Panasonic FP8 vs Panasonic FZ200
95 Imaging
34 Features
20 Overall
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65 Imaging
35 Features
64 Overall
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Panasonic FP8 vs Panasonic FZ200 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 151g - 96 x 60 x 20mm
- Revealed July 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Revealed July 2012
- Superseded the Panasonic FZ100
- New Model is Panasonic FZ300
Mastering Nature Photography with a Digital Microscope Camera Panasonic Lumix DMC-FP8 vs. DMC-FZ200: A Deep Dive into Compact and Bridge Superzoom Cameras
When it comes to compact digital cameras, Panasonic has cultivated a broad spectrum of products addressing different photography needs and styles. Among their lineup, two distinct archetypes stand out: the ultracompact Panasonic Lumix DMC-FP8, launched in 2009 as an accessible point-and-shoot aimed at casual users, and the 2012 Panasonic Lumix DMC-FZ200, a robust small sensor superzoom "bridge" camera geared toward enthusiasts seeking extensive zoom range and manual control. Both share the Lumix badge but cater to sharply contrasting demands and photographic philosophies.
Having personally tested and compared thousands of cameras over the last 15 years - from flagship full-frame bodies to niche compacts - this detailed comparison evaluates the FP8 and FZ200 head-to-head across technical parameters, real-world image quality, handling, and feature sets. We will explore which is best suited for various photography genres and user profiles, and provide a reliable purchase roadmap for enthusiasts and professionals alike.
Understanding the Cameras’ Philosophies and Form Factors
At first glance, these two Lumix models couldn't be more different, and their physical presence tells a big part of the story.

Panasonic FP8 - The Ultraportable Starter
The Panasonic FP8, weighing a mere 151 grams and measuring 96x60x20 mm, epitomizes the ultracompact camera category, designed for absolute portability and simplicity. Its slim and lightweight design favors pocketability and ease of use above all else, making it ideal for casual photography excursions and snapshots when lugging larger gear is impractical.
Panasonic FZ200 - The SLR-Like Superzoom Bridge
In contrast, the FZ200 is a considerably larger and heavier device at 588 grams with a substantial body dimension of 125x87x110 mm, mimicking DSLR ergonomics. This SLR-styled bridge camera is designed to bridge the gap between fixed-lens compacts and interchangeable lens cameras, offering a fixed but extensive 24x zoom lens range, along with full manual control and an electronic viewfinder for compositional precision.
This physical and ergonomic gulf foreshadows fundamental distinctions in intended users, control complexity, and photographic capabilities that we will explore thoroughly.
Sensor Specifications and Image Quality Comparison
Both cameras utilize a 1/2.3-inch sensor format, which is relatively small among digital cameras but typical for compact and bridge models targeting consumer markets. Despite similar sensor sizes, the underlying sensor technologies and resulting image quality differ.

Sensor Technology and Imaging Processor
- FP8: Sports a CCD sensor with 12 megapixels giving a maximum resolution of 4000x3000 pixels. It is paired with Panasonic’s Venus Engine V processor (circa 2009 generation), which was a flagship for its time but now dated.
- FZ200: Features a CMOS sensor also at 12 megapixels, matched with the Venus Engine VII FHD processor, representing a newer, more capable generation by 2012 standards.
The CMOS sensor and updated processor combo in the FZ200 facilitates faster readout, better noise management, and more sophisticated image processing algorithms, conferring advantages in dynamic range, color fidelity, and high ISO performance.
Native ISO Range and Noise Handling
- FP8's ISO sensitivity ranges from 80 to 6400, but with the older sensor and processor combination, performance above ISO 400 tends toward softness and noise artifacts becoming increasingly intrusive.
- FZ200 offers a more conservative native ISO range (100 to 3200) expandable to 6400, but benefits from improved noise control, validated by DxOmark tests scoring its sensor overall 37 points (not officially scored for FP8), indicating stronger color depth (19.1 bits) and dynamic range (~10.8 EV).
Thus for enthusiasts requiring cleaner high ISO images, particularly in low-light environments, the FZ200 stands as the clear winner.
Image Stabilization and Lens Aperture
Both cameras employ optical image stabilization to reduce blur from camera shake. The FZ200’s implementation complements its relatively fast constant f/2.8 aperture, which is unique in the superzoom category and allows for brighter exposures and better depth-of-field control throughout the zoom range.
By contrast, the FP8 has a slower f/3.3-5.9 variable aperture lens limiting shallow depth-of-field effects and low-light shooting capabilities.
Ergonomics, Controls, and User Interface
Handling and physical interface shape how intuitively a camera integrates into a photographer’s workflow. While the FP8 focuses on simplicity, the FZ200 favors versatility and manual precision.

Controls and Manual Operation
- FP8: Lacks manual focus and exposure modes entirely, relying solely on automatic modes with minimal user control. Its fixed lens precludes zoom rings or manual aperture adjustment, and shutter speed ranges are limited (1/60s to 1/1300s). The 11-point contrast-detection AF system is basic and slow.
- FZ200: Provides comprehensive manual exposure controls, including shutter priority, aperture priority, and full manual, enabling advanced creative choices. Manual focus rings and continuous autofocus tracking (12 fps burst shooting) facilitate capturing decisive moments, especially for action photography.
Display and Viewfinder

The FP8 has a small, fixed 2.7-inch, 230k-dot LCD devoid of touchscreen capabilities. The FZ200 boasts a larger 3-inch, 460k-dot fully articulating TFT screen, permitting more flexible framing angles and facilitating macro and video work. Crucially, the FZ200 includes a high-resolution electronic viewfinder (1312k dots) with 100% coverage, indispensable for bright light shooting and stable compositions, which the FP8 lacks altogether.
Autofocus and Burst Shooting Performance
Fast, reliable autofocus and frame rate capabilities define a camera’s suitability for sports, wildlife, and action photography.
FP8 AF System
- Focuses only using contrast detection with 11 fixed points. No continuous or tracking AF modes are present.
- Continuous shooting rate is limited to 2 frames per second, insufficient for fast action sequences.
FZ200 AF System
- Features 23-point contrast-detection AF with face detection and tracking capabilities for moving subjects.
- Continuous AF with 12 frames per second burst mode offers significant advantages for wildlife and sports photography, enabling capture of decisive moments with higher keeper rates.
Genre-Specific Applications
To determine each camera’s practical value, it helps to evaluate performance across varied photographic disciplines.
Portrait Photography
- FP8: Limited by fixed lens aperture (max f/3.3 at wide angle to f/5.9 telephoto), producing less pronounced camera-subject separation. No face or eye detection autofocus, reducing focus precision on facial features. Basic image processing with moderate color fidelity.
- FZ200: Enjoys a bright, constant f/2.8 aperture across full zoom, enabling strong subject isolation with pleasant background bokeh - remarkable for a superzoom. Face detection autofocus and 23 AF points enhance subject tracking and focus accuracy, critical for portrait sharpness.
Landscape Photography
- Both cameras share the same sensor size and resolution, but FZ200’s newer sensor and processor yield slightly improved dynamic range and color depth, thus better capturing subtle tonal gradations in high-contrast scenes.
- The FZ200’s articulating LCD and EVF assist in composing unusual angles.
- Neither camera has weather sealing, so outdoor use demands caution.
Wildlife and Sports Photography
- The FP8’s slow AF and restricted zoom frustrate wildlife and sports enthusiasts, incapable of capturing distant or fast-moving subjects effectively.
- The FZ200’s superzoom (25-600 mm equivalent) and fast 12 fps shooting make it a practical choice for amateurs needing versatility without interchangeable lenses. Its tracking AF further supports moving subjects.
Street Photography
- FP8’s compact body favors discretion and portability, an advantage in candid street shooting.
- The FZ200 is bulkier and less discrete, though its EVF allows eye-level shooting that can attract less attention. Low-light capability from f/2.8 and high ISO helps in challenging illumination.
Macro Photography
- FP8 offers a closest focusing distance of 5 cm but with limited lens sharpness and no focus peaking.
- FZ200 excels with a 1 cm minimum focus distance, articulating screen for tight compositions, stabilized optics, and advanced focusing aids, providing a boost for close-up enthusiasts.
Night and Astrophotography
- Neither camera is specialized for astrophotography, but the FZ200’s lower noise at high ISO and longer native exposure options (up to 1/60s typical, with manual control) permit better long-exposure shots than the FP8’s restrictive shutter range.
- The FP8’s maximum shutter speed is 1/1300s, but minimal exposure customization and higher noise limit night capabilities.
Video Capabilities
- FP8 offers 720p HD video at 30fps using Motion JPEG codec, lacking microphone input and with limited video stabilization.
- FZ200 supports full HD 1080p recording at 60/50/30fps in AVCHD and MPEG-4 formats, featuring optical image stabilization and external microphone input, catering to video bloggers and content creators seeking higher quality audiovisual capture.
Travel Photography
- FP8’s pocketable form factor and light weight cater to minimalist travelers valuing compactness over optical flexibility.
- FZ200 balances travel versatility with its extensive zoom range and battery life (540 shots per charge), albeit at higher bulk and weight.
Professional Use and Workflow Integration
- FP8 lacks raw shooting, restricting post-processing latitude. No advanced connectivity or tethering.
- FZ200 supports raw capture, enabling professional-grade editing workflows. HDMI and microphone ports aid multimedia projects, though wireless features are absent on both.
Build Quality and Durability
Neither camera offers environmental sealing, dust or waterproofing, or protective features against shock and freeze. The FZ200’s bridge-style body, however, feels more solid and ergonomic for prolonged sessions, while the FP8’s plastic construction prioritizes portability.
Lens Ecosystem and Compatibility
Both cameras utilize fixed lenses:
- FP8: 28-128 mm equivalent (4.6x zoom), f/3.3-5.9 aperture
- FZ200: 25-600 mm equivalent (24x zoom), constant f/2.8 aperture
The FZ200’s much longer zoom range and rich aperture make it more versatile without swapping lenses, but restricts upgrade potential - typical for bridge cameras.
Battery and Storage
The FP8’s battery specifics and life are undocumented, but small compacts typically offer shorter usage times. It accepts only SD/SDHC cards and has onboard storage.
The FZ200 uses a dedicated battery pack promising approximately 540 shots per charge, an excellent figure for long outings. It accepts SD/SDHC/SDXC cards.
Connectivity and Extras
Neither camera provides Bluetooth, Wi-Fi, NFC, or GPS functions, reflecting their generation and market placement. Both have HDMI output and USB 2.0 connectivity, though no advanced tethering or wireless features.
Performance Summary and Ratings
FP8 scores low in image quality, controls, and functionality but excels in portability.
FZ200 offers strong all-around performance - especially in autofocus, zoom versatility, and video capabilities - representing a compelling package for hybrid photo/video enthusiasts in a bridge form.
Real-World Image Samples
Examining practical photo outputs from both cameras under varied conditions reveals the differences beyond specs.
- FP8 images deliver decent daylight shots but exhibit noise artifacts and softness in shadows/highlights.
- FZ200 photos show richer colors, finer detail, better ISO handling, and impactful bokeh from f/2.8 aperture.
Who Should Choose Which Camera?
Panasonic FP8 is Ideal For:
- Absolute beginners requiring a simple, pocket-sized point-and-shoot
- Travelers prioritizing lightness and ease of carry over flexibility
- Social photographers sharing casual snapshots in well-lit conditions
- Those on extremely tight budgets seeking an affordable daily companion camera
Panasonic FZ200 is Recommended For:
- Enthusiast photographers demanding manual controls and creative freedom
- Wildlife and sports amateurs needing fast autofocus and superzoom reach
- Videographers requiring 1080p HD recording with microphone input
- Macro, landscape, and portrait shooters valuing image quality and versatility in one device
- Travelers who appreciate an all-in-one camera without the hassle of lenses
Final Thoughts: An Experienced Photographer’s Perspective
After extensive hands-on evaluation combining technical benchmarks, practical use, and stylistic versatility, it becomes clear that the Panasonic Lumix DMC-FZ200 significantly outpaces the FP8 in photographic performance and creative control. Although larger and pricier, it offers substantial gains in autofocus speed, manual operation, image quality, lens reach, and video features that satisfy both serious hobbyists and semi-professionals.
The FP8, while charmingly compact and affordable, remains tethered to its 2009-era design limitations, restrictively automatic, and less flexible for ambitious imaging endeavors.
For the seasoned enthusiast or content creator seeking a reliable “do-it-all” superzoom bridge camera with substantial creative control - even at the expense of added bulk - the Panasonic FZ200 remains one of the best-value choices in its class.
Conversely, for casual shooters prioritizing sheer portability and simplicity who have low demands on zoom reach, manual control, or video quality, the FP8 still offers a lightweight solution, although one that would benefit from modern successors to match contemporary expectations.
Equipped with this comprehensive analysis, photographers can confidently align their choice between the Panasonic FP8 and FZ200 with their creative ambitions, budget, and handling preferences.
This review was compiled using extensive first-hand testing, technical measurements, and industry-standard evaluations to deliver balanced, authoritative insights grounded in experienced practice.
Panasonic FP8 vs Panasonic FZ200 Specifications
| Panasonic Lumix DMC-FP8 | Panasonic Lumix DMC-FZ200 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Panasonic |
| Model type | Panasonic Lumix DMC-FP8 | Panasonic Lumix DMC-FZ200 |
| Class | Ultracompact | Small Sensor Superzoom |
| Revealed | 2009-07-27 | 2012-07-18 |
| Body design | Ultracompact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | Venus Engine V | Venus Engine VII FHD |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4000 x 3000 | 4000 x 3000 |
| Max native ISO | 6400 | 3200 |
| Max enhanced ISO | - | 6400 |
| Minimum native ISO | 80 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 11 | 23 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-128mm (4.6x) | 25-600mm (24.0x) |
| Highest aperture | f/3.3-5.9 | f/2.8 |
| Macro focusing range | 5cm | 1cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display sizing | 2.7 inch | 3 inch |
| Display resolution | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display technology | - | Free-Angle TFT Screen LCD Display |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 1,312 thousand dot |
| Viewfinder coverage | - | 100% |
| Features | ||
| Min shutter speed | 60 secs | 60 secs |
| Max shutter speed | 1/1300 secs | 1/4000 secs |
| Continuous shutter speed | 2.0 frames/s | 12.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.50 m | 13.50 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Max flash sync | - | 1/4000 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 151 grams (0.33 pounds) | 588 grams (1.30 pounds) |
| Physical dimensions | 96 x 60 x 20mm (3.8" x 2.4" x 0.8") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
| DXO scores | ||
| DXO Overall rating | not tested | 37 |
| DXO Color Depth rating | not tested | 19.1 |
| DXO Dynamic range rating | not tested | 10.8 |
| DXO Low light rating | not tested | 114 |
| Other | ||
| Battery life | - | 540 pictures |
| Type of battery | - | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Cost at release | $300 | $499 |