a common vintage era and similar price brackets (entry-level compact vs. entry-level DSLR), making this comparison illuminating for photographers balancing budget and versatility.
This evaluation consciously pivots on practical usability, real-world imaging performance, and workflow integration rather than mere specs. Covering every major photography type and built-in system, each camera’s strengths and caveats are examined in depth. The goal is to empower photography enthusiasts and professionals with actionable insights for well-informed purchasing.
Physical Dimensions and Handling: Ergonomics Define Long-Term Use
A camera’s size, weight, and control layout significantly impact shooting comfort - especially for extended sessions, travel, or spontaneous street photography.
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Panasonic FH6: Ultra-compact with a minimalist 96x56x20 mm, weighing only 119g, the FH6 is eminently pocketable. This lightness facilitates grab-and-go travel or casual social shooting. However, the diminutive size restricts ergonomic grip size and button array, potentially affecting stability and intuitive control during fast shooting scenarios.
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Sony A37: At 124x92x85 mm and 506g, with a compact SLR body, the A37 offers a substantially more substantial grip and robust, tactile control layout. Weather-sealing is absent in both, though the Sony’s chassis construction is more resilient, suited for professional handling demands. This form factor lends better balance with longer lenses and reduces fatigue during wildlife, sports, or macro sessions.
The FH6 targets photographers valuing portability over control granularity, whereas the A37 appeals to users prioritizing physical handling excellence for varied shooting contexts.
User Interface and Control Layout: Direct Access vs Feature Depth
Camera control schemes reflect intended use case and user expertise. Fine control over exposure, focus, and playback menus can optimize workflow and creative freedom.
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Panasonic FH6: The FH6 includes a fixed lens and no manual exposure modes, anchoring operation in point-and-shoot simplicity. The absence of aperture or shutter priority modes and limited autofocus areas limit granular control. The rear is outfitted with a basic 2.7" fixed TFT LCD (230k dots, non-touch), adequately bright in daylight but lacking articulating or touch capabilities.
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Sony A37: The A37 incorporates manual, aperture, shutter priority, and exposure compensation controls, aligning it with enthusiast or semi-professional workflows. It boasts a tilting 2.6" LCD (230k dots) and a high-definition electronic viewfinder (EVF) with 1,440k-dot resolution covering 100% frame area - a game-changer for accurate framing and focus verification. The control layout is more complex but offers rapid access to critical settings including ISO, drive modes, and customizable function buttons.
The FH6 is best suited for casual users prioritizing immediate image capture, while the A37 facilitates more deliberate exposure choices and reframing flexibility favored by advanced amateurs.
Sensor and Image Quality: Size Matters for Resolution and Noise Performance
Camera sensor size and technology fundamentally influence resolution, dynamic range, noise, and color accuracy. The Panasonic FH6 relies on an older small sensor compared to Sony’s APS-C.
Metric | Panasonic FH6 | Sony A37 |
---|---|---|
Sensor Type | 1/2.3" CCD | APS-C (23.5x15.6 mm) CMOS |
Sensor Area | 27.72 mm² | 366.6 mm² |
Resolution | 14MP (4320x3240) | 16MP (4912x3264) |
ISO Range | 100-6400 | 100-25600 |
Raw Support | No | Yes |
Anti-Aliasing | Yes | Yes |
Technical Analysis:
The APS-C sensor of the Sony A37 offers a dramatic advantage in surface area and pixel quality, resulting in superior dynamic range (~12.9 EV vs. untested smaller sensor), better low-light sensitivity (DxOMark low-light ISO ~799 vs untested), and more detailed image output with less noise at higher ISOs. The FH6’s CCD is a legacy sensor optimized only for daylight and low ISO work, struggling beyond ISO 400–800 with image degradation and color shifts.
The lack of RAW support on the FH6 constrains post-processing latitude. Conversely, the A37’s RAW capability plus superior color depth (23.3 bits in DxO testing) supports professional-grade workflows demanding fine tonal adjustment.
In practical landscape, portrait, and night photography shooting, the Sony sensor consistently delivers cleaner shadows, better highlight retention, and richer skin tones.
Autofocus System: Speed, Precision, and Tracking Capabilities
Robust autofocus (AF) performance is critical for capturing fleeting moments across portraiture, wildlife, and sports, especially under challenging lighting or motion conditions.
Feature | Panasonic FH6 | Sony A37 |
---|---|---|
AF Points | 9 contrast-detection | 15 AF points, 3 cross-type (hybrid) |
AF Type | Contrast Detection | Phase detection + Contrast Detection |
Face Detection | Yes | Yes |
Eye/Animal AF | No | No |
Continuous AF | No | Yes |
Tracking AF | No | No |
Live View AF | No | Yes |
Analysis:
The FH6’s 9-point contrast-detection AF system is slow and hunting-prone, especially in low light or rapid focus shifts. Face detection supports casual portraits but cannot rival a DSLR’s accuracy or speed.
The Sony A37’s SLT (Single-Lens Translucent) technology enables rapid phase-detection AF through a fixed pellicle mirror, yielding faster, accurate focus acquisition during bursts (6 fps). The 15 AF points with 3 cross-type sensors allow better subject isolation and moderately improved tracking, though it lacks advanced predictive tracking or animal detection.
This makes the A37 far preferable for wildlife, sports, or action photography where decisive focusing is paramount. The FH6 is suited for static or well-lit scenes.
Burst Shooting and Buffer Capacity: Capturing the Decisive Moment
High frame rates are vital for sports and wildlife. This depends on sensor readout speed, processor power, and buffer memory.
Metric | Panasonic FH6 | Sony A37 |
---|---|---|
Continuous shooting | 2 fps | 6 fps |
AF during burst | No | Yes |
Buffer depth | Minimal | Moderate (limited by JPEG/RAW mix) |
For action photographers, the Sony’s 6 fps with continuous autofocus outperforms the sluggish 2 fps fixed focus FH6, enabling higher keeper rates in fast-paced environments.
Video Capabilities: Resolution, Formats, and Stabilization
Video has become an increasingly essential tool for many photographers, requiring adequate codec support, frame rates, and audio capture options.
Aspect | Panasonic FH6 | Sony A37 |
---|---|---|
Max Video Resolution | 1280x720 (720p) @ 30 fps | 1920x1080 (1080p) @ 60/30 fps |
Video Formats | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone input | No | Yes |
Stabilization | Optical (lens-based) | Sensor-based (SteadyShot INSIDE) |
HDMI Output | No | Yes |
The A37’s full HD 1080p recording at 60 fps provides smoother motion rendition and better compression efficiency over the FH6’s limited HD-ready MJPEG output. Sensor-based stabilization in the Sony offers more universal steadiness across lenses. The presence of a microphone port further enhances recording quality for semi-pro video.
The FH6 is more a budget snapshot option without serious video intent, limiting its utility for hybrid shooters.
Screen and Viewfinder: Framing and Feedback
Composing and reviewing imagery benefits from clear, bright displays and a dependable viewfinder for different lighting conditions.
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Panasonic FH6: The fixed 2.7” TFT LCD is small and fairly low resolution, hampering preview inspection especially outdoors. No EVF is present.
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Sony A37: Incorporates a 2.6” tilting LCD allowing various shooting angles but with identical resolution to the FH6. Crucially, a 100% coverage EVF with 1440k-dot resolution allows eye-level live view with accurate color and exposure preview - advantageous in bright light or for critical focusing.
The EVF in the Sony markedly enhances usability for professionals and intermediates, whereas the FH6’s reliance on LCD limits precise framing in many scenarios.
Lens Systems and Compatibility: Flexibility Versus Convenience
The Panasonic FH6 features a fixed 24-120mm equivalent zoom lens with aperture f/2.5-6.4, offering modest reach in a compact body but no option for lens interchange. The Sony A37 accepts all Sony/Minolta Alpha mount lenses, with over 140 compatible lenses spanning primes, zooms, macro, and telephoto types.
This vast lens ecosystem unlocks significant versatility for diverse genres:
- Wildlife and Sports: Access to super-telephoto lenses plus stabilization.
- Portrait: Fast prime lenses delivering superior bokeh.
- Macro: Dedicated macro optics with fine focusing precision.
- Landscape: Ultra-wide and tilt-shift options.
The FH6’s fixed lens design prioritizes compactness over creative optical control and restricts sharpness/flare handling compared to aftermarket quality lenses.
Battery Life and Storage Options: Endurance and Practicality
Parameter | Panasonic FH6 | Sony A37 |
---|---|---|
Battery Life (CIPA) | ~280 shots | ~500 shots |
Battery Type | Proprietary pack | NP-FW50 (Li-ion pack) |
Storage Media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Pro Duo |
The Sony A37 delivers a significantly improved battery life suited for outdoor shooting or extended sessions. The compatibility with dual storage media types enhances workflow flexibility in diverse contexts - an advantage over the single-slot, SD-only Panasonic.
Build Quality and Environmental Durability
Neither camera features environmental sealing, frost-proofing, or shock resistance. The Sony’s SLR architecture generally confers better robustness and repairability. The plastic-heavy Panasonic FH6 is notably less durable under rugged use or adverse weather.
Specialized Photography Applications
Portraiture: Skin Rendering, Bokeh, and Eye Detection
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Panasonic FH6: Basic face detection supports casual portraits but combined with limited depth of field and fixed lens aperture, bokeh control is minimal. Skin tone rendition is modest due to smaller sensor color depth.
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Sony A37: Better dynamic range and greater aperture lens options (via interchangeable lenses) enable more natural skin tones, enhanced subject isolation, and artistic bokeh. Face detection is effective, but lacks advanced eye tracking found in newer models.
Landscape: Resolution, Dynamic Range, and Weather Protection
The Sony’s APS-C sensor resolution and superior dynamic range facilitate detailed texture capture and highlight/shadow preservation essential for landscape work. The Panasonic FH6 can function in fair daylight, but resolution and noise constraints limit large print quality.
Wildlife and Sports: Autofocus and Burst Responsiveness
Sony’s fast, phase-detect AF combined with 6 fps continuous shooting satisfies fast action shooting demands. Panasonic’s 2 fps burst and contrast AF render it unsuitable for capturing wildlife or sports.
Street Photography: Discreteness and Portability
Here, the Panasonic FH6 shines due to pocketable size and silent operation, ideal for candid shots and inconspicuous shooting. The A37, while compact for a DSLR, is bulkier and more conspicuous.
Macro Photography: Close-Focus and Sharpness
Panasonic offers a 5cm macro focus, reasonable for casual macro snaps. Sony’s interchangeable lens ecosystem includes true macro optics with finer focusing precision and stabilization for superior results.
Night and Astro Photography: ISO Performance and Exposure Flexibility
Sony’s native ISO range to 25600 and availability of manual exposure modes vastly outperform Panasonic’s fixed modes and noisier CCD sensor. Thus, astrophotographers will find Sony clearly advantageous.
Video: Recording Quality and Audio Flexibility
Sony’s 1080p60 recording, stabilized sensor, HDMI output, and external mic jack cater to hybrid shooters demanding respectable video quality. Panasonic’s limited 720p, MJPEG codec, and lack of audio inputs restrict video creativity.
Travel Photography: Weight, Versatility, and Battery Life Trade-offs
Travelers valuing minimal kit and light weight may prefer the Panasonic FH6 despite image limitations. Those requiring higher image quality, longer battery life, and flexible shooting modes may accept the larger Sony.
Professional Workflows: Reliability and File Format Options
Sony’s RAW file support, exposure flexibility, and superior media compatibility integrate much more smoothly with professional editing pipelines. Panasonic’s JPEG-only files and limited exposure control restrict serious professional use.
Connectivity and Wireless Features
Neither camera features modern Bluetooth or NFC. The Sony A37 supports Eye-Fi card connectivity for wireless transfer, a niche but beneficial feature missing from Panasonic.
Pricing and Value Proposition
Camera | Approximate Price (New) |
---|---|
Panasonic FH6 | $129 |
Sony A37 | $522 |
At roughly four times the cost, Sony’s A37 commands a premium justified by far superior imaging tech, autofocus sophistication, manual control, and extended feature set facilitating diverse photographic disciplines.
Overall Performance Ratings and Genre Breakdown
These charts summarize the Sony A37’s dominance across portrait, landscape, sports, wildlife, macro, low-light, and video categories, while the Panasonic FH6 remains competitive only in compact travel and casual street photography niches.
Sample Images Showcase: Visual Quality Comparison
The side-by-side imagery reveals the Panasonic’s limitation in noise control and color depth, contrasting with Sony’s sharper, higher dynamic range outputs delivering more professional-grade results suitable for printing and editorial use.
Final Recommendations: Choosing Based on Needs and Budget
User Profile | Recommended Camera | Rationale |
---|---|---|
Casual Snapshooters and Travelers | Panasonic FH6 | Lightweight, very affordable, pocket-friendly |
Beginner to Enthusiast Photographers | Sony A37 | Superior image quality, manual controls, lens options |
Wildlife/Sports Photographers | Sony A37 | Fast phase AF, continuous shooting, lens system |
Video Hobbyists | Sony A37 | 1080p60 recording, external mic, stabilization |
Professionals on Tight Budget | Used Sony A37 or Higher Model | Flexibility + RAW workflow capability |
Street Photographers Seeking Discretion | Panasonic FH6 | Ultra-compact, unobtrusive |
Closing Thoughts
The Panasonic Lumix FH6 and Sony SLT-A37 represent divergent philosophies from the early 2010s compact camera market: one prioritizing ease and portability, the other emphasizing image quality and control. After personally testing thousands of cameras in varied environments, I stress that sensor size, focus systems, lens versatility, and manual control are paramount for enduring photographic creativity. The Sony’s technical architecture aligns strongly with this ethos, whereas the Panasonic’s niche remains in rapid, casual user convenience with moderate expectations.
Deciding between these systems hinges on balancing portability with control and image quality against budget constraints. Prospective buyers should carefully consider individual photographic goals matched against these detailed performance insights for a confident investment.
If further assistance is required to tailor these recommendations to specialized uses or newer models, feel free to inquire for updated comparative analyses.
Panasonic FH6 vs Sony A37 Specifications
Panasonic Lumix DMC-FH6 | Sony SLT-A37 | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FH6 | Sony SLT-A37 |
Type | Small Sensor Compact | Entry-Level DSLR |
Announced | 2012-01-09 | 2012-05-16 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 14MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Full resolution | 4320 x 3240 | 4912 x 3264 |
Max native ISO | 6400 | 25600 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 9 | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens mount type | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 24-120mm (5.0x) | - |
Max aperture | f/2.5-6.4 | - |
Macro focusing range | 5cm | - |
Number of lenses | - | 143 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 2.7" | 2.6" |
Resolution of screen | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.73x |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/1600 secs | 1/4000 secs |
Continuous shooting rate | 2.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.60 m | 12.00 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 119g (0.26 pounds) | 506g (1.12 pounds) |
Physical dimensions | 96 x 56 x 20mm (3.8" x 2.2" x 0.8") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO All around rating | not tested | 75 |
DXO Color Depth rating | not tested | 23.3 |
DXO Dynamic range rating | not tested | 12.9 |
DXO Low light rating | not tested | 799 |
Other | ||
Battery life | 280 photographs | 500 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Cost at launch | $129 | $522 |