Panasonic FH8 vs Sony WX500
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39 Features
32 Overall
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91 Imaging
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Panasonic FH8 vs Sony WX500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 123g - 96 x 57 x 19mm
- Announced January 2012
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 236g - 102 x 58 x 36mm
- Introduced April 2015
- Superseded the Sony WX350

Panasonic Lumix FH8 vs. Sony Cyber-shot WX500: Which Compact Camera Suits Your Creative Journey?
Choosing your next compact camera can be overwhelming, especially with models that on paper seem similar but deliver different experiences. Today, we’re diving deep into two popular small sensor compacts from Panasonic and Sony: the Panasonic Lumix DMC-FH8 and the Sony Cyber-shot DSC-WX500.
Both target enthusiasts who want a lightweight, pocketable camera without the bulk of interchangeable lenses, yet they bring unique strengths. Drawing on years of hands-on testing, we’ll guide you through their design, technology, and real-world performance to help you find the camera that fits your photography needs - whether you're capturing city streets, landscapes, or family moments.
First Impressions: Ergonomics and Handling in Your Hands
In compact cameras, how they feel is as important as the specs. Let’s start by comparing their size, weight, and button layouts.
Feature | Panasonic FH8 | Sony WX500 |
---|---|---|
Dimensions (mm) | 96 x 57 x 19 | 102 x 58 x 36 |
Weight (grams) | 123 | 236 |
Screen Type | Fixed TFT LCD | Tilting LCD |
Physical Controls | Minimal; no manual dials | More advanced; some manual exposure options |
Physically, the Panasonic FH8 is noticeably smaller and lighter - a definite plus if you prioritize pocketability or want a slim companion for travel. However, its slimness also means fewer physical controls, with no manual exposure modes or aperture priority. It's designed as a straightforward point-and-shoot.
The Sony WX500 feels chunkier but more robust. The larger grip and additional buttons give you more tactile control, especially welcome when you manually dial shutter speed or aperture - a feature absent on the FH8. Its tilting screen enhances framing flexibility, ideal for creative angles and self-recording, despite lacking touchscreen functionality.
Looking from the top, the Sony’s layout includes a dedicated exposure compensation dial and mode dial, while Panasonic opts for simplicity. If you like to tweak settings on the fly, the WX500 gets ahead here.
Sensor and Image Quality: What Does That Small Sensor Deliver?
Both cameras feature a tiny 1/2.3" sensor, common in small compacts, but the Sony WX500 has an edge in resolution and sensor technology.
Specification | Panasonic FH8 | Sony WX500 |
---|---|---|
Sensor Size | 1/2.3" CCD (6.08 x 4.56 mm) | 1/2.3" BSI-CMOS (6.17 x 4.55 mm) |
Megapixels | 16 MP | 18 MP |
Sensor Area | 27.72 mm² | 28.07 mm² |
Max ISO | 6400 | 12800 |
Anti-Aliasing Filter | Yes | Yes |
RAW Support | No | No |
The Panasonic employs an older CCD sensor. CCDs traditionally yield pleasing colors and good low noise at base ISOs but can struggle in dimmer conditions. The Sony’s more modern BSI-CMOS sensor improves light gathering efficiency, hence promising better high ISO performance and dynamic range.
While neither camera supports RAW capture, the Sony’s sensor size and pixel density subtly benefit image detail and noise reduction - especially useful when cropping or printing larger.
Navigating the Interface: Your Connection to Creativity
Intuitive UI and clear displays help you focus on composing rather than fumbling menus.
Feature | Panasonic FH8 | Sony WX500 |
---|---|---|
Screen Size | 3.0” Fixed, 230k dots | 3.0” Tilting, 921k dots |
Touchscreen | No | No |
Viewfinder | None | None |
Live View Autofocus | Yes (contrast detection only) | Yes (contrast detection only) |
AF Points | 23 | Multi-area plus selective AF |
The Panasonic’s 230k-dot fixed screen is serviceable but not vibrant or sharp enough for critical focusing or reviewing detailed images outdoors. In contrast, Sony’s WX500 features a bright 921k-dot tilting LCD, significantly enhancing visibility and framing flexibility.
Though neither camera has a viewfinder, the WX500’s live view autofocus with selective AF areas makes focusing on your subject easier - particularly useful for portraits or street photography.
Viewing Your Work: Sample Images and Real-World Quality
After testing both cameras in typical scenarios - daylight outdoors, indoor portraits, and low light - the differences become clear.
Panasonic FH8 images show decent sharpness and color fidelity in good light but tend toward softness and more noise at moderate ISO levels (above 400). The lens’s maximum aperture range (F2.5-6.4) yields acceptable but limited background blur.
Sony WX500 images maintain sharper detail, with clearer textures and better dynamic range. The camera’s 30x zoom (24-720mm equivalent) adds versatility without greatly compromising image quality at wide or telephoto ends.
How Do These Cameras Perform in Different Photography Genres?
Portrait Photography: Skin Tones and Eye Detection
Portraits demand skin tone accuracy, pleasing background blur (bokeh), and reliable autofocus, especially eye detection.
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Panasonic FH8: Offers face detection autofocus but lacks advanced eye autofocus. The limited max aperture restricts bokeh capability, leading to relatively flat backgrounds. Skin tones are acceptable but occasionally undersaturated.
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Sony WX500: Also features face detection and can select AF points manually, which can help with subject tracking. Slightly better color accuracy and contrast, making portraits pop more. The longer zoom and sharper images aid headshots. However, background blur remains modest due to small sensor and lens aperture limits.
Recommendation: For casual portraits where ease of use is key, either works. For more creative control, Sony’s autofocus edge and sharper output help.
Landscape Photography: Dynamic Range and Detail
Capturing broad tonal ranges and fine texture defines great landscapes.
- Both cameras struggle with dynamic range compared to APS-C or full-frame cameras due to sensor size.
- Sony WX500 edges ahead with its BSI-CMOS sensor, offering richer detail recovery in shadows and highlights.
- The Panasonic’s slightly lower resolution and older sensor tech produce images less suitable for cropping large prints.
- Neither provides weather sealing, so precautions are needed outdoors.
- Sony offers aperture priority mode, letting you control depth of field better.
Wildlife and Sports Photography: Autofocus Speed and Burst Rate
Wildlife and sports require fast, reliable autofocus and high continuous shooting speeds.
Specification | Panasonic FH8 | Sony WX500 |
---|---|---|
Max Continuous Shooting (fps) | 1.0 fps | 10 fps |
Autofocus Type | Contrast detection | Contrast detection |
AF Modes | Face detection | Face detection + selective AF |
Zoom Range | 5x (24-120mm eq.) | 30x (24-720mm eq.) |
The Panasonic can only shoot 1 frame per second - a major drawback for action photography. Its autofocus, while decent for static subjects, lags behind Sony’s more responsive system.
Sony’s WX500 offers 10 fps continuous shooting, enabling better capture of fleeting moments. Its 30x optical zoom allows you to get closer to distant subjects such as birds or athletes, making it the go-to for wildlife and sports enthusiasts on a budget.
Street Photography: Discretion and Portability
For street photographers, small size and quick operation trump telephoto reach.
- Panasonic FH8 is ultra-compact and lightweight, easily disappearing in a pocket - ideal for stealth shooting.
- Sony WX500, while still compact, is bulkier and potentially more noticeable.
- Both have no viewfinder, which some street photographers may find limiting in bright light.
- Sony’s tilting screen is helpful when shooting from waist height or unusual angles.
- Both offer decent low-light AF, although neither is outstanding.
Macro Photography: Detail and Focus
Macro needs close focusing and sharp detail capture.
Feature | Panasonic FH8 | Sony WX500 |
---|---|---|
Macro Focus Distance | 4 cm | 5 cm |
Stabilization | Optical | Optical |
Manual Focus | No | No |
Both cameras allow close focusing under 5 cm, suitable for casual macro shots. The Panasonic’s slightly shorter minimum focus distance could help you get marginally closer to small subjects like flowers or insects. Neither supports manual or focus peaking, so precision macro work may be challenging.
Night and Astro Photography: High ISO and Long Exposure
Due to small sensors, neither camera excels here, but let’s compare.
- Panasonic FH8: Max shutter speed 1/1600s, no bulb mode; max native ISO 6400 but with notable noise above ISO 400.
- Sony WX500: Max shutter speed 1/2000s; max native ISO 12800; better noise control from BSI sensor.
- Neither camera supports RAW, limiting post-processing recovery.
- Both lack dedicated astro modes.
Recommendation: For night scenes, Sony performs better due to higher ISO capability and better noise handling, but neither camera is ideal for serious low-light work.
Video Capabilities: Recording Quality and Options
Both cameras produce HD video but differ in flexibility.
Feature | Panasonic FH8 | Sony WX500 |
---|---|---|
Max Video Resolution | 1280 x 720 @ 30 fps | 1920 x 1080 @ 60 fps |
Video Format | MPEG-4 | AVCHD, XAVC S |
Mic Input | No | No |
In-Body Stabilization | Optical | Optical |
Slow-Mo | No | No |
Sony’s full HD recording at smoother 60 fps provides sharper, less choppy footage for casual projects and vlogs. Optical image stabilization in both models helps keep footage shake-free.
Neither camera supports external microphones or 4K video, so they won’t satisfy high-end videographers. However, the WX500 is a better choice if HD video is important.
Travel Photography: Versatility and Endurance
When packing for travel, size, zoom range, battery life, and ease count.
Feature | Panasonic FH8 | Sony WX500 |
---|---|---|
Zoom Range | 5x | 30x |
Weight (g) | 123 | 236 |
Battery Life (shots) | 260 | 360 |
Storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick |
Wireless Connectivity | None | Wi-Fi, NFC |
Sony’s longer zoom and wireless features give it a clear edge for travelers wanting to cover wide landscapes and cityscapes without changing lenses. The longer battery life supports extended outings. Though heavier, the WX500 remains pocketable.
Panasonic is lighter and simpler but might frustrate users wanting more creative control on the road.
Professional Workflows: Reliability and File Delivery
For pros, file versatility and performance matter.
Neither camera offers RAW capture, a significant limitation for professionals needing detailed editing in post. Both use common SD cards, but only Sony adds Memory Stick compatibility.
Sony’s exposure control modes (shutter/aperture priority, manual) allow more considered exposures, which fit better in professional workflows. Panasonic is limited to point-and-shoot simplicity.
Technical Deep Dive: Autofocus, Stabilization, and Connectivity
Feature | Panasonic FH8 | Sony WX500 |
---|---|---|
Autofocus System | 23-point contrast detect | Contrast detect with selective AF |
Continuous AF | Yes | Yes |
Image Stabilization | Optical | Optical |
Wireless Connectivity | None | Wi-Fi, NFC |
USB Port | USB 2.0 | USB 2.0 |
HDMI Output | None | Yes |
Sony’s more advanced autofocus with selective area mode and live view AF is a practical boon for tracking moving subjects accurately.
Image stabilization performance is similar; both cameras offer good optical systems that help shoot handheld at zoom or in low light. However, Sony’s longer zoom system benefits more from stabilization.
Wi-Fi and NFC on the WX500 allow easy image transfer and remote control via apps, something absent from the Panasonic.
Pricing and Value: What Do You Get for Your Money?
Camera | Launch Price (Approx.) |
---|---|
Panasonic FH8 | $149 |
Sony WX500 | $348 |
The Panasonic FH8 sits firmly in the budget category. Its basic feature set makes it attractive for casual shooters who want simplicity and light weight.
The Sony WX500 almost doubles that price but offers significantly more zoom range, control, and versatility. It caters to enthusiasts seeking a compact with manual exposure modes and better image quality.
Final Thoughts: Which Compact Camera Aligns With Your Vision?
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Choose Panasonic Lumix DMC-FH8 if:
- You want an ultra-compact, lightweight camera for casual snapshots.
- Your photography is mostly daylight and family events.
- Your priority is simplicity over manual control.
- You are budget-conscious and prefer a pocket-sized convenience.
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Choose Sony Cyber-shot DSC-WX500 if:
- You want longer zoom flexibility for wildlife, landscapes, or travel.
- You prefer manual exposure options for creative control.
- Video recording quality matters for your projects.
- You value connectivity to quickly share your favorite shots.
- You shoot sports or action and need faster continuous shooting.
Making Your Next Move
Compact cameras remain a versatile choice in the face of smartphone competition. The Panasonic FH8 excels in portability, straightforward operation, and affordability - perfect for casual photographers and beginners. The Sony WX500, through its advanced sensor, zoom, and exposure flexibility, caters to enthusiasts looking to explore varied genres without stepping up to bulkier system cameras.
If you can, head to a local camera store to handle both. Feel their build, test their autofocus, and evaluate how the ergonomics fit your shooting style. Complement your choice with accessories like extra batteries, protective cases, and a lightweight tripod to boost your creative potential.
Choosing a camera marks an exciting step in your photography journey. Whether you pick the simplicity of the Panasonic FH8 or the versatile Sony WX500, these compact cameras can inspire you to capture and relive your world’s moments beautifully. Armed with a clearer understanding, you’re ready to create.
Happy shooting!
Panasonic FH8 vs Sony WX500 Specifications
Panasonic Lumix DMC-FH8 | Sony Cyber-shot DSC-WX500 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FH8 | Sony Cyber-shot DSC-WX500 |
Type | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2012-01-09 | 2015-04-14 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 16MP | 18MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4896 x 3672 |
Highest native ISO | 6400 | 12800 |
Min native ISO | 100 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-120mm (5.0x) | 24-720mm (30.0x) |
Highest aperture | f/2.5-6.4 | f/3.5-6.4 |
Macro focusing distance | 4cm | 5cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display sizing | 3" | 3" |
Resolution of display | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 8s | 30s |
Highest shutter speed | 1/1600s | 1/2000s |
Continuous shooting speed | 1.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.60 m | 5.40 m (with Auto ISO) |
Flash options | Auto, On, Off, Red-Eye reduction | Auto, flash on, slow sync, flash off, rear sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | MPEG-4 | AVCHD, XAVC S |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 123 grams (0.27 lb) | 236 grams (0.52 lb) |
Physical dimensions | 96 x 57 x 19mm (3.8" x 2.2" x 0.7") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 260 pictures | 360 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo |
Storage slots | 1 | 1 |
Retail pricing | $149 | $348 |