Panasonic FH8 vs Panasonic GH2
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39 Features
32 Overall
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Panasonic FH8 vs Panasonic GH2 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 123g - 96 x 57 x 19mm
- Introduced January 2012
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 442g - 124 x 90 x 76mm
- Released March 2011
- Old Model is Panasonic GH1
- New Model is Panasonic GH3
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix DMC-FH8 vs. Panasonic Lumix DMC-GH2: A Thorough Comparative Analysis for the Discerning Photographer
When selecting a camera, especially within the Panasonic Lumix line, understanding the interplay of sensor technology, ergonomics, autofocus performance, and system flexibility is paramount. The Panasonic Lumix DMC-FH8 (hereafter FH8) and the Panasonic Lumix DMC-GH2 (hereafter GH2) exemplify two vastly different design philosophies and usage intentions, despite sharing a brand name and similar sensor resolution. This comprehensive comparison leverages extensive hands-on testing and technical analysis to parse their nuanced differences, ultimately guiding photography enthusiasts and professionals toward an informed purchase.
Understanding Each Camera’s Core Positioning and Build
Physical Design and Ergonomics
The FH8 presents as a small sensor compact camera with a minimalist compact body. Measuring just 96 x 57 x 19 mm and weighing 123 g including battery, its diminutive footprint makes it exceptionally portable and pocketable. It features a fixed lens with a 24-120 mm equivalent focal range, fixed aperture varying from f/2.5-6.4, and a conventional rear 3-inch TFT LCD screen without touch functionality.
In contrast, the GH2 aligns with the advanced mirrorless category, designed for greater customizability and professional versatility. Its SLR-style body measures 124 x 90 x 76 mm and weighs 442 g (body only), making it significantly larger and heavier. The GH2 supports interchangeable lenses via the Micro Four Thirds mount and offers a fully articulated, 3-inch touchscreen LCD coupled with an electronic viewfinder delivering 100% coverage and approximately 0.71x magnification.

Ergonomically, the GH2’s grip and button placement accommodate more extensive manual control, whereas the FH8’s simplicity appeals primarily to casual shooters valuing convenience. The top-down button layout further underscores this distinction.

Build Quality and Durability
Neither camera includes environmental sealing, waterproofing, dustproofing, or shock resistance features. The FH8’s plastic-heavy, entry-level compact design matches its consumer-oriented price point, while the GH2’s robust SLR-style chassis offers greater durability in general handling, though still without professional-grade weatherproofing.
Sensor Technologies and Image Quality: The Heart of Performance
A camera’s sensor is the foundational determinant of image quality, influencing dynamic range, noise performance, color fidelity, and resolution.
FH8’s Sensor:
- Sensor Type: CCD
- Size: 1/2.3” (6.08 x 4.56 mm), sensor area of 27.72 mm²
- Resolution: 16 MP (max image size 4608 x 3456)
- Native ISO Range: 100 - 6400
- Anti-alias filter: Yes
- Raw support: No
GH2’s Sensor:
- Sensor Type: CMOS
- Size: Four Thirds sensor (17.3 x 13 mm), sensor area 224.9 mm²
- Resolution: 16 MP (max image size 4608 x 3456)
- Native ISO Range: 160 - 12800
- Anti-alias filter: Yes
- Raw support: Yes

Technical Insight:
The GH2's Four Thirds CMOS sensor notably dwarfs the FH8’s 1/2.3" CCD sensor, which translates into superior image quality across all usage scenarios, particularly with regard to dynamic range and noise handling. The larger sensor area allows larger photodiodes, which can capture more light and thus produce cleaner images in low-light conditions and yield more nuanced tonal gradations crucial for landscape and portrait photography.
Additionally, the GH2’s native ISO ceiling at 12800 (versus 6400 on the FH8) and its raw image support enable significant post-processing flexibility, catering to professionals and advanced enthusiasts who demand archival-grade image quality and the ability to recover shadow detail, modulate color, and correct exposures post-capture.
The FH8 accommodates JPEG output only, a limitation for photographic workflows requiring high-fidelity files.
Autofocus Systems and Capturing Action
FH8 Autofocus Technical Summary:
- Focus Type: Contrast detection only
- Focus Points: 23 points
- Focus Modes: One-shot AF, continuous AF, face detection enabled
- No support for manual focus or advanced selective AF area control
- Continuous shooting speed: 1 frame per second (fps)
GH2 Autofocus Technical Summary:
- Focus Type: Contrast detection with advanced face detection
- Focus Points: 23 points with multi-area and selective focus area control
- Manual focus capability supported
- Continuous shooting speed: 3 fps
- Tracking autofocus functionality with live view AF
The FH8’s autofocus system, while serviceable for everyday subjects, is limited by its fixed lens and reliance on contrast detection without phase detection or hybrid technologies. The absence of manual focus option limits precision control, particularly when shooting challenging subjects or in macro scenarios.
Meanwhile, the GH2 boasts a more sophisticated contrast-detection AF with selectable AF points offering improved precision. Its manual focus capabilities and higher frame rate make it a better candidate for wildlife and sports photography, where subject tracking and timing are critical. While 3 fps is moderate compared to modern cameras, it was solid for the GH2’s era.
Image Stabilization, Shutter Speeds, and Flash Performance
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Image Stabilization:
- FH8: Optical image stabilization is built-in for compensating hand shake, beneficial in still and video capture.
- GH2: Does not integrate IBIS (in-body image stabilization); relies on lens-based stabilization, which varies by lens choice.
-
Shutter Speed Range:
- FH8 offers a range from 8 s to 1/1600 s.
- GH2 advances from 60 s to 1/4000 s, advantageous for long exposure photography and freezing fast motion.
-
Flash Systems:
- FH8 includes a built-in flash with a maximum range of 5.6 m, flash modes limited to auto, on, off, and red-eye reduction, no external flash options.
- GH2 includes a more versatile built-in flash with 15.6 m range; supports additional modes including slow sync and external flash connectivity, crucial for studio or advanced off-camera lighting scenarios.
Versatility Through Lens Ecosystem
Lens flexibility is a defining difference:
- FH8’s fixed 24-120 mm (equivalent) lens restricts user choice - decent zoom coverage but variable aperture limits low light or shallow depth-of-field effects.
- GH2 supports the extensive Micro Four Thirds lens system, with over 100 lenses available covering everything from ultra-wide to super-telephoto, macro, and specialty optics.
This expanded system compatibility significantly benefits professionals and enthusiasts seeking tailored optical performance for niche photography types - landscapes, wildlife, portraits, or macro work.
User Interface, Display, and Viewfinding Experience
The FH8 and GH2 both utilize 3-inch LCDs, but with important ergonomic distinctions:
- FH8: Fixed TFT LCD (230k dots) without touch, limited viewing angles.
- GH2: Fully articulated TFT LCD touchscreen (460k dots) with wide viewing angle, allowing shooting at complex angles and easier menu navigation.
The GH2’s inclusion of an electronic viewfinder, absent on the FH8, provides critical framing precision under bright daylight where LCD visibility is challenged. This 0.71x magnification EVF also aids manual focus evaluation and exposure simulation.

Video Capabilities: From Casual to Semi-professional
- FH8 Video: Limited to 720p HD at 30 fps, recorded in MPEG-4 format. No external microphone input or 4K options.
- GH2 Video: Full 1080p HD at 24, 30, or 60 fps, supporting AVCHD and Motion JPEG codecs. Includes an external microphone input enhancing audio capture quality.
The GH2 is a pioneer in incorporating robust video features within a hybrid stills camera design, appealing to hybrid shooters and content creators who require higher resolution video capture and professional-grade audio options.
Battery, Storage, and Connectivity
- FH8’s battery life is rated at approximately 260 shots per charge, lesser than the GH2’s 330 shots, reflecting the higher power demands of advanced electronics in the latter.
- Both cameras accommodate SD/SDHC/SDXC cards; however, FH8 also possesses modest internal storage.
- Neither camera offers wireless connectivity options such as Wi-Fi, Bluetooth, or NFC, limiting remote control or instant image sharing workflows.
- GH2 uniquely includes HDMI output for direct external monitor connection, facilitating on-set critical monitoring - absent in FH8.
Real-World Photography Application Analysis
This section evaluates hands-on performance across major photographic genres, highlighting where each camera excels or falls short.
Portrait Photography
The GH2’s Four Thirds sensor alongside interchangeable lenses provides superior subject isolation, pleasing bokeh control, and accurate color rendition of skin tones. Its face detection and manual focus modes enhance eye sharpness precision - crucial for portraiture. The FH8, with its smaller sensor and fixed variable aperture lens, delivers adequate but less sophisticated bokeh and suffers more noise at higher ISO in less favorable lighting.
Landscape Photography
Landscape photographers demand wide dynamic range and high resolution for rich detail. The GH2’s sensor excels here, rendering better shadow-to-highlight detail and improved color depth. Its ability to use ultra-wide and high-performance primes is another benefit. FH8’s limited sensor size and digital noise produce noticeable quality dropoffs in demanding scenes, aside from its fixed lens's moderate wide end. Also, lack of weather sealing is a neutral point, as neither camera offers it.
Wildlife and Sports Photography
Rapid autofocus and burst shooting speed matter most here. The GH2 provides 3 fps burst, selective AF point selection, and manual focus override, allowing better subject tracking. FH8’s 1 fps continuous mode and fixed lens hamper capturing fast-moving wildlife or sporting events. Larger sensor and telephoto lens options on GH2 further improve reach and image quality.
Street Photography
Here, discretion, low weight, and quick operation are vital. The FH8’s compact, pocketable size and simplicity cater well to casual street shooters prioritizing mobility and spontaneity. However, GH2's larger size and weight are less discreet, but its better image quality and manual controls may appeal to serious street photographers desiring higher technical control if size is manageable.
Macro Photography
The fixed lens of FH8 offers a close macro focusing distance of 4 cm but lacks stabilization sophistication beyond optical IS. GH2’s Micro Four Thirds lens selection includes dedicated macro lenses with better optics and focusing precision, plus enhanced manual focus capability to refine close-up focus, delivering superior macro results.
Night and Astrophotography
The GH2’s superior ISO range and noise performance make it the stronger candidate for long-exposure night or astrophotography, complemented by long shutter timers and manual exposure options. The FH8’s limited low light capability, shutter range (max 8 seconds minimum), and JPEG-only output restrict its utility in demanding dark environments.
Video Utilization
The GH2 is clearly the preferred tool for hybrid stills/video shooters, given its full HD 1080p video at various frame rates, external mic input, and HDMI output enabling external monitoring - features that the FH8 does not approach. While the FH8’s 720p video may suffice for casual users, its limited codecs and frame rate options restrict creative video expression.
Travel Photography
Portability, versatility, and battery life characterize ideal travel cameras. The FH8’s light weight and compact form make it ideal for travel, especially when carrying minimal gear is a priority. It also offers a decent zoom range good for everyday scenarios. GH2, while heavier and bulkier, grants professional-grade image quality and lens versatility for travel photographers seeking higher control and varying focal lengths - albeit at the expense of convenience.
Professional Workflow Integration
Only the GH2 supports raw image capture and higher quality AVCHD video files, facilitating full professional post-processing flexibility. Its broad lens compatibility and manual controls further embed it into professional workflows. The FH8’s lack of raw support, fixed lens, and simplified exposure controls limit it strictly to consumer-level tasks.
Performance Ratings and Genre-Specific Strength Chart
Through extensive field tests, resolution charts, ISO noise tests, AF accuracy assessments, and video analysis, here is the performance rating summary:
These charts illustrate the GH2’s dominance in most key categories except for size and simplicity where FH8 holds appeal.
Conclusion: Which Camera Fits Your Needs?
Who Should Choose the Panasonic Lumix DMC-FH8?
- Casual photographers who value ultra-portability and simple point-and-shoot operation
- Travelers and everyday users needing a lightweight camera with decent zoom range
- Budget-minded buyers prioritizing ease of use over extensive features
- Those content with JPEG-only output and limited post-processing needs
Who Should Invest in the Panasonic Lumix DMC-GH2?
- Photography enthusiasts and professionals requiring high-quality image output and raw file flexibility
- Hybrid photo-video shooters needing full HD video and external microphone input
- Users desiring full manual exposure, aperture priority, and shutter priority modes
- Photographers requiring interchangeable lens versatility across genres such as portraiture, wildlife, macro, and landscapes
- Those with experience or intent to engage in advanced autofocus tracking and manual focusing
Final Thoughts
From a technical standpoint, the Panasonic GH2 outclasses the FH8 in processor sophistication, sensor size and technology, lens compatibility, and creative control. The FH8 remains a respectable compact for its price and usage range, especially for consumers entering photography or seeking a travel-friendly device.
Evaluating the cameras side-by-side facilitates a clear understanding of the trade-offs involved: simplicity and portability versus complexity and performance. Ultimately, informed selection hinges on one’s photographic ambitions, budget constraints, and ergonomic preferences - elements that both cameras address distinctly within Panasonic’s Lumix family.
Supplementary Reference: Sample Image Gallery
For further evaluation of the cameras’ image characteristics, please refer to this side-by-side gallery showcasing JPEG outputs from both cameras under diverse lighting and subject conditions.
This detailed comparative review reflects exhaustive field testing and nuanced technical scrutiny aimed at empowering photographers to select the Lumix camera that truly suits their artistic and practical requirements.
Panasonic FH8 vs Panasonic GH2 Specifications
| Panasonic Lumix DMC-FH8 | Panasonic Lumix DMC-GH2 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Panasonic |
| Model | Panasonic Lumix DMC-FH8 | Panasonic Lumix DMC-GH2 |
| Type | Small Sensor Compact | Advanced Mirrorless |
| Introduced | 2012-01-09 | 2011-03-23 |
| Physical type | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | - | Venus Engine FHD |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
| Sensor area | 27.7mm² | 224.9mm² |
| Sensor resolution | 16MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 6400 | 12800 |
| Min native ISO | 100 | 160 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | 23 | 23 |
| Lens | ||
| Lens mount | fixed lens | Micro Four Thirds |
| Lens focal range | 24-120mm (5.0x) | - |
| Maximal aperture | f/2.5-6.4 | - |
| Macro focus range | 4cm | - |
| Number of lenses | - | 107 |
| Focal length multiplier | 5.9 | 2.1 |
| Screen | ||
| Type of display | Fixed Type | Fully Articulated |
| Display sizing | 3" | 3" |
| Resolution of display | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | TFT Color LCD | TFT Color LCD with wide-viewing angle |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.71x |
| Features | ||
| Min shutter speed | 8s | 60s |
| Max shutter speed | 1/1600s | 1/4000s |
| Continuous shutter rate | 1.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 5.60 m | 15.60 m |
| Flash settings | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash synchronize | - | 1/160s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (24, 30, 60fps) 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video data format | MPEG-4 | AVCHD, Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 123 gr (0.27 lbs) | 442 gr (0.97 lbs) |
| Dimensions | 96 x 57 x 19mm (3.8" x 2.2" x 0.7") | 124 x 90 x 76mm (4.9" x 3.5" x 3.0") |
| DXO scores | ||
| DXO Overall score | not tested | 60 |
| DXO Color Depth score | not tested | 21.2 |
| DXO Dynamic range score | not tested | 11.3 |
| DXO Low light score | not tested | 655 |
| Other | ||
| Battery life | 260 images | 330 images |
| Battery style | Battery Pack | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Retail cost | $149 | $1,000 |