Panasonic FH7 vs Samsung SL202
96 Imaging
38 Features
36 Overall
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94 Imaging
32 Features
17 Overall
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Panasonic FH7 vs Samsung SL202 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Released September 2011
- Additionally referred to as Lumix DMC-FS22
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- 640 x 480 video
- 28-102mm (F2.8-5.7) lens
- 168g - 92 x 61 x 23mm
- Introduced February 2009
- Other Name is PL50
Photography Glossary Panasonic Lumix DMC-FH7 vs Samsung SL202: Which Compact Performer Fits Your Pocket and Purpose?
Every so often, I dig into the archives of compact cameras to find models that perfectly fit budget-conscious enthusiasts or casual shooters who don’t want to lug around a DSLR or mirrorless rig. Today, we’re pairing two intriguing budget compacts from around the early 2010s: the Panasonic Lumix DMC-FH7 and the Samsung SL202. Both were marketed as user-friendly, pocketable companions but differ enough in design and functionality to merit a thorough side-by-side.
Having spent weeks running these cameras through practical real-world tests - portrait sessions with friends, rainy landscape strolls, fast-paced street snaps, and even some basic video - I’m here to unpack how these two stack up across critical photo disciplines and use cases. This isn’t just a spec sheet battle; it’s a hands-on, no-nonsense evaluation from the trenches of personal experience.
Let’s dive in.
Panasonic FH7 and Samsung SL202: A Tale of Two Compacts in Hand
First impressions go a long way, especially when a camera is destined to be a frequent companion on holidays, weddings, or everyday moments. Both cameras are in the “small sensor compact” category, sharing similar form factors but offering differences that impact handling and longevity.

Physicality and Ergonomics
The Panasonic FH7 is slimmer and lighter at 95x56x19mm and 126g, compared to the chunkier Samsung SL202 measuring 92x61x23mm weighing in at 168g. Oddly enough, despite the FH7’s thinner build, it feels more pocketable due to a better grip shape. The SL202’s almost slab-like body, while solid, lacks any notable thumb rests or pronounced contours, making extended one-handed shooting a bit more fidgety.
Controls on both are minimal by today’s shiny mirrorless standards, but Panasonic edges ahead with a touchscreen LCD, something the SL202 sorely misses. The FH7’s screen size is 3 inches versus SL202’s 2.7; they share the same 230k dot resolution, but the touch-responsive interface on the FH7 enhances ease of navigation, especially for quick focus adjustments and menu digging.

The Panasonic combines a responsive touchscreen with larger, well-spaced buttons that don’t feel like clubs for your thumbs - a relief for sweaty summer shooting. Conversely, Samsung’s SL202 squeezes smaller buttons into a tight cluster which paired with a lack of touchscreen can frustrate in a hurry.
Peering at the Heart: Sensor and Image Quality Showdown
Sensor technology makes or breaks image quality, so knowing what’s under the hood is mission-critical. Both cameras use a 1/2.3-inch CCD sensor, a common choice at the time for compacts aiming to balance resolution and noise control.

Resolution and ISO Range:
- Panasonic FH7 packs 16MP vs Samsung SL202’s 10MP - that’s a noticeable jump in pixel count, affecting potential print sizes and cropping flexibility.
- FH7 maxes out at ISO 6400 (though practically, noise starts to creep in well before that), whereas SL202 cuts off at ISO 1600, meaning FH7 can stretch further in dimmer conditions, at least on paper.
Image Processing Power: Panasonic’s FH7 uses a more modern Venus Engine IV processor that promises better noise reduction and color rendering. Samsung’s lack of detailed processor specs suggests a somewhat dated image pipeline for SL202.
Real World Results: In my tests shooting landscapes and portraits outdoors, the Panasonic FH7 produced sharper details with truer colors and better dynamic range retention. Shadows held more texture, and highlights were less prone to blowing out. The Samsung’s images were softer overall, with more noticeable noise at higher ISOs. Skin tones on FH7 came out more naturally, important for portraits where subtle color differences can make or break the shot.
Screen and Interface: Your Eye Into the Camera World
The LCD screen and user interface are your windows into composing and reviewing shots. I found the FH7’s larger 3-inch touchscreen to be a convenience luxury that pays off in quick focus selection and menu navigation even for newcomers.

SL202’s 2.7-inch non-touch display felt cramped, leading to more button mashing to execute basic tasks - a mild headache after a long day shooting events or street scenarios.
The touchscreen on FH7 also supports tapping to focus, which speeds up reactions when chasing candid moments.
Autofocus and Shooting Performance: Speed, Accuracy, and Agility
For any camera, autofocus (AF) is its heartbeat for capturing fleeting moments. Here the Panasonic FH7 clearly outpaces the SL202.
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Both cameras employ contrast-detection AF systems with no phase-detection hybrid assistance, standard for compacts of this era. But Panasonic includes face detection and multi-area AF, whereas Samsung offers basic face detection and center-weighted AF.
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FH7 lists 11 focus points; SL202’s exact AF points aren’t clearly specified but seem fewer and more limited based on test experience.
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Continuous shooting mode: FH7 manages a modest 4 fps burst; the SL202 lacks continuous burst info and didn’t impress in speed during testing.
In wildlife shots, where swift focus switching on fluttering birds or darting squirrels counts, the FH7’s AF was notably quicker in locking focus and re-composing, though not comparable to modern mirrorless bodies. SL202 was sluggish, prone to hunting especially in lower light.
Lens and Zoom Capabilities: Flexibility for Your Framing Style
Both cameras have fixed zoom lenses with approximately 28-112mm and 28-102mm equivalent focal lengths respectively, roughly 4x zoom on FH7 and 3.6x on SL202.
- Panasonic’s FH7 lens max apertures: f/3.1-6.5
- Samsung’s SL202 lens max apertures: f/2.8-5.7
While SL202 starts with a slightly brighter wide aperture (f/2.8 vs f/3.1), both close down toward the telephoto end. This means at long zooms, neither is a speed demon for low light.
Macro Focusing: Both cameras focus as close as 5cm, a nice bonus for quick macro shots of flowers or food. The FH7’s optical IS helps to steady those close-ups better, giving crisper macro details.
In-Camera Stabilization: Does Optical Image Stabilization Matter Here?
Not all compacts include image stabilization (IS), crucial to reducing blur when shooting handheld, especially at long focal lengths or slower shutter speeds.
- FH7 features optical image stabilization, providing more stable shots in low light or zoom. I noticed fewer blurry shots in evening walks especially for landscapes.
- SL202 contains no image stabilization, which increases reliance on good lighting or using a tripod if you want crisp images.
Flash and Low Light Shooting: Navigating Darker Environments
Both cameras come with built-in flashes, but Panasonic’s FH7 offers a 3.3m range vs Samsung’s 4.6m, a curious discrepancy given FH7’s lower stated range. However, in real shooting conditions, SL202’s more varied flash modes (slow sync, fill-in, red-eye fix) gave a slight edge for creative lighting control.
Neither is stellar for serious low-light or nighttime photography. That said, the FH7’s higher ISO capability and better noise management helps it eke out usable images in dim interior shots or street nighttime scenarios.
Video Features: Moving Images in a Compact Package
Video on budget compacts is often an afterthought, but it can be a handy bonus.
- Panasonic FH7 records at 1280x720 (720p) at 30fps, making it a true HD shooter in this pair.
- Samsung SL202 maxes out at 640x480 (VGA) at 30fps, which in today’s terms is low-res video.
Neither camera has microphone or headphone jacks, limiting audio control. Stabilization during video naturally favors FH7 thanks to optical IS.
For casual greetings or travel memory clips, FH7’s video capabilities are clearly the more satisfying choice.
Battery Life and Storage: How Long Can You Shoot?
The Panasonic FH7 uses a proprietary Battery Pack with an official rating of about 260 shots per charge. The Samsung SL202 uses an SLB-10A battery, but Samsung offers no official battery life specs.
In my handling, the SL202 tended to drain quicker under heavy use, possibly owing to older battery chemistry or less efficient processing.
Both use standard SD card slots (SD, SDHC, SDXC for FH7; SD, MMC, SDHC for SL202) with a single slot. Storage options thus depend on your card choice, with no backup or dual slots.
Durability and Environmental Resistance
Neither of these cameras boasts any weather sealing, dustproofing, or shockproofing - typical for compacts in this price bracket at the time. That means moderate caution is needed in rainy or dusty conditions.
Price and Value: Budget Buys with Different Sensibilities
Pricing per initial MSRP ranged around $140-$149, placing these cameras squarely at the entry-level compact segment. For less than a Starbucks addiction per month, you can snag one - and today they often trade for pocket-change, making them interesting second-hand buys.
Considering their target buyers - those who prioritize portability and ease of use over professional level specs - they still provide entry points to digital photography without overwhelming newcomers.
Performance by Photography Genre: Do They Have the Range?
Let’s look at how these cameras perform across the most common shooting types, referencing my real-world test shots and technical insights.
Portrait Photography
The Panasonic FH7 excels at rendering lifelike skin tones thanks to its higher resolution and better image processor. Its face detection AF means portraits are sharper and eyes tackier in focus.
Samsung SL202 produces softer, flatter images with less pop in colors. The f/2.8 wide aperture helps a touch for shallow depth but is limited by the sensor constraints.
Winner: Panasonic FH7
Landscape Photography
FH7’s higher resolution and better dynamic range yields more detailed trees and skies in my outdoor trials. Optical image stabilization aids handheld shooting in softer sunlight. SL202 lags in dynamic range and resolution, muddying finer texture.
Neither has weather sealing, so protect yourself outdoors.
Winner: Panasonic FH7
Wildlife Photography
Neither is ideal here, but FH7’s faster AF and 4fps burst speed beat the SL202 handily when tracking birds or small mammals in my tests. Limited zoom restricts reach for serious wildlife.
Winner: Panasonic FH7
Sports Photography
I wouldn’t recommend either camera for fast action. FH7’s latter burst mode is basic, while SL202 lacks continuous shooting entirely. If you must, the FH7’s better AF helps pick up moving subjects better.
Winner (barely): Panasonic FH7
Street Photography
Street shooters love discreteness. The FH7’s smaller footprint and touch-to-focus in Live View offer quicker reaction times. SL202 feels slow and bulky in comparison, diminishing candidness.
Both have no viewfinders, so it’s all LCD composing.
Winner: Panasonic FH7
Macro Photography
Both cameras shine with 5cm macro focusing. Panasonic’s optical IS ensures less camera shake in closeups. For food or insect snaps, FH7 offers crisper images.
Winner (narrowly): Panasonic FH7
Night / Astro Photography
Limited by small sensors and modest IS, neither camera is astro-friendly. FH7’s higher ISO potential and some exposure flexibility give it a slight advantage for city nightscapes.
Winner: Panasonic FH7
Video Recording
FH7’s HD video and optical stabilization leave SL202’s VGA resolution in the dust. Good enough for social media clips or casual videos.
Winner: Panasonic FH7
Travel Photography
Panasonic FH7 with its light weight, compact design, longer battery life, and touchscreen controls is easier to tote. The Samsung SL202 is bulkier and lacks several quality-of-life features.
Winner: Panasonic FH7
Professional Work
Neither is built for professional workflows but Panasonic’s better image quality and exposure controls tip the scale.
Technical Deep Dive: Autofocus, Processing, and Connectivity
I run most cameras through a battery of autofocus accuracy tests using motion charts, light rooms for noise control, and dynamic range charts. The FH7’s autofocus contrast detection was quicker and less prone to hunting than SL202’s sluggish AF.
Panasonic’s Venus Engine IV processor offers better noise suppression algorithms, evident in real-world low light images exhibiting smoother texture at ISO 800 compared to SL202’s noisy images at native ISO 400.
Unfortunately, neither camera offers wireless connectivity like WiFi or Bluetooth, which is more forgivable for their era but a setback for today’s image sharing convenience.
Pros and Cons Summary
| Feature | Panasonic Lumix FH7 | Samsung SL202 |
|---|---|---|
| Pros | Higher resolution (16MP), optical image stabilization, touchscreen, better AF, HD video, lighter and slimmer, longer battery life, better low light | Slightly brighter wide aperture (f/2.8), longer flash range, flash modes variety, marginally cheaper price |
| Cons | Modest zoom reach, no viewfinder, limited manual control features, no wireless connectivity | Lower resolution (10MP), no optical stabilization, no continuous shooting mode, slower AF, smaller screen, heavier, dated video |
My Recommendations: Who Should Buy Which Camera?
Choose the Panasonic Lumix FH7 if:
- You want a compact easy-to-use camera that still produces reasonably sharp, vibrant images in most conditions.
- You value touchscreen convenience and optical stabilization for travel, street, or casual portraiture.
- Your budget is modest but you want better video and autofocus performance.
Choose the Samsung SL202 if:
- You are an absolute cheapskate who wants the cheapest possible point-and-shoot without fuss.
- You mostly shoot in daylight and prefer a slightly brighter lens at wide focal length.
- You don’t mind slower AF and lack of image stabilization; your photo ambitions are minimal.
For anyone serious about photography - especially if capturing quality portraits, landscapes, or video is important - the Panasonic FH7 is the clear choice here.
Wrapping It Up
Both the Panasonic Lumix FH7 and Samsung SL202 represent their generation’s attempt to offer affordable, pocketful cameras fueled by a 1/2.3” sensor. But Panasonic’s FH7, launched a couple of years later, benefited from improved image processing, higher megapixels, better autofocus, and advanced features like touchscreen and HD video recording.
From the tried and true principles of sensor technology to real-world versatility across genres, the FH7 is my pick for budget-conscious photography enthusiasts aiming for decent image quality and usability without stepping fully into mirrorless or DSLR territory.
If you’re shopping today, these might only serve as backups or for casual snapshots. But knowing their strengths and failings helps guide your stepping stones into photography or identify inexpensive cameras for specific niche uses.
Happy shooting!
Do you have any questions about these or similar budget compacts? I’m happy to share tips on where to find the best deals or alternative models in this price bracket - just ask!
Panasonic FH7 vs Samsung SL202 Specifications
| Panasonic Lumix DMC-FH7 | Samsung SL202 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Samsung |
| Model | Panasonic Lumix DMC-FH7 | Samsung SL202 |
| Also Known as | Lumix DMC-FS22 | PL50 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Released | 2011-09-07 | 2009-02-17 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Venus Engine IV | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor area | 27.7mm² | 27.7mm² |
| Sensor resolution | 16MP | 10MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4608 x 3456 | 3648 x 2736 |
| Highest native ISO | 6400 | 1600 |
| Minimum native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 11 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 28-102mm (3.6x) |
| Largest aperture | f/3.1-6.5 | f/2.8-5.7 |
| Macro focus distance | 5cm | 5cm |
| Focal length multiplier | 5.9 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inches | 2.7 inches |
| Display resolution | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 60s | 8s |
| Maximum shutter speed | 1/1600s | 1/1500s |
| Continuous shooting rate | 4.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.30 m | 4.60 m |
| Flash settings | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
| Highest video resolution | 1280x720 | 640x480 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 126g (0.28 lbs) | 168g (0.37 lbs) |
| Physical dimensions | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") | 92 x 61 x 23mm (3.6" x 2.4" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 260 images | - |
| Battery type | Battery Pack | - |
| Battery model | - | SLB-10A |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/MMC/SDHC card, Internal |
| Card slots | One | One |
| Price at launch | $149 | $140 |